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Wet ‘n’ Wild Your 15 Minutes Aren’t Up Color Icon Eyeshadow Trio

Wet 'n' Wild Your 15 Minutes Aren't Up Color Icon Eyeshadow Trio
Wet ‘n’ Wild Your 15 Minutes Aren’t Up Color Icon Eyeshadow Trio

Wet ‘n’ Wild Your 15 Minutes Aren’t Up Color Icon Eyeshadow Trio ($2.99 for 0.12 oz.) contains a yellow, purple, and medium-dark pink eyeshadow. It’s a limited edition trio that you may still find, or you may be out of luck. I’ve asked my local stores, and they haven’t heard anything, and I haven’t seen them myself (in-stores), but I know they’ve released elsewhere and been cleaned out quickly.

This post, more or less, is to let you know that your time (and money) might be better spent elsewhere. Initially, I was actually able to get some color to adhere and show up on the lid without using a creamy white base, but all of the colors just fade so quickly–in mere hours. Of course, though touted as long-wearing and highly-pigmented, all three shades were completely gone after four hours of wear without a primer. Over a regular primer, there was significant fading but a hint of color left after six hours (these eyeshadows just eat primer!), and then over NYX Milk, they lasted seven hours with some fading and had better color payoff, too.

Your 15 Minutes Aren’t Up #1 is a light-medium yellow with a satin finish. It had so-so color payoff, but it was very powdery and somewhat chalky, so it was very easily sheered out during application. Your best bet is to pat it on, and if possible, over something tacky/creamy. Fyrinnae Banana Mochi is more shimmery. MAC Bright Yellow is slightly lighter, more matte. See comparison swatches.

Your 15 Minutes Aren’t Up #2 is a medium purple with subtle cool undertones and a satiny, almost matte, finish. It was very powdery and somewhat chalky, and it suffered from the same issues as the yellow eyeshadow–incredibly prone to sheering out on the lid during application. NARS Flowers 1 #3 is more satin-like. MAC Spoiled Rich is warmer. MAC Shock-a-holic is brighter. Inglot #386 is slightly warmer. See comparison swatches.

Your 15 Minutes Aren’t Up #3 is a warm, medium-dark pink with a matte finish. Like the other two, it was powdery and chalky, but it was the least powdery and chalky of the three. It had so-so color payoff but did sheer out easily on the lid. Urban Decay Noise is cooler-toned. MAC Tease with Ease is more shimmery. MAC Gameela is redder. Guerlain Terra Azzurra #2 is cooler-toned. Dior Bow is darker. See comparison swatches.

There are three other trios, and I did take photos/swatches of all them (as well as I’ve tested them all) — how would you feel about me just posting swatches and just an overview (no dupes or shade-by-shade review)? I’d like to just kick ’em out, but it’s always hard for me to post without a full review! Let me know what you’d like to see in the comments 🙂

6
Product
7.5
Pigmentation
6
Texture
5
Longevity
3
Application
61%
Total
See All Glossovers

Also In This Review

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MAC Antonio Lopez 6 Eyes/Violet Eyeshadow Palette

MAC Antonio Lopez 6 Eyes/Violet Eyeshadow Palette
MAC Antonio Lopez 6 Eyes/Violet Eyeshadow Palette

MAC Antonio Lopez 6 Eyes/Violet Eyeshadow Palette ($43.50 for 0.19 oz.) is a new and limited edition palette that launches in-stores on September 12th. It contains six eyeshadows. Like the other eyeshadow palettes, it’s more of a miss than a hit, because the eyeshadows are not consistent and I didn’t feel like any of the eyeshadows in this palette were even great. A couple were decent to good, but it feels like a situation where you’re just impressed when one isn’t horrible. Carbon is the worst performer, and how dry and stiff it is makes you want to tear your hair out. Both Carbon and Envisioning Pink were significantly faded after six hours of wear.

Lithe Spirit is described as a “cool cream [with a Satin finish].” It’s a cool-toned, pale beige with a mostly matte finish. It had fairly good color payoff, was slightly dry/powdery, but it was workable. This is a repromote. Urban Decay Kinky is more beige. MAC Creamy Bisque is shimmery. MAC All Races is darker, purpler. See comparison swatches.

Envisioning Pink is described as a “mid-tone blue pink [with a Satin finish].” It is a cool-toned, blue-based, medum pink with a mostly matte finish. It was very powdery, so it was somewhat sheer but very prone to sheering out and fading during wear. MAC Feather Pink is lighter. MAC Pin-up Purple is darker. Bobbi Brown Ultra Violet is darker. See comparison swatches.

Violet Impact is described as a “vibrant violet [with a Veluxe Pearl finish].” It’s a pink-tinted violet purple with a soft, pearly sheen. It had so-so pigmentation, but the texture was a bit dry, so it was stiffer and more difficult to apply and blend on the lid. MAC Power Boosted is similar, slightly pinker. MAC Spoiled Rich is purpler, less shimmery. MAC Push the Edge is purpler, darker. Inglot #439 is much purpler. See comparison swatches.

Showgirl is described as a “dark blue grey [with a Veluxe Pearl finish].” It’s a medium, blue-based gray with a frosted finish. The texture was somewhat dry, almost flaky, so it didn’t apply as smoothly as I expected for a VP. The color payoff was fairly good, though. This is a repromote. theBalm Matt McDonald is darker. MAC Frozen Blue is lighter. MAC Cyber is lighter, cream. See comparison swatches.

Graphic Style is described as a “deep silver [with a Veluxe Pearl finish].” It’s a cool-toned, brown-tinged taupe with a soft, pearly finish. It had good color payoff, and the texture was fairly smooth. Urban Decay Armor is slightly warmer. Urban Decay Mushroom is warmer, lighter. MAC Dynamic Duo 3 #1 is less shimmery, darker. MAC Dangerously Cuvee is lighter, cream. MAC Moth Brown is less shimmery. MAC Electroplate is lighter. Inglot #434 is grayer, darker. See comparison swatches.

Carbon is described as an intense black [with a Matte finish].” It’s supposed to be a medium-dark black with a matte finish, but because the color payoff and texture are so poor, it’s really just a splotchy black. The texture is so stiff and dry that it is a total pain in the behind to apply and blend. There are plenty of black eyeshadows to choose from. See a few comparison swatches.

Also In This Review

B+

Lithe Spirit

Limited Edition
Read Review
D+

Envisioning Pink

Limited Edition
Read Review
B-

Violet Impact

Limited Edition
Read Review
B-

Showgirl

Limited Edition
Read Review
B+

Graphic Style

Limited Edition
Read Review
F

Carbon

Permanent
Read Review

MAC Antonio Lopez 6 Eyes/Creative Copper Eyeshadow Palette

MAC Antonio Lopez 6 Eyes/Creative Copper Eyeshadow Palette
MAC Antonio Lopez 6 Eyes/Creative Copper Eyeshadow Palette

MAC Antonio Lopez 6 Eyes/Creative Copper Eyeshadow Palette ($43.50 for 0.19 oz.) is a new and limited edition palette that launches in-stores on September 12th. It contains six eyeshadows with a warm-toned theme.  This palette is decent to good, though it’s not perfect and at the price point, you can find better-performing products.  If these are the types of colors you’d wear often and see yourself really reaching for this palette often, I think you’d probably still enjoy it. For one or two shades, though, it is less likely to be worth it.  These shades performed well enough to be worn alone without too much issues–most of them made it to eight hours of wear with minimal fading, though the Lustres had some fall out, which is par for the course with that finish.

Easy Gesture is described as a “pale warm beige [with a Frost finish].” It’s a light peach with slight beige tones and a soft, frosted finish. It had good color payoff and was easy to blend out on the skin. LORAC Nude is more beige. LORAC Champagne is warmer, more beige. Urban Decay Skimp is less frosted. Urban Decay Sellout is warmer. MAC Orb is less frosted. See comparison swatches.

Artistic License is described as a “mid-tone frosty pink gold [with a Veluxe Pearl finish].” It’s a warm, peachy-pink with a golden sheen. It had decent color payoff but is somewhat sheer. It could be softer, more buttery, for a Veluxe Pearl. Urban Decay X is similar. MAC Dynamic Duo 1 #1 has a less pronounced golden sheen. MAC Expensive Pink is more orange, darker. Chanel Intuition #1 is pinker. See comparison swatches.

Dear Cupcake is described as a “mid-tone coral pink [with a Satin finish].” It’s a light-mediu,, pink-coral with a mostly matte finish. It was powdery, and it had semi-opaque color payoff. It is a repromote. MAC Rose is pinker. MAC Free to Be and MAC Early Bird are both more coral, less pink. Chanel Rose Favorite is darker, pinker. See comparison swatches.

Creative Copper is described as a “sparkling true gold [with a Lustre finish].” It’s a medium-dark, brown-toned gold with copper sparkle. It had semi-opaque color payoff, but it had a Lustre finish, so it had chunky sparkle/glitter that sat on top and didn’t bind well with the underlying color. MAC Brownluxe #3 is more orange, less sparkly. theBalm Manic Maribel is slightly more coppery. Urban Decay Limelight is very similar. Urban Decay Penny Lane is more copper. MAC Retrospeck #2 is less sparkly, warmer. MAC Amber Lights is browner, less sparkly. MAC Up the Ante is browner, cream. See comparison swatches.

Golden Touch is described as a “tarnished taupe [with a Veluxe Pearl finish].” It’s a medium-dark, warm-toned brown with a golden sheen–but there’s a mutedness to it that I see as a “taupe” tint. It had good pigmentation, and it had a soft, blendable texture. Bobbi Brown Golden Bronze is darker, cream. Maybelline Downtown Brown is warmer. bareMinerals Schmooze is similar. Edward Bess Cosmic Bliss #2 is also similar. Urban Decay Suspect is more taupe. MAC Cactus Thorn is similar. MAC Patina is more taupe. Benefit Thanks a Latte is less warm-toned. See comparison swatches.

Carbonized is described as a “deep warm brown [with a Veluxe Pearl finish].” It’s a dark brown with warm, reddish undertones and a pearly sheen. It had nice color payoff and a soft, blendable texture. MAC Divine Decadence is lighter, warmer. LORAC Sable is more matte. Urban Decay West is more metallic. MAC Life’s Luxury is a cream product. MAC Make Your Mark is lighter. See comparison swatches.

Also In This Review

A-

Easy Gesture

Limited Edition
Read Review
B

Artistic License

Limited Edition
Read Review
B

Dear Cupcake

Limited Edition
Read Review
A-

Golden Touch

Limited Edition
Read Review
A

Carbonized

Limited Edition
Read Review
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MAC Antonio Lopez 6 Eyes/Teal Eyeshadow Palette

MAC Antonio Lopez 6 Eyes/Teal Eyeshadow Palette
MAC Antonio Lopez 6 Eyes/Teal Eyeshadow Palette

MAC Antonio Lopez 6 Eyes/Teal Eyeshadow Palette ($43.50 for 0.19 oz.) is a new and limited edition palette that launches in-stores on September 12th. It contains six eyeshadows. Like a lot of MAC’s limited edition palettes, it’s a mixed bag. Some shades performed decent to well, others were more disappointing. These perform best over a primer, and I wouldn’t recommend wearing them without one for two reasons: 1) they don’t last well  (six hours), and 2) Colourful Life is prone to staining without a primer.  Even though four of the six shades are decent, one is an abysmal failure and the other is only slightly less worse.

Sex & Disco is described as a “sparkling cool silver [with a Lustre finish].” It’s a lavender-tinted gray with silver sparkle. This shade embodies a true Lustre finish, as it was powdery, glittery, and sheer–it’s the type of texture that doesn’t bind together, so you’re left with sparkle that gets everywhere but the lid. A lot of the fall out ended up underneath the eye during application, but there were still a few stray sparkles after wearing it all day. MAC Time to Tango is darker, purpler. MAC Amethyst is warmer. MAC Silverwear is less sparkly. See comparison swatches.

Colourful Life is described as a “dark teal [with a Veluxe Pearl finish].” It’s a rich, jewel-toned teal that leans green and has a satiny sheen. It had fairly good color payoff, but it has a slightly dry, stiffer texture (doesn’t feel like a Veluxe Pearl). This shade is very prone to staining so I recommend wearing an opaque base underneath to prevent staining the lid (and washing brushes immediately after use). Fyrinnae Gender Bent is bluer. Milani Teal the Truth is bluer. Maybelline Edgy Emerald is lighter. MAC Surf USA is darker, slightly greener. Sugarpill Darling is warmer. Make Up For Ever #168 is greener. See comparison swatches.

Freshwater is described as a “mid-tone sparkling blue with blue pearl [with a Veluxe Pearl finish].” It’s a medium blue with a pearly sheen. It had good color payoff, and the texture was soft, though thinner/not as dense as my permanent pan of Freshwater. This shade is available individually as a permanent product. Disney Royal is more matte. CoverGirl Sapphire Flare is similar, slightly sparkly. Sugarpill Afterparty is brighter. NYX Kiss in Casablanca is darker. See comparison swatches.

Nighttrain is described as a “charcoal grey with crystalline frost [with a Lustre finish].” It’s a blackened gray with silver shimmer and a frosted finish. It had fairly good color payoff, was just slightly dry, and blended out decently. It felt more like a frost than a Lustre finish. It is also a repromote. MAC Deep Cravings is less shimmery. LORAC Slate is bluer. Urban Decay Asphalt is similar. Urban Decay Ace is slightly cooler-toned. Urban Decay Gunmetal is grayer. See comparison swatches.

Sketchbook is described as a “glittery blackened olive [with a Lustre finish].” It’s a dark, warm-toned olive brown with dirty gold sparkle and shimmer. It had a very stiff, dry texture that resulted in sheer, uneven color payoff. With a fluffy brush, I was able to get some color and blendability, but it’s a rather poor shade when all was said and done. It does have a Lustre finish, so the sheerer color payoff isn’t unexpected, but the dry, uneven application was. Dior Bonne Etoile #3 is less sparkly. MAC Gilt by Association is darker. Giorgio Armani #6 is less sparkly. See comparison swatches.

Fashion Legend is described as a “black with pink pearl [with a Lustre finish].” It’s a cool-toned, sooty black with very fine blue, violet, and pink shimmers (which you can’t really discern once applied–just looks like a soft black). It was a little dry but had semi-opaque color. The texture seemed more like a velvet than a lustre. Marc Jacobs The Mod #2 is slightly darker. bareMinerals Lights Down isn’t as cool-toned. See comparison swatches.

Also In This Review

D+

Sex & Disco

Limited Edition
Read Review
B+

Colourful Life

Limited Edition
Read Review
A-
A-

Nighttrain

Limited Edition
Read Review
F

Sketchbook

Limited Edition
Read Review
B-

Fashion Legend

Limited Edition
Read Review

Wet ‘n’ Wild A Regular at the Factory Color Icon Eyeshadow Trio

Wet 'n' Wild A Regular at the Factory Color Icon Eyeshadow Trio
Wet ‘n’ Wild A Regular at the Factory Color Icon Eyeshadow Trio

Wet ‘n’ Wild A Regular at the Factory Color Icon Eyeshadow Trio ($2.99 for 0.12 oz.) is a limited edition palette for summer, so you’ll have to hunt around your local drugstores for this one (I’ve yet to spot any of the Pop Art displays in my area, which means it hasn’t arrived yet or it has already sold out!). This was one of the “better” trios I tested, though it was still underwhelming, due to the incredible powderiness across the shades. These absolutely need to be worn over a primer, because they are prone to fading and creasing–they lasted a mere four hours before fading significantly without a primer–and even over primer, they didn’t last beyond eight hours.  They’re powdery, easily sheered out (but harder to build up), prone to fading, and really do not show why Color Icon eyeshadows were so coveted when they first debuted. (And Color Icon is a formula touted as highly pigmented and long-wearing.)

A Regular at the Factory #1 is a muted, light-medium yellow with a mostly matte finish. This shade was powdery, slightly chalky, so it was prone to sheering out when applied. It’s best to pat and pack it on and only blend the very edges as necessary. NARS Misfit #1 is less yellow. Make Up For Ever #102 is lighter. See comparison swatches.

A Regular at the Factory #2 is a medium, cyan blue with a matte finish. It had so-so color payoff as it was powdery, so the color didn’t bind well together, which gave it a slightly uneven appearance. Again, pat and pack on the eyeshadow to maximize the color and minimize the fall out–and if you have a slightly tacky base, even better. NARS Mad, Mad World #1 is darker. Milani Olympian Blue is much darker. MAC Electric Eel is slightly darker. Make Up For Ever #72 is similar. Make Up For Ever #118 is lighter. Inglot #371 is very similar. See comparison swatches.

A Regular at the Factory #3 is a brightened, medium orange with yellow undertones and a mostly matte finish. It had fairly good pigmentation, and it was the least powdery of the three. Fyrinnae Pyromantic Erotica is more shimmery. Disney Rajah is darker. Illamasqua Vulgar is slightly lighter. See comparison swatches.

6.5
Product
8.5
Pigmentation
7.5
Texture
6
Longevity
3.5
Application
71%
Total
See All Glossovers

Also In This Review

NARS Transvaal, Solomon Islands, Ubangi Eye Paints

NARS Transvaal Eye Paint
NARS Transvaal Eye Paint

NARS Transvaal Eye Paint ($25.00 for 0.08 oz.) is described as a “grey.” It’s a medium-dark, neutral-cool gray with a mostly matte finish. It was intensely pigmented and very creamy. NARS Madison Ave. is bluer, darker. Maybelline Audacious Asphalt is shimmery, warmer. See comparison swatches.

Solomon Islands is described as “turquoise blue.” It’s a medium-dark blue with a hint of teal/green to give it a more turquoise coloring. It has a matte finish and rich color payoff. MAC Mountain Air is darker and pearly, but it was the only turquoise-ish cream eyeshadow/eyeliner I could think of to compare. See comparison swatches.

Ubangi is described as a “black with blue shimmer.” It’s a cool-toned black with medium blue and navy blue micro-shimmer. This particular shade had a very slippery consistency–it was wetter than the others–and the color payoff was less intense as it had a tendency to sheer out. Urban Decay Sabbath is bluer. MAC Night Trail is similar. MAC Petrol Blue is lighter, bluer. MAC Waveline is lighter, less shimmery. bareMinerals Noon is more muted. See comparison swatches.

Please refer to my original review here for a more in-depth look at the formula as a whole. To recap, Eye Paints are designed to be a long-wearing, highly-pigmented gel formula that can be used as an eyeshadow or as an eyeliner. I applied each shade using NARS’ #38 brush to mimic applying it as an eyeliner (narrow swatch) and then applied the same color with the horizontal edge of the #38 to mimic applying it as an all-over lid color (wide swatch). The formua’s strength is its creaminess and intense color payoff, but it dries and sets very quickly so it can be difficult to blend the shades together or soften the edges if you do not work quickly.

As a cream eyeshadow, the wear is just okay; there is some fading apparent after six to seven hours, and Ubangi seemed more prone to fading than the other two shades. I did not experience creasing with any of these shades. When worn as an eyeliner, Solomon Islands did not fade or migrate, and it seemed to last quite well over a nine-hour period. These definitely perform best as eyeliners, less so as cream eyeshadows. If you want to use them as a base, they wear well with powder eyeshadow on top–no creasing or fading after ten hours of wear.

See more photos & swatches!