Make Up For Ever Neutrals Artist Color Shadows Reviews, Photos, Swatches
D716 Crystalline Papaya
Make Up For Ever D716 Crystalline Papaya Artist Color Shadow ($17.00 for 0.08 oz.) is a light, peachy white with subtle, warm undertones and flecks of pink and gold sparkle. It had semi-opaque pigmentation that was buildable to full coverage with two layers or a dampened brush. The texture was drier to the touch and felt denser than the previous version, and the previous version was creamier and had a bit less fallout over time as well (see side-by-side comparison). The new version blended out well and lasted for 10 hours on me but had slight fallout over time.
FURTHER READING: Formula Overview for details on general performance and characteristics (like scent).
Top Dupes
- Dior Grand Bal #2 (PiP, ) is less shimmery (95% similar).
- ColourPop North Pole (LE, $4.50) is more shimmery, warmer (95% similar).
- Lancome Rose Satin (LE, $26.00) is darker, cooler (90% similar).
- Smashbox Opal Rose (LE, ) is brighter (90% similar).
- ColourPop Stanza (LE, $4.50) is more shimmery, warmer (90% similar).
- Urban Decay Royal Flush (LE, $19.00) is cooler (90% similar).
- MAC Starry Eyed (LE, $17.00) is more shimmery, cooler (90% similar).
- Dior Soft Cashmere #2 (PiP, ) is less shimmery, cooler (90% similar).
- Natasha Denona Golden Beige (52M) (P, $29.00) is more shimmery (90% similar).
- Make Up For Ever D716 Crystalline Papaya (DC, $21.00) is less shimmery, more pigmented, better quality (90% similar).
Formula Overview
$17.00/0.08 oz. - $212.50 Per Ounce
The original Artist Shadow formula had a creamier, slightly softer, and thicker feel for finishes like Metallic, Iridescent, and Satin, while I felt the original Diamond finish was denser/thicker (heavier almost) and the Matte finish was more powdery but similar in softness and pigmentation (I did not find the original Mattes to be ultra pigmented across the board--semi-opaque to opaque, buildable, which you can see in my original swatches here). By and large, I found the formula to be easy to work with and did not have to spend a lot of time blending or fussing with the shades on the lid.
The new Matte formula has a smoother consistency that has more slip to the touch with less powderiness in the pan, but the pigmentation did seem slightly weaker on average compared to the original formula. The pigmentation of the new Matte formula was still semi-opaque to opaque and buildable but I felt like there were just more shades that were closer to semi-opaque than to opaque.
However, shades like M402 Mimosa showed improvement, as it used to be a Satin (see here) and not as easy to work with due to the denser texture. A lot of the shades were similar in color between the formulas, but there were a few that were not (M546 Dark Purple Taupe was a shade with more significant changes; the new version is warmer and lighter).
Overall, I did not have any issues applying most of the matte shades to the lid, blending them out, or building up coverage. They lasted between nine and ten hours on me, which was actually a bit longer (on average) compared to the original formula, where the mattes tended to wear between seven and eight hours on me (without primer).
The new Satin formula was the most different; it had weaker pigmentation, felt denser and drier with less give and creaminess. In practice, I did not feel like application was harder or noticeably different other than feeling like more of the shades required two layers for more opaque coverage, though some of the more neutral shades were fairly pigmented in a single layer. I also noticed that this particular finish seemed to be the most culled; there weren't that many shades in it, and I wonder if they did not sell well or something about the finish is harder to produce.
There were significant differences in color (and/or undertone) between shades in the new formula and old formula (with the same names) within this finish, too, where most were different rather than only a handful being different. The pigmentation of the new Satin formula was typically semi-opaque and buildable, while they applied evenly, blended out without much effort, and lasted between eight and ten hours (without primer).
The new Iridescent formula was the second most different and more comparable to the Satin finish in terms of overall feel and performance, just with larger shimmer/micro-sparkle. The new formula has a denser consistency (almost "drier" and with less slip) and didn't feel as cream-like, but the powder seemed to pickup better with most brushes and was more consistent in the actual finish--pearly with sparkle--whereas the original formula varied more heavily between pearly and metallic, sparkle and finer shimmer.
There were, however, more substantial color and undertone differences between old and new within this formula, like I saw with the Satin formula. Overall, I did not experience any significant issues applying most of the shades to the lid--they were semi-opaque to opaque, fairly buildable, blendable, and long-wearing (eight to ten hours).
The new Metallic formula was the most consistent between old and new for overall feel, performance, and color. There were, of course, a few shades that seemed lighter/darker, cooler/warmer compared to the previous versions, and all those notes will be made within the respective shade's review. I think the new Metallic finish has a more flattering look on the lid, as the consistency wasn't quite as thick, which should make it apply and appear smoother on the lid for more people.
There were several shades that seemed slightly deeper or less reflective, while others were as reflective as past versions. The majority of the shades of this finish were very pigmented with a moderately dense, lightly creamy texture that blended out well on the lid and wore between nine and ten hours on me.
The new Diamond finish was noticeably less dense/thick, particularly on the lid, which did make it easier to spread across a larger area and easier to pickup with more types of brushes. I was worried that there would be more fallout, but I haven't noticeable much fallout with the new Diamond shades over the eight to ten hours they last for.
Most of them had good pigmentation, though there were a few that were weaker (medium to semi-opaque coverage); a shade like D410 Gold Nugget was a weaker shade before and still is while D326 Lagoon Blue is significantly less pigmented in the new formula.
As I typically do with new eyeshadow formulas, I tested a few shades from each finish over various primers, as I like to see how new formulas interact with different types of primers and if there are any unexpected consequences of using primers (I felt that some of the more silicone-heavy Artist Shadows from before actually applied better without primer).
I didn't notice any ill effects of using primers like Smashbox 24-Hour, Marc Jacobs Coconut Eye Primer, Too Faced Shadow Insurance, or Urban Decay Primer Potion. They all seemed to just help with wear, and with some of the shades that felt drier or had weaker pigmentation, the use of primer seemed to improve initial coverage levels, too.
Browse all of our Make Up For Ever Artist Color Shadow swatches.
Ingredients
D716 Crystalline Papaya
PPermanent. $17.00.
I538 Pearly Gray Beige
Make Up For Ever I538 Pearly Gray Beige Artist Color Shadow ($17.00 for 0.08 oz.) is a light-medium, golden brown with warm undertones and a metallic sheen. It had excellent pigmentation with a smooth, lightly creamy texture that applied beautifully to the skin and diffused easily along the edges. The texture was moderately dense in the pan but not too firmly nor too softly pressed in the pan, which made for easy application. It wore well for 10 hours on me before creasing faintly. The new version is slightly lighter and more shimmery than the original shade (see side-by-side comparison).
FURTHER READING: Formula Overview for details on general performance and characteristics (like scent).
Top Dupes
- MAC Sweet Sovereign (LE, $17.00) is lighter (95% similar).
- Too Faced New Romantic (PiP, $16.00) is less shimmery (95% similar).
- NARS Bonifacio (DC, $25.00) is less shimmery, darker (90% similar).
- Too Faced Pineapple Cooler (PiP, $16.00) is less shimmery, lighter, cooler (90% similar).
- MAC Joy Toy (LE, $20.00) is darker (90% similar).
- ColourPop Truth (P, $6.00) is lighter (90% similar).
- Giorgio Armani #10 (P, $32.00) is darker, cooler (90% similar).
- Tom Ford Beauty Breathless (LE, $36.00) is cooler (90% similar).
- Anastasia Amber (P, $12.00) is more shimmery, darker (90% similar).
- Clinique Cream Pop (P, $17.00) is lighter (90% similar).
Formula Overview
$17.00/0.08 oz. - $212.50 Per Ounce
The original Artist Shadow formula had a creamier, slightly softer, and thicker feel for finishes like Metallic, Iridescent, and Satin, while I felt the original Diamond finish was denser/thicker (heavier almost) and the Matte finish was more powdery but similar in softness and pigmentation (I did not find the original Mattes to be ultra pigmented across the board--semi-opaque to opaque, buildable, which you can see in my original swatches here). By and large, I found the formula to be easy to work with and did not have to spend a lot of time blending or fussing with the shades on the lid.
The new Matte formula has a smoother consistency that has more slip to the touch with less powderiness in the pan, but the pigmentation did seem slightly weaker on average compared to the original formula. The pigmentation of the new Matte formula was still semi-opaque to opaque and buildable but I felt like there were just more shades that were closer to semi-opaque than to opaque.
However, shades like M402 Mimosa showed improvement, as it used to be a Satin (see here) and not as easy to work with due to the denser texture. A lot of the shades were similar in color between the formulas, but there were a few that were not (M546 Dark Purple Taupe was a shade with more significant changes; the new version is warmer and lighter).
Overall, I did not have any issues applying most of the matte shades to the lid, blending them out, or building up coverage. They lasted between nine and ten hours on me, which was actually a bit longer (on average) compared to the original formula, where the mattes tended to wear between seven and eight hours on me (without primer).
The new Satin formula was the most different; it had weaker pigmentation, felt denser and drier with less give and creaminess. In practice, I did not feel like application was harder or noticeably different other than feeling like more of the shades required two layers for more opaque coverage, though some of the more neutral shades were fairly pigmented in a single layer. I also noticed that this particular finish seemed to be the most culled; there weren't that many shades in it, and I wonder if they did not sell well or something about the finish is harder to produce.
There were significant differences in color (and/or undertone) between shades in the new formula and old formula (with the same names) within this finish, too, where most were different rather than only a handful being different. The pigmentation of the new Satin formula was typically semi-opaque and buildable, while they applied evenly, blended out without much effort, and lasted between eight and ten hours (without primer).
The new Iridescent formula was the second most different and more comparable to the Satin finish in terms of overall feel and performance, just with larger shimmer/micro-sparkle. The new formula has a denser consistency (almost "drier" and with less slip) and didn't feel as cream-like, but the powder seemed to pickup better with most brushes and was more consistent in the actual finish--pearly with sparkle--whereas the original formula varied more heavily between pearly and metallic, sparkle and finer shimmer.
There were, however, more substantial color and undertone differences between old and new within this formula, like I saw with the Satin formula. Overall, I did not experience any significant issues applying most of the shades to the lid--they were semi-opaque to opaque, fairly buildable, blendable, and long-wearing (eight to ten hours).
The new Metallic formula was the most consistent between old and new for overall feel, performance, and color. There were, of course, a few shades that seemed lighter/darker, cooler/warmer compared to the previous versions, and all those notes will be made within the respective shade's review. I think the new Metallic finish has a more flattering look on the lid, as the consistency wasn't quite as thick, which should make it apply and appear smoother on the lid for more people.
There were several shades that seemed slightly deeper or less reflective, while others were as reflective as past versions. The majority of the shades of this finish were very pigmented with a moderately dense, lightly creamy texture that blended out well on the lid and wore between nine and ten hours on me.
The new Diamond finish was noticeably less dense/thick, particularly on the lid, which did make it easier to spread across a larger area and easier to pickup with more types of brushes. I was worried that there would be more fallout, but I haven't noticeable much fallout with the new Diamond shades over the eight to ten hours they last for.
Most of them had good pigmentation, though there were a few that were weaker (medium to semi-opaque coverage); a shade like D410 Gold Nugget was a weaker shade before and still is while D326 Lagoon Blue is significantly less pigmented in the new formula.
As I typically do with new eyeshadow formulas, I tested a few shades from each finish over various primers, as I like to see how new formulas interact with different types of primers and if there are any unexpected consequences of using primers (I felt that some of the more silicone-heavy Artist Shadows from before actually applied better without primer).
I didn't notice any ill effects of using primers like Smashbox 24-Hour, Marc Jacobs Coconut Eye Primer, Too Faced Shadow Insurance, or Urban Decay Primer Potion. They all seemed to just help with wear, and with some of the shades that felt drier or had weaker pigmentation, the use of primer seemed to improve initial coverage levels, too.
Browse all of our Make Up For Ever Artist Color Shadow swatches.
Ingredients
I538 Pearly Gray Beige
PPermanent. $17.00.
ME554 Gunmetal
Make Up For Ever ME554 Gunmetal Artist Color Shadow ($17.00 for 0.08 oz.) is a medium, taupe-brown with subtle, warm undertones and a cooler, silvery metallic sheen. It had rich color coverage in a single layer, which applied evenly and smoothly to my lid. The texture was moderately dense, creamy enough to blend out nicely on the lid but did not feel thick or heavy on the lid. It wore well for 10 and a half hours on me before fading a bit. The color was very similar to the previous version, though I’d say the finish wasn’t quite as shiny (see side-by-side comparison).
FURTHER READING: Formula Overview for details on general performance and characteristics (like scent).
Top Dupes
- Make Up For Ever ME554 Gunmetal (DC, $21.00) is more shimmery, lighter (95% similar).
- Fenty Beauty Risky Richez (PiP, ) is less shimmery, lighter, cooler (95% similar).
- Chantecaille Triton (P, $34.00) is cooler (85% similar).
- NARS Stud (DC, $25.00) is more shimmery (90% similar).
- Tarte Rocker (PiP, ) is lighter (90% similar).
- Smashbox Smoke Break (PiP, ) is darker (90% similar).
- Sydney Grace Somber (P, $5.00) is less shimmery, cooler (90% similar).
- LORAC Chrome (PiP, $19.00) is less shimmery, darker, warmer (90% similar).
- Coloured Raine Iconic (LE, $6.99) is darker (90% similar).
- Tom Ford Beauty Moonlit Violet #1 (LE, ) is less shimmery, lighter, cooler (90% similar).
Formula Overview
$17.00/0.08 oz. - $212.50 Per Ounce
The original Artist Shadow formula had a creamier, slightly softer, and thicker feel for finishes like Metallic, Iridescent, and Satin, while I felt the original Diamond finish was denser/thicker (heavier almost) and the Matte finish was more powdery but similar in softness and pigmentation (I did not find the original Mattes to be ultra pigmented across the board--semi-opaque to opaque, buildable, which you can see in my original swatches here). By and large, I found the formula to be easy to work with and did not have to spend a lot of time blending or fussing with the shades on the lid.
The new Matte formula has a smoother consistency that has more slip to the touch with less powderiness in the pan, but the pigmentation did seem slightly weaker on average compared to the original formula. The pigmentation of the new Matte formula was still semi-opaque to opaque and buildable but I felt like there were just more shades that were closer to semi-opaque than to opaque.
However, shades like M402 Mimosa showed improvement, as it used to be a Satin (see here) and not as easy to work with due to the denser texture. A lot of the shades were similar in color between the formulas, but there were a few that were not (M546 Dark Purple Taupe was a shade with more significant changes; the new version is warmer and lighter).
Overall, I did not have any issues applying most of the matte shades to the lid, blending them out, or building up coverage. They lasted between nine and ten hours on me, which was actually a bit longer (on average) compared to the original formula, where the mattes tended to wear between seven and eight hours on me (without primer).
The new Satin formula was the most different; it had weaker pigmentation, felt denser and drier with less give and creaminess. In practice, I did not feel like application was harder or noticeably different other than feeling like more of the shades required two layers for more opaque coverage, though some of the more neutral shades were fairly pigmented in a single layer. I also noticed that this particular finish seemed to be the most culled; there weren't that many shades in it, and I wonder if they did not sell well or something about the finish is harder to produce.
There were significant differences in color (and/or undertone) between shades in the new formula and old formula (with the same names) within this finish, too, where most were different rather than only a handful being different. The pigmentation of the new Satin formula was typically semi-opaque and buildable, while they applied evenly, blended out without much effort, and lasted between eight and ten hours (without primer).
The new Iridescent formula was the second most different and more comparable to the Satin finish in terms of overall feel and performance, just with larger shimmer/micro-sparkle. The new formula has a denser consistency (almost "drier" and with less slip) and didn't feel as cream-like, but the powder seemed to pickup better with most brushes and was more consistent in the actual finish--pearly with sparkle--whereas the original formula varied more heavily between pearly and metallic, sparkle and finer shimmer.
There were, however, more substantial color and undertone differences between old and new within this formula, like I saw with the Satin formula. Overall, I did not experience any significant issues applying most of the shades to the lid--they were semi-opaque to opaque, fairly buildable, blendable, and long-wearing (eight to ten hours).
The new Metallic formula was the most consistent between old and new for overall feel, performance, and color. There were, of course, a few shades that seemed lighter/darker, cooler/warmer compared to the previous versions, and all those notes will be made within the respective shade's review. I think the new Metallic finish has a more flattering look on the lid, as the consistency wasn't quite as thick, which should make it apply and appear smoother on the lid for more people.
There were several shades that seemed slightly deeper or less reflective, while others were as reflective as past versions. The majority of the shades of this finish were very pigmented with a moderately dense, lightly creamy texture that blended out well on the lid and wore between nine and ten hours on me.
The new Diamond finish was noticeably less dense/thick, particularly on the lid, which did make it easier to spread across a larger area and easier to pickup with more types of brushes. I was worried that there would be more fallout, but I haven't noticeable much fallout with the new Diamond shades over the eight to ten hours they last for.
Most of them had good pigmentation, though there were a few that were weaker (medium to semi-opaque coverage); a shade like D410 Gold Nugget was a weaker shade before and still is while D326 Lagoon Blue is significantly less pigmented in the new formula.
As I typically do with new eyeshadow formulas, I tested a few shades from each finish over various primers, as I like to see how new formulas interact with different types of primers and if there are any unexpected consequences of using primers (I felt that some of the more silicone-heavy Artist Shadows from before actually applied better without primer).
I didn't notice any ill effects of using primers like Smashbox 24-Hour, Marc Jacobs Coconut Eye Primer, Too Faced Shadow Insurance, or Urban Decay Primer Potion. They all seemed to just help with wear, and with some of the shades that felt drier or had weaker pigmentation, the use of primer seemed to improve initial coverage levels, too.
Browse all of our Make Up For Ever Artist Color Shadow swatches.
Ingredients
ME554 Gunmetal
PPermanent. $17.00.
D652 Celestial Earth
Make Up For Ever D652 Celestial Earth Artist Color Shadow ($17.00 for 0.08 oz.) is a deep bronze with warm undertones and a metallic sheen. It was richly pigmented and had a smooth, lightly creamy texture that felt dense without being too thick or too heavy on the lid. The eyeshadow applied evenly to my bare skin and blended out with ease. This shade wore well for just over 10 and a half hours on me. They were more similar in person (compared to the side-by-side), but the new version was definitely darker and slightly more red-toned overall (see side-by-side comparison).
FURTHER READING: Formula Overview for details on general performance and characteristics (like scent).
Top Dupes
- LORAC Brown Sugar (LE, $19.00) is less shimmery, darker (95% similar).
- Charlotte Tilbury Fire Rose (Enhance) (LE, ) is darker (95% similar).
- MAC Handsome Prince (LE, $21.00) is cooler (95% similar).
- MAC Her Cocoa #4 (LE, $17.00) is lighter (95% similar).
- Melt Cosmetics Redox (PiP, ) is more shimmery (95% similar).
- Tarte Whiskey (LE, $14.00) is lighter, warmer (90% similar).
- Clarins The Essentials #7 (LE, ) is less shimmery, darker (90% similar).
- Edward Bess Cosmic Bliss #4 (PiP, $30.00) is warmer (90% similar).
- KVD Beauty Papilio (DC, ) is warmer (90% similar).
- ColourPop Boy Band (LE, $6.00) is lighter (90% similar).
Formula Overview
$17.00/0.08 oz. - $212.50 Per Ounce
The original Artist Shadow formula had a creamier, slightly softer, and thicker feel for finishes like Metallic, Iridescent, and Satin, while I felt the original Diamond finish was denser/thicker (heavier almost) and the Matte finish was more powdery but similar in softness and pigmentation (I did not find the original Mattes to be ultra pigmented across the board--semi-opaque to opaque, buildable, which you can see in my original swatches here). By and large, I found the formula to be easy to work with and did not have to spend a lot of time blending or fussing with the shades on the lid.
The new Matte formula has a smoother consistency that has more slip to the touch with less powderiness in the pan, but the pigmentation did seem slightly weaker on average compared to the original formula. The pigmentation of the new Matte formula was still semi-opaque to opaque and buildable but I felt like there were just more shades that were closer to semi-opaque than to opaque.
However, shades like M402 Mimosa showed improvement, as it used to be a Satin (see here) and not as easy to work with due to the denser texture. A lot of the shades were similar in color between the formulas, but there were a few that were not (M546 Dark Purple Taupe was a shade with more significant changes; the new version is warmer and lighter).
Overall, I did not have any issues applying most of the matte shades to the lid, blending them out, or building up coverage. They lasted between nine and ten hours on me, which was actually a bit longer (on average) compared to the original formula, where the mattes tended to wear between seven and eight hours on me (without primer).
The new Satin formula was the most different; it had weaker pigmentation, felt denser and drier with less give and creaminess. In practice, I did not feel like application was harder or noticeably different other than feeling like more of the shades required two layers for more opaque coverage, though some of the more neutral shades were fairly pigmented in a single layer. I also noticed that this particular finish seemed to be the most culled; there weren't that many shades in it, and I wonder if they did not sell well or something about the finish is harder to produce.
There were significant differences in color (and/or undertone) between shades in the new formula and old formula (with the same names) within this finish, too, where most were different rather than only a handful being different. The pigmentation of the new Satin formula was typically semi-opaque and buildable, while they applied evenly, blended out without much effort, and lasted between eight and ten hours (without primer).
The new Iridescent formula was the second most different and more comparable to the Satin finish in terms of overall feel and performance, just with larger shimmer/micro-sparkle. The new formula has a denser consistency (almost "drier" and with less slip) and didn't feel as cream-like, but the powder seemed to pickup better with most brushes and was more consistent in the actual finish--pearly with sparkle--whereas the original formula varied more heavily between pearly and metallic, sparkle and finer shimmer.
There were, however, more substantial color and undertone differences between old and new within this formula, like I saw with the Satin formula. Overall, I did not experience any significant issues applying most of the shades to the lid--they were semi-opaque to opaque, fairly buildable, blendable, and long-wearing (eight to ten hours).
The new Metallic formula was the most consistent between old and new for overall feel, performance, and color. There were, of course, a few shades that seemed lighter/darker, cooler/warmer compared to the previous versions, and all those notes will be made within the respective shade's review. I think the new Metallic finish has a more flattering look on the lid, as the consistency wasn't quite as thick, which should make it apply and appear smoother on the lid for more people.
There were several shades that seemed slightly deeper or less reflective, while others were as reflective as past versions. The majority of the shades of this finish were very pigmented with a moderately dense, lightly creamy texture that blended out well on the lid and wore between nine and ten hours on me.
The new Diamond finish was noticeably less dense/thick, particularly on the lid, which did make it easier to spread across a larger area and easier to pickup with more types of brushes. I was worried that there would be more fallout, but I haven't noticeable much fallout with the new Diamond shades over the eight to ten hours they last for.
Most of them had good pigmentation, though there were a few that were weaker (medium to semi-opaque coverage); a shade like D410 Gold Nugget was a weaker shade before and still is while D326 Lagoon Blue is significantly less pigmented in the new formula.
As I typically do with new eyeshadow formulas, I tested a few shades from each finish over various primers, as I like to see how new formulas interact with different types of primers and if there are any unexpected consequences of using primers (I felt that some of the more silicone-heavy Artist Shadows from before actually applied better without primer).
I didn't notice any ill effects of using primers like Smashbox 24-Hour, Marc Jacobs Coconut Eye Primer, Too Faced Shadow Insurance, or Urban Decay Primer Potion. They all seemed to just help with wear, and with some of the shades that felt drier or had weaker pigmentation, the use of primer seemed to improve initial coverage levels, too.
Browse all of our Make Up For Ever Artist Color Shadow swatches.
Ingredients
D652 Celestial Earth
PPermanent. $17.00.
M738 Auburn
Make Up For Ever M738 Auburn Artist Color Shadow ($17.00 for 0.08 oz.) is a muted, medium-dark rusty copper with warm, red undertones and a matte finish. It had opaque pigmentation with a smooth, soft consistency that was blendable and easy to work with on bare skin. The color lasted well for 10 hours on my lids as well as cheeks before fading noticeably. The color seemed to be slightly more red-based in the new formula, while the finish had more of a “natural matte” appearance–less dry, less flat–compared to the original formula, and I found the new formula to be more blendable on the eye (see side-by-side comparison).
As far as I can tell, there are still shades within the Artist Color Shadow range that aren’t listed as eye safe (in the U.S.), though this information appears in the form of a “face” symbol on the underside of the physical shadow (as opposed to an “eye” symbol). This same type of symbol system was used on their loose and liquid Star Lit products, and if they were appropriate for multiple areas, the label included multiple symbols (like an eye, face, and set of lips). This shade did not have an eye symbol on its label.
FURTHER READING: Formula Overview for details on general performance and characteristics (like scent).
Top Dupes
- Make Up For Ever M738 Auburn (DC, $21.00) is lighter, warmer (95% similar).
- Melt Cosmetics Break Up (PiP, ) is lighter (95% similar).
- ColourPop Flower Power (LE, $4.50) is lighter (95% similar).
- Smashbox Sienna (P, $22.00) is lighter, warmer (95% similar).
- ColourPop Dream Catcher (PiP, $4.50) is darker, brighter, warmer (95% similar).
- ColourPop So Elusive (LE, $4.50) is cooler (95% similar).
- Charlotte Tilbury Copper Charge #4 (PiP, ) is darker, warmer (95% similar).
- Viseart Grande Pro (Vol. 1) #5 (LE, ) is lighter (95% similar).
- Pat McGrath Burnished Honey (DC, $25.00) is darker (90% similar).
- ColourPop Criss Cross (P, $4.50) is lighter, brighter (90% similar).
Formula Overview
$17.00/0.08 oz. - $212.50 Per Ounce
The original Artist Shadow formula had a creamier, slightly softer, and thicker feel for finishes like Metallic, Iridescent, and Satin, while I felt the original Diamond finish was denser/thicker (heavier almost) and the Matte finish was more powdery but similar in softness and pigmentation (I did not find the original Mattes to be ultra pigmented across the board--semi-opaque to opaque, buildable, which you can see in my original swatches here). By and large, I found the formula to be easy to work with and did not have to spend a lot of time blending or fussing with the shades on the lid.
The new Matte formula has a smoother consistency that has more slip to the touch with less powderiness in the pan, but the pigmentation did seem slightly weaker on average compared to the original formula. The pigmentation of the new Matte formula was still semi-opaque to opaque and buildable but I felt like there were just more shades that were closer to semi-opaque than to opaque.
However, shades like M402 Mimosa showed improvement, as it used to be a Satin (see here) and not as easy to work with due to the denser texture. A lot of the shades were similar in color between the formulas, but there were a few that were not (M546 Dark Purple Taupe was a shade with more significant changes; the new version is warmer and lighter).
Overall, I did not have any issues applying most of the matte shades to the lid, blending them out, or building up coverage. They lasted between nine and ten hours on me, which was actually a bit longer (on average) compared to the original formula, where the mattes tended to wear between seven and eight hours on me (without primer).
The new Satin formula was the most different; it had weaker pigmentation, felt denser and drier with less give and creaminess. In practice, I did not feel like application was harder or noticeably different other than feeling like more of the shades required two layers for more opaque coverage, though some of the more neutral shades were fairly pigmented in a single layer. I also noticed that this particular finish seemed to be the most culled; there weren't that many shades in it, and I wonder if they did not sell well or something about the finish is harder to produce.
There were significant differences in color (and/or undertone) between shades in the new formula and old formula (with the same names) within this finish, too, where most were different rather than only a handful being different. The pigmentation of the new Satin formula was typically semi-opaque and buildable, while they applied evenly, blended out without much effort, and lasted between eight and ten hours (without primer).
The new Iridescent formula was the second most different and more comparable to the Satin finish in terms of overall feel and performance, just with larger shimmer/micro-sparkle. The new formula has a denser consistency (almost "drier" and with less slip) and didn't feel as cream-like, but the powder seemed to pickup better with most brushes and was more consistent in the actual finish--pearly with sparkle--whereas the original formula varied more heavily between pearly and metallic, sparkle and finer shimmer.
There were, however, more substantial color and undertone differences between old and new within this formula, like I saw with the Satin formula. Overall, I did not experience any significant issues applying most of the shades to the lid--they were semi-opaque to opaque, fairly buildable, blendable, and long-wearing (eight to ten hours).
The new Metallic formula was the most consistent between old and new for overall feel, performance, and color. There were, of course, a few shades that seemed lighter/darker, cooler/warmer compared to the previous versions, and all those notes will be made within the respective shade's review. I think the new Metallic finish has a more flattering look on the lid, as the consistency wasn't quite as thick, which should make it apply and appear smoother on the lid for more people.
There were several shades that seemed slightly deeper or less reflective, while others were as reflective as past versions. The majority of the shades of this finish were very pigmented with a moderately dense, lightly creamy texture that blended out well on the lid and wore between nine and ten hours on me.
The new Diamond finish was noticeably less dense/thick, particularly on the lid, which did make it easier to spread across a larger area and easier to pickup with more types of brushes. I was worried that there would be more fallout, but I haven't noticeable much fallout with the new Diamond shades over the eight to ten hours they last for.
Most of them had good pigmentation, though there were a few that were weaker (medium to semi-opaque coverage); a shade like D410 Gold Nugget was a weaker shade before and still is while D326 Lagoon Blue is significantly less pigmented in the new formula.
As I typically do with new eyeshadow formulas, I tested a few shades from each finish over various primers, as I like to see how new formulas interact with different types of primers and if there are any unexpected consequences of using primers (I felt that some of the more silicone-heavy Artist Shadows from before actually applied better without primer).
I didn't notice any ill effects of using primers like Smashbox 24-Hour, Marc Jacobs Coconut Eye Primer, Too Faced Shadow Insurance, or Urban Decay Primer Potion. They all seemed to just help with wear, and with some of the shades that felt drier or had weaker pigmentation, the use of primer seemed to improve initial coverage levels, too.
Browse all of our Make Up For Ever Artist Color Shadow swatches.
Ingredients
M738 Auburn
PPermanent. $17.00.
M608 Red Brown
Make Up For Ever M608 Red Brown Artist Color Shadow ($17.00 for 0.08 oz.) is a muted, dark brown with subtle, warm red undertones and a matte finish. The pigmentation was good, though not quite opaque in one layer but was buildable to opaque coverage with a second layer. The consistency was soft, a smidgen dusty but rather smooth and almost velvety to the touch. The eyeshadow blended out easily on the lid with little effort and combined well with the various finishes in the range. On me, it wore well for 10 hours before fading slightly. The original shade was slightly warmer and more pigmented, though the new formula blended out more easily on bare skin for me (the two were about the same over primer) (see side-by-side comparison).
FURTHER READING: Formula Overview for details on general performance and characteristics (like scent).
Top Dupes
- Blackbird Cosmetics Ruca (DC, $8.00) is lighter (95% similar).
- MAC Swiss Chocolate (P, $17.00) is more muted (95% similar).
- ColourPop Who (LE, $4.50) is cooler (95% similar).
- Smashbox Miss Chili (PiP, ) is darker (95% similar).
- LORAC Mahogany (Mega Pro 4) (LE, $19.00) is darker (95% similar).
- Anastasia Back Rolls (LE, $12.00) is darker (95% similar).
- Clarins Flame #3 (PiP, ) is lighter, cooler (95% similar).
- Make Up For Ever M608 Red Brown (DC, $21.00) is brighter (95% similar).
- Tom Ford Beauty Videotape (LE, $36.00) is more shimmery (95% similar).
- Persona Audacious (PiP, ) is lighter, warmer (95% similar).
Formula Overview
$17.00/0.08 oz. - $212.50 Per Ounce
The original Artist Shadow formula had a creamier, slightly softer, and thicker feel for finishes like Metallic, Iridescent, and Satin, while I felt the original Diamond finish was denser/thicker (heavier almost) and the Matte finish was more powdery but similar in softness and pigmentation (I did not find the original Mattes to be ultra pigmented across the board--semi-opaque to opaque, buildable, which you can see in my original swatches here). By and large, I found the formula to be easy to work with and did not have to spend a lot of time blending or fussing with the shades on the lid.
The new Matte formula has a smoother consistency that has more slip to the touch with less powderiness in the pan, but the pigmentation did seem slightly weaker on average compared to the original formula. The pigmentation of the new Matte formula was still semi-opaque to opaque and buildable but I felt like there were just more shades that were closer to semi-opaque than to opaque.
However, shades like M402 Mimosa showed improvement, as it used to be a Satin (see here) and not as easy to work with due to the denser texture. A lot of the shades were similar in color between the formulas, but there were a few that were not (M546 Dark Purple Taupe was a shade with more significant changes; the new version is warmer and lighter).
Overall, I did not have any issues applying most of the matte shades to the lid, blending them out, or building up coverage. They lasted between nine and ten hours on me, which was actually a bit longer (on average) compared to the original formula, where the mattes tended to wear between seven and eight hours on me (without primer).
The new Satin formula was the most different; it had weaker pigmentation, felt denser and drier with less give and creaminess. In practice, I did not feel like application was harder or noticeably different other than feeling like more of the shades required two layers for more opaque coverage, though some of the more neutral shades were fairly pigmented in a single layer. I also noticed that this particular finish seemed to be the most culled; there weren't that many shades in it, and I wonder if they did not sell well or something about the finish is harder to produce.
There were significant differences in color (and/or undertone) between shades in the new formula and old formula (with the same names) within this finish, too, where most were different rather than only a handful being different. The pigmentation of the new Satin formula was typically semi-opaque and buildable, while they applied evenly, blended out without much effort, and lasted between eight and ten hours (without primer).
The new Iridescent formula was the second most different and more comparable to the Satin finish in terms of overall feel and performance, just with larger shimmer/micro-sparkle. The new formula has a denser consistency (almost "drier" and with less slip) and didn't feel as cream-like, but the powder seemed to pickup better with most brushes and was more consistent in the actual finish--pearly with sparkle--whereas the original formula varied more heavily between pearly and metallic, sparkle and finer shimmer.
There were, however, more substantial color and undertone differences between old and new within this formula, like I saw with the Satin formula. Overall, I did not experience any significant issues applying most of the shades to the lid--they were semi-opaque to opaque, fairly buildable, blendable, and long-wearing (eight to ten hours).
The new Metallic formula was the most consistent between old and new for overall feel, performance, and color. There were, of course, a few shades that seemed lighter/darker, cooler/warmer compared to the previous versions, and all those notes will be made within the respective shade's review. I think the new Metallic finish has a more flattering look on the lid, as the consistency wasn't quite as thick, which should make it apply and appear smoother on the lid for more people.
There were several shades that seemed slightly deeper or less reflective, while others were as reflective as past versions. The majority of the shades of this finish were very pigmented with a moderately dense, lightly creamy texture that blended out well on the lid and wore between nine and ten hours on me.
The new Diamond finish was noticeably less dense/thick, particularly on the lid, which did make it easier to spread across a larger area and easier to pickup with more types of brushes. I was worried that there would be more fallout, but I haven't noticeable much fallout with the new Diamond shades over the eight to ten hours they last for.
Most of them had good pigmentation, though there were a few that were weaker (medium to semi-opaque coverage); a shade like D410 Gold Nugget was a weaker shade before and still is while D326 Lagoon Blue is significantly less pigmented in the new formula.
As I typically do with new eyeshadow formulas, I tested a few shades from each finish over various primers, as I like to see how new formulas interact with different types of primers and if there are any unexpected consequences of using primers (I felt that some of the more silicone-heavy Artist Shadows from before actually applied better without primer).
I didn't notice any ill effects of using primers like Smashbox 24-Hour, Marc Jacobs Coconut Eye Primer, Too Faced Shadow Insurance, or Urban Decay Primer Potion. They all seemed to just help with wear, and with some of the shades that felt drier or had weaker pigmentation, the use of primer seemed to improve initial coverage levels, too.
Browse all of our Make Up For Ever Artist Color Shadow swatches.
Ingredients
You know you have too many eyeshadows when you cannot find a single shade above that jumps out at you screaming: “buy me!”
However, you eye look is splendid looking using these shadows! (I’m kicking myself for not doing something along those lines today myself, since that’s what I normally do when wearing a red or warm, bold lip!)
Thank goodness you have plenty of similar shades 😉
Glad the neutrals scored well!
Phew!
These are really beautiful neutral shades, especially the taupes. But I do think we own lots of them in our palettes.
Gorgeous eye look Christine.
Thank you, Genevieve!
I LOVE shades like Gunmetal! How pretty!