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Guerlain Launches Rose aux Joues Blush Duos


Guerlain Launches Rose aux Joues Blush Duos

Women change their outfit, lipstick and handbag each day – so why not their blush? Guerlain’s new blush duo, Rose aux Joues, offers vibrant color pairings that allow you to re-invent your beauty routine everyday! One dominant shade adds a pop of color to the cheekbones, while its smaller counterpart can be mixed or used as a striking juxtaposition or contour shade. Rose aux Joues is a must for all women who want to have fun with colors.

Rose aux Joues / Blush Duo ($50.00)

  • Peach Boy (01)
  • Chic Pink (02)
  • Over Rose (03)
  • Pink Punk (04)
  • Golden High (05)
  • Red Hot (06)

The six blush duos mimic the color classification of Guerlain lipsticks: red, pink, beige and orange. Use the tapered brush to easily and precisely glide over the skin to mix and match the contrasting colors.

  • Are you wearing a red lip? Pair it with a pink blush to be ultra-feminine or an orange one for a sun-kissed look.
  • Have you opted for a beige shade? Choose a pink blush for a flawless finish.
  • Are your lips dressed in pink? Try a red blush for a die-hard glam rock effect or an orange for a pop of color!
  • What about an orange lipstick? Sweep beige over your cheeks for a surprising avant-garde result.

Availability: August 2012 at select locations of Saks Fifth Avenue, Nordstrom, Neiman Marcus, Sephora, Bloomingdales and Bergdorf Goodman.

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Guerlain Fall 2012 Collection – Femme d’Amour and Femme Fatale


Guerlain Fall 2012 Collection – Femme d’Amour and Femme Fatale

Women have the incredible talen to continuously re-invent their femininity. One day she can be an angelic flirt, the next a passionate seductress. Guerlain’s fall collection pays tribute to these two juxtaposing looks and celebrates a woman’s ability to decide who she wants to be today. The Femme Fatale is steeped in passion and seduction and boasts beautiful red shades. The Femme D’Amour shades perfectly define the angelic, romantic woman with a vast color collection ranging from beige to plum. The look is innocent and fresh, yet still seductive and sensual.

Rouge G Lipstick ($48.00)

  • Gilda (27) (New, Permanent)
  • Genna (28) (New, Permanent)
  • Gisela (47) (New, Permanent)
  • Gracy (76) (New, Permanent)
  • Bonnie (B04) (Rouge G de Brilliant) (New, Permanent)

Lip Liner ($30.00)

  • Bois des Indes (42) (New, Permanent)

L’Ecrin 4 Couleurs ($59.00)

  • Les Fauves (14) (New, Permanent)

Kiss Kiss Gloss ($32.00)

  • Sable Show (851) (Limited Edition)
  • Grenade (873) (Limited Edition)

Availability: August 2012 at select locations of Saks Fifth Avenue, Nordstrom, Neiman Marcus, Sephora, Bloomingdales and Bergdorf Goodman.

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Guerlain Pamplelune (240) Shine Automatique Lipstick

Guerlain Pamplelune (240) Shine Automatique Lipstick
Guerlain Pamplelune (240) Shine Automatique Lipstick

Guerlain Pamplelune (240) Shine Automatique Lipstick

Guerlain Pamplelune (240) Shine Automatique Lipstick ($35.00 for 0.12 oz.) is described as a “vibrant coral.” It’s a semi-opaque coral-pink with warm undertones and a dusting of fine gold shimmer. Laura Mercier Kissed Lips is slightly pinker. NYX Haute Melon is similar; a smidgen lighter, no shimmer. Guerlain Quand Vient l’Ete is very similar, bu8t more opaque and less pink. Chanel Coquette is lighter and has pink shimmer. NARS Niagara is very similar but doesn’t have as much shimmer. MAC Crosswires is a bit more orange.

The formula is touted as a “moisturizing and long-lasting lipstick [that] combines bold color with pearly particles.”  This shade has semi-opaque color coverage; it gives lips noticeable color, but some of the natural lip color still comes through (you’ll notice you can see my lip freckle, but it’s muted).  The formula is comfortable to wear, lightweight, and incredibly shimmery, sparkling, and all-around stunning when worn. Depending on your sensitivities, I can feel the micro-sparkle when I press my lips together, which I don’t love.

While it’s moisturizing and always leaves my lips feeling better than they began, it’s not a long-wearing product for me. Pamplelune lasts about four hours, which is average for most lipsticks.  The Rouge Automatique is definitely truer to the long-wearing claim.  Shine Automatique has a more balm-like texture, so it has more slip and slide, which means it feels great when applied and after, but it doesn’t last as long.  It has a perfume-y scent, similar to the Rouge Automatiques, and it is packaged in the same type of packaging.

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Guerlain Sous Le Vent (200) Shine Automatique Lipstick

Guerlain Sous Le Vent (200) Shine Automatique Lipstick
Guerlain Sous Le Vent (200) Shine Automatique Lipstick

Guerlain Sous Le Vent (200) Shine Automatique Lipstick

Guerlain Sous Le Vent (200) Shine Automatique Lipstick ($35.00 for 0.12 oz.) is described as a “warm caramel.” It’s a medium rosy brown with a beige shimmer-sheen. It looks rosier on the lips due to the natural pink tones of my lip color, while the beige shimmer translates into more of a general white frost/shimmer. Cle de Peau T9 is creamier, peachier. Dior Coral Crystal is a bit darker. MAC Can’t Get Enough is more bronze. NARS Love Devotion is sheerer and more coral. Chanel Ruban Rose is similar but more frosted.

The Shine Automatique Lipstick is incredibly moisturizing, and it has a very sparkling, dazzling finish from the micro-sparkle.  It looks luminous, wet-like, and a little glossy without feeling heavy.  The texture is rather balm-like, so it glides and slides onto the lip like butter, which feels amazing, but it does contribute to below-average wear.  The formula is supposed to be long-wearing, but I only get three and a half hours with Sous Le Vent, and I typically get four hours with the average lipstick [that isn’t long-wearing].   It has a perfume-y scent, similar to the Rouge Automatiques, and it is packaged in the same type of packaging.

The color coverage of this shade is mostly opaque–you can barely see my lip freckle–but there is the expected underlying translucency that gives it that luminous finish.  One thing I don’t like is the way I can feel the shimmer/glitter when I press my lips together, but I will note that Sous Le Vent was the smoothest I’ve tried so far.

Guerlain Pour Troubler (220) Shine Automatique Lipstick

Guerlain Pour Troubler (220) Shine Automatique Lipstick
Guerlain Pour Troubler (220) Shine Automatique Lipstick

Guerlain Pour Troubler (220) Shine Automatique Lipstick

Guerlain Pour Troubler (220) Shine Automatique Lipstick ($35.00 for 0.12 oz.) is described as a “bright warm red.” It’s a rich, pinked ruby red with subtle ruby red and gold shimmer. MAC Scan-delicious is pinker. Guerlain L’Heure Bleue is redder but still rather comparable. Dior Nocturne is darker and has more gold shimmer. Dior Technicolor Red is similar but doesn’t have gold shimmer.

The formula is touted as a “moisturizing and long-lasting lipstick [that] combines bold color with pearly particles.” The color coverage is nearly opaque with a subtle but noticeable underlying translucency. Guerlain absolutely nailed what it sparkle really means–the finish of this is luminous, glistening, and almost looks wet on the lips. It’s a gorgeous finish and look for summer in particular. Now, there are a lot of things to love about this lipstick, and as an avid fan of Guerlain’s lip products, I do, generally, like the formula, but I can always feel the sparkle whenever I press my lips together so it doesn’t seem quite as refined. There are a few stray sparkle particles that have traveled after I’ve worn one. Pour Troubler wears five hours, which is one of the longest wear-times I’ve achieved with this formula (I would disagree with Guerlain on its long-wearing claim).

It is nicely hydrating, though, which contributes to a comfortable feel on the lips, and the slip of the texture gives it an almost balm-like texture, but it’s a little creamier. It glides and applies really evenly and easily, but it’s likely one of the factors that makes this less long-wearing. It has a perfume-y scent, similar to the Rouge Automatiques, and it is packaged in the same type of packaging.

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette
Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette ($59.00 for 0.25 oz.) is a limited edition, warm-toned summer quad that features a pale white gold, medium-dark fuchsia, coppery orange-coral, and deep, dark molten brown. It’s packaged in a metallic bronze case with a dual-ended sponge-tipped applicator and full-sized mirror inside.  The packaging feels and looks luxe, and despite its metallic finish, seemed to keep fingerprints pretty well-disguised.

The left shade is a pale white gold with a frosted, sparkly finish–it almost looks more white than gold. The color payoff was decent to good, but it was a little sheer and not as smooth as I’d like, so there was very minor fall out while I wore this shade. theBalm Sassy is whiter. Givenchy Lune Mysterieuse is yellower. theBalm Tempting Tara is similar.

In the upper middle, there is a medium-dark fuchsia pink with a mostly matte finish. It’s very slightly powdery, but it had surprisingly good color payoff. A lot of higher-end brands tend to sheer out these brighter colors, so it was nice to see Guerlain go for the gusto here. MAC Tease with Ease has more red in it. MAC Passionate is significantly redder. NARS Caravaggio is darker. Urban Decay Junkshow is more fuchsia and purple. Inglot #362 is bluer-based and a little lighter.

In the bottom middle, there is a coppery orange-coral with gold shimmer. This, too, was very slightly powdery, but the color payoff was nice. Le Metier de Beaute Innocence is more orange. Make Up For Ever #5 is similar, but it’s entirely matte. Urban Decay Free Love is very similar but has a stronger golden sheen.

The last shade, on the right, is a very deep,d ark brown with subtle warm undertones. It had amazing pigmentation despite its thinner texture. Tarina Tarantino Saw Dust is similar but less warm. MAC Embark is lighter and redder-toned.

It’s a very classic color combination for the summer, but it’s well-balanced with the different textures, finishes, and overall intensities of each shade.  It works extremely well together, which I think is part of a palette’s appeal, especially when they’re more compact like this one. Terra Azzurra is warm overall, though I think the only shade that’s very warm-toned is the orange-coral–the pink is very slightly yellow in undertone, and the brown isn’t cool-toned, but the depth of it makes it more wearable across skin tones. I felt the deep brown was the most impressive shade out of the four; it just has incredible depth and intensity, so it looks great in the crease or as an eyeliner.

The textures are similar to other Guerlain palettes–I find them a little dry, a little powdery–they’re not as dense, creamy, or as buttery as a really excellent eyeshadow tends to be.  Fortunately, I felt the powderiness didn’t translate when the colors were applied to the lid.  I only had some minor fallout during application with the white gold shade, which was a looser, sparkly texture that never seems to bind together perfectly well, and then while there was a wee bit of fall out throughout the day from that shade, it was very minor. Had I not been specifically looking for it, I probably wouldn’t have noticed.  When I wore the palette altogether in a look, it wore for eight hours with no fading or creasing with or without a base, which is stellar wear.

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

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