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New York Fashion Week Fall 2008 - Backstage Beauty with MAC at Carolina Herrera, Maladrino, Luca Luca, & Ports 1961

CAROLINA HERRERA | “Eclectic” is a way to describe the new fall aesthetic, but “texture” is also coming into play along with “color.” At the show, Diane Kendal went for a big pop of color on the lips to get a “really dark stained mouth.” She started with a brown base with a burgundy base layered on top, dusted lightly with powder, and then coating with a brown-burgundy lipstick. Finally, she dotted black pigment on the center of the lower lip for a “bitten effect.” She then used the same burgundy base to smudge onto cheeks and finished with a flourish of mascara. “It’s all about a strong mouth. It’s sophisticated, but playful at the same time,” says Diane Kendal.

Look breakdown | MAC Studio Tech Foundation was applied where needed for fresh, moisturized skin. Burgundy Paintstick was blended onto the apples of the cheeks with fingers. A small about of MAC Fluidline in Blacktrack was applied to the lash line with Brush 210. Eye lashes were curled and coated with Plush Lash Mascara in Black – heavy on the top lashes and light on the bottom lashes. A mixture of MAC Lip Pencils in Nightmoth and Chestnut were sheared out on the lips and Media Lipstick was layered over. A touch of MAC Créme Colour Base in Black was blended into the center of the lips with Brush 316.

MALADRINO | Tom Pecheux went with green eyes to keep with the show’s theme of green and organic. He used a dark green, lime green, and moss green to create a rounded eye up to the crease of the eye. The models had bare cheeks and a matte nude lip that was created by MAC’s Lip Erase that Pecheux described as “it’s like a concealer and lipstick in one.”  “Very organic. Very green. Reminiscent of leaves,” says Tom Pecheux.

Look breakdown | For very matte skin, MAC Studio Fix Fluid was applied to the face, followed by Blot Powder Loose. Using MAC Brush 224, Bitter Eye Shadow was applied very lightly all over lids and softly in the crease. Velvet Moss Eye Shadow was brushed onto the lower lash line, followed by Tealo Powerpoint Eye Pencil layered gently over lower lash line. Using MAC Brush 224, Bitter Eye Shadow was applied very lightly all over lids and softly in the crease. Velvet Moss Eye Shadow was brushed onto the lower lash line, followed by Tealo Powerpoint Eye Pencil layered gently over lower lash line. Lips were conditioned with Lip Conditioner to help with texture, followed by Lip Erase.

LUCA LUCA | Again, Tom Pecheux created a look that represented the Luca Luca lady who is “cash–and sass,” so he opted for gold on the lid and crease. The lips were a sheer coral so keep the emphasis on the eyes with everything else more understated.  “Sophisticated glam rock,” says Tom Pecheux.

Look Breakdown | MAC Studio Fix Fluid was applied where needed on the face, followed by Select Sheer Loose Powder. MAC Carbon and Ground Brown Eye Shadows were blended from lash line to just above the crease for a smoky eye. Satin Taupe Eye Shadow was placed in the corners of the eyes brushed out and up towards the brows with Brush 224. MAC 7 Lashes were applied, followed by MAC PRO Lash in Black. A sheer lip was created with applying MAC Lust is Lush Lipgelee.

PORTS 1961 | Isabelle LaPage created a look that represented the pink skin of a Scottish girl, only she went with played down lips using burgundy pigmented mixed with MAC’s Matte Gel. She kept eyes glossy with high shine by using a berry lip gelee. She placed clear plastic pieces on top, “so it was little like a cherry popsicle highlighted the eyes.”

For more beauty shots,

Carolina Herrera

Luca Luca

Images: Style.com; Breakdowns:  MAC

9 Comments

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Carrie Avatar

“She dotted black pigment at the center of the lower lip for a ‘bitten effect'”…um, like, dried blood? it makes me queasy but I do like how it looks, kinda.

I love these recaps and am glad to see the “look breakdowns” included! yay!

Rise Avatar

I know this might sound mean, but not the top one, the second and third from top models in the close up portrait section are quite bad looking. I don’t mean to be rude, but people spend so much time trying to look like models, and really pretty and people criticise each other over their looks all the time, when you don’t even have to be good looking to be a model. You just need to be thin. I hope that nobody takes the wrong way, but models become models to be judged on their looks, and I am also in no way saying that I am better looking, or worse, than them. Just a thought I had.

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