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Guerlain Boulevard du Montparnasse Eyeshadow Palette

Guerlain Boulevard du Montparnasse Eyeshadow Palette
Guerlain Boulevard du Montparnasse Eyeshadow Palette

Guerlain Spring 2012: Boulevard du Montparnasse Eyeshadow Palette

Guerlain Boulevard du Montparnasse Eyeshadow Palette ($85.00 for 0.25 oz.) is a new and limited edition palette for spring. It contains six eyeshadows, with the long, skinny shade on the right designed to be used as an eyeshadow or eyeliner. The palette is hefty with a metal compact and filigree lid. There’s an interior mirror that flips open that’s connected to the lower portion of the palette. Inside, there is also a small, dual-ended brush that is serviceable but not better than the average full-size brush. The shades are described as soft pink, tea rose, pearl mauve, soft violet, luminous pink, and intense plum. I’m not entirely sure which description goes with which, to be honest! I know that the luminous pink shade is the center shade and the intense plum is the eyeshadow/liner shade on the far right of the palette.

The upper left eyeshadow is a pale white pink with a satiny shimmer. It has surprisingly good color payoff for as pale and light as it is, and it doesn’t look chalky against my skin tone. It’s similar to Tarina Tarantino Delightful (more shimmer), MAC Fresh Ice (more shimmer, purpler), and Bare Escentuals Muse (a touch darker, pinker).

The bottom right (or side right) eyeshadow is pale pink-tinted mauve with a pearly sheen. It’s soft and light with nice pigmentation and a smooth, silky soft feel. It didn’t seem like something different, but I couldn’t find a dupe for it; there’s the mauve in it that separates it from shades like Bare Escentuals Giddy, which is similar in lightness and finish but is much pinker.

In the center, there is a vibrant medium, subtly blue-based pink with a white, frosted finish. The color payoff is nice, and it has a really dense, buttery texture. Make Up For Ever #85 is less blue-based. It is fairly similar to Urban Decay Hot Pants. MAC Feather Pink also compares well in regards to hue, but it is bluer and matte.

To the right of the center pink eyeshadow, there is a medium-dark purple with a pearly sheen. It could be more pigmented; there is some softness there that makes it appear less like it does in the pan when applied to the skin. Make Up For Ever #142 is a darker, deeper version. Bare Escentuals Encore is darker and less red.

The bottom shade is a rosy brown with a satin finish; it almost appears matte. The color payoff is so-so, and on deeper skin tones, I’m not sure it would show up well. Inglot #344 is browner, while Inglot #359 is pinker.

On the right side, there is an eggplant purple with a pearled finish. It’s supposed to be an eyeshadow/eyeliner shade, so I did swatches of it dry and wet. This shade was finicky to work with; the texture was drier and stiffer compared to the other shades in the palette, so the resulting color payoff was sheerer and a bit uneven. When it is used wet, it is a lot easier to use. MAC Hyperviolet is deeper and less purple. Bare Escentuals Nightcap is darker, more matte, and browner. Le Metier de Beaute Fig is deeper and browner. MAC Fig 1 is a little darker and matte. Inglot #445 is a touch lighter and more frosted.

Overall, the palette is decent but not great–the color payoff could be improved. This was really my major issue with this palette, because three shades had pigmentation issues to some degree, with the eggplant shade having the most (as well as texture issues). Even though pink eyeshadow can sometimes be difficult to wear, Guerlain’s incorporated a lot of mauve, rose, and plum to dial back the pink; the only genuinely pink shade in the palette is the center shade. Both the pink mauve and rosy brown work well as neutrals. The wear of these eyeshadows is better over a prime and so-so without; they wear about eight hours before I start noticing some slight fading. I find Guerlain’s eyeshadows a tiny bit powdery overall.

Guerlain Boulevard du Montparnasse Eyeshadow Palette


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Guerlain Noir G de Guerlain Mascara

Guerlain Noir G de Guerlain Mascara

Guerlain’s NEW Noir G is the first mascara to combine the extravagant luxury of a jewel case with an extraordinary formula for perfectly defined eyes. This fabulous case jealously guards a unique, complete formula that combines the power of color, extreme intensity and the secret of beauty. The lush texture makes it easy to achieve an intense, dramatic lash look without any risk of smearing, smudging or clumping. Like a magic wand, the ground-breaking Noir G goes one step further with a refillable wand applicator, making it convenient and easy to switch to a new one as soon as you need it. Pull on the case and with a click, the hidden mirror is revealed. Add a quick twist and the brush appears for exceptional lash results.


  • Formula complex delivers a perfect 3-dimensional look with volumizing, lengthening and curling benefits.
  • Lashes are transformed: perfectly defined, denser and cloaked in a new intensity.
  • Refillable design makes replacing more convenient.


  • Ultra Black Pigments: these carbon black pigments offer an unprecedented level of intense black. The optimal size of these pigments allows for a better dispersion within the formula while a magnifying effect amplifies the intensity and depth of the black and the glossy finish. These are the purest black pigments that can be found in mascara.
  • Volumizing, Lengthening, Curling formula: The formula plumps and thickens every lash, the stretch formula allows the mascara to lengthen even the smallest lashes and then the curling formula coats lashes in a protective film to maximise and set the curl.
  • Artemia Salina: helps to regenerate lashes by stimulating keratin for fortification and lash growth.
  • Polymer Film fixes the formula from daybreak to the end of the night, preventing the formula from smudging or flaking.

Exceptional Brush

  • In perfect osmosis with Noir G’s formula, the fiber brush is soft and supple for perfect, fast and even distribution over all the lashes. Narrow and extremely easy to handle, it glides everywhere, catching and wrapping around every lash above and below to reproduce the unprecedented effect of a blow-dry.

availability: Noir G is available January at Saks Fifth Avenue, Neiman Marcus, Nordstrom, Bloomingdales, and Bergdorf Goodman. It will retail for $49, refills for $26.

Guerlain Cruel Gardenia Meteorites

Guerlain Cruel Gardenia Meteorites
Guerlain Cruel Gardenia Meteorites

Guerlain Spring 2012: Cruel Gardenia Meteorites

Debuting in January, Guerlain Cruel Gardenia Meteorites ($67.00 for 0.31 oz.) is a limited edition highlighter than can be used to highlight specific areas or as an all-over glow. It delivers a light pink with neutral-warm undertones with a shimmer-sheen. It reminded me of a lighter, pinker version of MAC Crystal Pink. Chanel Beiges Ombres Tissees is lighter, more beige/white. MAC Light Sunshine is more similar in color but is a bit lighter and has more of a sheen than shimmer.

It looked rather frosty when I swatched it on my arm, but it worked well when I applied it with a brush on my cheek bones to test out the wear. There’s no emphasis of pores, and there’s enough glow and sheen to perk up the face without looking like a disco ball. This is more shimmery than other pressed meteorites in my experience but not by much. I was really happy with the wear, which is really what I liked most about the product, which was ten hours undisturbed. No breaking up, migration, or looking like it was worse for the wear .It didn’t have the typical Guerlain violet scent; there’s a lingering scent, but it’s very, very subtle–I practically had my nose buried in the gardenia! When I finally caught the scent, it smelled a little soapy. It’s supposed to be Cruel Gardenia, though.

The powder is finely milled but dense and firm, which is why it doesn’t turn frosty on the face–the brush picks up the right amount of product. Sometimes a product can be too soft, like when you put your brush to the powder, it loosens a ton of product (more than you need), which can be wasteful. Nevertheless, it’s more of a sheen and shimmer than Parure de Nuit from fall.

BritishBeautyBlogger has an excellent write-up about how/why products can be similar (and looking at these two particular products). Industry insiders know that products are often planned at least one to two years in advance; often, the conceptual phase is 18-24 months out, while prototype production can begin a year or further out from launch–products have to move through various stages like creation, testing, reformulation, production, etc. Color agencies like Pantone often determine the trends we’ll see in upcoming months, so some similarities are entirely coincidental or par for the course.

Design similarity aside, though, the two don’t really compare in the way that matters–color. Cruel Gardenia is distinctly pink, and it will do more to flatter cooler complexions (but it is equally flattering on warmer complexions, because it’s a neutral pink), compared to the more bronzy Rose Rendezvous by Laura Mercier. I wanted to review Laura Mercier’s, but unfortunately, by the time I received my order from Nordstrom (boo, ground shipping!) and tested it (seriously, I photographed and started testing immediately after it arrived), it was sold out.

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Guerlain Rose Innocent Rouge G Lipstick

Guerlain Rose Innocent Rouge G Lipstick
Guerlain Rose Innocent Rouge G Lipstick

Guerlain Spring 2012: Rose Innocent Rouge G Lipstick

Debuting in January, Guerlain Rose Innocent Rouge G Lipstick ($48.00 for 0.12 oz.) is pale pink with subtle yellow undertones. This shade is limited edition from Guerlain’s spring collection, and it is one of four Rouge Gs–I’ll have reviews on the other three as soon as I can buy them. It’s almost a neutral pink, but the color itself is very light–it’s just a pink-tinted version of my natural lip color. Very my-lips-but-better kind of shade, so it may be rather superfluous on someone with more pigmented lips or else serve as a way to lighten them a shade or two. OCC Femme is an opaque version of this shade. MAC Dress It Up is a cooler-toned pink. MAC Royal Azalea is similar in lightness but is a touch cooler toned. MAC Behave Yourself is a bit darker and bluer.

This is the kind of shade that someone will love and wear everyday or one where someone just doesn’t see the point. The color coverage is semi-opaque (you can just barley see my lip freckle), but there’s a general translucency throughout the product that lets my natural lip color peek through. Rose Innocent feels more like a Rouge G Brilliant than your typical Rouge G, because it has more slip and natural glossiness, but it’s not quite as glossy (and definitely not as sheer) as a Brilliant. The color doesn’t apply as evenly, and I expect it’s due to the slip in the texture. It only wore for three hours on me, which is decent for this type of light color, though I tend to get better wear out of the Rouge G formula than that. It is very hydrating and comfortable to wear, though.

Guerlain Spring 2012: The Pinks and the Blacks Collection

Guerlain Spring 2012: The Pinks and the Blacks Collection

Guerlain tells the story of spring by pairing bursts of pink along side the intensity of black. Sophisticated and elegant, this color collection defines femininity while also revealing one’s inner seductress.

Meteorites Cruel Gardenia ($67.00) (Limited Edi8tion)

Packaged within the legendary rosette of the Météorites Perles, a stunning pink flower is found. Named after one of the Exclusive Fragrances from the House of Guerlain, Météorites Cruel Gardenia will light up the skin with a subtly iridescent veil. Create a radiant complexion by applying all over the face or in a specific area such as the cheekbones to structure the face.

Rouge G ($48.00) (Limited Edition)

As an ode to the color pink, four new glamorous shades have been created this spring in its honor. With a dash of ruby powder, hyaluronic acid to smooth and plump, a hint of filling Gugul resin, plumping Tiger Grass, and wild mango butter for perfect hydration, your lips will be left radiant and as soft as a flower petal.

  • 72 Rose Innocent
  • 73 Rose Ensoleillé
  • 74 Rose Piquant
  • 75 Rose Barbare

Ecrin 6 Couleurs Eyeshadow Palette ($85.00)

  • 66 Boulevard du Montparnasse Within one case lays 6 eyeshadow colors. The central luminous pink shade is surrounded by pearl mauve, tea rose, soft violet and soft pink, while a liner traces the eyes in an intense plum. Whether you create a tone-on-tone, couture or smoky eye look, the result is captivating. Moonstone, the key ingredient, adorns the eyes with its silvery reflection and lamellar structure to keep the eyeshadow in place longer for a fresher look. (Permanent)

Ecrin 4 Couleurs Long-Lasting Eyeshadows ($59.00)

  • 12 Les Aquas For a sophisticated and stunning gaze, this palette mixes an iridescent blue, a matte navy, a velvety turquoise and a glacier metallic blue (Permanent)
  • 11 Les Roses Consisting of an iridescent pink with pearl particles, a matte pink, a metallic violet, and a raspberry shade with a velvety finish, this palette allows you to create a fresh yet seductive look (Permanent)

Kiss Kiss Gloss ($32.00) (Permanent)

  • 869 Rose in Bloom Pure pink.
  • 870 Cherry Pink Gourmand pastel.
  • 871 Frosted Rose Off-white with delicate, subtle pink mother-of-pearl particles.
  • 872 Flush Pink Intense fuchsia.

availability: Guerlain’s Spring Color collection is available beginning January 2012 at select locations of Saks Fifth Avenue, Nordstrom, Neiman Marcus, Sephora, Bloomingdales and Bergdorf Goodman.

See more photos!

Guerlain Habit Rouge (123) Rouge Automatique Lipstick

Guerlain Habit Rouge (123) Rouge Automatique Lipstick
Guerlain Habit Rouge (123) Rouge Automatique Lipstick

Guerlain Habit Rouge (123) Rouge Automatique Lipstick

Guerlain Habit Rouge (123) Rouge Automatique Lipstick ($35.00 for 0.12 oz.) is a vibrant orange-toned red with a subtle sheen. It delivers full color coverage in one pass, and because of the intensity of the red, it wears for eight hours and still looks good. The orange undertones in this shade are subtle, though, but they are distinctly there.  Clarins Red Prodige is more orange, less deep. Make Up For Ever #44 is just a touch more neutral. CoverGirl Hot is similar but more vibrant. Chanel Excessive is also more orange and vibrant. Chanel Gabrielle is brighter and more orange.

Rouge Automatique is very comparable to the Rouge G formula, and the differences are minute, though they are there. This is an excellent formula regardless of that comparison, though, because it’s creamy enough to glide on but not so creamy that the color slips around, comfortable to wear, and keeps lips feeling hydrated, too. For more packaging photos, please see this post. My lips are always happy when a Rouge Automatique is on the swatching docket!