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Tom Ford Lost Cherry Eau de Parfum Review & Photos

01/05

Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum
Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum
Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum
Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum
Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum
Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum Review & Photos
Tom Ford Lost Cherry Eau de Parfum Review & Photos

Tom Ford Lost Cherry Eau de Parfum ($320.00 for 1.7 fl. oz.) is a new, Private Blend fragrance available in a red-tinted bottle. It includes the following notes: “black cherry accord, bitter almond, griotte sirup Scenttek™, rose absolute Orpur®, Peru balsam, roasted tonka Orpur.”

In the beginning, I get wafts of slightly tart cherries that swiftly sweetens within a minute. There are tendrils of smoke far, far away in the background as the foreground is filled with the sweetness of cherries (the very fruity “black cherry” note), almonds (“bitter almond” note), and a slightly boozy element (the “griott sirup”note). But there is no mistaking that the scent opens and begins with cherries, cherries, and more cherries–sweet and fruity.  It’s not a loud, billowing scent; it had low projection and low sillage.  It seemed to project a bit more if I spritzed both my wrists as well as my front (getting some on my decolletage as well as on whatever shirt I was wearing that day).  It wore close, though, from the beginning, and it was less loud compared to most of the Private Blends are (from what I’ve tried).

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Tom Ford Fougere d’Argent Eau de Parfum Review & Photos

01/05

Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  
Tom Ford Beauty Fougere d'Argent Eau de Parfum  

Tom Ford Fougere d’Argent Eau de Parfum ($235.00 for 1.7 fl. oz.) opened with as a fizzy and spicy mix with the mandarin and ginger notes being most prominent to my nose; it was a bit sharp to me initially but within a few minutes, it was much smoother. The lavender’s presence was more noticeable when I took in the scent as a whole, whereas I was able to pick out the mandarin and spiciness in the ginger when I tried. In the initial hour or so of wear, it was a warm and spicy with subtle sweetness and light mandarin playing with the ginger and a whisper of woods.

As the fragrance wore on, the cistus note comes through along with the akigalawood, and it smells more like a subtly spiced, woody fragrance with a resinous quality and slight sweetness. It was definitely a drier scent that I’d describe as robust but not as much as a punch in the face as some of the other Tom Ford Private Blends can be–this just seems to be smoother and particularly well-blended. The fragrance is designed to be unisex, but if I had to describe it as one or the other, it seemed more like more masculine scents on the market.

A lot of my favorite Tom Ford Private Blends are quite potent, and I’d describe this one as moderate-to-heavy–it had noticeable projection for the first hour, and then sat closer to the skin but took about 12 hours before it came a true skin scent on me (but worth noting, I very rarely have problems with fragrance longevity). My favorite Tom Ford scents include Amber Absolute (discontinued), Bois Marocain, Lavender Palm (discontinued), Neroli Portofino, Oud Wood, Plum Japonais, and Tobacco Vanille.

I have several of the more recently released fragrances by Tom Ford (tested but not reviewed), but this is one that had me sitting up from the first spritz. It is totally in my wheelhouse, but I love that it’s not as heavy hitting as Amber Absolute but not so shy that it doesn’t deserve the Private Blend label. It’s a new favorite for me, and I love smelling it on myself as well as my husband!

Elizabeth and James House of Nirvana Black Gift Set Review & Photos

01/12

Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana
Elizabeth and James Nirvana Black Gift Set House of Nirvana

Elizabeth & James House of Nirvana Black Gift Set ($180.00) is described as “sensual, edgy, mysterious” with notes of “violet, sandalwood, [and] vanilla.”

Long-time readers will know that when I wear fragrance, it’s typically something from Tom Ford’s range (there’s just something about the formulations that appeal to my preferences but wear exceptionally well on my skin), but I’ve really come to love Elizabeth & James’ Nirvana Black. Where the Tom Ford scents I wear are loud, heavy, powerhouse scents, Nirvana Black gives me a lot of the warmth and coziness that I tend to like in a more moderate version. It’s also a more linear, less complex scent that is simply done to me; it’s mostly a mix of warmer sandalwood paired with sweet vanilla that is neither strongly woodsy nor cloyingly sweet. There’s a violet note in it, which I mostly detect in the first half hour to hour but is soft and plays hide and seek.

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Tom Ford Fleur de Portofino, Costa Azzurra, Mandarino di Amalfi Private Blend Eau de Parfum Reviews & Photos

Tom Ford Fleur de Portofino Private Blend Eau de Parfum
Tom Ford Fleur de Portofino Private Blend Eau de Parfum

Tom Ford Fleur de Portofino Private Blend Eau de Parfum ($215.00 for 1.7 fl. oz.) begins with an initial burst of crisp bergamot and an almost bitter citrus before it shifts to a smooth, more honeyed citrus with softer floral notes within the first few minutes. This phase is characterized by a sheer, airy quality; it’s not a powerhouse Tom Ford scent (much like the other scents in the Portofino family) while it is worn. It has low sillage and hovers above the skin for most of the wear, though it takes about two and a half for two sprays to become a skin scent, and it lasts about eight hours on me. For those who want a more discreet scent that only they can smell, this is more in line with that preference. The scent doesn’t change much as it wears on: it’s always a lightweight, warm, sweet citrus with white florals.  It is the most floral of the Portofino family and feels the lightest. The scent seemed well-blended, but ultimately simple, with moderate longevity against many fragrances but short longevity relative to other Private Blends.

  • Top Notes: lemon, mandarin, bergamot, tangerine, bitter orange leaf, violet leaf, syringa
  • Middle notes: white acacia, cassie tree, mimosa, magnolia, orange flower templar, Moroccan rose absolute, jasmine grandiflorum concrete
  • Base notes: acacia honey, white vanilla, tolu balsam, civet, ambrette seed

Tom Ford Costa Azzurra Private Blend Eau de Parfum ($215.00 for 1.7 fl. oz.) opens with a salty, spicy breeze of subtle, sweetened mandarin. The first half hour sees the appearance of other notes in the scent, like lavender and lemon, with dry woods, while the mandarin recedes and becomes crisper and less sweet, and the scent becomes more dominated by juniper, driftwood, and oud with a salty, aquatic undercurrent. After an hour, the fragrance first smells salty, lightly aquatic, dry and woody (some of the cedar finally comes through), and I get a fair amount of vetiver (which I think tends to be more prominent on my skin) draped over everything. The scent becomes creamier, smoother as the day goes on, as a blend of wood, vetiver, and vanilla with something that keeps it lighter and a bit dry and green.

The fragrance had more low-to-moderate sillage for the first two to three hours, then dropped to low and finally became more of a skin scent by the sixth hour and lingers just hovering over the skin until about ten hours. As a reference point, Tom Ford’s true powerhouse Private Blends (think Oud Wood, Amber Absolute) are detectable even 24 hour later (as a skin scent, of course). Of the Portofino flankers, this one seemed to be one of the more complex ones with greater and longer sillage and wear. There are a lot of notes in it, and they pop-up here and there throughout the wear, though salty, dry driftwood tends to be in the forefront for much of the wear.  It reminds me of a cool, crisp day at the beach.

  • Top Notes: fucus, seaweed, driftwood, agarwood (oud), ambrette seed, celery seed, cardamom
  • Middle notes: armoise, juniper berry, myrtle, basil, French lavender, Italian lemons, yellow mandarin, oak, cedar, cypress
  • Base notes: Lentisque Shrub, olibanum, incense, vetiver, vanilla

Tom Ford Mandarino di Amalfi Private Blend Eau de Parfum ($215.00 for 1.7 fl. oz.) opens as lightly bitter, crisp and green, and zesty with grapefruit, lemon, and mandarin are detected on a long inhale, but it’s all on the soapy side to my nose; very clean, bright, and green initially. Within fifteen minutes, the sillage has dropped noticeably to hovering about six inches over the skin while that soapy element continue to remain. After an hour, that soapiness finally faded away and gave way to the bloom of the sweet floral note of orange blossom, which gave the fragrance a heavier, more indolic feel compared to the opening stage. The scent dries down to an earthy, softer blend of sweet florals and light citrus with a hint of muskiness after two and a half hours and remains in this stage throughout the rest of its stay. Of the three, it dropped down to a skin scent quickly and seemed to fade fastest on me, only lasting about six and a half hours in all.

  • Top Notes: tarragon, spearmint, black currant bud, mandarin, bergamot, grapefruit, lemon, basil
  • Middle notes: black pepper, coriander seed, orange oil, orange flower, clary sage, jasmine, shiso leaf
  • Base notes: vetiver, amber, labdanum, musk, civet

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Arabian Oud Kalemat Eau de Parfum Review & Photos

Arabian Oud Kalemat Eau de Parfum
Arabian Oud Kalemat Eau de Parfum

Arabian Oud Kalemat Eau de Parfum ($59.99 for 3.4 fl. oz.) is described as having the following notes: top — bilberry and anise; middle — rosemary and Kashmir wood; base — musk, sweet amber, honey leaves. I bought this scent-un-smelled on a recommendation from Kafkaesque, though the recommendation was stronger for my husband than for me. It is one of the most elegantly packaged perfumes I’ve personally come across, as it is packaged in a large, rectangular box made to resemble a book. Once opened, with a pull of the brow nribbon, it opens again to reveal the perfume itself.

Initially, right as it was first sprayed and started to dry on the skin, it was a burst of sweet berry jam, which immediately transitioned into a blend of lightly sweetened honey and smoke and some rose. Over the next hour and a half, everything seemed very well-blended; there were few notes that really stood out–a blend of barely-sweetened florals with bits of woodiness, spice, and a sly hint of greenness. It made me think of honeycombs set in a lush garden during late fall, as I still detected the underpinning of smoke, more tobacco-like than incense-like. There was a general sweetness and rosiness that was most notable for the first few hours of Kalemat with a little spiciness and woodiness. After four hours or so, it became a softened blend of amber, woods and musk with honey drizzled on top with a flourish. It’s such a cozy, warm, perfect-for-winter scent. Less heady than some of my other go-tos but not a subtle scent either–it’s a very comforting and warming.

On me, it had moderate sillage for two hours, and then stayed close to the skin for the next ten hours. My husband quite enjoyed it, and he said it was “near the top” of his perfume list, and for him, he also found that the projection wasn’t too large and didn’t project for long, as it wore more closely for him as well.

Tom Ford Tobacco Oud Eau de Parfum & Oud Wood Soap, Body Moisturizer Reviews & Photos

Tom Ford Oud Collection
Tom Ford Oud Collection

Tom Ford Oud Collection is an expansion of the usage of Oud in Tom Ford’s Private Blend fragrance range, which is centered around Oud Wood. I reviewed that scent a few years ago, and it remains my favorite fragrance of all-time (though it jockeys with Tom Ford’s Amber Absolute and Bois Marocain). There were rumors of Oud Wood being discontinued, but luckily the brand confirmed it was staying in line and merely being repackaged for the Oud collection launch.

The collection features three scents: Oud Wood, Tobacco Oud, and Oud Fleur. The latter I don’t have, so I can’t speak on, though it seems to be the more interesting scent between the two newer scents from early reviews. In addition to the two new eau de parfums, Oud Wood now has companions in the form of soap, shower gel, and body moisturizer.  Private Blend fragrances are available in the following sizes:  1.7 fl. oz. ($210), 3.4 fl. oz. ($290), and 8.4 fl. oz. ($520).

To quickly summarize Oud Wood, it opens with a spicy, smoky air–rosewood and cardamom–that is a little sharp initially, but it transforms into an amber and sandalwood mix with an underlying touch of vetiver with just a lingering smokiness. Towards the end, it is a mix of amber, vanilla, and woods; rich and earthy and warm. For a really great, in-depth look at Oud Wood, I recommend this review.

Oud Wood Bar Soap ($35.00) is a lot like the first forty minutes of the eau de parfum, but the scent doesn’t linger on my skin for very long–an hour or so post-shower, and I really can’t detect it. It produces a rich lather that’s hydrating, and thankfully, doesn’t leave the skin feeling squeaky-clean. The Oud Wood Body Moisturizer ($65.00) follows a similar pattern as the fragrance on a more muted scale that always wears close to the skin, though it lingers for far longer than the soap; after eight to ten hours, it’s mostly gone on me. It has the consistency of a slightly thicker lotion, but it is thinner than a cream. To contrast that against the eau de parfum, I can still get faint whiffs the eau de parfum of Oud Wood twenty-four hours later.

Tobacco Oud opens with a burst of smoke, spice, and almost reminds me of incense burning at an altar. It’s dry, like walking in the woods during autumn, when it’s chilly enough that fireplaces are crackling, but there’s no snow or rain yet. Or stepping into a dry sauna–it’s just a lot of smokiness and drier woods to me; I keep thinking cedarwood (which is a note). There’s amber in the background, somewhere, that’s fleeting initially, and then it settles in for a long stay. It morphs into a mix of smoke, spice, amber, labdanum, and the beginning tendrils of vanilla. Finally, it becomes a more comforting, warmer scent that smells of lightly sweetened vanilla with a soft smokiness and a wee bit of spice that lingers. Oud is here and there throughout the first few hours of wear; it’s not the star–the smokiness from tobacco is definitely more in the forefront. If you’re looking for a strong oud note, it’s not in this scent. It has moderate projection and wore twelve to sixteen hours (two sprays) on me.  If you like Tobacco Vanille, Amber Absolute, Sahara Noir, or Oud Wood (or some combination of them), I think you’ll like this one.

Tobacco Oud has received some comparisons to Amber Absolute, which I can see and not see. I found Tobacco Oud’s metamorphosis was greatly influenced by the number of sprays; less than two, and it was very, very dry and lacked warmth, but three sprays gave me that warmth that I missed the first time I wore it, and that warmth made me understand some of the comparisons to Amber Absolute. With that being said, Amber Absolute is much, much heavier on the amber; it’s headier, thicker, warmer, cozier; when Amber Absolute opens, I get that resinous quality but not the smokiness that I wafts from Tobacco Oud. Amber Absolute is also sweeter throughout the wear, where Tobacco Oud turns slightly sweeter from the tonka bean after six to eight hours of wear. Even if the two had more similarities than differences, the most marked difference is that Amber Absolute is a monster–it has more projection, longevity, and overall, it is just more potent. Amber Absolute–one spray split between my wrists–is still a skin scent twenty-four hours after I’ve applied and taken a shower.

Tobacco Oud is standing in front of the hearth and warming your hands, a brief respite from the cool outdoors.  Amber Absolute is curling up in a luxurious blanket in your favorite chair and settling in for the night.

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