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Make Up For Ever Technicolor Eyeshadow Palette

Make Up For Ever Technicolor Eyeshadow Palette
Make Up For Ever Technicolor Eyeshadow Palette

Make Up For Ever Technicolor Eyeshadow Palette ($45.00 for 0.24 oz.) includes eight eyeshadows: #04 (matte black), Jaune (yellow), #91 (apple green), #72 (matte vibrant turquoise), #116 (lilac), #00 (matte white), #17 (matte chocolate brown), and #126 (tan beige shimmer). With the exception of Jaune, the other seven shades are part of the permanent range.

#04 is a rich black with a matte finish and subtle warm undertones. It was soft, applied smoothly, and had good color payoff. It’s similar to other black eyeshadows such as Urban Decay Crave, Le Metier de Beaute Fin, and Urban Decay Blackout.

Jaune is a warm, sunshine yellow with a subtle satiny sheen. It had good color payoff, but it was powdery. NARS Flowers #5 is more pearly. Illamasqua Hype is matte. MAC Goldenrod is darker and matte. Inglot #323 is matte.

#91 is a brightened green with soft, yellow undertones and a matte finish. It was powdery and had so-so color payoff–and my individual version was much smoother and more pigmented. I had a lot of trouble getting this shade to look vibrant on the lid and blend with the other shades. Illamasqua Fledgling is much darker, whereas Illamasqua Pivot is much lighter. MAC Wondergrass a touch darker and shimmery.

#72 is a medium blue with a matte finish. It had so-so color payoff and was a bit powdery. The color stained a little bit when I swatched it, but wearing it over a primer to test wear (because it didn’t work well at all on its own), it didn’t. The original that I have is more intense–so much more pigmented. NARS Mad Mad World is richer. Wet ‘n’ Wild Drinking a Glass of Shine #3 is darker, less cyan. Inglot #371 is a bit darker and more opaque.

#116 is a darkened lavender with a matte finish. This shade was very powdery and rather sheer; I could not build up color at all.NARS High Society #1 is grayer. Illamasqua Can Can is brighter. Urban Decay Tainted has shimmer.

#00 is a pure white with a matte finish. It had good color payoff and was soft, smooth, and applied well. It is similar to shades like Wet ‘n’ Wild Drinking a Glass of Shine #1, Bobbi Brown White, and Inglot #373.

#17 is a medium-dark brown with warm, tan undertones and a matte finish. This was the best performing shade in the palette–nicely pigmented, smooth, and soft. Dolce & Gabbana Cocoa #3 is lighter and pearly. theBalm Tres Moi is redder and frosted. Inglot #357 is lighter.

#126 is a light beige with warm, peachy undertones and a soft, frosted shimmer-sheen finish. It had good color payoff and applied smoothly, but it was a tiny bit powdery. Urban Decay Broken is similar but less shimmery. Wet ‘n’ Wild Comfort Zone #1 is less shimmery, more frosted. MAC Ricepaper is more satiny.

I used four of the eight shades in a look, and I opted to go for the brighter shades since I figured those would be the shades that were most eye-catching within the palette.  I expected a quick, easy, and overall fuss-free application, but I had a very opposite experience:  the powderiness present across many of the shades made it difficult to get rich, opaque color payoff and blend the colors at the same time. I would apply #91 and pack it on, then I’d go to blend it, and half of it would disappear into the ether.  I’ve never had this problem with Make Up For Ever’s eyeshadows.  They’re one of my favorite brands for matte eyeshadows, because they aren’t dry and powdery and prone to sheerness.

#116 was the worst offender, followed by #91.  #04 and #17 were the easiest to use out of the eight.  I’m surprised and shocked at the way these applied.  I tried using the same eyeshadows on two separate days, in case maybe my lids just weren’t right for them.  I had to use the eyeshadows over primer to see any color really stick to the lid, and still, I couldn’t get full color payoff on #91.  After the tenth time packing on the color, I threw in the towel (err, brush?).  I think you need to use a creamier, whiter base underneath these to really get them to work well.  Over Make Up For Ever Prime, the eyeshadows lasted eight hours but did look faded, though no creasing.

I have to admit–I’m a bit heartbroken over the outcome.

Make Up For Ever Technicolor Eyeshadow Palette


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Bright Purples with Make Up For Ever by Nicholas Lujan

Bright Purples with Make Up For Ever by Nicholas Lujan

While I was in Las Vegas last week, there was one mission I KNEW I had to accomplish: visit the (relatively) newly opened Make Up For Ever Boutique in Sephora at the Venetian. I’ve never been to Make Up For Ever’s flagship boutique in NYC, and their range is more extensive than what you normally find at Sephora, so I really wanted to see what else they had! I popped by on Tuesday afternoon and met with the oh-so-fabulous Nicholas Lujan. He was absolutely phenomenal–so knowledgeable but even more? infinitely passionate about all things makeup and Make Up For Ever.

Over the years, I’ve found myself getting less and less “makeovers” by artists at counters because I recognize more now than I did before that for many, those are just jobs (and retail ones at that)–which is OK but we, as beauty aficiandos, have to understand that. Too often there is a lack of emphasis on artistry and technique, and instead, artists (even those who would love to teach and show more) are compelled to push product. If you’re lucky, you’ll find and connect with the artists that are passionate about their job and makeup, and then you can learn so much from them.

Make Up For Ever is ALL about artistry. Lujan (along with the others who work at the Las Vegas boutique) were trained in a one-month long makeup “bootcamp” and had hands-on training with Dany Sanz herself (founder of the brand). It’s easy to tell when someone is passionate about what they do, because you can hear it in their voice.  He knew the brand’s history, products’ history and development, and most importantly, he knew how to use everything.

I recommend visiting the boutique if you get the chance, and if you have some time, book a session with one of the artists working that day. They have shorter sessions (30 minutes or so, approximately $50 redeemable in product) and longer sessions (60 minutes or so, approximately $120 redeemable in product)–and it’s not hard to spend either amount on their products. My session was complimentary, as I came as press, but I could not leave without purchasing their Liquid Lift Foundation–I was willing to find a way to cram it into my quart-sized liquids’ bag!

The look you see in this post was created by the talented Lujan–I wanted to give him freedom to do something he thought would look good and work for me. Surprisingly, the black liner on the upper lash line was not as irritating as liner typically is, so I’ll be testing that out myself over the next few weeks.  He called this his “spotlight” look, because of the brightness popped onto the center of the lid.  Lujan also told me that my eyes are set far enough apart that I can get away with wearing dark eyeshadows on both the inner and outer creases/corners.  He also told me to go nuts with the lower lash line, because it works well with my eye shape!

You will need the following…

For eyes, Lujan applied #2 Aqua Cream with Eye Seal using the 6N brush. He then applied #116 eyeshadow in the creased with the 17S brush. He applied #92 eyeshadow in the corners with the 14S brush. He patted #940 Star Powder underneath the arch and the inner corner. He then mixed #940 Star Powder with #1 Diamond Powder onto the center of the lid. He lined the upper lash line with Aqua Black eyeliner. The eyes were finished with Aqua Smoky Lash on lashes.

For cheeks, he applied #6 HD Blush onto cheeks with #5 eyeshadow used as a highlight. Lujan contoured with #170 HD Foundation and set with #1 Velvet Finish.

For lips, he used #1C Aqua Lip Liner to line lips, and then applied #23 Rouge Artist Lipstick for a nude lip. He topped the lips with #16 Lab Shine Lip Gloss for shine and shimmer.

Check out more photos!