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MAC Rimal Dahabia Eyeshadow Quad

MAC Rimal Dahabia Eyeshadow Quad
MAC Rimal Dahabia Eyeshadow Quad

MAC Rimal Dahabia Eyeshadow Quad ($40.00 for 0.21 oz.) contains these shades: Shroom (soft beige with shimmer), Soft Brown (soft golden peachy brown), Beautyburst (rich reddish brown), and Najm el Lail (blackened deep brown). Shroom and Soft Brown are permanent, while Beautyburst came out with Barbie Loves MAC in 2007.

Shroom is soft, light beige with a hint of warmth and a lightly frosted finish (though it’s officially a satin). It’s soft, smooth, and easy to blend out. It also has lovely color payoff. This used to be a go-to brow bone highlighter for me, because it wasn’t too stark or too cool/warm. Make Up For Ever #126 is darker, slightly shimmery. Urban Decay Anonymous is more matte and less beige. Cinderella A Wish is more matte. Giorgio Armani #1 Madreperla #1 is similar, but a touch more frosted. Urban Decay Skimp is a touch warmer and more shimmery. bareMinerals Serendipitous is very similar. MAC Brule is matte.

Soft Brown is a light-medium brown with warm, subtly red undertones and a matte finish. It is soft, silky-smooth, and nicely pigmented. It’s a great go-to neutral for outer lid and crease work on many skin tones, and then it can work as an all-over lid shade on darker complexions, too. MAC Exposed is darker and redder. MAC Body Conscious is more orange. MAC Glimpse of Flesh is shimmery and lighter. MAC Indie Spirit is a bit darker.

Beautyburst is a warm-toned, reddened, medium-dark brown with a matte finish (though it is listed as a satin). It had good color payoff, and the texture was soft and smooth. It blended nicely on the lid when I applied it. MAC Deep Fixation is more orange and more shimmery. Guerlain Les Fauves #2 is a touch lighter. MAC Brown Script is a bit darker and browner. theBalm Racy Kacy is warmer and shimmery.

Najm el Lail is a blackened brown with a matte finish. The swatch tells the majority of the story: dry, patchy, so-so color payoff. It’s not as easy to blend as a softer eyeshadow, as it tends to stick and be stubborn about softening along the edges. Too Faced Licorice is grayer/blacker. Dior Night Golds #3 is shimmery. MAC Bad Lieutenant is very similar. theBalm Matt Ramirez is also rather similar but has a slightly redder base. MAC Diamond Dove is similar. Tarina Tarantino Wonderful is slightly browner. MAC Brun is a bit lighter and cooler-toned. MAC Midnight Flurry is also similar. MAC Legendary Black is darker, grayer. Wet ‘n’ Wild Comfort Zone has a satin finish.

Three of the four are good or better (and two of the three are great), while the one shade that dropped the ball was Najm el Lail. I’m not sure why MAC seems to have issues with making a soft, buttery black-brown eyeshadow–above, you’ll see I noted several limited edition black-brown shades (mostly found in quads) from MAC over the years and they all have the same issues (dry, stiff).  Like the other quad, I’m testing the wear of these today and will update this post with that information later this afternoon. Based on the textures/payoffs/finishes, I’ve given it a longevity grade based off of years of testing MAC eyeshadows.

Just to do a little math, since the palette contains two permanent shades, here’s how the value works out to be: 1) pan eyeshadows cost $12 each (so $48 in eyeshadows), and the 2) the price of the quad is $9. So, if you purchase everything individually, you would be spending $57–compared to $40 to purchase a pre-made quad (in standard packaging), which means you pay $17 for choice. If you already have a palette to put them in, then you might consider the cost of choice $8. I find this is helpful to put it into perspective, though as a long-time MAC collector, I completely understand when you remember paying $34 for quads!  On the other hand, at $40, I really think it should be fantastic–there are too many $30-50 palettes on the market that are standouts these days.

MAC Rimal Dahabia Eyeshadow Quad


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MAC Masat al Lail Eyeshadow Quad

MAC Masat al Lail Eyeshadow Quad
MAC Masat al Lail Eyeshadow Quad

MAC Masat al Lail Eyeshadow Quad ($40.00 for 0.21 oz.) contains these shades: Rondelle (platinum silver frost), Waft (deep navy with pearl), Gentle Fume (dirty concrete grey with silver pearl), and Carbon (intense black). Long-time MAC collectors may remember this composition, as it was originally launched in Smoke Signals (2007) as the Gentle Fume quad.

Rondelle is a gray-tinged white with a frosted finish. It had decent to good color payoff, but it was a little dusty, though I was able to get it to apply smoothly for the most part. Tarte Silver Burst is brighter, whiter. Guerlain Les Aquas #4 is more metallic. Bobbi Brown Iced Blue is cooler-toned.

Waft is a dark, bluish-gray with a subtle, frosted finish. The texture is rather dry, which is why this shade looks a bit patchy (and it does look dry, too) when swatched. It has so-so color payoff, but it was buildable and when used with a soft, fluffier brush, it did seem to apply better and more smoothly. theBalm Matt McDonald is very similar. MAC Warm Thunder is more metallic. Tarina Tarantino DIamond DUsk is more metallic, lighter. MAC Weathered is bluer.

Gentle Fume is a medium-dark matte gray base with silver sparkle. The silver sparkle doesn’t adhere or bind with the base color very well, so it flakes and disappears the moment you go to blend out the color. If you want any sparkle to survive, pat the color on, and then leave it alone. There will be fall out during the day, though. MAC Fabulous Fit doesn’t have the sparkle and is a touch lighter. MAC Silver Gull is much lighter. NARS Delphes #2 is close to the base color but doesn’t have the silver sparkle. Chanel Gris Exquis is a darker gray with no silver sparkle.

Carbon is a medium-dark black with a matte finish. It is part of the permanent range, and it varies in its dryness. This isn’t the worst iteration I’ve seen of it, but it’s certainly not the best and is by no means a favorite of mine to use. The beauty world can do better black eyeshadows now, so Carbon could use a reformulation to put it on par with current black eyeshadows. It’s just so dry and stiff, so the color payoff is sheerer and patchy–even applied on the lid, it can be a pain to blend out. You can find numerous black eyeshadows that compare to this (in terms of color).

It is a cool-toned, silver-and-gray smoky eye palette.  Over the years, I’ve grown frustrated with Carbon, so the inclusion of it in the quad is tiresome, as it is so often released in quads and palettes, so you very likely have one already (and it’s just not a great quality eyeshadow to begin with, so why have doubles or triples of it?).  I think the color of Waft is the most interesting, but it turns out that Weathered ends up looking more nuanced on the lid because it is bluer.  I wish the silver sparkle stuck to Gentle Fume, because then it would be something harder to dupe or find, but it just disappears and gets everywhere else.  Rondelle is the best performing shade in the palette.  I’m going to be wearing this quad for wear today, so I’ll report back with the results this afternoon–based on my experience with MAC’s drier/sheerer shades, I don’t get great wear (between seven and eight hours, some fading), I’ve assessed a rating but if it is better/worse, I’ll be sure to let you know.

MAC Masat al Lail Eyeshadow Quad


MAC Art of the Eye Eyeshadows

MAC Banafsaji Eyeshadow
MAC Banafsaji Eyeshadow

MAC Art of the Eye Eyeshadows ($15.00 for 0.05 oz.) include five shades, and they are: Banafsaji (deep purple blue), Farasha (bright deep orange), Gameela (deep pink magenta), Hajar Karim (clean warm green), and Parrot (deep aqua blue with bright green and blue pearl). Parrot is a repromote.

Banafsaji is a frosted, cool-toned purple with bluish tones and a violet base color. It had good color payoff, and the texture was soft but a little dry. It could have been a bit more blendable, but it was not difficult to use. OCC Technoir is bluer. Estee Lauder Violet Underground #5 is very similar. MAC Drawn to Drama is purpler. Giorgio Armani Ecailles Black Pearl #2 is brighter. NARS Marie-Galante is more muted. MAC Warm & Smoky is warmer, less blue. Urban Decay Blue Bus is lighter, purpler.

Farasha is a brightened, medium-dark orange with a matte finish. This looks lighter in the pan than it does on; consistently, whether on the lid or on my arm, it was darker swatched. It has fairly good pigmentation, but it is more buildable than it is incredibly intense right out of the pan, so I did need to pack it on the lid to get opaque, even color payoff. NARS Persia is darker, redder. Jasmine Rajah is shimmery, so it is a little lighter. MAC Rule is more muted. MAC Orange is darker, redder.

Gameela is a bold, bright medium-dark pink with subtle cool undertones and a matte finish. It had good color payoff and was buildable to fully opaque color. The texture is soft but a little dry; it’s not MAC’s best matte eyeshadow though decent to good. I recommend patting and packing the color on (and use a primer, if you have one) for best results. Chanel Rose Favorite is lighter. MAC Embrace Me is darker (between the two, since they both are recent releases, I’d get this all day long over Gameela). MAC More AMour is redder, more subdued. MAC Tease With Ease is more fuchsia. MAC Passionate is a bit richer and darker.

Hajar Karim is a grassy, medium-dark green with a matte finish and a dusty quality to it. It had so-so color payoff that required building to get to opaque color, but it is possible to get there. Again, patting the color on rather than sweeping will go a long way, and if you use a primer or white eyeshadow base, you’ll get true-to-pan color with less layering. NARS Self Portrait 1 #3 is yellower. Illamasqua Fledgling is brighter, bolder. MAC Feeling Fresh is shimmery and a bit darker. MAC Fresh Flare is shimmery and warmer. Inglot #384 is richer and yellower (in tone).

Parrot is a medium-dark blue with a hint of aqua/teal that is layered with green and gold shimmer; it’s not a strong duochrome, but there’s a slight tint and sheen to it at certain angles. I think this shade was interesting and unique three or four years ago, but now, there are so many options that are similar to it. The texture is a smidgen dry (I’ve been noticing all of the recent Veluxe Pearls have this dryness) that doesn’t seem to impede application or color payoff, but it’s there. Jasmine Diamond is darker. Tom Ford Emerald Lust is tealer. Urban Decay Unhinged is bluer. Urban Decay Deep End is darker. Tarina Tarantino Ozma is similar. theBalm Open to Offers Olwen is slightly darker. Urban Decay Haight is bluer. Inglot #415 is lighter, more metallic (but has a stronger golden sheen). Make Up For Ever #83 is brighter.

On the whole, they’re decent to good, but a few of them require some work to get them applied with full, rich color, as well as extra effort to blend them out. I had the best luck with Parrot, which had good color payoff without having to build and layer it on.  The worst performer was Hajar Karim, which really needs to be packed on (three or four layers).  Farasha and Gameela were in the middle of the pack; they both require two or three layers of product to be packed on, but the textures are soft enough that they’re still blendable.  Banafsaji had better pigmentation than some, but it was a bit stiff to blend.  I wore all five yesterday (three on one eye, two on the other), and Hajar Karim was the first to show signs of fading (after seven hours), while Farasha and Gameela lasted nine hours without fading or creasing but Gameela stained my lids.  Banafsaji had slight fading after eight hours, while Parrot didn’t show any signs of fading after nine hours.

MAC Art of the Eye Eyeshadows


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MAC Art of the Eye Collection for Summer 2013

MAC Art of the Eye Collection for Summer 2013
MAC Art of the Eye Collection for Summer 2013

M•A•C unveils a luxurious colour collection where eyes are the fascinating focus. From exotic smoky looks to breathtaking, grand celebration statements that dazzle like ornate multicoloured jewels. Two Eye Shadow X 4 palettes in grey/blue and beige/brown blend beautifully in shades including Gentle Fume, Carbon, Shroom, Soft Brown and Najm el Lail. Small Eye Shadow singles add vibrant highlights in Parrot, Gameela, Farasha, Hajar Karim. Lining is legendary – dramatic black Kohl Power Eye Pencil in Feline sweeps into a wide wing and Liquid Eye Liner’s gel formula creates an elegant edge. Reflects Glitter gilds with golden shimmer. Opulash lavishes lashes with volume and curl.

Masat Al Lail Eyeshadow Quad ($40.00 U.S. / $47.50 CDN) (Limited Edition)

** This quad contains the exact same shades as MAC Gentle Fume Eyeshadow Quad (released in 2007).

  • Rondelle Platinum silver frost
  • Waft Deep navy with pearl
  • Gentle Fume Dirty concrete grey with silver pearl
  • Carbon Intense black

Rimal Dahabia Eyeshadow Quad ($40.00 U.S. / $47.50 CDN) (Limited Edition)

  • Shroom Soft beige with shimmer
  • Soft Brown Soft golden peachy brown
  • Beauty Burst Rich reddish brown
  • Najm el Lail Blackened deep brown

Chromagraphic Pencil ($16.00 U.S. / $19.00 CDN) (Permanent @ PRO)

  • Process Magenta Magenta
  • Hi-Def Cyan Cyan
  • Landscape Green Lush bright green

Kohl Power Eye Pencil ($15.00 U.S. / $18.00 CDN) (Permanent)

  • Feline Rich black

Opulash ($16.00 U.S. / $19.00 CDN)

  • Sama Blue (Limited Edition)
  • Optimum Black Lash Intense black (Permanent)

Eyeshadow ($15.00 U.S. / $18.00 CDN) (Limited Edition)

  • Farasha Bright deep orange (Matte)
  • Gameela Deep pink magenta (Matte)
  • Parrot Deep aqua blue with bright green and blue pearl (Frost)
  • Hajar Karim Clean warm green (Matte)
  • Banafsaji Deep purple blue (Veluxe Pearl)

Reflects Glitter ($21.00 U.S. / $25.00 CDN) (Permanent)

  • Reflects Gold White glitter that flashes gold
  • Reflects Antique Gold Sparkling taupe

Fluidline Brow Gelcreme ($15.00 U.S. / $18.00 CDN) (Limited Edition)

  • Deep Dark Brunete Rich brunette

Availability: Online April 25th, 2013. North America May 2, 2013 at all M·A·C locations. International excluding Middle East May 2013 at all M·A·C locations. Middle East May 2013 at all M·A·C location.

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