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Inglot Matte Eyeshadows in #385, 372, 345, 340, 338, 389, 321 (Teals & Dark Blues)


Inglot Matte Eyeshadow Palette #2

Inglot Matte Eyeshadows in #385, 372, 345, 340, 338, 389, 321 (Teals & Dark Blues)

Our look at Inglot’s Matte Eyeshadows ($4.50 to $7.00 each for 0.09 oz.) continues onto some shades of teal, indigo, and dark blues. ¬†You can check out the Inglot Eyeshadow Swatch Gallery if you’re looking for more swatches! ūüôā ¬†It’s getting quite full!

  • 385 is a subtly, cool-toned, medium-dark green with a matte finish.
  • 372 is a medium-dark, blue-teal with a matte finish.
  • 345 is a pale aqua blue with a matte finish. It was a touch sheer.
  • 340 is a deep, dark blackened teal with a matte finish (but I swear, there were very tiny particles of micro-shimmer throughout — I swatched all of Inglot’s mattes first, so there was no residual shimmer from previous swatches).
  • 338 is a darkened cornflower blue with a matte finish.
  • 389 is a blackened blue with a hint of purple with a matte finish. This shade was a little sheer and harder to work with.
  • 321 is a dark, purple-blue with a matte finish. Like #340, it seems like it has a little bit of micro-shimmer.

These are really soft mattes; they have a really buttery feel to them, where you can feel the powder loosening as you swatch. ¬†They aren’t particularly powdery, though they’ll kick up a little dust if you are heavy handed with your brush. ¬†A little product goes a long way, so there’s no reason to jab at the eyeshadow with a brush (something you might have done with past matte eyeshadows). ¬†The softness and give allow these to apply smoothly and evenly; there is no patchiness or drag with these. ¬†The only downside to these is if you really pack on the color, you might find that it fades (ever-so-marginally) after eight hours; it’s a very minimal drawback, resulting in 0.5 point reduction in longevity.

#345 and #389 were on the sheerer side, with #345 being more noticeably sheer than #389, but #389 was harder to work with as it had a drier texture and dragged a bit when swatched.  I think it would be fine in practice, given it still has good (just not great) color payoff.

Inglot Matte Eyeshadows in #385, 372, 345, 340, 338, 389, 321 (Teals & Dark Blues)

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Inglot Matte Eyeshadows in #323, 370, 364, 343, 333, 331, 384 (Yellows & Greens)


Inglot Matte Eyeshadow Palette #2

Inglot Matte Eyeshadows in #323, 370, 364, 343, 333, 331, 384 (Yellows & Greens)

Our look at Inglot’s Matte Eyeshadows ($4.50 to $7.00 each for 0.09 oz.) moves to some of their yellows and greens. (I did show #323 yesterday, but it fits better with this post.) ¬†I’m hoping to get through the rest of the matte eyeshadows I have before next weekend, because I know several readers will be heading to IMATS in Pasadena, so I hope this will be helpful.

  • 323 is a bright, medium-dark yellow with a matte finish.
  • 370 is a bright yellow with a little mustard to it and a matte finish.
  • 364 is a soft yellow with a hint of green and a matte finish.
  • 343 is a bright yellowed chartreuse with a matte finish. This felt a little dry and ended up looking powdery and uneven when I swatched it.
  • 333 is a dark hunter green with a matte finish.
  • 331 is a medium-dark grass green with a matte finish.
  • 384 is a medium grass green with a matte finish.

These are really soft mattes; they have a really buttery feel to them, where you can feel the powder loosening as you swatch. ¬†They aren’t particularly powdery, though they’ll kick up a little dust if you are heavy handed with your brush. ¬†A little product goes a long way, so there’s no reason to jab at the eyeshadow with a brush (something you might have done with past matte eyeshadows). ¬†The softness and give allow these to apply smoothly and evenly; there is no patchiness or drag with these. ¬†The only downside to these is if you really pack on the color, you might find that it fades (ever-so-marginally) after eight hours; it’s a very minimal drawback, resulting in 0.5 point reduction in longevity.

I had a little trouble with #343, because the texture seemed drier and rather powdery, so it didn’t hold together as well and ended up having a more uneven finish than the other shades.

Edit: Images are fixed – sorry it took so long, I was sleeping.

Inglot Matte Eyeshadows in #323, 370, 364, 343, 333, 331, 384 (Yellows & Greens)

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Inglot Matte Eyeshadows in #328, 353, 355, 351, 323 (Beiges & Yellow


Inglot #328 Eyeshadow

Inglot Matte Eyeshadows in #328, 353, 355, 351, 323 (Beiges & Yellow)

Inglot’s Matte Eyeshadows ($4.50 to $7.00 each for 0.09 oz.) range has a fair amount of peaches/beiges (they seem to have more peach than beige) — plus a bright yellow to cheer the whole group up, since it sits in the last slot of this palette.

  • 328 is a soft, peach beige with a matte finish.
  • 353 is a soft, warmed-up, ultra light peach-beige. with a matte finish
  • 355 is a soft beige with a hint of peach and a matte finish. This is so close to #353, it’s hard to tell them apart.
  • 351 is an ivory with a matte finish.
  • 323 is a bright, medium-dark yellow with a matte finish.

These are really soft mattes; they have a really buttery feel to them, where you can feel the powder loosening as you swatch. ¬†They aren’t particularly powdery, though they’ll kick up a little dust if you are heavy handed with your brush. ¬†A little product goes a long way, so there’s no reason to jab at the eyeshadow with a brush (something you might have done with past matte eyeshadows). ¬†The softness and give allow these to apply smoothly and evenly; there is no patchiness or drag with these. ¬†The only downside to these is if you really pack on the color, you might find that it fades (ever-so-marginally) after eight hours; it’s a very minimal drawback, resulting in 0.5 point reduction in longevity.

I did find that #323 was the “worst” of the bunch; it did have some payoff issues, where it applied unevenly and seemed to disappear was I blended it out. ¬† #353 and 355 are really similar, as well, and I don’t think one would need both; #353 is just a little warmer.

Inglot Matte Eyeshadows in #328, 353, 355, 351, 323 (Beiges & Yellow

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Inglot Matte Eyeshadows in #366, 361, 352, 368, 330 (Oranges)


Inglot #366 Eyeshadow

Inglot Matte Eyeshadows in #366, 361, 352, 368, 330 (Oranges)

Inglot’s Matte Eyeshadows ($4.50 to $7.00 each for 0.09 oz.) have several orange-based shades–unfortunately, I am missing two of them. ¬†Of the two missing, they seem like darker oranges.

  • 366 is a medium-dark red with orange undertones and a matte finish. ¬†It seems most comparable to Make Up For Ever’s #99 but slightly more orange-based.
  • 361 is a coral-orange with a matte finish. ¬†It’s lighter and less pink-based compared to MAC’s Free to Be.
  • 352 is a pale white tinged with coral and a matte finish.
  • 368 is a soft orange with a matte finish.
  • 330 is a lightened peach with a matte finish.

These are really soft mattes; they have a really buttery feel to them, where you can feel the powder loosening as you swatch. ¬†They aren’t particularly powdery, though they’ll kick up a little dust if you are heavy handed with your brush. ¬†A little product goes a long way, so there’s no reason to jab at the eyeshadow with a brush (something you might have done with past matte eyeshadows). ¬†The softness and give allow these to apply smoothly and evenly; there is no patchiness or drag with these.

The only downside to these is if you really pack on the color, you might find that it fades (ever-so-marginally) after eight hours; it’s a very minimal drawback, resulting in 0.5 point reduction in longevity.

Inglot Matte Eyeshadows in #366, 361, 352, 368, 330 (Oranges)

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Inglot Matte Eyeshadows in #382, 362, 319, 359, 356 (Reds & Pinks)


Inglot Matte Eyeshadow Palette #1

Inglot Matte Eyeshadows in #382, 362, 319, 359, 356 (Reds & Pinks)

Inglot’s Matte Eyeshadows ($4.50 to $7.00 each for 0.09 oz.) are what they’re most well-known for, given the buzz I’ve seen in the past. ¬†I’m missing a few that I expect will be in this range (specifically, one pink and two oranges), so I left blank spots for them that way I do not have to rearrange everything when I eventually buy them.

  • 382 is a medium-dark blue-based red with a matte finish. ¬†This shade seems comparable to Make Up For Ever #158 (slightly brighter) and #99 (bluer undertones).
  • 362 is a bright, just-darker-than bubblegum pink with a matte finish.
  • 319 is a pale cotton candy pink with blue undertones and a matte finish.
  • 359 is a muted rosy beige with a matte finish.
  • 356 is a lightened rose-tinted beige with a matte finish.

These are really soft mattes; they have a really buttery feel to them, where you can feel the powder loosening as you swatch. ¬†They aren’t particularly powdery, though they’ll kick up a little dust if you are heavy handed with your brush. ¬†A little product goes a long way, so there’s no reason to jab at the eyeshadow with a brush (something you might have done with past matte eyeshadows). ¬†The softness and give allow these to apply smoothly and evenly; there is no patchiness or drag with these.

The only downside to these is if you really pack on the color, you might find that it fades (ever-so-marginally) after eight hours; it’s a very minimal drawback, resulting in 0.5 point reduction in longevity. ¬†Overall, these five shades had excellent color payoff and lovely textures. ¬†Even the lightest, #356, applied smoothly and never looked chalky.

Inglot Matte Eyeshadows in #382, 362, 319, 359, 356 (Reds & Pinks)

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Inglot Pearl Eyeshadows in Inglot #434, 444, 454, 451, 448, 447, 453 (Grays & Whites)


Inglot #434

Inglot Pearl Eyeshadows in Inglot #434, 444, 454, 451, 448, 447, 453 (Grays & Whites)

To wrap up our look at¬†Inglot’s Pearl Eyeshadow ($4.50 to $7.00 each for 0.09 oz.), we have several grays and whites. ¬†I’m not sure if there is a black eyeshadow with a pearl finish, but it could be in pot-form only or else not available online–seems hard to believe there isn’t any, though! ¬† These were all easy to work; soft, smooth and application was seamless. ¬†The color payoff is excellent without being excessive. ¬†Lighter shades like #448 and 447 go on a lot lighter than they look in the pan, though.

  • 434 is a purple-gray with a pearl finish. This shade was surprisingly complex; I think it’s that mix of purple and gray and silver, which still retains depth.
  • 444 is a gray just barely kissed by brown with a pearl finish. It’s not quite taupe, but it’s almost there.
  • 454 is a bright silver with subtle brown in the background. It has a pearl finish.
  • 451 is a dark, blue-based gray with a soft silver shimmer and pearl finish.
  • 448 is a bright silver with a pearl finish that leans more metallic.
  • 447 is a bright white that has a hint of silver with a pearl finish. It seems to have a high level of frost.
  • 453 is a bright white with a pearl finish. It is similar to #447 but is a truer white, while the other seems just slightly silvered in comparison.

Inglot Pearl Eyeshadows in Inglot #434, 444, 454, 451, 448, 447, 453 (Grays & Whites)

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