Friday, April 20th, 2012

Tom Ford Sugar Pink Ultra Shine Lipgloss
Tom Ford Sugar Pink Ultra Shine Lipgloss

Tom Ford Sugar Pink Ultra Shine Lipgloss ($45.00 for 0.24 fl. oz.) is a light-medium pink with yellow undertones and a creamy finish. It’s mostly opaque in color coverage, but there is some translucency. The closest dupe I could come up with is Bobbi Brown Pink Sorbet, which is also a yellow-toned pink, though it reads a little beige-like compared to Sugar Pink, and it has shimmer. MAC Curvaceous is plummier.  What makes it harder to dupe is the amount of color coverage it has–a lot of glosses are sheer to semi-sheer.

This formula is supposed to have a high-shine finish with good color payoff. The texture is very smooth and slick; it slides onto lips easily with a slight tackiness (but not what I would describe as a full-on sticky gloss). There is some settling into lip lines, which is less noticeable from a normal viewing distance but visible upclose. It has a sweet vanilla scent but no discernible taste. It’s neither drying nor overly hydrating, though I would err on the side of slightly moisturizing. It’s comfortable wear while it lasts, which in Sugar Pink’s case was three and a half hours. The glossy finish does stick around for most of the time, which is longer than some other glosses.

The Glossover

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product

Sugar Pink

B+

It's a good gloss, but it's not the best gloss on the market. It's nice to see that it lives up to most of its claims--it has a nice texture and the color payoff is pretty good. There is some unevenness in application and settling into lip lines.

Product

9/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

8/10

Application

4/5

Results
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Monday, April 9th, 2012

Tom Ford Wet Violet Ultra Shine Lipgloss
Tom Ford Wet Violet Ultra Shine Lipgloss

Tom Ford Wet Violet Ultra Shine Lipgloss

Tom Ford Wet Violet Ultra shine Lipgloss ($45.00 for 0.24 fl. oz.) is a rich wine-berry with violet and pink shimmer. I couldn’t think of a perfect dupe for this exact hue, though I found some shades that are similar enough that they’re worth mentioning. MAC Color Saturation (because it recently debuted) is much, much lighter and appears more as a raspberry-pink. MAC Indigo Pink is pinker, redder, not as cool-toned or as berry. NARS Bougainville gives me a similar vibe, but the colors themselves are noticeably different–NARS’ shade is raspberry pink, not berry or purpled like Wet Violet. The closest shade I could think of was NARS Nana, which is redder and less purpled, but it has a similar vampy quality as well as similar application issues.

Tom Ford describes his gloss formula as being “high-shine” and “color-saturated.” He doesn’t mention any moisturizing benefits, just that the texture is “smooth and creamy.” It’s also noted that the gloss has a “high adherence,” which I assume is code for clings to lips better than your average gloss and, presumably, allows it to wear better/longer. The gloss is vanilla-scented but has no distinctive taste. It’s a sweet vanilla, less potent and not as sweet as MAC’s signature vanilla. Pleasing without being a confection of overblown sweetness.  It comes in a square tube with a brush-type applicator that doesn’t have any problems with random bristles being splayed out.

Wet Violet appears to be one of the deepest shades within the range of ten (I haven’t seen the range in person, so I can only make assumptions from the disappointing computer-generated swatches online), which means it is going to really push and test the limits of the overall quality and feel and look of the formula. Darker lipglosses are very difficult to master; they are naturally problematic, because you’re taking a very obvious, deep color and unless the gloss is opaque, there tends to be issues with color settling into lip lines (and being noticeable), evenness (which stands out, rather than disappears like it can with a lighter shade), and bleeding/feathering.

While the texture is undeniably lovely–soft, smooth, lightly tacky without being full-on sticky and thick (think MAC Lipglass), with a thicker feel that doesn’t end up feeling like goop–the color settles into lip lines and the color itself is tricky to apply evenly. The color coverage is semi-opaque; it adds plenty of color, but there’s enough translucency there that it enables a lot of your natural lip color to come through. This kind of gloss actually looks best on those with more pigmented lips!

Despite some of these drawbacks, Wet Violet wore for around five hours with most of the color intact, though the high-shine glossy finish had dwindled after three and a half hours. Tom Ford wasn’t able to overcome some tricky issues when working with really dark colors as glosses, and at this price tag, I had my fingers crossed. If you’re the type who only wears glosses over lipsticks, then it may still be worth checking out, as it will look much better over an opaque lipstick.

Overall, I can’t see myself shelling out the full $45 on this, but it makes me think of my favorite gloss of all-time (Cle de Peau #2), which is a whopping $55, but I adore it so much that it is still worth it to this day.  So perhaps not this shade but another shade, and if not for my wallet, for someone else’s wallet when the right color comes calling.  The formula seems good, as far as texture, feel, slip, and wear go, but it’s the color here that seems to take it down a peg with the color settling into lip lines.  I have a lighter shade I’ve yet to finish testing, so hopefully that one wears a bit better.

The Glossover

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product

Wet Violet

B

Overall, I can't see myself shelling out the full $45 on this, but it makes me think of my favorite gloss of all-time (Cle de Peau #2), which is a whopping $55, but I adore it so much that it is still worth it to this day. So perhaps not this shade but another shade, and if not for my wallet, for someone else's wallet when the right color comes calling.

Product

8.5/10

Pigmentation

8.5/10

Texture

9.5/10

Longevity

9/10

Application

3/5

Results
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