theBalm Cast Your Shadow Face Palette Review, Photos, Swatches (Part 1)

Christine — Thu, 18 Aug 2011 15:10:09 +0000

theBalm Cast Your Shadow Face Palette

theBalm Cast Your Shadow Face Palette Review, Photos, Swatches (Part 1)

theBalm Cast Your Shadow Face Palette ($44.50) includes 16 eyeshadows (1.0 oz. total), two lip/cheek stains (0.14 oz. total), and one lip gloss (0.07 oz.) and is a palette designed with The Muppets in mind. It is a limited edition palette to-be-related (late September/early October) and only 1,000 will be available (each one is numbered). The approximate value of this palette is $160.00 worth of eyeshadows, $17.00 worth of lip/cheek stains (I didn’t see a really comparable product, so I went with the value of lipsticks, since these can be used as lip stains!), and $7.00 worth of lipgloss–at the very least, this palette is worth $170+ with some uncertainty as to total value because of the lip/cheek stains (totally different formula compared to Stainiac).

I am splitting this review into two parts because of how photo-heavy it is. I will speak on the cheek/lip stains and gloss in the second part, along with the other eight eyeshadows.

Overall, the quality of the eyeshadows is fantastic. They are rich and buttery in texture, so they apply beautifully and smoothly across the skin, and the pigmentation is intense and true-to-pan. I only had issues with two of the sixteen shades: Curtain Call (slightly sheer in places, not as smooth) and Swedish Pancakes (slightly sheer, a bit rough)–but admittedly, I’m being nitpicky. Both shades are still good–just not excellent like the other fourteen. If you’ve had experience with theBalm’s Shady Lady palettes, you won’t be disappointed. You’ll find the same quality and textures in this palette as well. I really do appreciate consistency–I can write one paragraph rather than having to describe each individual shade and how it varies!

Tres Moi is just-barely warmed over bronzed brown with subtle red undertones. It is similar to MAC Twinks but the finish gives Tres Moi a more frosted appearance.
Wocka, Wocka is an olive green with a soft, golden sheen. The sheen is almost metallic. It is very similar to Bare Escentuals Spectacular. MAC Sumptuous Olive is browner and less green, while Inglot #419 is darker. theBalm Makeout Mary is a brighter green with yellowy gold sheen.
Meep Meep is a slightly played-down copper–it is not quite as intense as most coppery shades are–with a frosted finish. It’s similar to Urban Decay Baked, MAC Amber Lights, and Inglot #405, but it’s not quite as intense.
Mahna-Mahna is a deep, dark brown with subtle burgundy undertones and a satiny finish. It’s not quite as burgundy as MAC Sketch, but it is similar in color to Inglot #423 though the finishes are different enough to make the two less comparable, so Inglot #326 may be a better match.
Sensational is a muted, medium blue with a silvery sheen. It is similar to Urban Decay Mary Jane but slightly less cool-toned. It is darker and grayer compared to MAC Moon’s Reflection.
Inspirational is a dark gray with a frosted finish. It is similar to Urban Decay Gunmetal, though slightly warmer. It’s not quite as dark (and has a frostier finish) compared to theBalm Sexy Stacey. Inglot #451 is much darker.
Celebrational is a softened gray-tinged brown–it’s not quite what I’d call a taupe, but it’s somewhere near it. It has a satiny sheen for a finish. It’s cooler-toned than Bare Escentuals Magnetism and MAC Era. MAC Caviar Dreams is closer but Celebrational is less brown. theBalm Insane Jane is a touch warmer.
Muppetational is a soft gray shot through with silver. It’s right there on the border of gray and silver–there is enough metallic sheen to make it lean more silver, but it’s not the full-on metal finish you’d expect from a true silver. Inglot #339 is a bit darker and bluer-based, but MAC Swell Baby is very similar.

The palette is packaged in firm cardboard with an outer cover that slips off the revaeal the actual palette, though both have the exact same design (and both the sleeve and the palette are numbered). To open the palette, it actually splits towards the bottom fourth of the front. Most of the palette opens and reveals all of the eyeshadows along with a mirror, but the smaller bottom flap stays closed. When you flip open the smaller bottom flap, it reveals the two lip/cheek stains and lipgloss. I thought it was a rather clever way to prevent cross-contamination of the powder eyeshadows into the creamier lip/cheek products. Both flaps stay closed with magnets. There is also a dual-ended bristle-based brush that is usable (not my first choice, but it is soft and not at all scratchy).

The quality of this palette is absolutely fantastic. Even the two shades I had minor issues with couldn’t bring down the average scores for pigmentation/texture of the palette itself. I had good luck working with the lip/cheek stains and gloss as well (more in the next post). theBalm knocked this one out of the park–the shade includes neutrals as well as pops of color, while the finishes are mostly soft frosts and shimmers, there are a couple that are more semi-matte.

Depending on the size of your stash, the palette may be more dupable than original–I do see there are several shades that are similar to previous theBalm shadows from palettes as well as the permanent range.

The Glossover

	theBalm Cast Your Shadow Face Palette Review, Photos, Swatches (Part 1) A+
	theBalm knocked this one out of the park--the shade includes neutrals as well as pops of color, while the finishes are mostly soft frosts and shimmers, there are a couple that are more semi-matte.
	Product 10/10 Pigmentation 10/10 Texture 10/10 Longevity 10/10 Application 5/5

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See more photos & swatches!

theBalm Cast Your Shadow Face Palette

theBalm Tres Moi Eyeshadow

theBalm Wocka, Wocka Eyeshadow

theBalm Meep Meep Eyeshadow

theBalm Mahna-Mahna Eyeshadow

theBalm Sensational Eyeshadow

theBalm Inspirational Eyeshadow

theBalm Celebrational Eyeshadow

theBalm Muppetational Eyeshadow

Temptalia

theBalm Cast Your Shadow Face Palette Review, Photos, Swatches (Part 1)