shu uemura Smoky Velvet Eye & Cheek Palette
Karl for Shu – The Smoky Velvet Palette
shu uemura Smoky Velvet Eye & Cheek Palette ($65.00 for 0.245 oz.) consists of two silky smooth eyeshadows, three pressed eyeshadows, and one glow-on blush.
1 is described as a “glitter black” and comes in the “silky smooth eyeshadow formula.” It’s a soft black with very small silver glitter particles. It had a creamy but a very thin consistency–it was soft and just barely creamy, enough that it felt more like a really thin, cream eyeshadow than a powder one. It had good color payoff despite the thin consistency. MAC Tall, Dark, & Handsome is a bit softer, less glittery. Buxom Black Lab is similar but has multi-colored sparkle.
2 is described as a “deep khaki” and comes in the “silky smooth eyeshadow formula.” It’s an olive green with a soft, olive shimmer. This shade was creamier than #1, but it had a similar lightweight and thin feel. L’Oreal Golden Emerald is darker, greener. Lancome Designer is darker. MAC Sumptuous Olive is warmer, browner.
3 is described as an “elegant light silver” and is part of the “pressed eyeshadow formula.” It’s a sparkling silver-tinged white with a glittery, sparkly content that gives it a very sheer appearance. Cinderella Midnight Hour is less metallic. MAC She’s Got Class is similar both in color and texture. MAC Forgery is also quite similar.
4 is described as an “mint green” and is part of the “pressed eyeshadow formula.” It’s a pale green with soft yellow undertones and a smattering of gold micro-shimmer. It had good color payoff and a soft, finely-milled texture. Cinderella Cinderelly is darker. Too Faced Fantasy Island is yellower. bareMinerals Wicked is also yellower. Tarina Tarantino Wonderful is very similar.
5 is described as an “glitter beige” and is part of the “pressed eyeshadow formula.” It’s a pale, yellow gold with a metallic sheen. The color payoff was so-so. Buxom Poodle is less yellow. Giorgio Armani #18 is similar, less metallic. Bobbi Brown Gold is yellower. MAC Treasure Hunt is similar but has more of a sheen.
6 is described as an “dusty rose” and is part of the “glow-on blush formula.” It’s a brightened, dark pink with gold shimmer. It packs plenty of pigment, so it can be used on all skin tones. The texture is incredibly finely-milled, so it is extremely blendable on the skin, so even pale complexions will be able to adjust the intensity to their liking. MAC Supernova is a bit redder. Tom Ford Wicked is pinker, more blue-based. Worth noting is it’s a pain to apply as a blush, since the pan is the size of an eyeshadow.
The palette is remarkable for its texture; the two cream eyeshadows had a beautiful, velvety-creamy consistency that felt like butter and silk came together, while the blush was finely-milled and easy to blend, despite its rich color. The really sparkly white eyeshadow, though, while soft, did not apply as smoothly. I found it was best applied as a layering shade over another eyeshadow. I experienced some fall out when applied alone, and significantly less (but still a little) fall out when patted over one of the cream eyeshadows. Shu can do incredible glitter eyeshadows sometimes, but the white in this palette wasn’t quite it. The gold shade was way, way less sparkly (and better bound together), so I didn’t have problems with that shade. The cream eyeshadows wore well for six hours, but after eight full hours, they was some faint creasing. The blush lasted eight hours without fading.