Thursday, September 5th, 2013

Laura Mercier Cobalt Longwear Eye Pencil
Laura Mercier Cobalt Longwear Eye Pencil

Laura Mercier Cobalt Longwear Eye Pencil ($24.00 for 0.04 oz.) is a medium, navy blue–there’s just a little brightness so it’s not a full-on navy blue. If it were actually intensely pigmented, it would be really quite a rich shade of blue with a nice balance between bright and dark, so it wouldn’t read neon on the lash line but add more pop than something more muted. The consistency was still creamy, but it was sheer and hard to build up the color even when I went back and forth. It seemed to last about seven hours on the lash line, and then it looked thinner but not smudged or migrated, after eight hours. Sephora My Boyfriend’s Jeans has slight pearl and is brighter. Urban Decay Chaos is brighter. See comparison swatches.

Espresso Longwear Eye Pencil ($24.00 for 0.04 oz.) is a rich, medium-dark mahogany brown with warm, red undertones and a mostly matte finish. It had good color payoff in a single pass, and it was buildable to fully opaque color in two passes on the lash line. The consistency was creamy and didn’t tug or pull on the skin or eye area. This shade wore well for eight and a half hours without fading, migrating, or smudging, but it does take a little longer to set (which is nice if you tend to smudge your eyeliner). NARS Via de Martelli is lighter, warmer. Make Up For Ever #25L is less warm-toned. Urban Decay Bourbon is similar. NARS Via Appia is darker. MAC Brown Border is similar. MAC Seasonally Spicy is similar, slightly lighter. Make Up For Ever Gypsy is darker. See comparison swatches.

Noir Longwear Eye Pencil ($24.00 for 0.04 oz.) is a medium-dark black with subtle warm undertones and a mostly matte finish. It had decent pigmentation in a single stroke, but it builds up nicely in two or so passes along the lash line. It wore well for ten hours with very light thinning but no smudging or migrating. Every line needs a black, but you likely already have one in your stash! See comparison swatches.

Laura Mercier’s new Longwear Creme Eye Pencils are supposed to apply smoothly and evenly, be richly pigmented, last for 12 hours (yes, a full 12!), be “water-poof, smudge-proof, transfer-proof, and tear-resistant.” Each pencil comes with a pencil sharpener as well. I can’t say I wet swimming in these, but I did splash my face/eye area with water, and I didn’t experience any of the colors running or bleeding as a result. Cobalt was very prone to being rubbed away (but it didn’t bleed), but Espresso and Noir clung on a lot better and really held up quite well to when in contact with water.

The Glossover

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Cobalt

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The consistency was still creamy, but it was sheer and hard to build up the color even when I went back and forth. It seemed to last about seven hours on the lash line, and then it looked thinner but not smudged or migrated, after eight hours.

Product

4/10

Pigmentation

5/10

Texture

8.5/10

Longevity

7/10

Application

2.5/5

Results
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Espresso

A-
The consistency was creamy and didn't tug or pull on the skin or eye area. This shade wore well for eight and a half hours without fading, migrating, or smudging, but it does take a little longer to set (which is nice if you tend to smudge your eyeliner).

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

8.5/10

Application

5/5

Results
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Noir

A-
It had decent pigmentation in a single stroke, but it builds up nicely in two or so passes along the lash line. It wore well for ten hours with very light thinning but no smudging or migrating.

Product

9/10

Pigmentation

8.5/10

Texture

9/10

Longevity

9/10

Application

5/5

Results
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Wednesday, September 4th, 2013

Wet 'n' Wild Your 15 Minutes Aren't Up Color Icon Eyeshadow Trio
Wet ‘n’ Wild Your 15 Minutes Aren’t Up Color Icon Eyeshadow Trio

Wet ‘n’ Wild Your 15 Minutes Aren’t Up Color Icon Eyeshadow Trio ($2.99 for 0.12 oz.) contains a yellow, purple, and medium-dark pink eyeshadow. It’s a limited edition trio that you may still find, or you may be out of luck. I’ve asked my local stores, and they haven’t heard anything, and I haven’t seen them myself (in-stores), but I know they’ve released elsewhere and been cleaned out quickly.

This post, more or less, is to let you know that your time (and money) might be better spent elsewhere. Initially, I was actually able to get some color to adhere and show up on the lid without using a creamy white base, but all of the colors just fade so quickly–in mere hours. Of course, though touted as long-wearing and highly-pigmented, all three shades were completely gone after four hours of wear without a primer. Over a regular primer, there was significant fading but a hint of color left after six hours (these eyeshadows just eat primer!), and then over NYX Milk, they lasted seven hours with some fading and had better color payoff, too.

Your 15 Minutes Aren’t Up #1 is a light-medium yellow with a satin finish. It had so-so color payoff, but it was very powdery and somewhat chalky, so it was very easily sheered out during application. Your best bet is to pat it on, and if possible, over something tacky/creamy. Fyrinnae Banana Mochi is more shimmery. MAC Bright Yellow is slightly lighter, more matte. See comparison swatches.

Your 15 Minutes Aren’t Up #2 is a medium purple with subtle cool undertones and a satiny, almost matte, finish. It was very powdery and somewhat chalky, and it suffered from the same issues as the yellow eyeshadow–incredibly prone to sheering out on the lid during application. NARS Flowers 1 #3 is more satin-like. MAC Spoiled Rich is warmer. MAC Shock-a-holic is brighter. Inglot #386 is slightly warmer. See comparison swatches.

Your 15 Minutes Aren’t Up #3 is a warm, medium-dark pink with a matte finish. Like the other two, it was powdery and chalky, but it was the least powdery and chalky of the three. It had so-so color payoff but did sheer out easily on the lid. Urban Decay Noise is cooler-toned. MAC Tease with Ease is more shimmery. MAC Gameela is redder. Guerlain Terra Azzurra #2 is cooler-toned. Dior Bow is darker. See comparison swatches.

There are three other trios, and I did take photos/swatches of all them (as well as I’ve tested them all) — how would you feel about me just posting swatches and just an overview (no dupes or shade-by-shade review)? I’d like to just kick ‘em out, but it’s always hard for me to post without a full review! Let me know what you’d like to see in the comments :)

The Glossover

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palette

Your 15 Minutes Aren't Up

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Product

6/10

Pigmentation

7.5/10

Texture

6/10

Longevity

5/10

Application

3/5

Results
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Your 15 Minutes Aren't Up #1

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Product

6/10

Pigmentation

7/10

Texture

6/10

Longevity

5/10

Application

3/5

Results
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Your 15 Minutes Aren't Up #2

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Product

6/10

Pigmentation

7/10

Texture

6/10

Longevity

5/10

Application

3/5

Results
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Tuesday, July 30th, 2013

Maybelline Never Fade Jade Color Tattoo Pure Pigments
Maybelline Never Fade Jade Color Tattoo Pure Pigments

Maybelline Never Fade Jade Color Tattoo Pure Pigments ($6.99 for 0.05 oz.) is a bluish-teal with a satin finish. It’s beest applied with a damp brush, as it is semi-sheer and slightly patchy when applied dry. It is also easier to blend out when it is damp, as it tended to stick when I tried to apply it dry. Fyrinnae Gender Bent is lighter. Fyrinnae Sleepy Holllow is bluer. Urban Decay Deep End is more shimmery, brighter. Maybelline Edgy Emerald is greener, cream. MAC Cool Heat is bluer. Inglot #338 is matte, darker. See comparison swatches.

Pink Rebel Color Tattoo Pure Pigments ($6.99 for 0.05 oz.) is a medium-dark fuchsia-pink with cool, blue undertones and iridescent fuchsia shimmer. This one was quite sparkly. Applied dry, it’s very sheer and more like a barely-there wash of color. Applied damp, it was more semi-opaque. CoverGirl Fired Up Pink is brighter, less cool-toned. Urban Decay Noise is less sparkly, darker. MAC Infra-violet is similar, less shimmery. See comparison swatches.

Potent Purple Color Tattoo Pure Pigments ($6.99 for 0.05 oz.) is a medium-dark purple with subtle warm, plum undertones. Applied dry, it was sheer and uneven, and applied damp, it was more pigmented but still patchy. It was difficult to blend on the skin. Disney Snarfblat is cooler-toned. Dior Lilas Mitzah is similar. Urban Decay Vice is a touch darker. See comparison swatches.

Though they seemed incredibly pretty in their pots, I did not care for these in practice, because they stain the skin in such an over-the-top way and for all their staining power, fade within hours. I felt like my experience with these three was very opposite of what I experienced with the first three I tried. I experienced major staining with Never Fade Jade and Pink Rebel; my eyes were a murky, moldy green paired with “have you been crying?” pink for THREE (!) days. With a primer, it seemed to prevent most of the staining from Pink Rebel, but Never Fade Jade ate right through the primer and left an unholy stain of pain.

All three of these faded very, very quickly; like by the time you went to apply color on the other eye, everything appeared noticeably faded and washed out. I used these damp on bare lids, and then I used them damp over a primer, and they really couldn’t be helped over bare lids and absolutely needed a primer to manage decent color. I still had significant fading after a mere four hours with primer, and there was also a fair amount of fall out. Pink Rebel seemed to be responsible for the majority of the fall out (it was very iridescent!). I had originally tried three of the more neutral shades, and I remember Musings of a Muse didn’t like these much, so I was confused as I loved the neutrals, but after I tried these three, I knew exactly what she was talking about (and we texted about the differences between the shades).

Definitely not 24-hours of wear; not even four hours of decent wear with a primer (which has generally seen me through many an eyeshadow formula to at least eight hours of wear!). The staining is to such a degree that it can actually interfere with wearing makeup the next day or even the day after that. The staining left behind is sheer and uneven, so one would be hard-pressed to argue that was 24-hour wear. It’s not “powerful color intensity” that “stays put up to 24 hours.”  Some of the shades in this range are absolutely a dream to use, but these three were nightmarish.

The Glossover

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Never Fade Jade

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I experienced major staining with Never Fade Jade and Pink Rebel; my eyes were a murky, moldy green paired with "have you been crying?" pink for THREE (!) days. With a primer, it seemed to prevent most of the staining from Pink Rebel, but Never Fade Jade ate right through the primer and left an unholy stain of pain.

Product

5/10

Pigmentation

9/10

Texture

9/10

Longevity

2/10

Application

3/5

Results
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Dupes
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Pink Rebel

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Pink Rebel seemed to be responsible for the majority of the fall out (it was very iridescent!).

Product

5/10

Pigmentation

8.5/10

Texture

8/10

Longevity

2/10

Application

3.5/5

Results
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Potent Purple

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Applied dry, it was sheer and uneven, and applied damp, it was more pigmented but still patchy. It was difficult to blend on the skin.

Product

5/10

Pigmentation

7.5/10

Texture

8/10

Longevity

2/10

Application

3.5/5

Results
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Thursday, July 25th, 2013

MAC Black Grape Pressed Pigment
MAC Black Grape Pressed Pigment

MAC Pressed Pigments ($21.00 for 0.10 oz.) are back for fall with a few limited edition shades, some repromotes, and then a few permanent additions to the existing shade range. The formula is described as “an intensely creamy highlighter offering extreme pearlescence and versatility of finish.” It can be applied dry for a sheerer, high-shine finish or applied on damp skin for a more dramatic, wet look.

The Pressed Pigments are incredibly pretty with their sparkling, light-reflecting ways. They’re seductive at a glance for anyone who gets excited about all things shimmering and glimmering. If you use an adhesive base and don’t mind some fall out, they’re an interesting product you may fall in love with (these seem to very much be a love it or hate it kind of product). Applied dry, the fall out is never-ending and horrendous. In the past when I’ve tested, my eyes have been irritated throughout the day when I’ve worn these without some sort of extra base/adhesive product to minimize the fall out.

That being said, I wore Vanilla Diamond (inner lid), Summer Honey (middle of lid), Pink Pepper (outer lid), and Damson (outer crease) yesterday. There was fall out during application, which is as expected, and is the reason I would apply these first, then foundation, so you can really clean up underneath the eyes. I applied all four shades damp with MAC’s 249 brush to the lid, and after eight hours, there was noticeable fall out, but the sparkle used in the those four shades was much finer than previous shades in the range (though there has always been some variance), so it didn’t look like big bits of glitter (that can sometimes look like dirt, when it’s not catching the light). My eye didn’t feel all that irritated either, which was a very, very happy surprise, so all in all, I would definitely say there was less fall out than previous shades I’ve tried. So yes, I think these are improved–to a degree–with the fineness of the shimmer/sparkle used as well as the texture. These all felt creamy and slightly wet, but if you nick at them, they dislodge like a powder product. The biggest improvement was that, generally, you didn’t need to crush up the product as much to get it to smooth out on the skin.

If you’re not into fussy eyeshadows, adhesive bases, and the like, I would continue to skip these. If you already own an adhesive base like Fyrinnae Pixie Epoxy, Too Faced Glitter Glue, etc., and you love yourself some glittery fun, you may want to consider trying a shade or two. I’ll be testing these a bit more over the next few days (the other four shades, specifically, as well as trying a few over an adhesive base). They just don’t work well on their own due to major fall out. There’s definitely a part of me that loves these. I swatch them and go, “ooh, ahh!” and then I wear them, and I’m always less impressed.

Black Grape is described as a “deep aubergine with multi-pearl.” It’s a medium-dark, silver-shimmered purple with plummy-mauve undertones. The base is lightly warmed-up, while the shimmer is cooler-toned, which gives it an overall cooler color. Applied dry, it’s semi-sheer, and applied damp, it is mostly opaque. The consistency isn’t chunky, but this is not the finest shimmer of the new shades. theBalm Lavish Latoya is less shimmery. Milani Purr-fect Purple is less shimmery, slightly lighter. MAC Grand Galaxy is cooler-toned. bareMinerals Encore is similar in color but not as sparkly. See comparison swatches. (This shade is permanent.)

Damson is described as a “deep brown with gold pearl.” It has a plummy-brown base color with a muted, golden bronze shimmer/pearl that gives it a warmer, golden bronze coloring overall. Applied dry, it was semi-sheer, and applied damp, it was semi-opaque. Blended out, it looks more and more plum and less and less bronze. MAC Smokeluxe #3 is darker but very similar. Urban Decay Nevermind is similar to the golden bronze coloring but doesn’t have a plum tone to it at all. MAC Universal Appeal when applied sheer actually looks similar, as it is a mix of brown and plum, but applied wet it is much more plum. See comparison swatches. (This shade is limited edition.)

Lime Ice is described as a “seafoam green.” It’s a pale, lightly yellowed green with a metallic finish. Applied dry, it was very sheer, and applied damp, it was semi-sheer. The consistency of this one was chunkier, more like past Pressed Pigments, so I would expect this to be more prone to fall out. It doesn’t smooth out as nicely and should be “crushed” with an applicator (whether fingers or brush or something else). Chanel Delicatesse #1 is darker, less metallic. MAC Fresh & Mint #1 is darker. MAC Lucky in Love is less warm-toned, darker. MAC Zestful is warmer. Lancome Fashion Forward is less sparkly. Chanel Promesse #4 is less shimmery. bareMinerals Sensational is less sparkly. See comparison swatches. (This shade is limited edition.)

Moth is described as a “mauve with silver pearl.” It’s a soft, muted pink-mauve with a frosted, metallic finish. The consistency is slightly chunky/gritty, and it is quite sheer applied dry and then semi-sheer applied damp. MAC Tendersmoke is much darker, as is MAC Circa Plum. See comparison swatches. (This shade is permanent.)

Pink Pepper is described as a “deep coral with gold pearl.” It’s a warm-toned, coral-orange with a gold sparkle and metallic finish. This was one of the more pigmented shades in the bunch; still semi-sheer applied dry, but mostly opaque applied damp. MAC Caribbean is darker, more orange. L’Oreal Cherie Merie is darker, more orange, less sparkly. See comparison swatches. (This shade is limited edition.)

Rock Candy is described as a “mid-tone fuchsia.” It’s a light-medium pink with a very frosted, glittery finish. This was the chunkiest shade out of the new shades that I tried. It seemed to have faint yellow undertones. It applied semi-sheer dry and then more opaque damp, but it does really need to be buffed, pressed, and worked into skin to get a smoother look. MAC Pinkluxe #2 is similar, not as bright. MAC Supersweet #2 is cooler-toned in the base color. MAC Cheryl Chic is less sparkly, a bit lighter. MAC Love Power is lighter, cream. MAC Rose Light is more muted. See comparison swatches. (This shade is permanent.)

Summer Honey is described as a “pastel coral.” More like a soft, peachy-beige with a frosted, metallic finish. It is very sheer applied dry and then semi-sheer applied damp. This one had finer shimmer/sparkle. MAC Pastelluxe #2 is more golden and metallic. Disney Midnight Hour #2 is darker, less sparkly. Urban Decay Sellout is a smidgen lighter. NARS Delphes #1 is less sparkly. MAC Light Touch is more beige, lighter. Chanel Raffinement #2 is less sparkly. See comparison swatches. (This shade is limited edition.)

Vanilla Diamond is described as a “warm yellow beige.” It’s a pale, champagne with subtle warm undertones and a frosted, metallic sheen. It was sheer applied dry, and then semi-sheer applied damp. It has a finer sparkle/shimmer compared to the formula overall. MAC Smokeluxe #1 is smoother. Disney Sea Shells is more opaque. MAC Dazzlelight is less sparkly. Bobbi Brown Bone is similar. See comparison swatches. (This shade is limited edition.)

* Note: Midnight is another new (and permanent) shade that is listed as “coming soon” online, so I haven’t been able to purchase it. I will review it when I am able to do so.

The Glossover

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Black Grape

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Product

7/10

Pigmentation

8.5/10

Texture

7.5/10

Longevity

6/10

Application

4/5

Results
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Dupes
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Damson

C

Product

7/10

Pigmentation

8/10

Texture

7.5/10

Longevity

6.5/10

Application

4/5

Results
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Dupes
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product

Lime Ice

D-

Product

6/10

Pigmentation

6.5/10

Texture

7/10

Longevity

5/10

Application

3/5

Results
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Wednesday, July 10th, 2013

Wet 'n' Wild I'm Seeing Triples Color Icon Eyeshadow Trio
Wet ‘n’ Wild I’m Seeing Triples Color Icon Eyeshadow Trio

Wet ‘n’ Wild I’m Seeing Triples Color Icon Eyeshadow Trio ($2.99 for 0.12 oz.) consists of a lime green, medium-dark blue, and a pink-plum. It’s one of six limited edition trios that will be popping in drugstores this July. The Color Icon formula is described as “high-pigmentation” that “lasts and lasts.”

This palette was an exercise in hope, frustration, and utter disappointment. When Wet ‘n’ Wild first launched the Color Icon Eyeshadow Trios, they were amazing and made a believer out of me of highly pigmented eyeshadow for under $5. I remember paying $10 for each trio on eBay because they sold out so quickly locally, and even at $10, they were totally worth it. So, when I first saw all the beautiful bright and bold colors Wet ‘n’ Wild was launching for summer, I truly couldn’t wait to swatch. Look at the trio: it’s like POW! color! and it screams summer. I swatched, and I deflated a little: everything was so soft that it crumbled and disintegrated into a semi-loose powder, but the pigmentation seemed manageable.

On the lid, it was the stuff of nightmares. It’s not a color combination I’d think of, but I was determined to at least try them together, and so I did. Over bare lids, over NARS’ Smudge Proof, over Wet ‘n’ Wild Fergie Eyeshadow Primer, over Urban Decay Primer Potion, and over Too Faced Shadow Insurance, and it was disappointing across the board. I tried an arsenal of brushes as well as sponge-tip applicators (including the ones that came in the palette). The consistency was just so powdery that it needed a slightly tacky, creamy base to adhere, bind, and build. Otherwise, the product wouldn’t stick, and you’d pack and pack the color on until you had more underneath your eye than on it, and by the time you did the other eye, it looked faded and uneven. I felt so defeated that I thought, “It’s the color combination. It just doesn’t work. Let me try it with Inglot eyeshadows…” and in two minutes–really just throwing it on as an experiment–and it was like, “No, it’s not me, it’s you!” Because Inglot was pigmented, even, and the colors could actually be used together without turning into a muddy, powdery mess.

I’m Seeing Triples Browbone is a warm-toned, lime green with a satin finish. It had a slightly powdery texture but was the least powdery of the three. It had semi-opaque color payoff. Sephora Apple Mojito is slightly darker, less warm-toned. Sugarpill Acidberry is brighter. MAC Lucky Green is more shimmery. Illamasqua Pivot is more matte. Wet ‘n’ Wild I Dream of Greenie has a lime green shade that’s a bit more neon and shimmery but better performing. See comparison swatches.

I’m Seeing Triples Crease is a medium-dark blue with a nearly matte finish. It’s actually an interesting blue, because there’s a little cobalt in there, that gives it a cooler tone and look, and it is more unique than not. It seemed to have really nice color payoff, but it was very powdery, so it has to be patted on the lid with very minimal blending or else it sheers out a lot. Urban Decay Radium is darker, more muted, shimmery. MAC Winkle is lighter. Inglot #369 is lighter. See comparison swatches.

I’m Seeing Triples Eyelid is a pinky-plum with a nearly matte finish–if you can get it to be opaque, you’ll see more of the satin finish come out. This one was noticeably sheer even swatched, and it was the hardest to apply on the lid. Disney Sha La La is more berry-ish. Sugarpill 2AM is cooler-toned, purpler. MAC Vibrant Grape is deeper. MAC Plum Dressing is warmer, darker. See comparison swatches.

Is there any redemption? It’s $2.99. With a sufficiently tacky base (I’m thinking NYX Milk would be an excellent budget-friendly option that many already have in their stashes), it could be worth playing around with. I tried just the green and blue shades over Milani’s Winter White Shadow Eyez (eyeshadow pencil), which is shimmery so it amplified the finish of both eyeshadows, and the difference is dramatic–it doesn’t even look like the same product. They both applied better, and they wore longer, too–about eight hours before there looked to be fading (though the Shadow Eyez last around ten hours or better on me alone) but no creasing. The wear of the eyeshadows over regular primer didn’t cause creasing, but the shadows looked sad and faded after six hours. On bare lids, all three had completely disappeared after four hours (it did not “last and last” as promised).

I have a few of the other trios to test still, and I’ve only worn one other one, which wasn’t as bad as this one (not particularly impressive), so I’m still holding out hope that I just happened to start with the worst of the trios this time around.  Cross your fingers for me! :)

The Glossover

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palette

I'm Seeing Triples

D-

Is there any redemption? It's $2.99. With a sufficiently tacky base (I'm thinking NYX Milk would be an excellent budget-friendly option that many already have in their stashes), it could be worth playing around with. The real issue is how powdery and crumbly the eyeshadows were, so they had trouble binding and adhering to the lid, which led to patchy, uneven color that faded quickly.

Product

6/10

Pigmentation

8/10

Texture

6.5/10

Longevity

4/10

Application

3/5

Results
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I'm Seeing Triples Browbone

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Product

7/10

Pigmentation

8.5/10

Texture

7/10

Longevity

4/10

Application

3/5

Results
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product

I'm Seeing Triples Crease

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Product

6/10

Pigmentation

9/10

Texture

6.5/10

Longevity

4/10

Application

3/5

Results
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Sunday, March 24th, 2013

Bobbi Brown Lilac Rose Eyeshadow Palette
Bobbi Brown Lilac Rose Eyeshadow Palette

Bobbi Brown Lilac Rose Eyeshadow Palette ($60.00 for 0.37 oz.) contains eight shades with “heathery neutrals and dusty pinks designed to flatter all skin tones.”

Overall, this palette was a disappointment due to poor color payoff and drier, powdery textures that were common across far too many shades.  The worst offenders were Barely There, Heather Brown, and Black Chocolate; but then IvoryPale RosePink Lily, and Dusty Lilac were all rather powdery and none of the shades were without flaws.  I think the closest to good was Stormy Grey, but it was a nightmare using on the lid–it’s just too stiff to apply with much color.

Because of the lack of color payoff, I really don’t see this working well on medium or darker complexions; very fair skin tones may find that it’s just enough color for an easy-to-use neutral palette, but I find the textures to be lacking.  When I wore the palette, the whole thing looked faded from the beginning and was all one color after eight hours of wear–quite a bit of fading had occurred.  I felt like I had to really jab and stab at the eyeshadow to dislodge enough product to use for application.  There are too many other neutral palettes on the market to settle for something so below-average.

  • Ivory is a pale, cool-toned beige with a matte finish. It had decent color payoff but was powdery.
  • Pale Rose is a subtly warm-toned taupe with a matte finish. It had good color payoff but was powdery. (I also did not detect any pink in it.)
  • Pink Lily is a frosted, shimmering light pink with subtle cool undertones. It had so-so color but was very powdery and almost chunky. I experienced major fall out with this shade.
  • Stormy Grey is a gray-tinged, medium-dark brown with subtle warm undertones and a pearly finish. It had good pigmentation but was dry and stiff to work with.
  • Barely There is a slightly warm-toned champagne beige with a soft, shimmerys heen. The payoff was horrible with this shade; I had to scrape off layers of product just to get anything to show up. The texture was very dry/stiff.
  • Heather Brown is a medium champagne-shimmered brown with slightly warm undertones. Again, a dry texture that resulted in subpar color payoff.
  • Dusty Lilac is a rosy mauve with a matte finish. It had good pigmentation but was very powdery to work with, so it was prone to fading and sheering out as soon as you went to blend it.
  • Black Chocolate is a cool-toned black-brown with a mostly matte finish. It was dry and stiff–very hard to blend when I used it–but the color payoff was decent.

If you’re interested in a dupe, consider looking through the Swatch Gallery to find a shade that you feel is close enough. I recommend starting in brown eyeshadows and beige eyeshadows! :) Otherwise, feel free to ask and if you have any specific brands/price points in mind, please note that.

Long-time readers will remember that towards the end of the year, I try to kick out some quick reviews, because I have a horrible tendency to over-photograph, over-swatch, and over-test products to the point where I have thousands of unused photos and hundreds of products tested but not reviewed. I’d like to try and write more of these quick reviews throughout the year for certain products that I don’t think need full, in-depth reviews for one reason or another. Remember, these aren’t replacing normal reviews but are in addition to; e.g. an extra review–a cherry on top.  Let me know if this is still useful and/or if you’d rather only in-depth reviews. Thank you!

The Glossover

palette

Lilac Rose

D-

There are too many other neutral palettes on the market to settle for something so below-average.

Product

6/10

Pigmentation

7/10

Texture

6/10

Longevity

6/10

Application

3/5

Results
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