Sunday, December 12th, 2010

Dolce & Gabbana Makeup Brushes
Dolce & Gabbana Makeup Brushes:  Powder, Blush, Blending, Eyeshading, Lip

Are Dolce & Gabbana Makeup Brushes Worth It?

Dolce & Gabbana Makeup Brushes debuted earlier this year, and despite having much luck with Dolce & Gabbana’s Makeup Line… I’m just not loving their makeup brushes. I actually find them, on the whole, a little scratchy. They are just nowhere near as soft as I expect from quality makeup brushes.

I know that a lot of readers thought the packaging looked very cheap with the gold plating and black handle, but the handles are a very sleek, matte black, which I think offsets the shiny gold plating in a way that’s not quite as “cheap” looking as anticipated. The ferrules also seem tightly in place, and I had very little bristle fall out, even on first use.  All of the brushes are made out of natural hair (goat and sable).

  • The Powder Brush ($55.00) is a large, dome-shaped brush with nice fullness, but it is a little scratchy. It’s pretty soft, but sometimes I find it less than pleasant on the skin.  It is luxuriously full and dense, though.
  • The Retractable Lip Brush ($29.00) is a small, thin brush that is thick and slightly tapered at the end. It is thicker than the average lip brush, and it’s not quite as wide. I like the firmness it has, and I like that it is retractable with a case, so it can be stored easily in a purse.
  • The Blush Brush ($48.00) is a medium-sized, tapered brush with a subtle dome shape. It works well for applying just the right amount of blush on cheeks as well as highlighting the cheek bones. I found it softer than the Powder Brush but not as soft as I would expect.
  • The Eyeshading Brush ($30.00) is a small, densely-packed dome-shaped eye brush. It is extremely similar to MAC’s 239, but this version seems an itsy bit smaller and firmer. I really liked the shape itself, but it, too, felt a little scratchy when used to blend.
  • The Blending Brush ($32.00) is a fluffy, slightly tapered brush designed for blending eyeshadows. I don’t think I have small eyes necessarily, but I found this brush too big to be all that useful. It may work better if you have larger eyes.

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  • Product: 23/30
  • Value: 8/10
  • Ease of Use: 4/5
  • Packaging: 4/5

RECOMMENDATION: I do not recommend purchasing these without having tested them in-person. They are not the worst brushes I have tried, and they really aren’t bad–they are decent–but there are better brands (at this price point or lower) out there. If you want to try Dolce & Gabbana, I recommend trying one of their blushes or lipsticks instead!

AVAILABILITY: Saks

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Thursday, November 11th, 2010


Nail Lacquer: Asiatique, Beyond Jealous, Nocturnelle, Vice is Nice, Vintage Vamp

MAC Tartan Tale: 5 Naughty Little Vices Nail Lacquer

This year, MAC has created a miniature set of nail lacquers, which includes two new (and exclusive) shades as well as three repromotes. The set itself is limited edition.

This includes: Asiatique (creamy classic red), Beyond Jealous (blackened blue green), Nocturnelle (black-as-night black), Vice is Nice (classic metallic gold), and Vintage Vamp (deep black wine).

  • Asiatique is a bright, cherry red cream. It applied opaque in two coats, and it went rather smoothly–not streaky at all. This is a repromote.
  • Beyond Jealous is a green-teal tinged black cream. This applied rather streakily; I needed three coats to get an even, smooth look. I think three coats was necessary just to achieve total opacity, too. This looks rather black regardless of the lighting, though. This is a repromote.
  • Nocturnelle is a dark black cream. Three coats. It’s come out a few times before.
  • Vice is Nice is a shimmering lightened gold with soft yellow tones. The finish looks like a metallic frost to me. It did need a full three coats to get an opaque result, and you can see some brush strokes. It is golder than China Glaze Midnight Kiss.
  • Vintage Vamp is a deep burgundy-red cream. Like several of the other shades, I did need three coats for this, and the first two layers applied on the streakier side.

Each vial contains 2.5g/0.09 oz., while a full-size polish contains 0.34 oz. There is a total of 0.45 oz. worth of polish in the set, which is just under a polish and a half worth of product. MAC’s Nail Lacquer retails for $38.24/oz., while this set works out to be $56.67/oz.  I would expect a bit more given the price tag.

Given some of the application issues and the overall uniqueness of the colors (low), I don’t know if this would be the best introduction to MAC’s nail lacquers or even a great deal. MAC has done some really interesting shades, but this set does not include those. A black, red, and dark red cream just feel too standard. There’s no reason to settle for streakier, less pigmented formulas at this price point when competitors in this price range do it better. Just from the quality issues I had, it’s not a must-have based on my experience.

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  • Product: 24/30
  • Value: 7/10
  • Ease of Use: 4/5
  • Packaging: 4/5

RECOMMENDATION: The formula on these is just so-so; the majority needed three coats, and a couple had streaky application.

AVAILABILITY: MAC

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Saturday, September 25th, 2010

Rimmel Dizzy Lipstick
Rimmel Dizzy Lipstick

Bright-but-Wearable Pink Lips by Rimmel

Rimmel Dizzy Lasting Finish Lipstick ($5.19 for 0.14 oz.) is a beautiful shade of brightened medium pink with a soft blue undertone. It has a subtle frosted sheen, but it doesn’t feel or lean too frosty to me. The color coverage is excellent; it delivers opaque color and nearly covers my lip freckle. Lasting Lipstick has a creamy feel when applied, and while I wouldn’t describe it as moisturizing, it doesn’t dry out my lips either. It has a synthetic, fruity scent that’s a bit sweet but tolerable and doesn’t linger once applied.

From the get-go, this lipstick has all the makings of a great lipstick. My issue with this lipstick has to do with the claims it’s making about how long it wears. Rimmel says that it “locks colour to lips for up to 8 hours of wear.” Try one, maybe two. I typically get four hours of wear out of the average lipstick, but with Rimmel, I find the color has faded substantially by hour two. We don’t even get close to eight.

It’s really disappointing, because I can’t give this product high marks when it falls so short of the claims it makes. I evaluate products based on what they’re supposed to do, not what I want to do or what’s “good enough.” I recognize that this is a remarkably pigmented, smooth, creamy lipstick formula with an affordable price tag, but it’s not enough: it does not do what it’s supposed to do.

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 21/30
  • Value: 9/10
  • Ease of Use: 4/5
  • Packaging: 4/5

RECOMMENDATION: If you’re on a budget and looking for more pigmented lipstick, Rimmel’s Lasting Finish seems to have some good options, as long as you don’t mind reapplying every couple hours.  I think this is one of the better budget-friendly lipsticks I’ve tried, but it doesn’t last long on lips at all.

AVAILABILITY: ULTA

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Tuesday, September 21st, 2010

Dolce & Gabbana Divine Eyeshadow Quad
Dolce & Gabbana Divine Eyeshadow Quad

Dolce & Gabbana Divine Eyeshadow Quad ($59.00 for 0.16 oz.) looks like a beautiful, elegant mix of feminine colors that seem neutral–not too cool, not too warm.  I’ve always liked Dolce & Gabbana’s eyeshadows in the past (like Dazzling, Gold, Laguna), and I really haven’t had trouble with application of them.

In addition to having trouble with this palette, I also found similar issues with Ocean eyeshadow duo (also from fall, to be reviewed separately).  I thought perhaps it was due to my usage of NARS’ Smudgeproof as a base, so I tried Urban Decay’s Primer Potion, and I experienced the exact same issues:  sheer, faded colors that looked lovely at first but seemed to fade away as quickly as I applied them; slight muddying of color when blended.  It’s like there was nothing to bind the shadow to my lid, despite the eyeshadow base.

The best solution I was able to come up with was to use a shimmery, white gold cream shadow base (Shiseido Lemon Sugar).  Cream bases can sometimes be more adhesive, which can help softer or more difficult shadows stay on better, and shimmery bases always seem to emphasize colors in my experience.   It’s better–decent to just below good–but it’s not fabulous.

Divine consists of a barely-there beige with a subtle cool tone; medium mauve-tinged beige; frosted cotton candy pink; and darkened blue-toned purple with a semi-matte finish.  After using the quad in three look attempts, the lightest shade was my favorite, because it worked really well as a highlighter on my skin tone.  Though the pink shade swatches the best, it is the worst performer of the bunch, because despite its brightness in the swatch, it looks faded and flat on the lid.  The other three shades are more on the matte/satin side, so they already have a softer look and don’t fall flat when used.

I’m also mildly amused that the Eyeshadow Duos contain 0.17 oz. of product for $36, while the quads hold 0.16 oz. and go for $59.  This quad was a total miss for me, and I really wanted to love it.  It’s stunning when you first open the compact, but it’s such a let-down in practice.  Nothing will get a product onto my skip list faster than requiring me to give it three tries just to yield decent results.  As they say, three strikes and you’re out!

I mentioned it previously, but the nude shades worked just fine; they’re soft, smooth, and apply the same.  I don’t think they’re going to work well on anyone that’s medium-dark to dark in skin tone–they’re just going to be way too light and look chalky rather than subtle.  These shades would work well on light to medium skin tones for a contoured nude eye.  So in a sense, half the palette is… palatable (ha, ha).  I already spoke on the pink shade, and the purplish shade is so-so; it applies smoothly, but it seems to go sheer and fade pretty quickly.

Edited 10/01: Despite calling the Saks’ Dolce & Gabbana counter and being told not to use these eyeshadows wet or else I would ruin them, I did use them wet–it did solve a lot of smoothness/evenness of the eyeshadows on the lid, though the colors were still a bit faded and flat.  I changed the product grade from 20 to 23 as a result, which raised the overall grade from a C- to a C+.  A new issue, as a result of using them wet, was a bit of difficulty in blending out the darker shade.

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  • Product: 23/30
  • Value: 7/10
  • Ease of Use: 4/5
  • Packaging: 4/5

RECOMMENDATION: I’d rather get two lipsticks for the price of one eyeshadow quad. (I have reviewed many of Dolce & Gabbana’s lipsticks with happy results!)

AVAILABILITY: Saks

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Sunday, September 12th, 2010

LORAC Private Affair Palette
LORAC Private Affair Palette

An Ill-Fated Private Affair with LORAC

LORAC Private Affair Palette ($38.00 for 0.30 oz.) is an enigma, let me tell you! I’ve experienced shades that swatch poorly but work beautifully in practice (NARS Daphne, I’m lookin’ at you!). I can’t think of many occasions where I’ve encountered a product that swatches so smoothly, so richly and leaves something to be desired when used. Private Affair is just that; far prettier swatched on my arm than when I went to use it in a look.

Now, it’s not like it turns into a muddy mess, disappears on sight (well, at least… not entirely), or looks bad, but it doesn’t look nearly as lovely on as it does swatched–and that’s why it’s a disappointment. This is how it happened:

  • 9:10am: Temptalia is heard excitedly shouting, “OMG OMG OMG BABE! THIS IS SOOOOOO BEAUTIFUL!”
  • 9:15am: She starts to work with the products for a look to post on the blog.
  • 9:18am: Mellan rushes into the bathroom wondering why he hears, “GRRR!”
  • 9:25am: Eye makeup looks like it’s been 18 hours of wear with a nap in-between.
  • 9:30am: Sadface. :(

The palette includes six shades: gilded champagne with a metallic-frost finish, beige champagne with a whitish sheen, medium-dark brown with soft gold sheen, grayed taupe with an antique gold metallic sheen, rich berry burgundy with a satin finish, and blackened purple with burgundy glitter flecks. The texture of these just feels so buttery, incredibly soft, and intensely pigmented; you hardly need any product to achieve true, rich color.

The problem, however, lies in the texture, which is really just too soft. If you thought Stila’s eyeshadows were too soft, these LORAC shadows are softer. This means they kick up quite a bit of powder when used–I advise merely pressing your brush into the shade rather than moving it around, because it will get enough product without loosening the rest. The soft quality of the eyeshadow also means that a lot of it ends up on your face, rather than on your eyes. It rained burgundy and eggplant on my undereye area (which doesn’t need any help looking tired!). Additionally, the softer the eyeshadow, the easier it is to blend, but it can also mean that it is even easier to muddy the color or sheer it out with even a light touch.

At the end of the day, they’re just okay eyeshadows. They feel and look stunning when swatched, but they’re just not nearly as standout when used. There’s a little more fall out than I’d expect, and the color pay off looks fierce initially but fades quickly. I had trouble getting the burgundy shade to stay vibrant; it faded to this rather muted, blah eggplant within minutes. The blackened purple shade lacks the glitter when you apply it–it’s like the glitter doesn’t hold together with the shade and gets lost between the pan and your eye (probably eaten by your brush!).

There is also an eyeshadow primer included in the palette, which is housed in a pull-out drawer that sits beneath the eyeshadows themselves. Along with the primer is dual-ended brush that just feels too scratchy and the ferrules feel rather loose, so I ditched it.

Morbid or not, the packaging reminds me of a coffin. Maybe something a vampire would sleep in, with the dark blood red (faux) snake-skin covering. I also think that they could have ditched the primer and brush, since neither are stellar (the primer is so-so, it doesn’t seem to enhance the vibrancy of the eyeshadows). This could have allowed for a much slimmer palette, which would make it more travel friendly. But you know what really drove me batty about the packaging? It doesn’t stay open. That lid did not want to stay open at all, and I bent that sucker back so far and could see it pulling away from the rest of it, and it still kept closing on me.

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 24/30
  • Value: 8/10
  • Ease of Use: 4/5
  • Packaging: 3/5

RECOMMENDATION: I wanted to love this palette with all my heart, but it left me rather disappointed. I think for $38, I’d rather get a couple of eyeshadows that were excellent than six eyeshadows that require more work and effort than I want to put in!

AVAILABILITY: Sephora

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Friday, July 23rd, 2010

NARS Daphne Eyeshadow
NARS Daphne Eyeshadow

Don’t Judge an Eyeshadow by a Swatch?!

NARS Daphne Eyeshadow ($23.00 for 0.07 oz.) is a rich shade of night violet purple. It’s dark and deep and bright. But I have to warn you: don’t judge by a mere swatching on your arm. I’ve often found that matte eyeshadows don’t swatch well on the arm but perform phenomenally when used on the eyes. A truly outstanding matte shade will do both well, but I’ve simply learned that you cannot judge a poor swatched matte without trying it, too.

When swatched with a sponge-tip applicator, I get a patchy mess of violet — it’s more of a red-based purple than blue-based, but it seems to flicker between the two depending on the lighting situation. (Sidenote, photographing this eyeshadow was a pain in the behind–it constantly wanted to photograph BLUE!) My arm wasn’t exactly the most moisturized environment to be sure, but wow! Daphne made it look like a desert. Even when I tried to use my finger to smooth out the color, it didn’t work out well (as reflected in the swatch).

Now, I say all this to show you that I did not get good results when I simply swatched for color. In fact, I had a sneaking suspicious this was going to be an issue. Nevertheless, I trudged on, and I tested it out by wearing it in a look. AND WE HAD LIFT OFF! Daphne looked as vibrant as pictured in the pan, but it applied smoothly, evenly, and it didn’t need much product at all–so it went on quite pigmented.

It’s similar to Make Up For Ever’s #92 Eyeshadow, but #92 is brighter and a little lighter–it’s not quite the darkened violet that Daphne is. #92 is also more pigmented and thicker/smoother, though they perform similarly on the eye–with Daphne having less fall out. You can see a couple of looks I did using #92, and you’ll notice it’s definitely not quite as dark.

Initially, they seem very comparable, but in use, they’re really not. Daphne is a several shades darker and not the bold, vibrant shade of violet that #92 is. They’re both nice shades to own that don’t dupe each other. I do, of course, wish Daphne was a little smoother, so it would swatch well even on skin.

P.S. — The first mini lipgloss set ran out, but NARS set y’all up with another set featuring Turkish Delight, Greek Holiday, and Gothika — use code TEMPTALIA at checkout, expires 8/15. :)

The Glossover

coming-soon

NARS Daphne Eyeshadow Review, Photos, Swatches (Fall 2010)

C+
Give it a try in a look before dismissing it purely based on swatching--that is the biggest tip I can give you. If I had only swatched in-store, I would never have thought about picking it up, but after using it in a look, I'm much more inclined to recommend it.

Product

8.5/10

Pigmentation

9/10

Texture

5/10

Longevity

8.5/10

Application

3.5/5

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