Wednesday, October 17th, 2012

Chanel Reverie Natural Finish Loose Powder
Chanel Reverie Natural Finish Loose Powder

Chanel Reverie Natural Finish Loose Powder ($52.00 for 1.0 oz.) is described as a “rosy golden beige.” I think Chanel missed a vital component of the description, though: LOTS AND LOTS OF SPARKLING BITS AND BOBS. The base color is a soft, candlelit beige with a hint of warmth and pinkness that features flecks of sparkle. It seems less sparkly compared to last holiday’s Feerie (which I don’t own but saw briefly). If you’re not a fan of loose sparkle in your face powders, I’d pass on this. It’s a finishing powder that mattifies and sets makeup, but it also had noticeable bits of sparkle everywhere I applied it. I barely patted it on, and there was a healthy blanket of sparkle all over my face (well, the half I applied it to).

The good and bad news is that you can’t really see it in the photos. You can definitely see it in person, though. We were waiting for some to-go food when I was testing it, and my husband looked at me strangely and said, “You have glitter all over your face.” Why, yes, yes, I did! I’d describe the particle size to be more that of sparkle, so noticeably smaller than glitter but larger than shimmer and more reflective. It’s not so densely-packed with sparkle that every inch of your skin is sparkly, but it’s definitely apparent.

I’m not keen on it as a finishing powder; I think the random sparkles take away from the mattifying, finishing effect of the powder itself. I’d rather grab one of the flesh-toned shades (although, this is really quite transparent on, as finishing powders are designed to be) that do just that but do not have any sparkle. However, The Muse loves it, so give her a review a look-see for some balance. With the amount of sparkle in this, I thought it was better suited for holiday glitz on shoulders and decolletage. It would even work well on legs and arms. Now that I think of it that way, it reminds me of an old Benefit powder that was a sparkly powder that came with an elegant, over-sized pouf to apply, which was quite fun and pretty for body.

The powder itself does mattify and finish off foundation quite well, and it helps keep my foundation in place and to last longer by extending the wear an hour or two hours. I don’t think it hides imperfections, though, because the sparkle draws attention to them.  It’s extremely finely-milled and feels truly like silk against the skin.  It’s lightweight, doesn’t look cakey, and should work well on many complexions.

The Glossover

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product

Reverie

A-
The powder itself does mattify and finish off foundation quite well, and it helps keep my foundation in place and to last longer by extending the wear an hour or two hours. It's extremely finely-milled and feels truly like silk against the skin. It's lightweight, doesn't look cakey, and should work well on many complexions.

Product

9/10

Pigmentation

10/10

Texture

9/10

Longevity

9/10

Application

4/5

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Sunday, October 14th, 2012

Chanel Enjouee Rouge Allure Lipstick
Chanel Enjouee Rouge Allure Lipstick

Chanel Enjouee Rouge Allure Lipstick ($34.00 for 0.12 oz.) is pink-coral with a soft, almost frosted sheen. Laura Mercier Kissed Lips is lighter, not as vibrant. Make Up For Ever Folk is softer, sheerer. Guerlani Gracy is darker, deeper. MAC Watch Me Simmer is a bit lighter and brighter. Guerlain Chamade is redder. MAC Ultra Darling is less coral, more subdued. Wet ‘n’ Wild Hot Paris Pink is redder in tone.

I noticed that it looked darker and warmer in the tube, but when applied, it’s more muted (at least, compared to the color of the tube itself!).  Enjouee delivered full color coverage, which applied evenly, but I did notice that it had a more noticeable sheen–almost looking a bit frosty.  The texture seemed a little drier compared to Coromandel, which was the first shade I tested of the newly reformulated Rouge Allures.  I wore this shade for six hours, and my lips felt slightly dehydrated.  Not chapped or cracked but the lipstick could have been more hydrating with its longer-lasting formula.  So while it hits it out of the park for having rich color payoff and long-wear, as promised, it misses on the hydration.

The Glossover

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product

Enjouee

A-
I wish it had more moisturizing properties, because it left my lips a bit dry after wearing it. It had good pigmentation and wore well and long, though!

Product

8/10

Pigmentation

10/10

Texture

9/10

Longevity

10/10

Application

4/5

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Friday, September 28th, 2012

Chanel Mystery Glossimer Lipgloss
Chanel Mystery Glossimer Lipgloss

Chanel Mystery Glossimer Lipgloss ($29.50 for 0.19 fl. oz.) is described as a “fresh rosewood.” It’s a soft pink-peach with a creamy finish. MAC Persistent Peach is similar but a smidgen brighter. MAC So Vain is darker, pinker. Dior Pink Veil is pinker, shimmery. YSL Pure Watermelon is more orange. Benefit Spiked Punch is similar but shimmery. Chanel Caprice is a bit pinker and shimmery.

Mystery is non-sticky, lightweight, and very comfortable to wear.  The consistency isn’t too thick or too thin, and for a creamy gloss  it settles very little into the lip lines–certainly not noticeable from a regular viewing distance.  It also applied rather evenly.  When I tested it out, it lasted for four hours, which was good.  This gloss has a high-shine finish that gives lips a fuller look (just an illusion).  It’s a your-lips-but-better kind of shade with better coverage.

The Glossover

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Mystery

A-
It's a your-lips-but-better kind of shade with better coverage. It will work with smoky eyes as well as more neutral looks.

Product

9.5/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

8.5/10

Application

4.5/5

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Thursday, September 27th, 2012

MAC Flaming Rose Nail Lacquer
MAC Flaming Rose Nail Lacquer

If You Can Get Your Nails on ‘Em…

MAC Marilyn Monroe Nail Lacquers ($17.50 for 0.34 fl. oz.) include five shades: Flaming Rose (true red), Kid Orange (coral), Rich, Rich, Rich (glittery gold), Stage Red (dark berry red), and Vintage Vamp (rich deep retro wine). Both Flaming Rose and Vintage Vamp are permanent, so they can be purchased at a later date or in regular packaging (for $16.50).

Flaming Rose is a medium-dark red with subtle blue undertones. It has a cream finish, and it is part of the permanent range. The consistency was thin but not watery, and it was opaque in two coats. It dries down quickly and finishes with a fairly shiny result. Dior Marilyn is similar, slightly lighter. Cult Nails Evil Queen is a bit brighter. MAC Touch of Red is similar, a bit more jelly-like. MAC Russian Red is very comparable. Zoya Sooki is lighter. butter LONDON Pillar Box Red is very close.

Kid Orange is a brightened, medium-dark orange with subtle red undertones. It has a cream finish, but it almost looks a little squishy like a jelly to me. The consistency was thin without being watery, and it was mostly opaque after two coats. This shade was released previously. Chanel Holiday is lighter, less red-toned. NARS Lal Mirchi is similar. MAC Morange is a bit lighter. MAC Oriele Orange is more subdued. Essie Meet Me at Sunset is similar but a bit redder. Essie Braziliant is similar.

Rich, Rich, Rich is a golden bronze with a micro-glitter/large shimmer finish. It dries down pretty quickly, and it was fairly opaque after two coats. This is/was an online exclusive, and I’m not sure if that means only to maccosmetics.com or not. Chanel Delight is warmer, browner. MAC Soiree is almost more of a peach-brown.

Stage Red is a deepened red with a cream finish. It’s opaque after two coats, and it had a thin (but not watery) consistency that made it easy to apply. butter LONDON Pillar Box Red is lighter. MAC Obey Me is a bit lighter. MAC Asiatique is lighter. Zoya Burke is similar. MAC Get Noticed is a bit darker.

Vintage Vamp is a medium-dark brown with burgundy and red undertones. It has a cream finish, and it is part of the permanent range. This shade was very streaky, and it didn’t look opaque after two coats (which seemed more the result of the streakiness of the polish). Guerlain Lou-Ling is darker. Deborah Lippmann Single Ladies is also darker. China Glaze Velvet Bow is more opaque and darker. Zoya Anja is darker and more purple.

I only had problems with Vintage Vamp, which was streaky and significantly sheer after two coats.  For such a dark, vampy color, I’m surprised–the market is flooded with similar shades that are all easy to work with and opaque.  The formulas of Flaming RoseKid Orange, and Stage Red had a great thin consistency that made each coat dry faster but without sacrificing ease of application or opacity.  I typically get a week of wear out of MAC’s polish formula.

Keep in mind, online retailers like Nordstrom, Macy’s, Dillard’s, and Bloomingdale’s will also launch the collection online. These retailers typically launch close in time to the in-store release date (October 4th).

The Glossover

product

MAC Marilyn Monroe Nail Lacquers Reviews, Photos, Swatches

A-
Worth noting, Vintage Vamp brought down the overall rating significantly--if not for it, the other four would have received As.

Product

9.5/10

Pigmentation

9/10

Texture

9.5/10

Longevity

9/10

Application

4.5/5

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Saturday, September 22nd, 2012

Dior Marilyn Diorific Vernis
Dior Marilyn Diorific Vernis

Nails the Color of Hollywood Red

Dior Marilyn Diorific Vernis ($26.00 for 0.40 fl. oz.) is a rich, medium red cream with mostly neutral undertones. If pressed, I’d say blue-based but it’s very, very neutral. There’s a very fine ruby shimmer that’s really not visible in most lighting conditions. Frankly, I didn’t even know it existed until I was editing photos. Cult Nails Evil Queen is a smidgen lighter. China Glaze Poinsettia is not as rich. Chanel Rouge Carat is darker, bluer-based, and has more noticeable shimmer. Zoya Sooki is similar. Zoya Tamsen is very comparable. Butter London Pillar Box Red is a smidgen darker. MAC Touch of Red is lighter and warmer.

The formula is thin but not watery, and while the color looks opaque in two coats, under brighter lighting (like flash), it’s not quite–there is a shadow of visible nail line.  Because of the thinner formula, three coats is do-able and doesn’t feel too thick or take forever to dry.  It even dries down to a nice, shiny finish that doesn’t have to have a top coat, but it does look a little better with one.  I typically get a week of wear with Dior’s polishes with no chipping and only minor tip wear.

P.S. — I know a few readers asked for brush photos, so, the ever-lovely Musings of a Muse has some! :)

The Glossover

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product

Marilyn

A-
This is a beautiful color that really evokes a feeling of glamorous Hollywood--from the classic color to the vintage packaging.

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

9/10

Application

5/5

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Saturday, September 22nd, 2012

Dior Fairy Golds Eyeshadow Palette
Dior Fairy Golds Eyeshadow Palette

Take Flight with These Fairy Golds

Dior Fairy Golds Eyeshadow Palette ($59.00 for 0.21 oz.) is a limited edition palette for the holidays that consists of five shades of eyeshadow. It will be available in October.

The first shade (on the upper left) is a pale pink-tinged beige with a frosted finish. It had good color payoff, and the texture was soft and finely-milled. Urban Decay Sellout is similar. Milani Champagne Toast is a bit warmer, darker. MAC Summer haze is browner. Urban Decay Booty Call has more of a matte finish.

The next shade (on the upper right) is a dirty champagne with a sparkly, almost glittery, finish and a metallic sheen. It was fairly true-to-pan in color and payoff. Despite its glitter-content, it applied well enough (could have been a little smoother) and didn’t have much fall out during application, and I only saw one or two stray particles after eight hours of wear. Urban Decay Echo is darker. Giorgoi Armani #1 Madreperla is more muted, less metallic. MAC Retrospeck is similar.

The center shade is a pink-tinged white with a bright, metallic finish and some larger shimmer/glitter particles. It had decent to good pigmentation and applied smoothly. This shade has less glitter compared to the golden shade. I did not experience any fall out with it. Dior Garden Roses is a less metallic variation. Tarina Tarantino Diamond Dusk is darker, pinker. MAC Fresh Ice is a bit darker. Giorgio Armani #11 is very comparable.

The fourth shade (on the bottom left) is a lightened, pink-mauve with a frosted finish. It had good color payoff and applied easily. Urban Decay Provocateur is darker, glittery. MAC Invincible Light is pinker. MAC Star Crystal is very similar. Urban Decay Midnight Cowboy

The last shade (on the bottom right) is a medium-dark brown with red-orange undertones and a pearly finish. It had excellent pigmentation, and it was soft and finely-milled. Urban Decay Lost is a bit darker. MAC Havana is warmer but very close. Benefit Dandy Brandy is just a touch lighter. MAC Roasted Chestnut is similar but frosted. MAC Buckwheat is very comparable.

I was surprised to find this palette rather warm-toned, as the other holiday palette was very warm-toned as well. This isn’t cool-toned at all, though it’s not as warm as Night Golds. However, it is frostier, because it has two sparkly/glitter shades. I think it could benefit from having one matte or near-matte finish in it. When I tested the wear, I had no fading or creasing after eight hours (both with and without primer), and there were only a couple of stray particles from the glittery shades below my lid.

The Glossover

palette

Fairy Golds

A-
The palette is very shimmery, and I think it could use at least one matte shade to add more variation in texture/dimension when the products are used together. There's also not enough contrast within the five shades.

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

9/10

Application

4.5/5

Results
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