MAC Smoky Blue Crushed Metallic Pigment Kit
MAC Dazzlesphere Smoky Blue Crushed Metallic Pigment Kit
MAC Smoky Blue Crushed Metallic Pigment Kit ($32.50 for 0.40 oz.) is the last pigment kit from MAC Dazzlesphere. It contains four shades: White as Snow (snowy white), Silver Sleet (medium gray), Wintersky (purple blue), and Dark Moon (charcoal). Crushed Metallic Pigments are described as having “intense colour payoff” with “medium coverage” and “highly reflective metallic sparkle.” They are “creamy, crease-resistant, [and] long-wearing.”
- White as Snow is a silver-tinged white with a very chunky, metallic finish. I had similar issues with this shade as I did with Light Violet. Despite pressing the color against the skin, I could not get it to fully smooth out and bind, so there was some loose product prone to fall out, plus sheerness in both the dry and damp applications. It reminded me of Chanel Fantasme.
- Silver Sleet is a darkened gray with a brighter, metallic silver sheen. It has great color payoff whether applied dry or wet. Inglot #448 is less metallic and a bit lighter.
- Wintersky is a purple-tinted blue with silver sparkle and shimmer. It’s fairly sheer and muted when applied dry and picks up intensity when applied damp. MAC Royale is a bit bluer.
- Dark Moon is a charcoal black with lots of silver sparkle. This isn’t a shade I’d advocate using dry, because the sparkle is chunky enough that it doesn’t completely meld with the base color without some dampness. When it’s applied damp, the sparkle adheres and mixes better with the underlying color. The color payoff when it’s applied dry is slightly sheerer. It reminded me of Chanel Mirifique but less black. Bobbi Brown Black Sparkle has more multi-colored shimmer.
In my experience, these pigments wear well as long as you ensure you’ve really “crushed” them against the skin/lid. I’ve worn them with and without a base and the difference is minimal. There is some noticeable but relatively minor fading after eight hours when applied without a base (or mixing medium). For more on how they wear, please see this post where I went in-depth on that particular characteristic.
White as Snow was problematic with a chunkiness in the overall sparkle that made it difficult to apply smoothly and gave it reason to get everywhere. Wintersky is a more unique color but could use a little more oomph in pigmentation. Dark Moon may have some fall out when applied dry (without a sticky base), so have a care or else use it wet. Silver Sleet was the best performing shade of the four, because it was intensely pigmented both dry and wet and applied smooth as butter with little effort. Generally, the finishes are extremely frosted, metallic-like, and add a lot of oomph to a look–but they may be better when mixed and matched with other finishes (like mattes) for more textural contrast as all of these at once can almost look heavy on the eye.
|White as Snow was problematic with a chunkiness in the overall sparkle that made it difficult to apply smoothly and gave it reason to get everywhere. Wintersky could use a little more oomph in pigmentation, while Dark Moon may have some fall out when applied dry. Silver Sleet was the best performing shade of the four, because it was intensely pigmented both dry and wet and applied smooth as butter with little effort.|
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