Thursday, May 17th, 2012


MAC Hey, Sailor Pigments in Naval Blue and Old Gold

MAC Hey, Sailor Pigments

MAC Hey, Sailor Pigments ($21.00 for 0.15 oz.) include two shades: Naval Blue (deep smoky blue) and Old Gold (high frosted tarnished gold).  They are in special packaging with the naval stripes wrapping around the clear jar and have a glossy navy blue cap (as compared to the rubberized black cap of the regular packaging).  These were actually more user-friendly to use and didn’t seem to spill as much as the regular packaging, oddly enough.  Please note that neither shade is recommended for use in the lip area.

  • Naval Blue is a dark navy blue with a hint of purple–all of the blues in this launch seem to have this kiss of purple–that makes it a real pain to photograph, because sometimes it looks purpler than it ought! It’s similar to MAC Blue Storm, which came out this past fall (and was a repromote then). It’s also similar to Givenchy Lune Mordoree. For a more in-depth review, please read this review from February :) This shade is permanent at PRO stores.
  • Old Gold is a dirty brown-gold with a green flash. It’s softer, browner, and less metallic when applied dry. I couldn’t think of a dupe that has the same green tinge, but there are a few that resemble the gold hue. Maybelline Bold Gold is browner, less warm. NARS Paramaribo is similar but darker. Make Up For Ever #11 is greener, less brown. OCC Cruising is darker and browner. Le Metier de Beaute Chameleon is more muted, browner.

MAC Pigments are supposed to be long-wearing with special ingredients that enable it to adhere to the skin. I’ve tried several different shades damp over bare skin, and I typically get around eight hours of wear with minor creasing and fading. I prefer to use Pigments with MAC’s Mixing Medium, which is an adhesive base, and then I see flawless wear even after twelve hours. Over an eyeshadow primer, the wear is just about as good. Pigments can be used wet or dry, though they tend to intensify in color and in finish when applied damp or wet–but they do retain those qualities even after it dries.

P.S. — Because of the special packaging, MAC has tacked on an extra dollar, so if you have access to the permanent versions in regular packaging, those are $20 each.

The Glossover

P
product

Naval Blue

B+
MAC makes an excellent loose color product if you combine it with a wet or adhesive base, because they have a good formula that enables the color to bind well when damp and stay vibrant all day--but when used dry or alone, they tend to under-perform.

Product

8/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

8/10

Application

4/5

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Thursday, February 23rd, 2012

MAC Naval Blue Pigment
MAC Naval Blue Pigment

MAC & Chen Man – Love & Water Collection: Naval Blue Pigment

It’s the lone pigment in the upcoming Love & Water Collection, but MAC Naval Blue Pigment ($20.00 for 0.15 oz.) is a great pick to repromote, as it is part of the permanent PRO range (and it’s been in a few sets before, if I remember correctly!). MAC describes it as a “deep smoky blue.” It’s a dark navy blue with a hint of purple–all of the blues in this launch seem to have this kiss of purple–that makes it a real pain to photograph, because sometimes it looks purpler than it ought! It’s similar to MAC Blue Storm, which came out this past fall (and was a repromote then). It’s also similar to Givenchy Lune Mordoree.

Pigments can be used wet or dry, but they tend to perform their best when applied damp or with MAC’s Mixing Medium (which is a clear liquid with an adhesive base, so it adheres and smoothes out better when you go to apply it). MAC actually says that the pigment itself contains ingredients that will make the pigments adhere to the skin and are long-lasting. Pigments tend to apply a little muted and can be more prone to fall out (given that it is a loose product) when applied dry, and it really needs to be used damp to have it adhere to the lid at all. When I tested out pigments based on how MAC described their formula, I was able to get eight hours of wear with minor creasing and fading only if I used them damp (over bare skin). If I used them with MAC’s Mixing Medium, then there were no fading or creasing issues even after twelve hours or if used over an eyeshadow primer.

The Glossover

coming-soon

MAC Naval Blue Pigment Review, Photos, Swatches

B+
MAC makes an excellent loose color product if you combine it with a wet or adhesive base, because they have a good formula that enables the color to bind well when damp and stay vibrant all day--but when used dry or alone, they tend to under-perform.

Product

8/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

8/10

Application

4/5

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Wednesday, December 14th, 2011

MAC Aurora Pigment
MAC Aurora Pigment

MAC Daphne Guinness: Pigments

With the Daphne Guinness collection (due in-stores on December 26th), there are three shades of MAC Pigments ($20.00 for 0.15 oz.): Aurora (pinked taupe), Circa Plum (frosty dirty mid-tone lavender), and Nebula (dark greyed brown with pearl).

  • Aurora is a neutral-cool, rose-tinted brown with a frosted finish. It shimmers nicely, and it can be used wet or dry; when applied wet, you’ll have a smoother, more metallic finish. It kind of reminded me of how Urban Decay Tease looked like in the pan, so MAC Quarry is similar in hue but with a matte finish. MAC MaltL is like a lighter cousin. Urban Decay Toasted is a bit more bronze. Also reminded me of a less brown MAC Gold Stroke.
  • Circa Plum is a rosy plum with a frosted finish. The one I have and swatched is from when it launched previously, so it’s possible that it may vary in color compared to the new release. Wet ‘n’ Wild We’re Blasting Off is similar but less plum. MAC Tendersmoke is less pink.
  • Nebula is a deep, dark taupe with a little hint of brown around the edges, but it loses some of the brown you’d expect from taupe because of how dark it is–it’s still there, and when you apply it dry, it’s more noticeable. When applied damp, it has a more metallic finish and depth. Dry, it’s a bit like MAC Legendary Black. MAC Bloodline is lighter.

MAC Pigments are designed to be worn softly or more intensely as well as with a formulation that makes it apply to the lid.  It’s also supposed to be long-wearing.  These shades applied well whether dry or wet (and I tested Nebula on the eye, because it seemed sheer when swatched, but it was very intense–too intense, actually, for the look I was going for), as they all have good color payoff.  The textures are soft and smooth, which helps increase how blendable they are.  I don’t get perfect wear out of pigments without some sort of adhesive base (like MAC Mixing Medium) or an eyeshadow primer–after eight hours, there is some minor creasing and fading, but if I do wear some sort of base, I don’t have either issue.

The Glossover

product

MAC Daphne Guinness Pigments Reviews, Photos, Swatches

A-
These are really wearable shades that can be used as washes, eyeshadows, or as an eyeshadow base, depending on the look you're going for. MAC Pigments are one of my favorite loose formulas because of how well the product binds together and how little poof! there is when you open the jar.

Product

9/10

Pigmentation

10/10

Texture

10/10

Longevity

8/10

Application

4/5

Results
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Sunday, November 20th, 2011

MAC Guise Pigment
MAC Guise Pigment

MAC for Gareth Pugh: Guise Pigment

MAC Guise Pigment ($32.00 for 0.07 oz.) is described as a “frosty grey.” It’s more like a bright silver with a part-frost, part-metallic finish. What’s noteworthy about the color is that it doesn’t lean cool, it’s more of a neutral silver. It was fairly pigmented when used dry and more metallic and opaque when applied wet. The texture is much chunkier compared to Deceit, and I did experience some fall out when an hour after it was applied to the eyelid. MAC Misty is a bit darker and cooler-toned. It’s smoother and grayer than Bobbi Brown Tinsel. I didn’t find anything exactly like it.

Like the blush in this collection, MAC is again squeezing you on both ends: a full-size pigment contains 0.15 oz. and retails for $20.00 each (and they already reduced the amount of all full-size pigments across the board a year or two ago). The packaging looks sleek, but it’s a bit messy. Guise had loose pigment all over the exterior packaging and inner lip upon arrival–I hadn’t even opened it yet! These are entirely plastic, too; there’s no heft from the metal compact like there is with the blush. On the upside, most other high-end brands that have similar loose products typically give around this amount of product (e.g. Illamasqua Pure Pigment is $24.00/0.04 oz. and Make Up For Ever Star Powder is $19.00/0.09 oz.).

MAC actually describes the formula as having ingredients that help it adhere to the skin so it is long-lasting. Pigments are best when combined with other products, whether it’s simply water or more like MAC Mixing Medium, to adhere to skin. I get decent wear out of pigments without a base (six to eight hours, then there is minor fading and at times, subtle creasing), but I would recommend using a base or mixing them with an adhesive base product like Mixing Medium. Guise did have some fall out when applied dry, because of the chunkier texture and sparkle.

The Glossover

LE
product

Guise

B-
The texture is harder to work with and more prone to fall out; compared to the silky smooth feel of Deceit, it's a bit of a let down! I did like that it was more usable dry than Deceit, though.

Product

8/10

Pigmentation

9/10

Texture

8/10

Longevity

8/10

Application

4/5

Results
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Sunday, November 20th, 2011

MAC Deceit Pigment
MAC Deceit Pigment

MAC for Gareth Pugh: Deceit Pigment

MAC Deceit Pigment ($32.00 for 0.07 oz.) is described as a “blackened plum with pink pearl.” When applied dry, it’s a burgundy brown with a satiny sheen that’s almost matte, but it’s on the sheer side. When applied damp, it comes together more better for a really rich color of burgundy tinted by purple with a pearly sheen. It’s opaque and smooth. It’s less frosted but similar in color to Illamasqua Queen of the Night. I think it’s also pretty close to MAC Deep Purple, which I don’t own so I can’t confirm 100%, which is permanent at PRO stores. Make Up For Ever #11 is redder. The dry swatch is a bit like MAC Shadowy Lady. The texture seemed very, very finely milled–it is probably one of the softest and most finely milled pigments I remember by MAC.

Like the blush in this collection, MAC is again squeezing you on both ends: a full-size pigment contains 0.15 oz. and retails for $20.00 each (and they already reduced the amount of all full-size pigments across the board a year or two ago). The packaging looks sleek, but it’s a bit messy. Guise had loose pigment all over the exterior packaging and inner lip upon arrival–I hadn’t even opened it yet! These are entirely plastic, too; there’s no heft from the metal compact like there is with the blush. On the upside, most other high-end brands that have similar loose products typically give around this amount of product (e.g. Illamasqua Pure Pigment is $24.00/0.04 oz. and Make Up For Ever Star Powder is $19.00/0.09 oz.).

MAC actually describes the formula as having ingredients that help it adhere to the skin so it is long-lasting. Pigments are best when combined with other products, whether it’s simply water or more like MAC Mixing Medium, to adhere to skin. I get decent wear out of pigments without a base (six to eight hours, then there is minor fading and at times, subtle creasing), but I would recommend using a base or mixing them with an adhesive base product like Mixing Medium.

The Glossover

LE
product

Deceit

B+
The color can be gorgeous when it's applied damp, and the texture is so, so soft--definitely one of the softest MAC pigments. It's also not frosty, which many MAC pigments are, so it's nice to see something different. It's just jarring to see half the size with a 30% price increase all in the name of packaging.

Product

8.5/10

Pigmentation

8.5/10

Texture

10/10

Longevity

8/10

Application

4/5

Results
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Saturday, September 17th, 2011


MAC Fall Colour

MAC Fall Colour: Pigments

MAC Fall Colour Pigments ($20.00 for 0.15 oz.) include four limited edition shades and one permanent repromote in the MAC Fall Colour Collection, which debuts in North America on September 29th, 2011 and will roll out internationally in October. These include: Blue Storm (rich metallic blue), Emerald Dusk (deep yellow blue with white pearl), Golden Olive (high frosted green-gold), Magenta Madness (intense neon blue-pink), Neo-Orange (intense neon salmon), Starless Night (deep black purple with light purple pearl), Tan (muted pinky brown bronze), and Violet (vivid bright violet purple).

  • Blue Storm is a dark navy blue with a purplish tint and silver sparkle. It gets a little darker and more cohesive when used damp as compared to dry. This shade has come out before, and yet I don’t have the original version (I’m at an utter loss as to why). It is similar to Givenchy Lune Mordoree. It’s not as dark as MAC Later.
  • Emerald Dusk is grayish blue with green-teal shimmer. When dry, it has a dustier look to it with less sheen, while when used damp, a silvery metallic sheen comes to the forefront. The color is similar to Urban Decay Hijack and Bare Escentuals Vapor.
  • Golden Olive is a medium grassy green with a hint of olive but mostly golden shimmer and sheen. This (along with Violet) were some of my very first pigments. I looked through the gallery but didn’t feel anything was very similar (and I couldn’t think of anything).
  • Magenta Madness is a neon fuchsia pink. It reads more fuchsia than magenta to me, though I wouldn’t debate you on that ’til the death. This shade is not to be used in the eye area per MAC’s safety insert. Inglot #362 is pinker, while Make Up For Ever #75 is closer but darker. MAC’s Neon pigments take a fair amount of work, and I can see why they’re a pro product. It’s better mixed with other base products (e.g. creams, mixing mediums, etc.) than applied straight to the skin. It has a matte finish, so it ends up looking chalky just swatched dry. The texture is silky soft–very finely milled–but it means it can look patchy when applied damp.
  • Neo-Orange is just shy of being a full neon orange. It looks rather dusty and softened when applied dry to the skin. This shade is not to be used in the eye area per MAC’s safety insert. The texture and issues with this shade are the same as Magenta Madness (see above). Make Up For Ever #5 is very close but in an easier format.
  • Starless Night is a violet purple over a blackened-purple base with silver and blue sparkle. It does well applied dry (binds together nicely) but takes on a more cohesive look when used damp. It’s similar to MAC Imaginary, if it were over a black base. It also reminds me of a purpler MAC Later.
  • Tan is a warm, red-toned medium brown with a gilded champagne shimmer-sheen. It looks more metallic when it is used damp. Wet ‘n’ Wild Comfort Zone and Urban Decay Blaze are similar.
  • Violet is a softened violet purple with subtle red undertones and a frosted finish. Like Golden Olive, it was one of my first MAC products. Urban Decay Delinquent is darker. Urban Decay Ecstasy is less red-toned. Inglot #441 is more intense.

I have a soft spot for pigments, personally, as they were the product that made me fall in love with makeup. I prefer them with MAC’s Water-Based Mixing Medium (or 1/3 glycerin + 2/3 water for a DIY version) and have often used them as an eyeshadow base. There are only two new shades here and one more that is a repromote (so perhaps new to some); the rest of the shades are available permanently (Magenta Madness and Neo-Orange only at PRO stores, though currently available online to all!).

If you like pigments, the three new/limited edition shades (Blue Storm, Emerald Dusk, and Starless Night) are good and the latter two are reminiscent of the texture and formula of the Alice + Olivia pigments. The two neon shades (Magenta Madness and Neo-Orange) require more patience and likely better mixed with mediums/bases than alone. Pigments are technically multi-purpose products, which means you can use them on eyes, cheeks, lips, hair, nails, body, etc. (though some shades have safety restrictions). If you’re wondering where one might use the two non-eye safe shades, think cheeks or lips!

According to MAC, pigments “[contain] ingredients to help [them] adhere to the skin … easy to blend and long-lasting.” The way I review products is much, much more transparent to you as well as me (I have over fifty different characteristics I look at, though not all apply to each product). Nowadays, I try to be careful to read exactly how a brand describes their product/formula, because then I know what it’s supposed to do and then can review based on that. As much as I may like pigments, and I’m so used to using them with mixing medium, it’s almost mind-boggling to use them over bare skin!  I’m also surprised MAC doesn’t mention using these wet/damp or with a mixing medium.

The majority of colors do not apply intensely if you use them dry over bare skin. If you dampen the brush with even water, you’ll get a much better result. I also find that if I just use them damp over bare skin, they tend to fade a little (on me) after eight hours or so with minor creasing. I have no trouble with creasing or fading even after twelve hours if I use mixing medium instead of water. I have no problems with wear (whether dry or damp) if I use it over an eyeshadow primer.

The Glossover

product

MAC Fall Colour Pigments Swatches, Photos, Reviews

B
What I like about pigments is that they feel like a more finished product than a lot of loose color products do--it doesn't just feel like mica but there is more to it, which is what helps it bind together and wear better.

Product

8/10

Pigmentation

9/10

Texture

9.5/10

Longevity

8/10

Application

4/5

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