This shade has plenty of color payoff, so you do not need much product to get a pop of color on the cheeks. I find it’s easier to build up the color than it is to blend it out. It’s blendable, but it’s only so blendable. I recommend using a stippling brush or a light hand when applying. I went with a medium application of color so you could see it in photos and get a better grasp of what the color looks like on skin, but it can be more both more intensely as well as more subtly.
Cremeblend Blush has an interesting texture that’s creamy but slick; it’s not thick like a traditional cream blush; it almost feels like a gel or cheek stain in feel, but it applies and looks like a cream blush. Like Florida, I also re-tested the wear of Optimistic Orange earlier this week (since it’s a repromote), and it wore for seven hours before it began to fade.
I like the lightweight texture of Cremeblend Blushes, and the natural slip they have makes these very easy to spread across the skin. It dries down to a soft sheen, so it doesn't look oily or dewy once applied.
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Here are quick & dirty lip swatches of the four Cremeblend blushes. When applied to lips, they can have a decent amount of slip. They almost seem to sit on lips and take quite awhile to sink in. The more pigmented ones (e.g. Florida) will stain lips if left on for long enough. I put about two or three layers of product on with a lip brush to get these, then I blended with my finger.
So Sweet, So Easy looked the worst, because it came off frosty and showed off lip lines, while Joie-de-Vivre and Florida seemed to look the best. My apologies in advance for the ultra close-up of Optimistic Orange — it was the only photo that was remotely in focus, and I didn’t want to keep delaying this post so hopefully it still gives you an idea of it on lips, even if it is uber close.
The taste is borderline tasteless to slightly plastic-y. It’s not delicious by any means, and there’s no real scent, but I probably wouldn’t recommend licking your lips with it. It’s not as bad as some of MAC’s Tinted Lip Conditioners, which definitely have a sunscreen taste to them.
Summer Makeup: Sunny Grass – Yellow, Chartreuse, and Green
Here’s a fun look for all the green lovers out there!
Oh, you say Lucky Green is not permament? Well, let me fill you in on a little something MAC has slipped under the radar this season… On January 15th, MAC Freestanding stores will have Lucky Green… permanently. Oh, yeah! (I actually have a fairly decent amount of pan showing on my Lucky Green, love it so!)
Along with Lucky Green, PRO shades such as Atlantic Blue and a few additional shades will all be added the permanent eyeshadow range at freestanding stores. I don’t have much more information, but you can expect me to be at MAC first thing on the 15th to purchase one of each! From what readers and artists have told me, all MAC counters will get these shades in, but counters will only have them available until their stock runs out. It’s pretty much the equivalent of C-Shock in terms of shades — they’re bright, colorful pops of color. I won’t be able to tell you anything about quality ’til Friday, sorry folks!
For eyes, start by applying Soft Ochre paint pot as your eyeshadow base all over the lid with the 249. With the 239 and water-based mixing medium (or water), apply Golden Olive pigment all over the lid portion. Using the 239, apply Bright Sunshine eyeshadow on the inner third of the eyelid. Next, apply Lucky Green eyeshadow on the middle third of the eyelid and lightly blend with the inner corner. Darken the outer third of the lid with Bio Green eyeshadow with the 239, gently brushing it into the lower crease. Lightly blend Humid eyeshadow, with the 239, on the outer corner and lid. Next, define the crease by applying Bottle Green eyeshadow with the 226. Lightly tap and brush Bright Sunshine eyeshadow directly above the crease to soften. To finish the eyeshadow look, sweep Nylon eyeshadow as a highlighter on the brow bone. Bring everything together by applying #20L eyeliner on the lower waterline, Honey eyeliner on the lower lash line, and Sour Lemon eyeshadow lightly patted below the lower lash line with the 219 brush. Finish by applying Blacktrack fluidline on upper lash line and then sweeping lashes with Exceptionnel mascara.
For cheeks, apply Optimistic Orange cremeblend blush to the apples of the cheeks and sweep upwards towards the temple with the 116.
For lips, apply Caramel Kiss lipstick first, and then layer Champagne Pearl lipgloss for a complementing lip.
MAC in Lillyland Collection: Cremeblend Blushes Review, Photos, Swatches
Even though my personal favorites from this collection are the lipgelees (review is forthcoming, promise!), I really think the Cremeblend Blushes really stand out. All four are intensely pigmented, rich in color, and really will pop on your cheeks — if you so desire. What’s nice about these is you can use a stippling brush like the 188 (smaller brush-head than the 187, so it’s ideal for cheek color) for a softer, less color-rich look, or you can layer and build up the intensity for a bolder cheek look as well. These seemed thinner and more pigmented than MAC’s Blushcremes as well.
Note, I can’t comment on the wear of these, as I haven’t had them for more than a few hours! I will definitely do my best to use these in a look in the next week.
Cremeblend Blush ($18.50 U.S. / $22.00 CDN)
Optimistic Orange is a bright pop of orange. It’s not quite neon orange, but it is pretty bold and bright. Definitely a true orange, though; this is not coral on me whatsoever.
Joie-de-Vivre is a bright pink-coral; it leans more pink than orange, which is why it’s predominantly pink, but it’s obvious it’s not a bubblegum pink. MAC described it as a “peachy coral,” but I’d say it’s more like a pinky coral.
So Sweet, So Easy is a bubblegum pink. It’s a medium pink with barely-there yellow undertones. It’s the lightest and softest shade of the four.
Florida is a bright fuchsia-purple. It’s creamy, ultra pigmented, and WOW-za, you know? This is the kind of the color that can easily scare you away. Again, try a stippling brush, use a light hand, and you may even find using fingers to blend out the color (after the initial brush-based application) may give you the right level of intensity.