Substitutes: Manila Paper = Nylon; Valiant = Juxt; Diana Undercover = Bottle Green; Spinning Transformation = Sumptuous Olive; Pink Power = Sunbasque; Emancipation = Bare Necessities
For eyes, start by applying Smudgeproof as your eyeshadow base all over the eye area with the 249. Using the 239, apply Valiant eyeshadow on the inner half of the lower lid. Lightly blend Diana Undercovereyeshadow onto the outer third of the lid and crease with the 222. Apply Spinning Transformation eyeshadow on the outer crease with the 222. Use Manila Paper eyeshadow on the inner tear duct with the 239 to highlight. Blend Trench eyeshadow with the crease shade and highlight the brow bone. Bring everything together by applying Perversion on the lower lash line and blending Valiant eyeshadow underneath. Finish by sweeping lashes with Army of Amazons Opulash mascara.
For cheeks, apply Pink Power mineralize skinfinish on the apples of the cheeks and sweep upwards towards the temple with the 116.
For lips, apply Emancipation lipglass for a complementing lip.
LADY JUSTICE is just a less pigmented version of Forgery and Urban Decay Uzi. At the most, it is less bright.
INSURMOUNTABLE is a shade I do not have a dupe of, and the closest I could find in my stash was Korres #42S, which is paler and frosty. I’m not saying there are no dupes (check the review–I listed some that I do not own), just that I couldn’t find anything I own that is.
BOLD BABE is more muted than Houglass Prism and Love Lace, both appear bluer. Dandizette is a richer blue and not really a dupe.
MANILA PAPER is just a smidgen whiter in comparison to Nylon, but they are very, very similar. Creme de Miel is significantly yellower, while Rose Blanc and Soft Force are noticeably yellower though not as yellow as Creme de Miel.
VALIANT is a paler, slightly yellower version of Juxt. Korres #44S is nearly identical–slightly greener. Metamorph is greener. NARS Sea, Sex, Sun is far too dark and green to compare.
DIANA UNDERCOVER is less teal in comparison to Bottle Green, while it is greener than Femme Noir.
SPINNING TRANSFORMATION is similar in the base color as Make Up For Ever #47, which is slightly greener and has no shimmer. Sumptuous Olive is browner, more metallic, but closest that I had. Hourglass Dune is much, much darker and not comparable.
MAC VALIANT EYESHADOW QUAD ($40.00 for 0.20 oz.) includes four shades of eyeshadow: Manila Paper (pale frost white gold), Valiant (light lime with yellow pearl), Diana Undercover (dark forest green), and Spinning Transformation (deep olive bronze with yellow pearl).
Manila Paper is a warm, white gold with excellent color payoff. This is a veluxe pearl finish. It is a repromote from Spring Colour Forecast. It is similar to Nylon but warmer.
Valiant is a yellowed, pale chartreuse green–extremely yellowed. It has so-so color pay off; it is a little sheer. This is a frost finish. It’s a yellower version of Juxt.
Diana Undercover is a darkened green with a brownish base. This is a satin finish. It had decent pigmentation but took a layer or two for it to show. It did work better in a look than swatched on the skin. The green is similar to the base color of NARS Blade Runner (but lacks the shmmer).
Spinning Transformation is a olive-tinged khaki brown with a soft bronze sheen. This is a frost finish. Pigmentation was decent but the texture was so thin–just not soft or silky smooth at all. It’s a less pigmented, less gold-shimmered NARS Star Sailor. It is a browner, less green-tinged Sumptuous Olive.
I feel like Valiant is just a little better than Lady Justice–decent but not as high quality as I’d like to see. Manila Paper is the standout shade in terms of color pay off and texture; creamy, smooth, and rich. Diana Undercover is a shade that MAC hasn’t done often, so I like it for its originality, but I wish it had a buttery texture. For a frost finish, Spinning Transformation wasn’t as soft and smooth as I’d expect.
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Ease of Use: 4/5
final thoughts: Though these shades lean warm, they do not lean so warm that they won’t also complement cooler skin tones. I think the pigmentation is decent across the board in this palette, but it’s not above and beyond excellent.
For eyes, start by applying Soft Ochre paint pot as your eyeshadow base all over the eye area with the 249. With the 239 and water-based mixing medium (or water), apply Stacked 2! pigment (the gold) all over the lid area. Using the 239, apply Manila Paper eyeshadow on the inner third of the eyelid. Next, apply Aztec Brick eyeshadow on the middle third of the eyelid and lightly blend with the inner corner. Darken the outer third of the lid with Creole Beauty eyeshadow, with the 239, on the outer corner and lid. Add depth to the crease by lightly tapping Star Violet eyeshadow with the 226. Lightly tap and brush Flip eyeshadow directly above the crease to soften. To finish the eyeshadow look, sweep Ricepaper eyeshadow as a highlighter on the brow bone. Bring everything together by applying Honey eyeliner on the lower lash line, Penultimate on the upper lash line, and sweeping lashes with Plushlash mascara.
For cheeks, apply Springshine blush ombre to the apples of the cheeks and sweep upwards towards the temple with the 116.
For lips, apply Colour Me Coral lipstick first, and then layer Purple Rage lipglass for a complementing lip.
Video Tutorial: Sunset Eyes with Spring Colour Forecast
For the next few days, I’m experimenting with a new format/way of doing video tutorials that still gives you some live-action footage but doesn’t add much time to my normal routine. (Sometimes I tell myself, “If I didn’t have school, that would free up like 48 hours of my week!”)
What I’m trying to do is record myself doing my makeup that I’d normally do and then just take still photos of and post on the blog–so these looks are not practiced or planned. It’s me going with the flow. I’d like to call these “Quick & Dirty” Tutorials, if you will, because that’s exactly what they are… quick, minimalist, and maybe even a little unpolished.
I’m hoping that there is still value in them–so I would love to hear your feedback. As much as I would love to do more full-on, ultra detailed video tutorials, my schedule is such that I just can’t keep up, so I am really trying to find a way to meet all of your requests the best I can.
The original look and all of the photos can be found here.
Yet another look from Spring Colour Forecast… I imagine I’ll squeeze in a few more before we’re onto Riveting! Speaking of onto the next thing, I won’t be able to get the new Viva Glam lipsticks up until later today (because I have class most of the day), but I hope to get them up today at some point. Sorry I completely scheduled my classes around MAC launch days (Thursdays), but Viva Glam got moved up to today… a Wednesday. Boo!
Anyway, just wanted to pop by with this look before I go back to studying my butt off for my statistics midterm tonight!
Substitutes: Manila Paper = Nylon; Straw Harvest = Motif; Hot Hot Hot = Rule + Red Brick; Ripe Peach = Springsheen; Bronzilla = Bronze Shimmer; Kumquat = Lychee Luxe
For eyes, start by applying Soft Ochre paint pot as your eyeshadow base all over the eye area with the 249. Using the 239, apply Manila Paper eyeshadow on the inner third of the eyelid. Next, apply Straw Harvest eyeshadow on the middle third of the eyelid and lightly blend with the inner corner. Darken the outer third of the lid with Hot Hot Hot eyeshadow with the 239, gently brushing it into the lower crease. Lightly blend Hot Hot Hot eyeshadow, with the 239, on the outer corner and lid. Lightly tap and brush Straw Harvest eyeshadow directly above the crease to soften. To finish the eyeshadow look, sweep Ricepaper eyeshadow as a highlighter on the brow bone. Bring everything together by applying El Dorado eyeliner on the lower lash line and Zero eyeliner on the lower waterline. Finish by sweeping lashes with Plushlash mascara.
For cheeks, apply Ripe Peach blush ombre to the apples of the cheeks and sweep upwards towards the temple with the 116.
For lips, apply Bronzilla lipstick first, and then layer Kumquat lipglass for a complementing lip.