MAC Inert Nail Lacquer ($23.00 for 0.30 fl. oz.) is described as a “creamy mid-tone greyed nude” with a cream finish. It’s a neutral light-medium gray with a cream finish. It’s mostly opaque after two coats, but the consistency of the formula is on the thicker side. It’s not quite goopy or gloppy, but it’s just a few steps before it. China Glaze Pelican Grey is similar but a little grayer and has shimmer. Zoya’s Dove is also grayer but has a cream finish.
MAC Hyper Nail Lacquer ($23.00 for 0.30 fl. oz.) is described as a “deep blue with violet pearl” with a frost finish. It’s a really inky blue with fine blue shimmer and a violet edge. It flashes blue and violet, depending on the light. It’s a really cool shade, and it was the one that wowed me the most out of the three from this launch. China Glaze Blue Year’s Eve is a much lighter variation, but it’s more vibrant. It also reminded me of Orly Lunar Eclipse except a bluer variation with finer shimmer. It was opaque in two coats, and the formula had a good, fluid consistency that flowed evenly across the nail without bubbling or streaking.
MAC Ascension Nail Lacquer ($23.00 for 0.30 fl. oz.) is described as “grey with blue-violet reflective pearl.” It’s a murky grayish-green with a grayish-purple iridescence that comes together in a duochrome finish. The duochrome is definitely there, but I think some of the sheerness prevents it from really shining. When you look at the nails head-on, it is mostly a murky purple-gray, and then when you tilt and angle your nails, the murky green-gold comes through. It’s very, very similar to Wet ‘n’ Wild Grey’s Anatomy, which is a known dupe for the pricier Deborah Lippmann Wicked Game. MAC’s version is more pigmented than Grey’s Anatomy, where three coats was almost opaque, while there was still a lot of visible nail line at three coats with Grey’s Anatomy.
MAC Guise Pigment ($32.00 for 0.07 oz.) is described as a “frosty grey.” It’s more like a bright silver with a part-frost, part-metallic finish. What’s noteworthy about the color is that it doesn’t lean cool, it’s more of a neutral silver. It was fairly pigmented when used dry and more metallic and opaque when applied wet. The texture is much chunkier compared to Deceit, and I did experience some fall out when an hour after it was applied to the eyelid. MAC Misty is a bit darker and cooler-toned. It’s smoother and grayer than Bobbi Brown Tinsel. I didn’t find anything exactly like it.
MAC Deceit Pigment ($32.00 for 0.07 oz.) is described as a “blackened plum with pink pearl.” When applied dry, it’s a burgundy brown with a satiny sheen that’s almost matte, but it’s on the sheer side. When applied damp, it comes together more better for a really rich color of burgundy tinted by purple with a pearly sheen. It’s opaque and smooth. It’s less frosted but similar in color to Illamasqua Queen of the Night. I think it’s also pretty close to MAC Deep Purple, which I don’t own so I can’t confirm 100%, which is permanent at PRO stores. Make Up For Ever #11 is redder. The dry swatch is a bit like MAC Shadowy Lady. The texture seemed very, very finely milled–it is probably one of the softest and most finely milled pigments I remember by MAC.