This shade was part of a quad in 2010, and it was as lovely then and as it is lovely now. The pigmentation is intense and true-to-pan, and the texture is that soft, dense, buttery delight that Veluxe Pearls are supposed to be. It applied smoothly and evenly, and it blended beautifully with little work. I didn’t experience any fall out during application or wear, and the shade itself wore for eight hours with no fading or creasing (no primer) but showed a faint sign of creasing after nine. The only real downside is that it’s a color that is popular across brands, and many of the versions available are really quite good. It reminded me of how I felt the day Veluxe Pearls launched, and I remember standing at the counter swatching them going, “ooh! ahh!”
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For eyes, start by applying Soft Ochre paint pot as your eyeshadow base all over the eye area with the 249. With the 239 and water-based mixing medium (or water), apply Stacked 2! pigment (the gold) all over the lid area. Using the 239, apply Manila Paper eyeshadow on the inner third of the eyelid. Next, apply Aztec Brick eyeshadow on the middle third of the eyelid and lightly blend with the inner corner. Darken the outer third of the lid with Creole Beauty eyeshadow, with the 239, on the outer corner and lid. Add depth to the crease by lightly tapping Star Violet eyeshadow with the 226. Lightly tap and brush Flip eyeshadow directly above the crease to soften. To finish the eyeshadow look, sweep Ricepaper eyeshadow as a highlighter on the brow bone. Bring everything together by applying Honey eyeliner on the lower lash line, Penultimate on the upper lash line, and sweeping lashes with Plushlash mascara.
For cheeks, apply Springshine blush ombre to the apples of the cheeks and sweep upwards towards the temple with the 116.
For lips, apply Colour Me Coral lipstick first, and then layer Purple Rage lipglass for a complementing lip.
This was a quickie look before I went to school last night! I even timed myself and managed to get it all done in fifteen minutes and *not* leave late for class, LOL! You know I had to dive into the Colour 4 eyeshadow quad, just ’cause is totally my style. Really love the colors and the textures–Manila Paper is the only one that doesn’t totally suit me; it’s a bit stark on my brow bone, because of my skin tone (would be lovely on someone lighter), but I imagine it’ll be very nice as a lid color even if I can’t use it as a brow color so much! You could also do a much darker or more coppery/coral lip with this look. I had an itch to use Victorian, one way or another, and thus I went a little lighter!
Happy Thursday! It’s almost the weekend–we’re almost there! Though since mine involves major, major studying for midterms, I’m not keen on its arrival!
For eyes, start by applying Soft Ochre paint pot as your eyeshadow base all over the eye area with the 249. Using the 239, apply Flip eyeshadow on the inner third of the eyelid. Next, apply Aztec Brick eyeshadow on the middle third of the eyelid and lightly blend with the inner corner. Darken the outer third of the lid with Creole Beauty eyeshadow with the 239, gently brushing it into the lower crease. Lightly blend Creole Beauty eyeshadow, with the 239, on the outer corner and lid. Lightly tap and brush Flip eyeshadow directly above the crease to soften. To finish the eyeshadow look, sweep Manila Paper eyeshadow as a highlighter on the brow bone. Bring everything together by applying Lucky eyeliner on the lower lash line and sweeping lashes with Plushlash mascara.
For cheeks, apply Ripe Peach blush ombre to the apples of the cheeks and sweep upwards towards the temple with the 116.
For lips, apply Victorian lipstick first, and then layer Ember Glow lipglass for a complementing lip.
MAC Spring Colour Forecast: Colour 4 Eyeshadow Quad Reviews, Photos, Swatches
Colour 4 is decidedly for those who enjoy their golds and warm-toned browns. So, you know this is my favorite, personally. I love all four shades, and I’m excited that all four are pigmented and smooth. It’s so rare to like *all* the shades in a palette, so it is a nice surprise. I don’t think this is the most original color palette ever, though. I could see duping it with Nylon, Motif, Amber Lights, and Bronze. Not that it’d be exactly the same, it just brought instant “similar but not the same” shadows to mind when I first saw and swatched it.
Eyeshadow Quad — Colour 4
Manila Paper is a shimmery white-gold (more white than white-gold!) in a veluxe pearl finish. This is fairly pigmented, but you could probably dupe it with Nylon (which is a little frostier and yellower).
Flip is a peachy-gold with gold shimmer sheen with a frost finish. This came out previously, though it was limited edition. I’ve always liked this shade–not quite like anything MAC has in the permanent collection. The closest is something like Gleam or Motif, but it’s not a dupe for either.
Aztec Brick is a rich, shimmery copper with gold sheen in a veluxe pearl finish. It reminded me of Amber Lights eyeshadow quite a bit, though perhaps a little more bronzy than Amber Lights.
Creole Beauty is a warmed-up, medium-dark bronze with lighter bronze-gold sheen and shimmer with a frost finish. It’s like Romp and Bronze had a baby. Nice pigmentation–probably one of my personal favorites from the launch.