LORAC Private Affair Palette
An Ill-Fated Private Affair with LORAC
LORAC Private Affair Palette ($38.00 for 0.30 oz.) is an enigma, let me tell you! I’ve experienced shades that swatch poorly but work beautifully in practice (NARS Daphne, I’m lookin’ at you!). I can’t think of many occasions where I’ve encountered a product that swatches so smoothly, so richly and leaves something to be desired when used. Private Affair is just that; far prettier swatched on my arm than when I went to use it in a look.
Now, it’s not like it turns into a muddy mess, disappears on sight (well, at least… not entirely), or looks bad, but it doesn’t look nearly as lovely on as it does swatched–and that’s why it’s a disappointment. This is how it happened:
- 9:10am: Temptalia is heard excitedly shouting, “OMG OMG OMG BABE! THIS IS SOOOOOO BEAUTIFUL!”
- 9:15am: She starts to work with the products for a look to post on the blog.
- 9:18am: Mellan rushes into the bathroom wondering why he hears, “GRRR!”
- 9:25am: Eye makeup looks like it’s been 18 hours of wear with a nap in-between.
- 9:30am: Sadface.
The palette includes six shades: gilded champagne with a metallic-frost finish, beige champagne with a whitish sheen, medium-dark brown with soft gold sheen, grayed taupe with an antique gold metallic sheen, rich berry burgundy with a satin finish, and blackened purple with burgundy glitter flecks. The texture of these just feels so buttery, incredibly soft, and intensely pigmented; you hardly need any product to achieve true, rich color.
The problem, however, lies in the texture, which is really just too soft. If you thought Stila’s eyeshadows were too soft, these LORAC shadows are softer. This means they kick up quite a bit of powder when used–I advise merely pressing your brush into the shade rather than moving it around, because it will get enough product without loosening the rest. The soft quality of the eyeshadow also means that a lot of it ends up on your face, rather than on your eyes. It rained burgundy and eggplant on my undereye area (which doesn’t need any help looking tired!). Additionally, the softer the eyeshadow, the easier it is to blend, but it can also mean that it is even easier to muddy the color or sheer it out with even a light touch.
At the end of the day, they’re just okay eyeshadows. They feel and look stunning when swatched, but they’re just not nearly as standout when used. There’s a little more fall out than I’d expect, and the color pay off looks fierce initially but fades quickly. I had trouble getting the burgundy shade to stay vibrant; it faded to this rather muted, blah eggplant within minutes. The blackened purple shade lacks the glitter when you apply it–it’s like the glitter doesn’t hold together with the shade and gets lost between the pan and your eye (probably eaten by your brush!).
There is also an eyeshadow primer included in the palette, which is housed in a pull-out drawer that sits beneath the eyeshadows themselves. Along with the primer is dual-ended brush that just feels too scratchy and the ferrules feel rather loose, so I ditched it.
Morbid or not, the packaging reminds me of a coffin. Maybe something a vampire would sleep in, with the dark blood red (faux) snake-skin covering. I also think that they could have ditched the primer and brush, since neither are stellar (the primer is so-so, it doesn’t seem to enhance the vibrancy of the eyeshadows). This could have allowed for a much slimmer palette, which would make it more travel friendly. But you know what really drove me batty about the packaging? It doesn’t stay open. That lid did not want to stay open at all, and I bent that sucker back so far and could see it pulling away from the rest of it, and it still kept closing on me.
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- Product: 24/30
- Value: 8/10
- Ease of Use: 4/5
- Packaging: 3/5
RECOMMENDATION: I wanted to love this palette with all my heart, but it left me rather disappointed. I think for $38, I’d rather get a couple of eyeshadows that were excellent than six eyeshadows that require more work and effort than I want to put in!