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Challenge: Wear Colors You’re Afraid Of

Challenge: Wear Colors You’re Afraid Of

I’m actually not technically, technically afraid of any color, but I don’t usually reach for red eyeshadows because I don’t think they work well with me and take more effort than I usually can handle to work.  I’ve had the best success combining it with golds and oranges for a sunset-like eye.  I remember the first time I ever wore a pinky-red eyeshadow; my mom saw me not a minute after I had finished the look and asked if something was wrong and if I had been crying.

Is there a color you’re “afraid” of?  Maybe you can’t find a way to make it work or you really don’t think you can pull it off…

While I don’t think I look like I spent the past hour crying my eyes out, I didn’t love how it came out–the purple I picked for the lid color was too dark, and I think I’d opt for something with some shimmer to open up the eyes more (which is why I ended up adding a shimmery mauve to the inner tear duct area–there was just too much darkness on my eyes).  So, I’m still working on finding a way to wear red eyeshadow that’s not just gold/orange/red (because that combo I can do!).  I almost, almost tried green with Christmas just around the corner but held myself back! 😉

You will need the following…

For eyes, I applied a light layer of NARS Smudgeproof on the lid as an eyeshadow primer from lash line to brow bone with a firm, flat brush.  The first eyeshadow I applied was Inglot #450, and I used a fluffy crease brush to lay down the crease color to help provide a good blended background for the intense red I planned to use.  Next, I applied Inglot #325 onto the lid with a small eyeshadow brush.  With a firm, domed crease brush, I applied Inglot #382 into the crease and blended just slightly outwards so the red would also peek through with my eyes open.  Using a large eyeshadow brush, I softened the crease color with Inglot #353 and applied it to the brow bone.  To lighten the look, I applied Inglot #420 on the inner tear duct with a fluffy angled brush.  On the lower lash line, I first applied Make Up For Ever #7 and layered Tarina Tarantino Glitter Mist on top.  Finally, I applied a coat of Bare Escentuals Buxom to lengthen lashes and then thickened with Hourglass Film Noir.

For face, I applied Make Up For Ever HD with a circular foundation brush.  I blended Le Metier de Beaute Coral Nymph onto cheeks with fingertips and set with Guerlain Les Voilettes.  For lips, I applied Giorgio Armani #602.

Check out more photos!

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Inglot Pearl Eyeshadows in Inglot #446, 445, 440, 420, 439, 441 (Purples)


Inglot Pearl Eyeshadows in Inglot #446, 445, 440, 420, 439, 441 (Purples)

Inglot’s Pearl Eyeshadow ($4.50 to $7.00 each for 0.09 oz.) range is certainly expansive! They don’t quite fit into two 20-pan palettes neatly (there are two that overflowed into a third, plus one I know I’m missing). There are also a fair amount that seem to only be available in individual pots, rather than refills (which I do not have).

Inglot’s Pearl Eyeshadows have a very fine shimmer with a brighter, pearly sheen.   I had a good experience with these six eyeshadows–they were easy to work with, nicely pigmented, and had the soft, smooth textures I’ve come to expect from Inglot’s Pearl eyeshadows.  #440 is the only one that I felt wasn’t true-to-pan in color; it was a few notches lighter, because of the heavy white pearl.

  • 446 is a rich, jewel-toned plum purple with red undertones in a pearl finish.
  • 445 is a softened, medium-dark plum with a pearl finish.
  • 440 is a frosted, cool-toned lilac with a pearl finish. Like some of the other lighter pearl shades, the white pearl really reflects and comes through, almost washing the shade out.
  • 420 is a grayish mauve with a pearl finish–it almost looks metallic.
  • 439 is a rich, jewel-toned violet purple with a pearl finish.
  • 441 is a medium-dark violet with a pearl finish.

Inglot Pearl Eyeshadows in Inglot #446, 445, 440, 420, 439, 441 (Purples)

A
10
Product
9.5
Pigmentation
10
Texture
10
Longevity
4.5
Application
98%
Total

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