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Chanel Blush Horizon de Chanel

Chanel Blush Horizon de Chanel
Chanel Blush Horizon de Chanel

Chanel Spring 2012: Chanel Blush Horizon de Chanel

Chanel Blush Horizon de Chanel ($58.00 for 0.53 oz.) is a new and limited blush for springtime. It’s described as an “elegant highlighting face powder” with “subtle gradations of rose, coral, and peach.” Though Chanel says you can apply them on their own or applied together, you’ll tend to use at least a few strips at a time, as they are very skinny and won’t accommodate most blush brushes in just one of those little strips!

If you stay on the upper half, you’ll get a pinker look, and if you stay on the bottom half, you’ll get a peachier look. When you swirl, it’s a pink-coral with a peachy sheen. Tarina Tarantino Parasol is a more pigmented pink-coral. MAC Stunner doesn’t really have any coral to it, but it is similar to the upper portion of this blush. Chanel Pink Cloud is similar but less pink and subtler on. Benefit Bella Bamba is pinker but with a light hand, similar enough on.

At first glance, this was very reminiscent of Guerlain’s Blush G Serie Noire, and for the most part, it is. The strips in this product are much, much skinnier, so it’s difficult to focus on particular shades, but the shades of each strip are very similar to Blush G. Chanel’s doesn’t have the darker orange shade (which you’ll find at the top of Blush G), but everything else is similar, so the end result can be similar. If you tend to prefer a darker, more coral blush, then you’ll prefer the Blush G, since you have that darker orange shade to yield those results. Chanel’s is more of a pink-coral to pink-peach. The other major difference is Guerlain’s has a stronger golden sheen, while Chanel’s appears a bit softer. Blush G has more pigmentation overall, due to that darker orange shade, and Chanel’s is less intense. If you missed out on Blush G, this is a good substitute, though.

The texture is really nice–soft, smooth–and the finish looks lovely on the skin, as it’s luminous and glowy without being frosted or emphasizing pores or imperfections on the skin.  Given that it’s not supposed to deliver a lot of color, it’s true-to-form; it gives a subtle flush but tends to yield more luminosity.  I expect on fairer skin tones, you’ll see this as more of a blush and highlighter combination, while deeper skin tones will find it works mostly as a highlighter.  A nice bonus is–despite the high price tag–it’s a good value, because it’s over half an ounce of product (most blushes are between 0.15 to 0.30 oz.). On me, it wore for around seven hours and started to fade; it was noticeably faded after nine hours.

Chanel Blush Horizon de Chanel Blush Horizon de Chanel
10
Product
10
Pigmentation
10
Texture
9
Longevity
4.5
Application
97%
Total

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Chanel Eclosion Eyeshadow Quad

Chanel Eclosion Eyeshadow Quad
Chanel Eclosion Eyeshadow Quad

Chanel Spring 2012: Chanel Eclosion Eyeshadow Quad

Chanel Eclosion Eyeshadow Quad ($57.00 for 0.24 oz.) is described simply as having shades of “peach, gold, beige, and plum.”  It looks like it’s joining the permanent range, per Chanel’s press release.  This color palette should work across skin tones, both warm and cool, light to dark.

The upper left shade is a peachy-orange with a soft frosted finish. It’s not quite peach, but it’s not quite orange. I almost thought it was in the vein of corals but it doesn’t have enough pink in it. The pigmentation is rich, and the texture is buttery and dense, so it’s very soft and smooth. Dolce & Gabbana Jewels has a slightly similar shade, which appears more orange and less vibrant. Make Up For Ever #153 is the closest shade I could find, though it has a golden sheen.

The upper right shade is a pale ivory with yellowy gold sparkle. This is the frustrating shade I mentioned earlier; it is sheer, powdery, and the sparkle gets everywhere. I tried to use this on the inner third of my lid, and the majority of the shimmer landed underneath my eye, plus the sheerness made it look like virtually nothing was on my lid. MAC Carefree is similar but a little yellower in the base color and doesn’t have fall out issues. Make Up For Ever #101 has a stronger gold sheen instead of the gold sparkle.

The lower left shade is a medium-dark beige brown with a pearly sheen. It’s soft and smooth, and the color payoff is nice. Make Up For Ever #13 is more metallic and a bit darker. MAC Sweet Satisfaction is similar but seems warmer. MAC Grain is a touch lighter, while MAC Arena is a little darker.

The lower right shade is a reddened burgundy with red-brown undertones. The pigmentation is intense and opaque, while the texture is silky smooth. Make Up For Ever #17 is more metallic and browner. MAC Festive Delight is redder and lighter. MAC Cranberry is redder and lighter. Inglot #452 is more metallic but similar in color–just a touch lighter.

With the exception of one really frustrating shade to work with (more on that later!), I really enjoyed this quad. I think it’s fairly dupeable, though, so you may want to shop your own stash to see if you can recreate the color palette yourself. I can’t recommend something that has such a dud in it at this price point.

Chanel Eclosion Eyeshadow Quad

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Chanel April Le Vernis

Chanel April Le Vernis
Chanel April Le Vernis

Chanel Spring 2012: April Le Vernis

Chanel April Le Vernis ($25.00 for 0.40 fl. oz.) is a berry red cream that’s opaque in two coats. It’s a new shade for spring (and according to Chanel’s press release, it’s not limited edition!). The formula on this felt really lovely; it was thin without being streaky or watery, but it applied easily to the nail and evened out nicely.  I’ve had good luck with Chanel’s lacquers; they last about a week on me without chipping and just have minor tip wear.  It’s a darker shade that’s still lighthearted; it’s like the last few days of winter and the first few days of spring.

For whatever reason, creams always seem like they will be dupable, but so often, they really aren’t. Essie Size Matters is a much deeper, darker shade, that appears redder. Instead, Butter London Blowing Raspberries is the shade I have that is most similar, but it is a bit more berry–it is fairly close, though, and with the price difference, it may be more palatable. Zoya Sarah reminded me of April, too, but it is very shimmery and redder, so it is quite different.

Chanel Le Vernis Nail Colour April
April
April
9.5
Product
10
Pigmentation
10
Texture
9
Longevity
5
Application
97%
Total

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I haven’t used any long enough to tell you; I’ve only used MAC’s, which isn’t properly a BB Cream given what I’ve heard about ones from overseas, but it was far too light so it wasn’t something I could wear out of the house.

— Christine

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Benefit I Think I Love You Full-Finish Lipstick

Benefit I Think I Love You Full-Finish Lipstick
Benefit I Think I Love You Full-Finish Lipstick

Benefit I Think I Love You Full-Finish Lipstick ($18.00 for 0.10 oz.) is described as a “bronze rose.” It’s an apt description; it’s a sultry plummy rose with a metallic-like frost to it. The color coverage is nearly opaque. Clarins Blackberry is a creamier version–it doesn’t have the frosted finish. MAC Snazzy is redder and has fuchsia shimmer. MAC One of a Kind is a little brighter, less muted.

It delivers the medium to full color coverage the lipstick is supposed to, and it does so with a really smooth, melt-on-your-lips kind of color.  It applies evenly, and it doesn’t take a lot of product to get the really opaque look.  The texture is creamy enough to allow the slanted tip to glide across the lips with ease, but it isn’t thick or heavy, so it doesn’t slide around and get onto teeth.  There’s no discernible taste or scent, which may be a plus for some.  It is moisturizing, too, which is good, because I was able to get five hours of wear out of this shade during testing.

Benefit Full-Finish Lipstick I Think I Love You
10
Product
10
Pigmentation
10
Texture
9
Longevity
4
Application
96%
Total

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