This post contains product photos of brown eyeshadows.

07 Surprint Sepia
This post contains product photos of brown eyeshadows.

07 Surprint Sepia
MAC Cosmetics artists describe the looks they created for specific designers from days 4, 5, and 6 of New York Fashion Week 2007 (Spring/Summer 2008). For specific look break downs and more photos, check out this post from yesterday: New York Fashion Week | MAC Cosmetics Look Breakdowns
DAY 4

CHAIKEN
The Chaiken woman has come into some cash. “She’s a jet setting expensive woman who gets off the red eye looking great,” said makeup artist Polly Osmond. “But that’s because she’s been in first class! Call the look “beachy done” – and we’re seeing it all over the NY spring runways; cheeks highlighted and accented on the brow bone. Beigey lips (the famous Spice lip pencil filled in with Subculture lip pencil and 2N lipglass) with a tint of pink and white eye pencil inside the eyes. Remember the smoky eye? This season, it’s on hiatus. Wide eyed is where it’s at.
J. MENDEL
How many times do we have to hear the name “Lauren Hutton” before we smell a trend? For J. Mendel, Charlotte Tilbury evoked that seventies glamazon – and a Jerry Hall feeling – in the makeup. Last spring’s words like “fresh” and “pretty” have been replaced by “diva” and “expensive and glamorous.” On top of the glowing skin and the ubiquitous 4N lipstick (paled down by concealer), Tilbury bronzed out the models’ eyes with MAC Paint Pots, placing a copper shade right over the eyeball. You could almost hear Roxy Music playing in the background. “More than this…”
BABY PHAT
Okay, so perhaps the predicted death of colour for the Spring ’08 makeup palette was just tiny bit premature. But then Baby Phat always breaks all the rules. For Kimora Lee Simmons’ collection, makeup artist Lisa Butler used fuchsia like Giorgio Armani uses greige. She blended strong fuchsia blush for both the cheeks and eyes, but applied them in a light dust of powder. But when it came to the lips, she didn’t hold back – blending three different red fuchsias together to get the perfect dark pink pout.
PORTS 1961
Designer Tia Cibani’s spring influence was African safari so makeup artist Greg Wencel kept the faces slightly moist (“from humidity”) and put emphasis on tanned cheeks and matte terra cotta mouths. “Think African clay paintings,” he explained. The eyes were opened up by a trend we’re starting to see everywhere for spring: a white line painted close to the lash line. So forget that fifties cat eye – and stat thinking; white eyeliner!
Keep reading to see what trends were created on Day 5 and Day 6 at spectacular Fashion Week!

05 Quicktone Tan
This tutorial is designed to walk you through, step-by-step, a very easy and subtle neutral eye that’s perfect for any occasion.
Skill Level: Beginner

Eyes: Indianwood paint pot (Warm golden brown cream shadow/base), Grain eyeshadow (light neutral), Goldmine eyeshadow (warm, rich gold), Rye eyeshadow (antique gold), Bronze eyeshadow (rich warm brown), Carbon eyeshadow (matte black), Graphblack technakohl (black kohl liner), and black mascara.
Face: If you’d like to compliment the eyes, use Other Worldly blush (warm dirty brown) on apples of cheeks with Taupe blush to contour.
Lips: For matching lips, try Strawberry Blonde lipstick with Tartlette lipglass.
Tools: MAC 249 firm shadow brush, 239 shadow brush, 219 detailed crease brush
This post contains product photos for purple eyeshadows.

02 Iris Print
MAC Cosmetics has teamed up with BoomBox for London Fashion Week and has sponsored 20 cabs painted in black (of course!) with both BoomBox’s and MAC’s logos in white. In addition, MAC Cosmetics is releasing a very, very limited edition (1200 copies) BoomBox book, which is bound to become an extremely coveted collector’s item — how I wish I could get my hands on a copy!Keep reading for the official press release… Continue reading →