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SCENARIO: In a week I will visit my a love interest in Australia. Since I live in Europe this will involve two long-haul flights. From experience I know that I won’t look stellar upon landing. I would like to be the most glowing version of myself and blow him away, without applying masks every five minutes on the plane. We have a strict liquids rule, so can’t bring any big packages. Do you have advice on achieving a radiant look (hair and skin) after traveling for over 24 hours?
Situation courtesy of Olivia!
OVERALL, the launch is great because it offers twenty shades of Slimshines that are all permanent to the MAC Cosmetics line. This means that you can happily have a favorite that you can repurchase again and again–not to mention you don’t have to rush out and buy all twenty for fear of them selling out and missing out! The Slimshine formula is very creamy and smooth, more moisturizing than most lipsticks, and the color pay off is fairly decent. I personally find that Slimshines do not last nearly as long as a typical lipstick, because of how creamy they are, you tend to put on more product and it seems like you get less than in a tube of lipstick. The texture/formula is non-sticky, and they are quite glossy/high sheen, which is a plus for those who have no love for lipglass because of its tackiness. My personal favorites were Grenadine, Intimidate, Rock Out, Voile, Gaily, and Scant.
- Assertive is a rose with red and peach undertones and gold shimmer that goes on fairly sheerly.
- Bare is a smooth pale gray-pink with little shimmer but lots of shine. I would consider this in the same family as Blankety lipstick.
- Cocoamour is a warm brown with gold shimmer with decent color but is still buildable. I like the golden shimmer in this, though I think the brown color is still too dark for my lips (alone, at least).
- Funshine is a warm medium pink with no real shimmer but is incredibly glossy with fairly good color pay off. The name is true–this color just seems fun.
- Gaily is a coral-red with little shimmer and lots of high sheen; it’s pretty and I think those who find true reds too bold, this may be a nice subtler red.
- Grenadine is a deep raspberry red with little shimmer and good color pay off. This is a definite favorite of mine, but when am I not attracted to this color family?
- Lovey Dove is a sheer strawberry peach kind of color with low level shimmer (gold sheen perhaps). Nice, but not a stand out color for me.
- Intimidate is a pink with purple-gray undertones with good opacity. It is a nice color, kind of an easy-to-wear shade for casual days.
- Long Stem Rose is a gorgeous shimmery medium pink with golden sheen that goes on sheerly but is somewhat buildable. I like this as a great color for light makeup days.
- Missy is a warm orange-peach kind of color, more wearable than say Vegas Volt, but still one of the bolder colors of the twenty.
- Most Wanted is a very dark burgundy with red and gold shimmer–more shimmer than most of the other Slimshines. I liked it, but I think it may be too vampy for my skintone.
- Mousse is a glossy warm caramel brown with little to no shimmer. It’s not a color I could wear (honestly, browns and I don’t seem to get along!), but I think it’s a great color for others.
- Pleasing is a mauvy kind of color, fairly light and sheer, with subtle golden pearl reflects. It’s a nice everyday shade.
- Prudeaux is a lovely glossy burgundy color–much like Most Wanted–without a lot of shimmer. It does go on more sheerly than Most Wanted, as well, which may make it a better option for the majority.
- Rock Out is this year’s “Kissable.” It is a bright fuchsia pink with subtle golden-pink shimmer, and the color pay off is decent.
- Scant is a deep red-plum with gold shimmer and lots of sheen. I like that it has a lot of color when it goes on, which is always a good thing in my book.
- Think Tan is a dark brown with red shimmer in it that goes on fairly sheerly. I’d love to see someone wear this, just because I can’t imagine it on me.
- Ultra Elegant is a darker coral/peach color with brown undertones. I think this may make a great base underneath brighter lipglasses or glosses.
- Urgent! is the “red” of the launch, but it is a very sheer, glossy red (seems blue-based to me). Pretty, but since it isn’t opaque, I’m not that interested in it.
- Voile is one of my favorites, because it so pretty swatched. It is a pale yellow with lots of golden shimmer. It seems more like a gloss than a lipstick, since it doesn’t provide much color on its own.
Check out two more swatch photos… Continue reading →
BADGLEY MISCHKA | Tom Pecheux designs the look that focuses on a multi-layered colored eye that goes from brow to lid. It goes from burgundy to brown to golden bronze with golden pigment just above the pupils. In fact, it was a rose pink, a new MAC pigment for fall, nameless thus far. “Then I put a bit of green inthe corners of the eye — just for fun!” he added. Lips were beige and glossy, rather late seventies a la Lauren Hutton.
Look Breakdown | MAC Select Moisturecover was worked into the skin to help hydrate the skin, followed by a dust of Invisible Set Powder to create a soft, matte finish. Salsa Rose and Devil Powder Blushes were brushed high on the cheek bones with MAC Brush 116. MAC Tarnish Eye Kohl and Chocolate Brown Pigment were mixed and applied with Brush 275 onto lid in an almond shape. Copper Pigment and Reflects Gold was layered on top to add a touch of shimmer. MAC Newly Minted Eye Shadow was patted into the inner corner of the eye, followed by Mystery Eye Shadow dusted over the lids to finish the look. Lashes were coated with Zoom Black Mascara. MAC Wildly Lush Plushglass was applied to the lips.
“Mixture of texture and style – colourful, rich, young and playful,” says Tom Pecheux.
MONIQUE LHUILLIER | Val Garland created a look with a full-court, all-color eye socket using a pigment in a heavy grey blue that melded into inky blue, purple, and burgundy. She described it as, “Quite reflective” and “quite liquidy.” The rest of the face was neutral bare, with a sheer vino lip.
Look Breakdown | MAC Face and Body Foundation was used to prep the skin, followed by Bamboo Créme Colour base brushed with MAC Brush 188 to lightly shade the cheeks. MAC Smolder Eye Pencil was applied to bottom lash line, as well as inside the water line of the eye. Indigo Eye Pencil was used as a base on the inner and outer corners of the lid, blended up from lash line to brow. Using 239 and 224 Brushes, Blue Pigment was layered on top. MAC Plumed Violet Créme Colour Base was applied to the centre of lid with Brush 272, followed by Violet Pigment layered on top with a 239 Brush. Reflects Blue Pigment was applied to the inner and outer corners of the lid to intensify the colour. Night Moth Eye Pencil was applied to the bottom lash line and blended out with a 239 Brush. Beauty Marked Eye Shadow was pressed into the Night Moth with a 239 Brush to define the eye. MAC Night Moth Lip Pencil was applied to the lips and blended with Brush 318.
“Marbleizing of three colours – inky blue, rich burgundy and intense purple. Dramatic, but poetic at the same time. The look is a Lolita Lempika painting mixed with a Deborah Turbeville photograph,” says Val Garland.
RODARTE | Kate and Laura Mulleavy’s clothes are froty couture-like confections–completed concotions that are always colorful and textural wonderlands. James Kaliardos chose a frosted winter lip, using sheer layers of matte and sheen throughout the plains of the face, working with light and texture.
Look Breakdown | Skin was paled down with an application of Face and Body Foundation, followed by White Paintstick. Luna Créme Colour Base was applied with fingers to the bridge of the nose and cupids bow. Paintsticks in White and Pink Vivid were applied to the lid, followed by Underage Lipgloss. Fuchsia Pigment was brushed onto the outer corners of the eye and under the lower lash line with Brush 210. Lips were prepped with an application of PRO Lip Erase, then Desire Lipstick was brushed onto the lips.
“Japanese horror movies; ethereal, dark and dreamy – transparent, pale skin, hardcore vamp lips, accentuated cheeks and delicate eyes,” says James Kaliardos.
J. MENDEL | Mendel’s girls are chic, svelte, smart, social, and rich. Gucci Westman kept their faces matte and clean with a caramel cheek and lip tones with bronze pigment on the lids with just a touch of gray.
Look Breakdown | Makeup artist Gucci Westman used MAC Cosmetics to create a metallic eye to represent the richness of Mendel’s clothes, as well as the legendary site of the show. “I am very inspired by the Plaza. It is fitting for Gilles [Mendel]‘s clothes, with the rich textures in the environment and its gold gilding. Gilles has a lot of brown and gold in the collection and I wanted to extend that into the makeup.” Westman covered lids with a smoky, metallic brown shade and lined eyes with a gold liquid liner. Natural skin and lips kept the focus on eyes, which were without mascara. (Source: WWD)
BEHNAZ SARAFPOUR | With Gucci Westman at the helm, she did two-thirds of the models in a gray eye from lid to brow, with the other third in either lime green or fuchsia purple from lid to lash. She even used the respective colors to “flock” the lashes instead of contrastign with dark mascara.
Look Breakdown | MAC Select Moistureblend Foundation was blended with a 217 Brush where needed. MAC Canary Yellow and Bitter Eye Shadows were applied with a 252 Brush from lash line to just above the crease and also along the lower lash line. The eye shadows were blended in a round shape, around the eye with a 224 Brush. MAC Myth Lipstick was applied with fingers.
“It’s a fun season to be bold and get your rocks off as an artist. It’s all about enjoying colour, textures and freedom of expression,” says Gucci Westman.
Check out more beauty shots from the shows! Continue reading →
THAKOON | Makeup artist Gucci Westman and designer Thakoon Panichgul partnered for the fourth season to create yet another inspired look for Fashion Week. Gucci wanted makeup that was sweet but tough to complement Thakoon’s extensive color palette of greens, burgundies, yellows and fuchsias and interesting layers and patterns.
Gucci focused on a beautiful wash of color that when seen on the runway blossomed on the models’ faces. “As a makeup artist, I love the look of artists’ pastels,” says Gucci. Using a mixture of pink and lilac blushes, Gucci created a soft cheek. Placement of the color was important as she didn’t want a traditional blush look. After applying the color higher up than normal, just below the eye, Gucci made sure the blush was not too severe or too low on the face by blending with a foundation brush.
Working her way up to the eyes, Gucci layered and blended deep gray light gray, white and soft purple shadows on the lids. Gucci curled the lashes and lightly dusted them with powder. Everything about the look was matte except the lips. Combining cream blushes and a boysenberry gloss from the Fall 2008 collection, “Maharani Jewels,” Gucci created a mauvey lip stain with a bit of sheen, which perfectly complemented the pale palette of the face.
Look Breakdown | [By Lancome] Chic Cassis and Retro Rouge Color Design Cream blushes, Maharani Jewels Juicy Tubes (Fall 2008), Statuesque and Ciel du Soir Color Design Shadows, Foundation Brush #2
Have you ever dreamed about makeup? You know, just some random dream where it centers around makeup (or something very much beauty related)? I know some of you must have! Share your dream, no matter how wacky it is.
This tutorial is designed to show you step-by-step how to create an easy neutral eye, perfect for work, most occasions, even Valentine’s Day! If you have questions, feel free to ask, as the whole point of this is to help you!
You will need: Cash Flow paint pot (creamy base in an antique gold tone), Goldmine eyeshadow (true gold), Patina eyeshadow (dirty brown-gold), Bronze eyeshadow (dark brown with shimmer), Smut eyeshadow (dark cool brown) Feline kohl power (black kohl liner), Plushlash mascara (black mascara). For cheeks, Margin blush (dark coral-pink) was used; for lips, Russian Red lipstick (red) and Russian Red lipglass (red) were used.
Brushes: 219, 239, 249
Get the step-by-step instructions with photos… Continue reading →