- Hautelook — Up to 59% off MAC Cosmetics, includes eyeshadows, palettes, blushes, eyeliners, lipsticks, and more, ends 8/20.
- Muse Beauty — Buy any 2 Viseart eyeshadow palettes for $128 (plus get three Esum eyeshadow brushes), ends 8/21.
- Sephora — 4X points for Rouges (early access 8/11), 3X points for VIBs, and 2X points for BIs on all purchases, starts 8/11 and ends 8/19.
Dior Garden Pastels Eyeshadow Palette
Dior Spring 2012: Garden Pastels Eyeshadow Palette
Dior Garden Pastels Eyeshadow Palette ($59.00 for 0.16 oz.) is described as “pale pink, buttercup yellow, and luminous greens.” It’s new and limited edition just in time for spring. It’s slightly lighter compared to the usual Dior eyeshadow palette, which has 0.21 oz., while this palette only has 0.16 oz. I suspect it is due to the consistency difference somehow, since it doesn’t seem less full or smaller compared to other Dior eyeshadow palettes.
The shade on the upper left of the palette is a yellowy green with a soft, frosted finish. The color payoff is good, and the texture is very smooth, though there’s a little dryness to it. If you’ve played with Estee Lauder’s Cyber Eyes eyeshadows, you’ll know what I’m talking about. It’s dry, but still very soft and smooth, and while dry, it’s not powdery. It’s a yellower and more subdued version of MAC LUcky Green, but it’s much darker than MAC Juxt. Inglot #412 is similar but more metallic, so it appears lighter.
On the upper right of the palette, the shade is a bright frosted white with good color payoff and a smooth, soft feel. There’s not a lot to the color–it’s a neutral white, not too cool- or warm-toned, so there are a fair amount of white eyeshadow dupes.
The center shade is a soft pastel pink with a silver shimmer. It has decent to good pigmentation, but there is some underlying sheerness. The texture is nice and smooth, though. It’s similar to Tarina Tarantino Diamond Dusk and is just barely darker than Tarina Tarantino Delightful. MAC Fresh Ice has more lilac in it. MAC Seedy Pearl is a bit darker and purpler.
On the bottom left, there is a pale yellow with a frosted finish that’s just slightly metallic. This shade had the best color payoff of the five shades; really dense and opaque. Tarina Tarantino Wonderful is less yellow, less frosted. theBalm Wild Child is more golden. MAC Nylon is a bit lighter and more golden.
The last shade on the bottom right of the palette is a green-tinted blue with a green-gold shimmer-sheen. It has decent color payoff, but like the center shade, it has underlying sheerness. It’s greener than Urban Decay Aquarius. Tarina Tarantino Violet Storm is similar but a touch darker and doesn’t have the same golden sheen. Make Up For Ever #302 is more teal.
The texture of this palette is definitely different compared to previous iterations of Dior’s five-pan palettes. I don’t think it’s a departure from their typical formula but something in particular for the spring collection. Part of it may have been necessary to incorporate the design, but it’s certainly not an unwelcome or bad different! The drier consistency feels off at first, but it works well on the lid.
I like it, though perhaps not am not in love with it, since there are some sheerer shades in the palette. Everything has a fairly shimmered finish, so you may want to mix and match with other finishes to create more dimension. When worn together, it can feel like frost overload, depending on which shades you use! I went for the most obvious combination for testing: yellow, green, and blue/teal.
The new palette for spring doesn’t have much in the way of a description, but based on Dior’s other five-pan palettes, their eyeshadows are supposed to have rich, versatile colors that are “designed for easy application and long wear.” The drier consistency definitely helps these wear longer without creasing (without the aid of a primer), though I did find there was some slight fading after eight hours.
Dior Garden Pastels Eyeshadow Palette
By Chelsea Nusbaum, Fragrance Contributor
Chelsea grew up in Los Osos, California, which is a small coastal town. She completed her undergraduate degree in Literature/Writing at University of California, San Diego. She recently completed her master’s degree in Rhetoric and Professional and Technical Writing. Chelsea currently works as a proposal editor for a local defense company. She loves to freelance and edit, but between her full-time job and awesome pets, what little time she has left she devotes to fragrance!
Red-Hot Romance: Serge Lutens Rousse
Rousse explores cinnamon’s spice aspect. The top notes are candied–think Hot Tamales–with the composition getting drier and spicier as it wears, until it is ultimately warm and creamy at the base with the scent of cinnamon starring throughout. The official notes are listed as mandarin, cinnamon, cloves, spices, floral and aromatic notes, fruit, cinnamon wood, precious woods, amber, musk, and vanilla. If it sounds gourmand, it isn’t. It is, in fact, quite dry. Dry, spice-centric fragrances can feel like an big, empty cathedral on a cold day. Rousse hangs some curtains on the cathedral’s windows, carpets the floor, and cushions the pews with some throw pillows.
It opens with a blast of cinnamon. As it mellows, tendrils of vanilla and musk creep in. This is also where I smell the juicy orange of the mandarin, a bright spot of orange on a pallet of muted maroons and russets. A woody heart keeps the cinnamon nice and hot and out of bakery territory. The vanilla, musk, and amber gradually intensify until they’re on nearly equal footing with the spices. By the drydown, they’ve eclipsed the spices altogether. Rousse is warm, but feels sheer rather than heavy, so you could wear it year-round, although I find it works best for fall.
What makes this fragrance particularly intriguing is a left-of-center lipstick accord, which is waxy and vaguely floral. I can’t help but think of a bold, matte red lipstick on a smoking hot redhead. Think Christina Hendricks in full retro glam makeup as Mad Men’s Joan. What could be better for Valentine’s Day?
If all this red doesn’t rev your engine, Frederic Malle Noir Epices is a similarly spicy unisex perfume that dials down the cinnamon and swaps Rousse’s creamy base notes for patchouli, cedar, and sandalwood.
Bombshell imagery aside, this scent is squarely unisex. Released in 2007, it is part of French perfume house Serge Lutens’ export range (meaning it is available outside of Europe). House nose Christopher Sheldrake composed it. Lucky ducks who live in Paris can go to the Salons du Palais Royal Shiseido to sample Rousse or buy a bottle. The rest of us can buy samples at The Perfumed Court and The Posh Peasantt and full bottles at ucky Scent, Beauty Habit, orAedes. for $120. Parfum 1 sells it for $108. Some Barneys, Bergdorf Goodman, and Neiman Marcus stores carry Serge Lutens exports.
Chanel Belgravia Rouge Allure Lipstick
Chanel Belgravia Rouge Allure Lipstick
Chanel Belgravia Rouge Allure Lipstick ($32.00 for 0.12 oz.) is described as a “lustrous and vibrant rose.” It’s a limited edition shade from the Knightsbridge collection, which is an exclusive to chanel.com. Chanel says the color “pays tribute to a region of London, rich with history and classic architecture.” It’s a brightened strawberry pink with lighter pink shimmer. The color coverage is mostly opaque, though my lip freckle is still visible. Chanel’s Rouge Allure formula is one of my favorites, and it’s my favorite lipstick formula by Chanel. The formula is long-wearing (this shade wore for five hours), comfortable to wear, and moisturizing. It’s a little less color coverage than I would expect from a Rouge Allure, but it’s not sheer.
I think these types of pinks can be so flattering across skin tones, because it’s warm without being orange or coral, bright without being neon, and the soft shimmer gives lips a lush look. I couldn’t find an exact dupe of this shade, but there were a few shades that were similar. Laura Mercier Evening Pink reminded me of a much more intense version of this shade. Bobbi Brown Mod Pink is similar but has no shimmer. Dolce & Gabbana Splendid is slightly more coral. Dolce & Gabbana Fuchsia is similar but a touch redder.
I have large dressers that have sixteen drawers each, which house the majority of what I have. Inside each drawer, I use shallow and deep clear drawer organizers from The Container Store. I also have large bookshelves that hold equally large clear plastic containers for to-be-reviewed products. I organize by brand when there’s enough product that it makes sense to do so, but when there’s not, I will group the odd ones out (e.g. I have one container that holds various high-end lipglosses).
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The real deal!
6 Red Lipsticks to Get Angelina Jolie’s 2012 Golden Globes Red Lip
Angelina Jolie’s red lips was one of the most talked about beauty looks from this year’s Golden Globes. I don’t know what she wore, and while I’ve attempted to find out, I haven’t had any luck yet! Her lip looked anywhere from pinky-red to red-coral to red, but it never looked too orange. I saw it both with more of a matte/satin finish as well as a glossier look (perhaps recent reapplication?).
I know that Jolie has used Chantecaille in the past, and though I don’t own much from the range, possible shades within the brand would be Amaryllis Lip Chic, Azalea Lipstick, or Cassia Lipstick.
- Giorgio Armani #406 — deep blue-based red; slightly darker than what was worn
- Guerlain Liu — rich blue-based red with a glossy shine; bluer than what was worn
- Chanel Cambon — slightly orange-toned red; needs a teeniest bit more blue to be similar
- Guerlain Rouge Sensuel — almost red-coral with a subtle gold shimmer; lighter, has gold shimmer compared to what was worn
- MAC Perpetual Flame — pinky-red with a creamy finish; slightly pinker than what was worn
- NARS Flamenco — soft watermelon red; less opaque, less red
And as a bonus, contributor Damaris has a Brazilian option–O Boticario #330 Lipstick (R$ 12,90).