The palette includes six eyeshadows in varying shapes and sizes. It’s housed in a beautiful compact with a filigree pattern on the cover that’s actually see-through. There’s a black plastic piece that lifts open to reveal the eyeshadows themselves (and on the inside, there is a mirror). A dual-ended miniaturized brush is also included, and while not something I’d use under regular circumstances, is nicer than many other palette applicators I’ve come across.
This is a rather cool-toned palette, which would make it most suitable for those who lean cool, but it’s still wearable on warmer skin tones, since they’re closer to neutral than very cool. There is a pale white-beige with a satin finish, muted gray-brown with a satin finish, medium-dark ocean blue with soft sheen, antique gold with a hint of taupe base and frosted shimmer, cool-toned charcoal brown with a semi-matte finish, and darkened purple-black with flecks of violet shimmer over a semi-matte color base.
I think the pigmentation on the eyeshadows is nice overall, but it’s not rich and intense and luxe to me. I really don’t get the luxury feel from the texture, but these shades are more impressive in their subtle nuances than in Rue de Francs Bourgeois. I’m not keen on the level of pigmentation in the lighter brown shade, which is a little sheer; though the charcoal-brown shade appears sheer when swatched, it applies just fine with a brush on the eyes (say in the crease).
I’m still not as wow-ed as I’d like to be with these palettes, and while the palette’s case is most assuredly gorgeous, the eyeshadows don’t quite match it. The texture could be finer, richer — I think this is what makes me go, “Hmm, I want to like you, but it’s not quite there,” because they don’t feel as buttery as Guerlain’s singles, duos, and quads’ eyeshadows do. I do like that these have nearly no fall out, and they do apply very smoothly and evenly.