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Chanel Venice Collection for Fall 2009
As a city built on water, Venice was a source of great intrigue for Gabrielle Chanel. She saw it as simultaneously dramatic and fragile – qualities she herself possessed. With the imagination of the CHANEL Makeup Studio, Venice comes to life in a palette reflective of the city’s shimmering facades and mosaics, and the sparkling aquatic colours of its lagoons. As seen in the runway looks created by Peter Philips, Global Creative Director of CHANEL Makeup, at the 2009/10 Cruise Collection show, held on the beaches of Venice, Italy, rich sienna and deep rose tones, and dusky greys and greens combine for a modern look that can be softened for day or emboldened come evening.
Eye Gloss ($65.00) (Limited Edition)
- Luminous cream quadra eyeshadow in pearl, gold, black, red-black
Les 4 Ombres / Quadra Eyeshadow ($56.00)
- Murano Moss, pink, seafoam, green shimmer
Irreelle Duo / Silky Eyeshadow Duo ($40.00)
Poudre Douce / Soft Pressed Powder ($50.00)
Jouse Contraste / Powder Blush ($42.00)
Les Tissages de Chanel / Blush Duo Tweed Effect ($45.00)
- Tweed Sienna Earthy Bronze
Rouge Allure / Luminous Satin Lip Colour ($30.00)
- Instinctive Pink nude
- Comedia Rose
- Intuitive Pink brown
- Amusing Rosewood
- Captive Brown
- Clandestine Brick
Levres Scintillantes / Glossimer ($27.00)
- Arlequin Gold
- Courtisane Pink
Le Vernis / Nail Colour ($23.00)
- Intermezzo White pearl
- Gondola Maroon shimmer
Le Crayon Levres / Precision Lip Definer ($28.00)
Le Crayon Sourcils / Precision Brow Definer ($28.00)
- Blond Clair Blonde
- Cendre Noir Black
Availability: July 2009 at CHANEL boutiques, department and specialty stores, and on Chanel.com.
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What’s the longest you’ve stuck with a beauty product? Same foundation for five years? Stay-true-to-your-moisturizer kind of gal?
Studio Fix Fluid probably held my attention span the longest — three years, I’d say!
True Blue Naked Cotton Dress Shea Light Body Lotion ($15.00 for 6.7 oz.) is a lightweight body lotion that keeps moderate-to-dry skin well-hydrated and feeling silky soft. In a market saturated with body creams and souffles, a body lotion is always a welcome addition. The product absorbs into skin quickly, and it is easily spread over each part of your body–you don’t have to keep going back for more.
One of my favorite parts about this body lotion was the clean, lightweight scent. It is light enough to be able to layer it with your favorite perfume without a funny combination, but yet it is still detectable if you choose to wear it alone. If you know what B&BW’s “Cotton Blossom” smells like, it is similar with the same soft cotton-ish scent, but it is much, much lighter and more subtle smelling. I’m a big fan of clean scents myself, so this one is a keeper!
Slowly but surely, I am becoming a big fan of B&BW’s True Blue Spa line. (Hello, anyone remember their Just a Minute Manicure Scrub?!)
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If you were using MAC She’s A Star Lipglass?, what look would you create with it?
What shadows would you use? What would you use on cheeks? Anything added to the lips? Create a look using whatever you want, as long as you include today’s look book product!
Did you come up with a look you’d like to share featuring today’s product? You can link to your images, embed your images using HTML, or you can submit your images via e-mail to share them with readers to help give them inspiration on how to use the product!
Make Up For Ever #304 Eyeshadow
If you know me, you know I’m a big fan of green eyeshadow. So is it really any surprise that I have five more green/teal shadows to share with you?
- #304 is a shimmery, chartreuse-y green. It’s very much like #171, and at the time of purchase, I was a bit frazzled and quick in scribbling down the shades I wanted, but if I had been thinking, I would have skipped this one (or skipped the 171). They’re both incredibly similar. I’d say this one runs a little more green than the other, maybe. This one has a little more shimmer, and it is a smooth, well-pigmented shimmer shadow to boot. It does remind me of MAC Overgrown eyeshadow.
- #34 is a soft, pale green with a little yellow tone. It has a slight sheen, but it isn’t really shimmery, though it is definitely not matte. It reminds me of a more subtle MAC Juxt eyeshadow, particularly with a lot less frostiness.
- #302 is a medium teal shimmery shade. It seems to run a little bluer than green, and it isn’t as pigmented or smooth as many of the other Make Up For Ever eyeshadows have been for me. In comparison to #168, this is a disappointment, so I would definitely skip it and opt for the #168.
- #168 is a bright pop of teal with a little bit of shimmer and sheen. It does remind me a lot of MAC Shimmermoss eyeshadow, but I think this is a tad brighter and a bit more of a green-teal. It also has less frost in its finish. As a fan of teal, this is a must-have for me!
- #93 is a matte, green-teal. It is fairly pigmented and feels smooth when applied. This color works better when you build it up intensity by layering the color over, rather than grabbing a bunch at once and hoping that will pack on the color. The layering allows you to build-up the color smoothly and gives you much more color that way. It does remind me of MAC Melody eyeshadow, which is a long-discontinued color.
Which of these are your favorites?
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Beauty Basics: MAC Face Brushes
Beauty Basics is a series covering basic products and tools that help to make applying your makeup easier. To view the entire series to date, be sure to visit the beauty basics, or you can view posts within the series about MAC Face Brushes.
Focus On: MAC 187 Duo Fibre Brush
MAC 187 Duo Fibre Brush ($42.00) is a brush made famous by mineralize skinfinish fans everywhere. It is a large, densely bristled brush packed with a blend of both goat and synthetic fibers. It also better known as a stippling brush. I originally used this brush primarily for applying liquid foundation (Studio Fix Fluid), and I loved the results! It was really soft, light coverage spread everywhere and gave a soft finish. I personally found the 182 to give me even better results, so the 187 is no longer my go-to for foundation. One of the reasons I preferred the 182 is sometimes the 187 would give me a few streaks that I’d have to work a bit more at blending out; the 182 doesn’t give me any streaks at all. Though for a cream-based foundation, I much prefer the 187 over the 182 — the 182 is a bit too dense for that purpose.
I do like the 187 for sheerer application of blush and highlighters. If you’ve ever owned an ultra pigmented blush, you might struggle, as I do, with applying just the right amount. The 187 is amazing at picking up just that right amount of blush and lightly depositing it on your cheeks. For using them with mineralize skinfinishes, I’ve found the result is a softer look; kind of like a subtle glow rather than a super shiny or glittery cheeks. I do often use other brushes for my mineralize skinfinishes, often treating them as I would a regular blush. It definitely depends on the mineralize skinfinish and preference, though.
The 187 does shed a bit, particularly in the beginning, but after a few washes, it seems to stop shedding. It is a pricey brush, but it’s one of my favorite brushes. I also like its smaller twin, the 188, and if I had to buy only one, I’d probably go for the 188, just because the smaller size lets you do everything the 188 can do, but also the 187 (it’ll just take longer). Though if you’re in the market for a brush to use for your liquid foundation, you’ll likely want the 187 for the time-savings from the larger size.
How do you like to use this brush?
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