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bareMinerals The Playlist Eyeshadow Palette

bareMinerals The Playlist Holiday Eyeshadow Palette
bareMinerals The Playlist Holiday Eyeshadow Palette

bareMinerals The Playlist Holiday Eyeshadow Palette

bareMinerals The Playlist Eyeshadow Palette ($40.00 for 0.28 oz.) includes eight shades: Pumped (cocoa sparkle), Chart Topper (pewter silk), Max Volume (smoky jade), Louder (burnished copper), One Hit Wonder (butter chiffon), Most Requested (burgundy sparkle), Remix (burnished gold), and Speaker Box (shimmering gunmetal).

  • Pumped is a warm, red-toned chocolate brown with gold sparkle. The undelrying color is more matte in finish. I don’t find the sparkle translates 100% on the lid, but some of it does show up. NARS Galapagos is similar but has more of a yellow undertone. Laura Mercier Cedar is very similar in color but doesn’t have the gold sparkle (though since it doesn’t show up much, they’re more similar than not).
  • Chart Topper is a neutral-cool tarnished gold with a frosted, metallic shimmer-sheen. It’s a touch sheer and a wee bit powdery. It’s not as silvered as Wet ‘n’ Wild Dancing in the Clouds, but it is cooler-toned than MAC Retrospeck. Urban Decay Maui Wowie is the closest, but it’s a bit darker and has silver sparkle (and the accompanying fall out!).
  • Max Volume is a deep forest green over a blackened base. OCC Poison is greener, less teal. Inglot #414 is also a bit greener and lighter. theBalm Jealous Jordana is much more similar but is a touch greener. Make Up For Ever #80 is also a touch greener but has the same blackened base.
  • Louder is a medium-dark copper with a metallic finish. This is a fairly common color, so you may have something similar already–like Urban Decay Limelight, theBalm Meep Meep, Urban Decay Baked, and MAC Amber Lights.
  • One Hit Wonder is a white gold with noticeable yellow undertones and a frosted finish. It’s a really dense shade with amazing payoff for a white gold. It is similar to bareMinerals Breathtaking, though. MAC Nylon is a touch yellower.
  • Most Requested is a brownish burgundy with ruby red flecks of sparkle over a satiny finish. It’s a bit browner compared to Lancome Color du Jour but still quite close.
  • Remix is a bright yellow gold with a frost-metallic finish. It’s a little less orange compared to MAC Goldmine. It’s nearly the same as Make Up For Ever #10.
  • Speaker Box is a dark olive green over a black-brown base with gold shimmer and a pearly finish. Lancome Designer is a little lighter. Inglot #419 has a more metallic finish.

Overall, this eyeshadow palette is good–the color payoff for almost all of the shades was excellent with really soft, smooth textures and blendable colors. Pumped’s sparkle doesn’t translate as well on the lid as it looks in the swatch or the pan, and there was a few sparkles that had fallen by the end of the day (like three). Chart Topper was on the sheerer side with a slightly powdery feel. I’ve been impressed with Bare Escentual’s entry into pressed eyeshadows, because they’ve done a good job with the texture and pigmentation, and they also wear well with or without a base.

The palette is housed in a metallic gold compact with a mirror inside and a dual-ended brush. The outer case does hold fingerprints, which is a common drawback for metal or metal-like packaging. The brush is so-so; it’ll get the job done, but it’s a bit scratchy. Remix was a bit drier than other bareMinerals eyeshadows, but it still had good color payoff.

bareMinerals The Playlist Eyeshadow Palette

A
9.5
Product
9.5
Pigmentation
9.5
Texture
10
Longevity
4
Application
94%
Total

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Fragrance is a State of Mind

By Aleta, Fragrance Contributor

Aleta is the associate editor of a national history magazine (World War II), and an unapologetic fragrance nerd. Growing up on a farm west of Portland, Oregon, she spent many summer nights attempting to make perfume by soaking flowers in cups of water (if only her mother had let her use the vodka). Her most prized possessions include a bottle of French cologne brought home by an American GI after World War II (L’Ardent Nuit by Cotay), a signed copy of Perfume: The Guide, and a handwritten “enjoy your purchase” note from perfumer Mandy Aftel. Other obsessions include lipstick, Pellegrino, Adirondack chairs, and yoga. You can find her at worldwarII.com.


Fragrance is a State of Mind

Fragrance is usually treated as a part of one’s wardrobe, but for me it is an extension of my state of mind. When I feel gross I still may put on trousers and a crisp button-down to go to work, but you can bet my perfume will be the equivalent of a cashmere hoodie and Uggs. I can live without some perfect wardrobe items, like an Hermés Kelly bag or a pile of silk blouses, but I (have and) will structure my whole week around obtaining a bottle of Something Or Other if the mood strikes hard enough. A few things I always have on hand after years of self-discovery and playing the field:

Something cozy. I am often is a state of exhaustion, and it doesn’t help that my office is freezing. When I cannot climb into a pile of down comforters, a veil of Chanel No. 5 Eau Premier ($88.00) is the next best thing. I truly cannot live without this one. Its warm candied citrus, creamy sandalwood, and a bouquet of dreamy roses and jasmine are cozy but tailored. For me it’s the equivalent of wearing pearls with jeans; no shapeless sweatpants here.

Something fierce. There are days when I do not have the patience. Or someone needs to realize that I am kind of a big deal. Or I am just more fabulous than usual. I usually keep a rollerball of Robert Piguet Fracas ($95.00) in my purse for these days. If you need to make yourself loud and clear, Fracas is your girl–the queen tuberose, brazen but with a buttery smooth purr. If Fracas had a soundtrack it would be Bowie’s “Queen Bitch,” or “All That Jazz” from Chicago.

Something green. Spices and resins really shine in cold weather, but so do imperishably verdant notes. In winter, Estee Lauder Private Collection Jasmin White Moss ($80.00) is like wearing an aura of greenhouse. No matter how bleak the weather, this one makes it impossible to forget the bliss of warm mossy earth and flowers. If it’s too green, Balenciaga Paris ($95.00) is also exceptional, as is Cartier Baiser Vole ($100.00)-the first is like a potted violet, the second a vase full of lilies.

Something refreshing. I love summer; I do not love Virginia humidity. Anything that takes the steaminess down a notch, especially before bed, is crucial. My favorite is Estee Lauder Private Collection Tuberose Gardenia ($80.00), it’s like splashing on cool water with a bouquet of white flowers. Any body splash would do as well, though my pick would be the classic fresh-citrus-herbal 4711 ($38.25), which is a steal at fragrance discounters and on Amazon.

Something simple. Lately I have been prone to migraines, and when one strikes, most perfume becomes skeletal and synthetic in a way that I just cannot tolerate. Badger Headache Balm ($8.00) is my best friend during these times, a happy tin full of all-natural, icy, candy cane goodness that keeps the nausea at bay. And while I’m recovering, or when I need to relax, Lolablue Blackberry ($12.00) perfume oil takes me away to a lazy afternoon picking dusty sun-ripened berries. It’s the most effective aromatherapy I’ve found.

What are some of the scents you can’t live without? Other moods that strike often?

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What We’re Wearing, Vol. 043

What We’re Wearing, Vol. 043

This was my Thanksgiving look, and since we were planning to snap some family photos for my family’s holiday cards, my boyfriend snapped a few of me outside in front of a pretty tree that was all pink and orange and pink-red.  I wore Giorgio Armani #14 Eyes to Kill Intense on the lid with Tarina Tarantino Fantastical Jewel Eyeshadow Palette (the darkest plum shade) in the crease with Burberry Trench to highlight.  On cheeks, I wore Korres Natural Blush on the apples and Laura Mercier’s Rose Rendezvous to highlight.  Lips were a mixture of Milani’s Modern Mauve with Bobbi Brown Bare Sparkle High Shimmer Lipgloss and Bobbi Brown Aubergine Lipgloss.

What was your favorite look you wore this week?

NARS Damage Lipstick

NARS Damage Lipstick
NARS Damage Lipstick

NARS Damage Lipstick

NARS Damage Lipstick ($24.00 for 0.12 oz.) is described as a “sheer muted grape.” It’s a translucent raspberry pink with a subtle shine; it looks a bit like tinted lip balm than a lipstick, because it’s so weightless and merely tinted lips. The effect is very my-lips-but-better in the best way. There’s definitely a difference between my natural lip color and how they look with Damage on top, but it’s subtle and very natural. This would be an excellent every day shade as it is extremely wearable but it will also go well with many looks. MAC Laugh-a-lot is a bit less berry. MAC Capricious is a bit darker.

Damage is part of NARS’ Sheer Lipstick line-up, which is supposed to be sheer in color but long-lasting with shine and hydration. This shade wears three to four hours on me; it’s not the longest wearing lipstick on me, but it does outlast a lot of sheerer shades, as they often last two to three hours (and some even less). This lipstick was scent- and taste-free. I didn’t find it drying, and some NARS’ lipsticks can be, though this wasn’t particularly hydrating–kind of neutral.

NARS Sheer Lipstick Damage
Damage

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Dolce & Gabbana Jewels (142) Eyeshadow Quad

Dolce & Gabbana Jewels (142) Eyeshadow Quad
Dolce & Gabbana Jewels (142) Eyeshadow Quad

Dolce & Gabbana Jewels (142) Eyeshadow Quad

Dolce & Gabbana Jewels (142) Eyeshadow Quad ($59.00 for 0.16 oz.) is part of the Precious Stones collection, just in time for the holidays. Everything is inspired by the “sumptuous shades and textures” of precious stones and gem colors. It’s not exactly the interpretation I would expect when one is looking at jewels and gems–I always think turquoise, sapphire, ruby, but there are certainly lighter, less dramatic stones, too.

The first shade in the palette is a pale pink-lilac with a soft, frosted finish that is just slightly sheer. theBalm Curtain Call is purpler. It’s actually very, very similar to MAC Seedy Pearl. Make Up For Ever #303 is pinker and frostier. Next to that is a softened orange–kind of like a peach shimmered pale orange with a frosted finish. Like the first shade, it’s a touch sheer. The hue is similar to theBalm Stubborn Eyeshadow.

On the bottom left, we have a frosted, cool-toned white. It’s just shy of being silver-tinted. The theme of the quad is definitely softer color, because this one was also a little sheer. theBalm Sassy is similar in color. MAC Forgery is also similar but has a chunkier texture. Inglot #453 is similar but more opaque and has a more metallic finish.  The last shade is medium-dark red-tinted brown with a champagne sheen. This was the most pigmented shade of the four. Bare Escentuals Vow is similar in color but has a satin finish, so it doesn’t look quite the same.

From Dolce & Gabbana’s press release on this collection, this quad is supposed to be a contrast between highlighting and shading, though I’m not sure where they’re getting “light jet” or “dark topaz.” I’m going to assume “light jet” is somehow the white shade. At some point in the press release, they describe the eyeshadow colors of the collection as “soft pearl hues to vibrant jewel shades.” Nothing about the Jewels quad is at all vibrant. They’re all very soft and muted. If you want intense color, look elsewhere, but if you like your eyeshadow soft and more natural, this should be right up your alley.

The confusion as to the pigmentation level aside, the texture of these was a bit powdery, with the peach-orange shade being the least powdery . It’s a very soft formulation, but it’s too soft, because it creates a lot of excess product without enough binder. I find I have to pack and pack and pack on the color to get a noticeable, even layer of color. They don’t just blend but disappear. You have to use a heavy hand to get enough color to show on the lid, but then you have to use the lightest hand to blend away any edges.  It’s marginally better when they’re used wet, but not by much, because the color still fades–there’s just a little less fall out.

I always find Dolce & Gabbana eyeshadows require more work and patience than an eyeshadow ought to.  I think these can work for someone who only sweeps on a single color and loves the idea of variety in color but really loves the idea of barely-there color on the lid (I have a friend just like this!) and is happy to see a visual difference in the pan but doesn’t mind the actual results.  They just don’t cooperate well when they’re used together.

Dolce & Gabbana Jewels (142) Eyeshadow Quad

C+
7
Product
8
Pigmentation
8
Texture
8
Longevity
3.5
Application
77%
Total

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