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What We’re Wearing, Vol. 044

What We’re Wearing, Vol. 044

I was testing out Guerlain’s Les Aquas eyeshadow palette (new for spring) along with Tarina Tarantino Spark of Envy Eyeliner on the lower lash line!  I was totally surprised by the brightness of the palette–you just don’t see a lot of vibrant color from high-end/luxury brands like Chanel, Dior, Guerlain, etc.

What was your favorite look you wore this week?

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Guerlain Cruel Gardenia Meteorites

Guerlain Cruel Gardenia Meteorites
Guerlain Cruel Gardenia Meteorites

Guerlain Spring 2012: Cruel Gardenia Meteorites

Debuting in January, Guerlain Cruel Gardenia Meteorites ($67.00 for 0.31 oz.) is a limited edition highlighter than can be used to highlight specific areas or as an all-over glow. It delivers a light pink with neutral-warm undertones with a shimmer-sheen. It reminded me of a lighter, pinker version of MAC Crystal Pink. Chanel Beiges Ombres Tissees is lighter, more beige/white. MAC Light Sunshine is more similar in color but is a bit lighter and has more of a sheen than shimmer.

It looked rather frosty when I swatched it on my arm, but it worked well when I applied it with a brush on my cheek bones to test out the wear. There’s no emphasis of pores, and there’s enough glow and sheen to perk up the face without looking like a disco ball. This is more shimmery than other pressed meteorites in my experience but not by much. I was really happy with the wear, which is really what I liked most about the product, which was ten hours undisturbed. No breaking up, migration, or looking like it was worse for the wear .It didn’t have the typical Guerlain violet scent; there’s a lingering scent, but it’s very, very subtle–I practically had my nose buried in the gardenia! When I finally caught the scent, it smelled a little soapy. It’s supposed to be Cruel Gardenia, though.

The powder is finely milled but dense and firm, which is why it doesn’t turn frosty on the face–the brush picks up the right amount of product. Sometimes a product can be too soft, like when you put your brush to the powder, it loosens a ton of product (more than you need), which can be wasteful. Nevertheless, it’s more of a sheen and shimmer than Parure de Nuit from fall.

BritishBeautyBlogger has an excellent write-up about how/why products can be similar (and looking at these two particular products). Industry insiders know that products are often planned at least one to two years in advance; often, the conceptual phase is 18-24 months out, while prototype production can begin a year or further out from launch–products have to move through various stages like creation, testing, reformulation, production, etc. Color agencies like Pantone often determine the trends we’ll see in upcoming months, so some similarities are entirely coincidental or par for the course.

Design similarity aside, though, the two don’t really compare in the way that matters–color. Cruel Gardenia is distinctly pink, and it will do more to flatter cooler complexions (but it is equally flattering on warmer complexions, because it’s a neutral pink), compared to the more bronzy Rose Rendezvous by Laura Mercier. I wanted to review Laura Mercier’s, but unfortunately, by the time I received my order from Nordstrom (boo, ground shipping!) and tested it (seriously, I photographed and started testing immediately after it arrived), it was sold out.

Guerlain Illuminating Iridescent Powder Cruel Gardenia
9.5
Product
9.5
Pigmentation
9.5
Texture
10
Longevity
4.5
Application
96%
Total

How-to: Contouring

By Victoria, Theatre Makeup Artist

Victoria is a 19-year old college sophomore who attends school in Massachusetts for Engineering, but she’s an avid Theater Makeup Artist and has worked on a variety of shows, from dance shows (think intense, flamboyant glitter) to periodic musicals. She aims to combine her “nerdy” passions with her artistic ones: to overanalyze the mathematics of reshaping the face, learn the science of why a product works better or worse. She’s a romantic dreamer who enjoys re-imagining herself in a soap opera, pretending one day a prince is going to come riding in on a dragon and take her away. Until then, she’s planning to use her makeup brushes and colors to force her friends to be the stars of her imaginary fairy tale.


How-to: Contouring

I remember the first time I looked at my pictures from a dance performance:  my face was completely bleached out, and I was so embarrassed I didn’t want to show them to anyone! At the next show, an older girl with beautiful orange stripes down the sides of her face came over and lovingly gave me some help. After a friend asked me if that performance was “Lion King” themed, I knew I needed a change. Since then, I’ve joined the battle against the monster we theatre makeup artists have to fight: giving life and dimension to a face that is flattened by unforgiving lights.

My weapon of choice is contouring. Highlighting and contouring is the art of changing the face. For theatre, we may contour for two reasons: one, because theatre lights bleach out all the shadows and dimension of the face, or two, to make the face look like a different ethnicity entirely. Today, I’m going to concentrate on the former: on giving yourself beautiful cheekbones.

One thing that I really want to highlight (ha!) in this post is that having beautiful cheekbones is not just about the cheekbones! It’s about how things look in relation to each other; how far the cheekbones are positioned from the eyes or the shape of your jawline. A relatively wider set jaw can mask any high cheekbones. Just shade along the jawline to soften and recess it a bit, and your cheekbones will pop out naturally.

Cheekbones generally start a finger or two widths away from the edge of the eye; if yours don’t, you might want to consider shading under the outside corner of the eye to push the cheekbone down further. Some cheekbones are naturally quite prominent and maybe your goal is to diminish them a bit! Avoid highlighter and place your blush further down. Before you start, analyze your own facial structure and compare it to the look you’re trying to achieve.

Find out what you’ll need and how to contour!

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Guerlain Rose Innocent Rouge G Lipstick

Guerlain Rose Innocent Rouge G Lipstick
Guerlain Rose Innocent Rouge G Lipstick

Guerlain Spring 2012: Rose Innocent Rouge G Lipstick

Debuting in January, Guerlain Rose Innocent Rouge G Lipstick ($48.00 for 0.12 oz.) is pale pink with subtle yellow undertones. This shade is limited edition from Guerlain’s spring collection, and it is one of four Rouge Gs–I’ll have reviews on the other three as soon as I can buy them. It’s almost a neutral pink, but the color itself is very light–it’s just a pink-tinted version of my natural lip color. Very my-lips-but-better kind of shade, so it may be rather superfluous on someone with more pigmented lips or else serve as a way to lighten them a shade or two. OCC Femme is an opaque version of this shade. MAC Dress It Up is a cooler-toned pink. MAC Royal Azalea is similar in lightness but is a touch cooler toned. MAC Behave Yourself is a bit darker and bluer.

This is the kind of shade that someone will love and wear everyday or one where someone just doesn’t see the point. The color coverage is semi-opaque (you can just barley see my lip freckle), but there’s a general translucency throughout the product that lets my natural lip color peek through. Rose Innocent feels more like a Rouge G Brilliant than your typical Rouge G, because it has more slip and natural glossiness, but it’s not quite as glossy (and definitely not as sheer) as a Brilliant. The color doesn’t apply as evenly, and I expect it’s due to the slip in the texture. It only wore for three hours on me, which is decent for this type of light color, though I tend to get better wear out of the Rouge G formula than that. It is very hydrating and comfortable to wear, though.

Guerlain Rouge G de Guerlain Lip Color Rose Innocent
9
Product
8.5
Pigmentation
9
Texture
7.5
Longevity
4
Application
84%
Total

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