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MAC Brick-o-la Lipstick

MAC Brick-o-la Lipstick<
MAC Brick-o-la Lipstick

MAC Brick-o-la Lipstick

MAC Brick-o-la Lipstick ($14.50 for 0.10 oz.) is described as a “mid-tone berry” and has an amplified creme finish. It’s a creamy berry pink with a subtle shine and opaque color coverage. The creaminess in the texture allows for easy glide across the lips and little product is needed to achieve full color. This shade is part of MAC’s permanent range.

The amplified creme finish is designed to deliver opaque color coverage with a creamy texture and shiny finish. MAC Lipsticks are vanilla-scented but taste-free. Amplified cremes typically last four hours when I wear them, as they are more opaque and have a tendency to cling to lips (but are not drying).

MAC Capricious is similar but less pink, and the finish makes it appear a bit different on lips. Cle de Peau #117 is slightly redder and darker, but it is in the same family. Chanel Etole is redder and more muted. Hourglass Nocturnal comes close but is a bit more plum.

MAC Lipstick Brick-o-la
Brick-o-la
Brick-o-la
8.5
Product
10
Pigmentation
9
Texture
8
Longevity
4.5
Application
89%
Total

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Coola Mango Sport Suncare SPF 45 Review


Coola Sport SPF 45

Coola Mango Sport Suncare SPF 45

Coola Mango Sport Suncare SPF 45 ($32.00 for 5 oz.) smells like a tropical cocktail and the beach. It just has that “beach” scent with a fruity sweetness that seems part mango, part something else. It’s pleasant and certainly masks any “sunscreen” scent. This particular sunscreen is available unscented, though. I needed a sunscreen to bring to my parents’ house, because I knew I was going to be outside watching Mellan swim, and I found this in my SPF bin and threw it in my bag.

active ingredients: Octocrylene (Sunscreen) 7.50%, Octinoxate (Sunscreen) 7.50%, Oxybenzone (Sunscreen) 5.0%, Octisalate (Sunscreen) 5.0%, Homosalate (Sunscreen) 5.0%, Avobenzone (Sunscreen) 3.0%

It’s a completely chemical-based sunscreen (although zinc oxide is listed as the last ingredient–presumably the concentration is so low that it doesn’t make it on the active ingredients list or isn’t used as sunscreen here). For a great dialogue about different chemical sunscreens, check out the discussion in this post. Avobenzone has been said to be unstabilized, but the presence of octocrylene will make it photostable (Reference).  For their claims of natural/organic ingredients, check their website, but the version I’m reviewing here is slightly different (possibly an older formulation).

As far as a body sunscreen goes, this isn’t cost-effective at all (you should be using about an ounce of sunscreen to cover the entire body, which means this tube is the equivalent of five uses) (Reference). Chemical sunscreens, like this one, should be applied approximately thirty minutes (Reference). From a consistency/texture standpoint, I liked it enough–it spreads easily over the skin, and it dries down within a few minutes to a non-greasy finish. It doesn’t get greasy in the heat, but it did feel a little sticky after an hour outdoors.  Coola says it can be used on face and body, though, so perhaps, for some, it would be a possible option.

It’s nice but not something I’d purchase in the future, just because I don’t need a high-end sunscreen for my body (I’m more willing to for facial sunscreens, since I take photos often and sometimes breakout).  We all skimp somewhere!

inactive ingredients: Aqua/Water/Eau, C12 15 Alkyl Benzoate, PVP/Eicosene Copolymer, Sorbitan, Retinyl Acetate (Vitamin A), Ginseng (Panax Ginseng) Root Extract (Organic), Nylon-12, Allantoin (Comfrey Root), Dimethicone, DEA Cetyl Phosphate, Cyclopentasiloxane, Acrylates Crosspolymer, Glycerin, Acrylates/Steareth 20 Methacrylate Crosspolymer, Stearic Acid, PEG 100 Stearate, Phenoxyethanol, Tocopheryl Acetate (Vitamin E) (Organic), Rosa Canina (Rose Hip) Flower Extract (Organic), Cucumis Sativa (Cucumber) Fruit Extract (Organic), Butyrospermum Parkii (Shea Butter) Fruit (Organic), Borage (Borago Officinalis) Seed Oil (Organic), Oenothera Biennis (Evening Primrose) Extract (Organic), Linum Usitatissimum (Linseed) Seed Oil (Organic), Prunus Serotina (Wild Cherry) Bark Extract (Organic), Chamomilla Recutita (Chamomile) Flower Extract (Organic), Hydrastis Canadensis (Goldenseal) Extract (Organic), Parfum, Equisetum Hyemale (Horsetail) Extract, Calendula (Calendula Officinalis) Flower Extract (Organic), Arnica Montana (Montana Flower) Extract (Organic), Mangifera Indica (Mango) Extract (Organic), Zinc Oxide

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Le Metier de Beaute Innocence Eyeshadow


Le Metier de Beaute Innocence Eyeshadow

Le Metier de Beaute Innocence Eyeshadow

Le Metier de Beaute Innocence Eyeshadow ($30.00 for 0.13 oz.) is a red-tinted copper with a part frost, part metallic sheen. It’s a finely-milled, smooth, blendable eyeshadow that applies as well dry as it does wet (the metallic sheen is emphasized when used wet). The color payoff is rich, intense, but it did read redder in the pan than when I swatched it. I imagine my yellower undertones have something to do it and would expect someone with pinker undertones to see this pull redder on them.

This is very similar to Milani’s I Heart You in color, though it is less pigmented. It is also similar to MAC Coppering, which looks more copper than Innocence.

Le Metier de Beaute True Color Eyeshadow Innocence
Innocence
Innocence
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

Giorgio Armani #502 Gloss d’Armani


Giorgio Armani #502 Gloss d’Armani

Giorgio Armani #502 Gloss d’Armani

Giorgio Armani #502 Gloss d’Armani ($28.00 for 0.22 fl. oz.) is a pink-tinged beige with soft white shimmer–it looks more like slightly milky beige gloss with a healthy dose of shimmer when worn but light on actual color. I imagine it will soften those with naturally more pigmented lips.

Gloss d’Armani is supposed to last for eight hours (without fading), be moisturizing, and have a smooth, non-sticky texture. Color payoff is indeterminant, because on one hand, Giorgio Armani says “concentrated, high definition color” but then later describes some shades as “sheer chiffon.” For a more in-depth review of Gloss d’Armani, please read my original review here.

#502 certainly falls under “sheer chiffon,” I’d say! There is plenty of shimmer, though, so it gives the illusion of more color than it actually is. It always seems counter-intuitive to rank a sheer product with full marks on pigmentation, but if it’s supposed to be “sheer chiffon,” this lives up to the claim. This was the second shade I tried, and I alternated between this shade and #505 (the one I first reviewed) during testing, because it was such a light shade. I often test the light and darks of a new formula, because you do tend to get better wear out of more pigmented shades compared to sheerer ones.

To my complete surprise, #502 wears nearly as well as the more pigmented #505. Neither wears for as long as the brand claims, but #502 wore for five hours, and there was still residual shimmer an hour or so later. I would say reapplication was needed by five hours, though, and if you wanted to maintain the glossiness of the look, more along the lines of two and a half. Just as I did with #505, though, it’s non-sticky for only part of the time. It starts off as almost gel-like and non-sticky, but over time, it gets tackier and tackier. It’s not thick and sticky, but I wouldn’t describe it as non-sticky at all. I didn’t detect any fragrance or scent.

It’s one of my new favorites in gloss, just because six hours of wear for a gloss is excellent–as a reviewer, it’s almost painful to have to knock it down so severely because of their very specific claim of eight-hours of wear.

Giorgio Armani Gloss d’Armani #502
#502
#502
10
Product
10
Pigmentation
8
Texture
6
Longevity
4
Application
84%
Total

Can you see a theme in this week’s questions? 🙂 I want true-to-pan color that’s rich and dense–if I want to sheer it out, I’ll use less–that applies smoothly, evenly, and doesn’t disappear once you blend it out. I like denser, richer textures that almost feel buttery and creamy but are still powder-based.

— Christine

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