“A summer trip to Moracco in 1972. Dark, sexy and glamorous.” — James Kaliardos
Get the Look
EYE: Waveline Fluidline Eye Liner – applied to the eye lid in an elongated winged shape and under the eye as a base . Deep Truth Frost Eye Shadow and Fly-by-Blu Pearlglide Eye Liner layered over to add colour and sparkle. Blacktrack Fluidline – applied to darken the crease. Light Violet Crushed Metal Pigment – brushed into the inner corners of the eye. Light Beige Crushed Metal Pigment – to highlight the brow bone. Blackdazzle Dazzlelash – swept through eyelashes. 44 lash – applied to exaggerate the eye.
FACE: Mineralize SPF 15 Foundation – to prep the skin. Florida and Joie de Vivre Cremeblushes – to contour and tan the skin. Crushed Metal Pigment in Dark Pink – to highlight the high planes of the cheek.
LIP: Love Nectar Lustreglass – brushed onto lips for a sparkly, peach lip.
For Spring 2010, Max Azria introduced a clean and sleek collection of elegance that incorporated neutral, solid colors with post-modern touches. Lisa Butler’s approach to the makeup was to create a soft, subdued, and fresh look to complement the collection’s uncomplicated sophistication, “We wanted the girls to look as fresh and natural as possible,” said Butler.
Get the Look
To achieve this level of minimalistic elegance, Butler used the TEMPTU AIRbrush Makeup System, with the AIR Pod Highlighter in Champagne to add light and sheer accents underneath the brow bone, around the sides of the eyes, on top of the cheeks, and on the lips with a touch of clear mascara to lift the eyebrows. The simplicity of this look saw no other additional makeup. “Using airbrushing as an application technique really pulled the essence of natural beauty together,” said Butler. “It provides light, natural-looking coverage while adding dimension to the face.”
Lacoste Challenge Eau de Toilette Spray ($40.00 for 1.6 oz.) is a cologne with a tennis theme. The top notes are “The Serve” and include tangerine, lemon, and a “burst of” lavender. The middle notes are “The Volley” and include spice and ginger. The base notes are “The Baseline” and include rosewood, teak, and ebony. The bottle itself is designed to resemble the handle of a tennis racket.
The cologne opens with a fresh, lightly citrus-y scent that’s a little synthetic, but not unpleasant. Once the middle notes take place, there’s a bit more spiciness, kind of a lemon on black pepper feel. Eventually, it dries down to a soft, smoky, woody scent. While the scent doesn’t strike my fancy initially (it’s just so-so) initially, I really like the dry down. I like catching a whiff of this on my boy when I cuddle close. It’s masculine without being overwhelming, and it has this just slight smokiness that smells really sexy! (This is not BBQ-pit smoky at all–this is very sensual.)
The packaging is fun, though don’t let it mislead you, there’s more bottle hiding behind the “handle.” It actually made an apt cologne to give my boyfriend to test, because my boyfriend loves tennis. I personally would have thought to use a tennis star as a promoter rather than Hayden Christensen, but it doesn’t affect the product itself. My only complaint about the fragrance is that it doesn’t last all day. It does have a tendency to fade quite a bit after five or six hours of wear.
Ease of Use: 8/10
Recommendation: For a scent that isn’t musky, but still masculine with a woody, smoky scent, try this.
Thakoon’s spring collection is described as “warrior-surf” and reflects a hard/soft, natural/artificial dichotomy with organic construction or armoring of the body, contrasting with patterns cut around the body as a canvas with soft draping. The palette can be described as muted watercolors with an array of nudes, blues, pinks and aquas.
To achieve this “sumo wrestler meets surfer” inspired look, Thakoon Panichgul, Eugene Souleiman, and Eva Scrivo collaborated for a finished style that demonstrates the contrast between tight and loose elements, which the collection encapsulates. A sleek, tight-to-the-head “seventh samurai” ponytail is sculpted on the top half, while leaving out loose, textured ends in a knot. Free-flowing, beachy waves left down in back, allows the look to exude a variety of contradictory elements that don’t blend, but balance. Colored extensions add dimension and life to help form the overall shape.
Hair Styling by: Eugene Souleiman, Global Creative Director, Wella Professionals Hair Color by: Eva Scrivo and the Wella Professionals team Hair products supplied by: Wella System Professional
Get the Look
Blowdry the hair back and away from the face.
Brush all the hair from ear to ear back and into a tight pony tail.
Apply Wella System Professional Supermousse to the pony for a sleek, satin finish.
Incorporate the hair from the center of the nape of the neck, in a 2 inch section up to the pony.
Bind the hair in the pony with 1/2 inch thick black elastic or ribbon, folding it back on itself to create a knot of hair.
Smooth a silicone gloss into hands and smooth over the hair that has been bound for a sleek finish.
Add colored extensions to the hair that is left out of the bind, to add length and fullness, as well as color depth.
Then spray this hair with Wella High Hair Ocean Spritz and diffuse for a beachy texture.
Cheeks: Dick used the Luminizing Satin Face Color Tea Rose (RS302) from the Spring 2010 Collection and applied on the models’ bare skin, just on the cheeks and nose to give a sun-kissed look.
Eyes: Dick lined the top and bottom lash line with the Smoothing Eyeliner Pencil in Brown (BR602) from the 2009 Fall Makeup Collection. To give the look a little bit of slip, he applied a dab of the Accentuating Color Stick in Champagne Flush (S3) underneath the eyes. After curling the lashes, Dick applied a touch of the Perfect Mascara in Black (BK901) from the Fall 2009 Makeup Collection. Dick used the Natural Eyebrow Pencil from the Fall 2009 Makeup Collection if the eyebrows were very light and brushed up the hairs simultaneously.
Lips: Perfect Rouge Tender Sheer Lipstick in Pout (RS326) from the Spring 2010 Collection was applied like a lip liner and patted to fill in the rest of the lip to create a soft, translucent lip.