- Easiest bronzer to use?
- Highlighter that gives you the perfect glow?
- Best my-lips-but-better lipstick?
Le Metier de Beaute Penelope Kaleidoscope Eye Kit ($95.00 for 0.49 oz.) consists of four shades: Blonde Amber (sand-hued neutral), Pale Satin Amethyst (light purple), Bronze Topaz (alluring metallic), and Black Emerald (deep ocean green). The eyeshadows come in a swivel out compact with a flip-top mirror. It’s fun, functional packaging that’s travel-friendly and sturdy.
Each eyeshadow is approximately 0.12 oz., which is over double the average eyeshadow (MAC eyeshadows contain 0.05 oz. each). There are four shades, which makes each shade $23.75 a pop. Their individually available eyeshadows are $30 each (and 0.13 oz.). The cost per ounce is $193.88/oz. for Le Metier de Beaute’s kit, as compared to MAC (which is not–technically–a comparable brand, as Le Metier de Beaute is a luxury brand), which comes in at $290.00/oz.
All four shades had excellent color payoff with buttery textures that applied smoothly. The texture is so finely milled, which is what I noticed when I initially swatched these. There are times when I’m photographing and swatching where I have a moment of awe, and they aren’t all that often, but as soon as I swatched this kit, I couldn’t wait to write about it. The silky texture made these a cinch to work with, because they lay down so easily and blend effortlessly.
They’re definitely some of the best eyeshadows I’ve worked with (theBalm eyeshadows come pretty close to these–very similarly textured). I’m terribly disappointed that I never made the commitment to one of the Kaleidoscope Kits, because I’ve missed several of the seasonal ones that are no longer available–but boy do I really wish I could buy them now!
The consistency is thick-ish, though not difficult to work with, and it flows really nicely on the nail. It’s not even streaky on the first coat because of how naturally translucent it is. Overall, the formula was easy to work with, and even after three coats, it didn’t feel too heavy, though I’d recommend just going with two since it’s designed to be a sheer. The drying time is a little long, and I recommend waiting a minute or two between coats. I typically get a week of wear with Deborah Lippmann polishes (using Zoya Anchor and Armor as base/top coats).
Urban Decay Quinceanera Bag ($26.00) is a limited edition makeup bag to celebrate the brand’s 15th anniversary. The inside of the bag is decorated in their 15th anniversary print, while the outside is a bright and glittery–it’s a darker purple with lighter purple glitter. Though the outside shimmers in the light, it is covered in PVC, so you won’t see glittery bits falling off of the bag, and it’s easy to wipe off. There is also a smaller, clear pocket with a zipper within the larger compartment.
It’s a nice-sized bag, and I actually used it on my trip to Toronto last month and found it had enough room to spare for much longer trips. The bag itself is 8.5x3x6″ and fits Urban Decay’s larger Book of Shadow palettes (though I’d say pack that separate, leave the bag space for looser items!). The zipper is sturdy and slides along easily, while the material feels thick enough to keep any products that might pop open during a trip from leaking into the rest of your stuff, too. Overall, I liked the bag, and I think the pricing is just right, too. If you love glitter and shimmer and purple, this bag has your name on it!
I try to go through all my products every 4-6 months and do some cleaning–wiping down powder surfaces, dipping lipsticks into rubbing alcohol to sanitize, and tossing out anything that has changed color/scent/consistency. I use recyclable disposable lipgloss wands for glosses from the get-go, so I don’t have to worry about those, and I use metal spatulas to get cream products out nowadays to avoid dealing with cleaning cream products!
It’s actually more opaque than the Rouge Coco formula seems to be touted as, so while I will remove a point off of pigmentation for being too pigmented (I defer to what the brand claims the product should be), I wanted to make it a point to say as whether it’s too pigmented for your liking (or maybe, just pigmented enough), may be a bigger deciding factor. It’s not opaque like Rouge Allures, but everything I’ve heard from Chanel artists and read from Chanel pegs these as sheer to semi-sheer. I used about a layer and a half of product (just one pass around the outer edge of both lips, then a little dabbed on the center to ensure I had product everywhere).
It’s a lightweight, nearly scent-free (I couldn’t distinguish what it was, but it was very faint), and has an emollient base. It applies evenly and smoothly, because it has that balm-like quality. Unfortunately, it only lasts two to three hours on me, but I would say it is on the moisturizing side, though not as moisturizing as my favorite lip balms. I do wish these were the same size as other lipsticks in Chanel’s line (like 0.12 oz.), because of the emollient base, it’s easy to over-apply the product–and the need for reapplication being every couple of hours means you’ll go through a tube much faster than other lipsticks in Chanel’s range.