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  • HautelookUp to 59% off MAC Cosmetics, includes eyeshadows, palettes, blushes, eyeliners, lipsticks, and more, ends 8/20.
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Tarina Tarantino Fuchsia Lining Conditioning Lip Sheen

Tarina Tarantino Fuchsia Lining Conditioning Lip Sheen
Tarina Tarantino Fuchsia Lining Conditioning Lip Sheen

Tarina Tarantino Fuchsia Lining Conditioning Lip Sheen

Tarina Tarantino Fuchsia Lining Conditioning Lip Sheen ($22.00 for 0.12 oz.) is described as a “hot pink.” It’s a semi-opaque, vibrant, medium-dark pink-red with a subtle warm undertone. MAC Impassioned is brighter. MAC Moxie is pinker. MAC Party Parrot is lighter. Guerlain Gigi is a smidgen brighter. NARS Funny Face has an iridiescent sheen. MAC Full Fuchsia has more fuchsia in it.

The Conditioning Lip Sheen formua is supposed to be a “lightweight, conditioning lipstick that delivers medium pigmentation and shine.” It’s scent- and taste-free. Each lipstick is pakcaged in a gunmetal-colored metal tube with two rows of “crystals” going around the bottom of the cap. Despite the metal finish, fingerprints stay relatively well-disguised (under bright light and if you’re paying attention, you’ll notice some).  It comes with a little more than the average lipstick–this contains 0.12 oz., and many lipsticks are right around 0.10 oz.

It’s a thinner, lightweight formula that still has some slip, so it glides across the lips, depositing even color as it goes.  It delivers almost opaque color, but there’s an underlying sheerness–you can still make out my lip freckle quite easily–so it’s not fully opaque. Because the texture is spreadable, you could also use a lot less for more of a stained lip look. This is not really what I envisioned this looking like, given its name, as it’s not really fuchsia–more pink and red, not quite coral. It’s bold and just shy of being a true bright lip color, so it’ll be a nice addition to any summer routine.  Fuchsia Lining wore for five and a half hours, and it was moderately moisturizing while it wore and my lips still felt good to go for a couple of hours post-wear.

Tarina Tarantino Fuchsia Lining Conditioning Lip Sheen

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Tom Ford Savage Cheek Color

Tom Ford Savage Cheek Color
Tom Ford Savage Cheek Color

Tom Ford Savage Cheek Color ($55.00 for 0.28 oz.) is dirty red-brown. It’s hard to describe it, because it looks red, technically, but red brings images of bright, ruby reds to mind, whereas this is a much more muted red with a lot of brown to bring down the intensity. There’s a very faint sprinkling of gold shimmer that’s barely noticeable once applied. MAC Scene to Be Seen (Inner) (LE, $33.00) is more shimmery, warmer (90% similar). MAC Modern Mandarin (P, $23.00) is lighter (85% similar). MAC Taraji Glow (LE, $33.00) is brighter, cooler (80% similar). Clinique Fig Pop (P, $21.00) is lighter (90% similar). Bite Beauty Almond (P, $24.00) is less shimmery, lighter, brighter (80% similar). Chanel Evening Beige (340) (P, $45.00) is less shimmery, lighter, cooler (80% similar). See comparison swatches / view dupes side-by-side.

What I like about Tom Ford’s blush range is the texture, and then after that, the buildable nature of the color itself. The texture is ridiculously soft, smooth, and feels dense, buttery–it almost feels like a cream blush because of how finely-milled and dense it is. You can build the color from a sheer flush to a more intense, true-to-pan color, if so desired. It doesn’t go on heavily, so you do not have to fear applying it, but it’s easily intensified without having to pack on the product. I continue to be impressed by the overall wear of the formula, too; Savage wore for a superb nine hours and was barely faded after ten.

This shade would be lovely on medium and medium-dark complexions in particular. It’s barely warm-toned, so it should be flattering on both warm and cool complexions, too. The only thing not to like is the price–at least Tom Ford gives plenty of product for the hefty price tag; it’s higher than average and definitely not skimpy. For reference, MAC blushes are 0.21 oz. and NARS blushes are 0.16 oz. each.

Tom Ford Beauty Cheek Color Savage (Discontinued)
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette
Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette ($59.00 for 0.25 oz.) is a limited edition, warm-toned summer quad that features a pale white gold, medium-dark fuchsia, coppery orange-coral, and deep, dark molten brown. It’s packaged in a metallic bronze case with a dual-ended sponge-tipped applicator and full-sized mirror inside.  The packaging feels and looks luxe, and despite its metallic finish, seemed to keep fingerprints pretty well-disguised.

The left shade is a pale white gold with a frosted, sparkly finish–it almost looks more white than gold. The color payoff was decent to good, but it was a little sheer and not as smooth as I’d like, so there was very minor fall out while I wore this shade. theBalm Sassy is whiter. Givenchy Lune Mysterieuse is yellower. theBalm Tempting Tara is similar.

In the upper middle, there is a medium-dark fuchsia pink with a mostly matte finish. It’s very slightly powdery, but it had surprisingly good color payoff. A lot of higher-end brands tend to sheer out these brighter colors, so it was nice to see Guerlain go for the gusto here. MAC Tease with Ease has more red in it. MAC Passionate is significantly redder. NARS Caravaggio is darker. Urban Decay Junkshow is more fuchsia and purple. Inglot #362 is bluer-based and a little lighter.

In the bottom middle, there is a coppery orange-coral with gold shimmer. This, too, was very slightly powdery, but the color payoff was nice. Le Metier de Beaute Innocence is more orange. Make Up For Ever #5 is similar, but it’s entirely matte. Urban Decay Free Love is very similar but has a stronger golden sheen.

The last shade, on the right, is a very deep,d ark brown with subtle warm undertones. It had amazing pigmentation despite its thinner texture. Tarina Tarantino Saw Dust is similar but less warm. MAC Embark is lighter and redder-toned.

It’s a very classic color combination for the summer, but it’s well-balanced with the different textures, finishes, and overall intensities of each shade.  It works extremely well together, which I think is part of a palette’s appeal, especially when they’re more compact like this one. Terra Azzurra is warm overall, though I think the only shade that’s very warm-toned is the orange-coral–the pink is very slightly yellow in undertone, and the brown isn’t cool-toned, but the depth of it makes it more wearable across skin tones. I felt the deep brown was the most impressive shade out of the four; it just has incredible depth and intensity, so it looks great in the crease or as an eyeliner.

The textures are similar to other Guerlain palettes–I find them a little dry, a little powdery–they’re not as dense, creamy, or as buttery as a really excellent eyeshadow tends to be.  Fortunately, I felt the powderiness didn’t translate when the colors were applied to the lid.  I only had some minor fallout during application with the white gold shade, which was a looser, sparkly texture that never seems to bind together perfectly well, and then while there was a wee bit of fall out throughout the day from that shade, it was very minor. Had I not been specifically looking for it, I probably wouldn’t have noticed.  When I wore the palette altogether in a look, it wore for eight hours with no fading or creasing with or without a base, which is stellar wear.

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

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This Week’s Sales for June 4th, 2012

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Deal Sites/Rebates

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