Do you have a question idea? Submit yours here.

Chanel Illusion d’Ombre Long-Wear Luminous Eyeshadows Swatches, Photos, Reviews

Chanel Illusion d'Ombre Long-Wear Luminous Eyeshadow

Chanel Illusion d’Ombre Long-Wear Luminous Eyeshadow ($36.00 for 0.14 oz.) is a new product for fall, and it comes in six different shades. Chanel describes these as: “This intensely shimmering long-wear eyeshadow offers true versatility. An innovative gel texture that is both soft and cushiony allows it to be worn as eyeshadow or eyeliner. Includes a specially designed shadow/liner brush, developed specifically for this unique formula.”

I think the most common question I got asked regarding these was, “How do these compare to Giorgio Armani Eyes to Kill Intense?” The easy answer: they don’t. They’re in glass pots with black lids, and they’re really quite differennt otherwise. The formulas are not the same at all. There is such a drastic difference in the texture alone that they do not invite comparison. In terms of color, there may be similarities, but that is no different than comparing any eyeshadow to either of these products. It’s like comparing a the formula of a cream eyeshadow to that of a powder eyeshadow. The texture of these is most like Buxom’s Stay There eyeshadows but these are springier.

The texture of these is bizarre–they’re spongy but they bounce back. I imagine this is the texture most expected out of MAC Big Bounce Eyeshadows, actually. They are a gel-based formula, but they have the thickness of a cream, creaminess of a mousse, and springiness of a sponge. It spreads really nicely and evenly on the lid without being sheer (unless you deliberately apply a minute amount).

I found five of the six to be nicely pigmented with no concerns for lack of color payoff–Fantasme was the only one I found lacking in that department. The colors themselves are soft and subtle, with an edge of smokiness, and they tend to be more than just one flat color, so they will easily take on different tones depending on how they’re worn, what they’re paired with, and the undertones in the skin.

Continue Reading

Chanel Illusion d’Ombre Long-Wear Luminous Eyeshadows Swatches, Photos, Reviews

A
Product
10
Pigmentation
9.5
Texture
9.5
Longevity
10
Application
5
Total
98%

MAC Eyeshadow Swatches – Teals & Blues

Here are several swatches of MAC eyeshadows from the green family (mostly permanent shades) that are now part of The Swatch Gallery.

Newly Minted is a green-based teal with a matte finish. It had a Matte2 finish, but it was discontinued. Make Up For Ever #93 comes the closest–it’s a little brighter but has better color payoff.
Shimmermoss is a blue-teal with a silvery sheen. It has a veluxe pearl finish. Milani Teal the Truth is similar in color but a touch darker, while
Aquadisiac is a green-tinged aqua blue with a soft sheen. It has a lustre finish. Make Up For Ever #168 is the only dupe I could think of, but it’s much darker and not so much an aqua.
Aqua is a soft aqua blue with a matte finish. It’s a little powdery and can look chalky on some complexions. Milani Caribbean Sea is similar in color, though a little darker and shimmery. Inglot #345 has a similar lightness but leans greener.
Plumage is a blackened blue with just a hint of green. It has a matte finish. Inglot #340 is not quite as dark, but it is very similar in color and more pigmented.
Prussian is a dark navy blue with a Matte2 finish. It has been discontinued. Make Up For Ever #60 is the closest shade I could think of, but it is much darker and not quite as blue.
Deep Truth is a dark blue with a frost finish. This is a shade with a fair amount of dupes/cousins. Just to name a few: Make Up For Ever #308, Milani Blue My Mind, and Inglot #428.
Freshwater is a bright, medium blue with a veluxe pearl finish. Inglot #426 is similar, a little darker. Make Up For Ever #167 is also similar but a bit darker.
Blue Calm is a brightened, medium blue with a veluxe pearl finish. It is a PRO shade. It’s just a smidgen lighter than Freshwater (and thus is a smidgen lighter than the comparables listed for Freshwater).
Electric Eel is a bright but darkened cyan blue with a satin finish. Inglot #371 is very similar. Urban Decay Electric is slightly less blue. Make Up For Ever #72 is darker.
Sky Blue is a pale, pastel blue with a white sheen. It has a frost finish and was a PRO shade but is no longer available. Make Up For Ever #150 is very similar. Cle de Peau #112 is also similar but a little lighter.
Winkle is a cornflower blue, almost periwinkle, with a satin finish. It is similar to Inglot #369.
Moon’s Reflection is a purple-tinged blue with a silvery-white sheen. It has a veluxe pearl finish. The closest color I could think of was Inglot #429, which leans more on the purple side and has a brighter white sheen.
Atlantic Blue is a deep, intense cobalt blue with a hint of indigo. It has a matte finish and is a PRO shade. Make Up For Ever #159 is similar but has less violet in it, while Inglot #388 is a little darker and has less blue.

MAC’s matte eyeshadows have a drier texture, and they often perform better in actual application than merely swatched on the arm.  Shades like Aqua, Plumage, and Prussian don’t always swatch perfectly but Plumage and Prussian work better when applied.  Aqua is a finicky shade that sometimes works but not consistently, and the product itself seems to be inconsistent–some pans are better than others.

Atlantic Blue is one of the best matte shades by MAC, because it’s so intense.  Shades like Deep Truth, Freshwater, and Electric Eel are classic blues–all three lovely in color payoff and texture.  Electric Eel has all the hallmarks of a matte but it has a satin finish, so it’s easier to work with.  Sky Blue can be tricky to work with, similar to Aqua’s issues.

Continue Reading

MAC Eyeshadow Swatches – Teals & Blues

B+
Product
8.5
Pigmentation
9
Texture
8.5
Longevity
10
Application
4
Total
89%

Chanel Prelude Eyeshadow Quad

Chanel Prelude Eyeshadow Quad

Chanel Prelude Eyeshadow Quad ($57.00 for 0.24 oz.) contains four cool-toned shades for fall. According to Chanel’s fall press release, this is new and being added to the permanent range.  This is a lovely mix of colors that complement each other and will work together in numerous variations for soft, neutral looks to heavier, smokier looks.  The finishes are all slightly pearled or shimmery but not too shimmered or frosted.

The eyeshadows are soft and silky smooth; very finely milled without being powdery or chalky.  They apply beautifully and sit well against the skin, because they nearly melt once applied and blend with great ease.  There were no issues with texture or pigmentation in any of these four shades.  Soft where they should be soft, intense where they should be intense.

The upper left shade is a purple-tinged taupe brown with multi-colored micro-shimmer, and it has a shimmery finish. It reminded me of a shimmery version of Burberry Taupe, as well as a less metallic MAC Hint of Sapphire. Inglot’s #434 is much more intense, with a blacker base, and reads more purple. Giorgio Armani’s #1 Eyes to Kill is much more intense, but it has a similar multi-colored shimmer.

On the upper right, there is a warm, metallic-finished ivory gold. It’s subtler and less yellow compared to theBalm’s Devilish Danielle, while MAC Short Shorts is more similar, but it leans a little yellower (same with MAC Manila Paper.

Continue Reading

Chanel Prelude Eyeshadow Quad

A+
Product
10
Pigmentation
10
Texture
10
Longevity
10
Application
5
Total
100%