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MAC for Miss Piggy Eyeshadow Swatches, Photos, Reviews

MAC for Miss Piggy
MAC for Miss Piggy

MAC for Miss Piggy Eyeshadow Swatches, Photos, Reviews

MAC for Miss Piggy is a small, online-only collection that will launch November 14th, 2011 both for North America as well as select international locations at maccosmetics.com. There is really only one new product, as the two other pieces from the launch include Rapidblack Penultimate Eyeliner (permanent) and #36 Lashes (permanent).

That new shade is Miss Piggy Pink, which MAC describes as a “mid-tone blue pink” with a frost finish. It’s a cool-toned, blue-based pink that has a little lilac in it; it does pull just a little purple in some lighting. The finish looks more like a satin than frost, because it’s a very subtle sheen rather than an overt frosted finish. Of course, the real issue is the dry, stiff texture that delivers sheer, uneven color that’s as difficult to work with as it is to swatch. It took about eight applications to achieve the color shown in the look pictured below; I don’t mean patting the brush once on the top of the shadow and flicking it against the lid–I mean swirling and jabbing the brush against the eyeshadow to loosen the powder and then patting, not sweeping, onto the lid to pack on the color. Possibly even taking a palette knife and scraping off a layer to pack onto the lid. I can get it to work, but boy, the amount of effort and unnecessary time spent on it, is disappointing when you’re shelling out $15 for it.

If you picked up MAC Angel Flame Eyeshadow Quad a couple of months ago, then Feather Pink is very, very similar but with better color payoff–it even has the same satiny sheen. Wet ‘n’ Wild We’re Blasting Off is lighter and more bubblegum-like.

In all honesty, this collection looks like something that happened at the last minute. I envision a scenario where MAC HQ gets a call from the Muppets HQ about, “Hey, we’d love to collaborate, can you turn this around in a few weeks?” We’ve seen MAC collaborate many, many times with iconic figures and celebrities, from Barbie to Wonder Woman to Disney’s Villains, and I felt like you could see the thought process, the theme, how things were intertwined. There’s no special packaging, no real MAC spin or take on Miss Piggy and everything she embodies. Pink for Miss Piggy seems expected, and if that is the only product you’re going to put out, it seems like a missed opportunity to do something really special.  Or at least knock-your-socks-off quality? I didn’t grow up with The Muppets, and without something more to pull me in, this is a total pass.

MAC Eyeshadow Miss Piggy Pink
6
Product
6
Pigmentation
5
Texture
9
Longevity
3
Application
64%
Total

MAC for Chen Man Collection for Spring 2012


A tantalizing twist of art, color and fantasy comes to life as the world’s leading professional make up brand, M.A.C Cosmetics prepares to launch a cosmetics collaboration with China’s foremost fashion photographer, Chen Man. Inspired by Chen Man’s vision, the upcoming collaboration with M.A.C features an extraordinary campaign visual shot by Chen Man. The M.A.C for Chen Man collection will feature limited edition mineralize eye shadows emblazoned with a yin/yang design and will be available globally at M.A.C outlets from March 2012. — PR Newswire

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MAC Smoky Blue Crushed Metallic Pigment Kit

MAC Smoky Blue Crushed Metallic Pigment Kit
MAC Smoky Blue Crushed Metallic Pigment Kit

MAC Dazzlesphere Smoky Blue Crushed Metallic Pigment Kit

MAC Smoky Blue Crushed Metallic Pigment Kit ($32.50 for 0.40 oz.) is the last pigment kit from MAC Dazzlesphere. It contains four shades: White as Snow (snowy white), Silver Sleet (medium gray), Wintersky (purple blue), and Dark Moon (charcoal). Crushed Metallic Pigments are described as having “intense colour payoff” with “medium coverage” and “highly reflective metallic sparkle.” They are “creamy, crease-resistant, [and] long-wearing.”

  • White as Snow is a silver-tinged white with a very chunky, metallic finish. I had similar issues with this shade as I did with Light Violet. Despite pressing the color against the skin, I could not get it to fully smooth out and bind, so there was some loose product prone to fall out, plus sheerness in both the dry and damp applications. It reminded me of Chanel Fantasme.
  • Silver Sleet is a darkened gray with a brighter, metallic silver sheen. It has great color payoff whether applied dry or wet. Inglot #448 is less metallic and a bit lighter.
  • Wintersky is a purple-tinted blue with silver sparkle and shimmer. It’s fairly sheer and muted when applied dry and picks up intensity when applied damp. MAC Royale is a bit bluer.
  • Dark Moon is a charcoal black with lots of silver sparkle. This isn’t a shade I’d advocate using dry, because the sparkle is chunky enough that it doesn’t completely meld with the base color without some dampness. When it’s applied damp, the sparkle adheres and mixes better with the underlying color. The color payoff when it’s applied dry is slightly sheerer. It reminded me of Chanel Mirifique but less black. Bobbi Brown Black Sparkle has more multi-colored shimmer.

In my experience, these pigments wear well as long as you ensure you’ve really “crushed” them against the skin/lid. I’ve worn them with and without a base and the difference is minimal. There is some noticeable but relatively minor fading after eight hours when applied without a base (or mixing medium). For more on how they wear, please see this post where I went in-depth on that particular characteristic.

White as Snow was problematic with a chunkiness in the overall sparkle that made it difficult to apply smoothly and gave it reason to get everywhere. Wintersky is a more unique color but could use a little more oomph in pigmentation. Dark Moon may have some fall out when applied dry (without a sticky base), so have a care or else use it wet. Silver Sleet was the best performing shade of the four, because it was intensely pigmented both dry and wet and applied smooth as butter with little effort. Generally, the finishes are extremely frosted, metallic-like, and add a lot of oomph to a look–but they may be better when mixed and matched with other finishes (like mattes) for more textural contrast as all of these at once can almost look heavy on the eye.

MAC Smoky Blue Crushed Metallic Pigment Kit

B-
8.5
Product
8.5
Pigmentation
8.5
Texture
8
Longevity
3.5
Application
82%
Total

MAC Smoky Plum Crushed Metallic Pigment Kit

MAC Smoky Plum Crushed Metallic Pigment Kit
MAC Smoky Plum Crushed Metallic Pigment Kit

MAC Dazzlesphere Smoky Plum Crushed Metallic Pigment Kit

MAC’s Dazzlesphere Collection launches on November 10th, and the next set I’m reviewing is MAC Smoky Plum Crushed Metallic Pigment Kit ($32.50 for 0.40 oz.), which contains four shades: Light Violet (pale violet), Grape (purple), Seasonally Cool (sparkling taupe), and Misty (pale silver). Crushed Metallic Pigments are described as having “intense colour payoff” with “medium coverage” and “highly reflective metallic sparkle.” They are “creamy, crease-resistant, [and] long-wearing.”

  • Seasonally Cool is a subtly cool-toned bronze. The gray tint is minor, so it comes off as more of a brown than it does a taupe. This one has a fair amount of sparkle, so I did encounter some fall out when it was applied dry, but this was lessened when it was applied damp. Similarly, it’s sheerer when applied dry and much more intense when applied damp. It’s similar to Urban Decay Lost and Make Up For Ever #15.
  • Misty is a bright, lightened silver with a strong, metallic finish. It’s slightly sheer when applied dry and more opaque when applied wet. Giorgio Armani #12 is similar but cooler-toned.
  • Light Violet is a pink=lavender with a metallic shimmer-sheen. It’s very, very chunky; I did not find I could really “crush” these into becoming smooth, even on my arm. It reminded me of a much pinker Kitschmas. The color is also similar to theBalm Curtain Call. It’s warmer and pinker than Stacked 1.
  • Grape is a rich, red-toned purple with a softer but still metallic sheen. It had good color payoff both dry and wet, with the metallic finish coming out more when it was applied wet. It’s more vibrant and red-toned than Stacked 1. MAC Plush is similar but a touch darker and less metallic in finish. MAC Half-Wild is redder. Inglot #446 is less purple.

In my experience, these pigments wear well as long as you ensure you’ve really “crushed” them against the skin/lid. I’ve worn them with and without a base and the difference is minimal. There is some noticeable but relatively minor fading after eight hours when applied without a base (or mixing medium). For more on how they wear, please see this post where I went in-depth on that particular characteristic.

I loved the smoothness and vibrancy of Grape, while Light Violet was one of the worst shades out of the three sets entirely. It was very gritty and chunky–it was much harder to work with and extremely prone to fall out. I also had some fall out issues with Seasonally Cool from the sparkle when used dry, but it was lessened if it was applied damp. Generally, the finishes are extremely frosted, metallic-like, and add a lot of oomph to a look–but they may be better when mixed and matched with other finishes (like mattes) for more textural contrast as all of these at once can almost look heavy on the eye.

MAC Smoky Plum Crushed Metallic Pigment Kit

B-
8.5
Product
8.5
Pigmentation
8.5
Texture
8
Longevity
3.5
Application
82%
Total

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