New York Fashion Week 2007 (Spring 2008) - Breakdown of Runway Looks

DKNY
Face — The face was prepped with Studio Moisture Cream. Select Cover-up Concealer was applied all over face with a focus underneath the eyes, around the nose and on the chin for a flawless finish. Using a M∙A∙C #187 Brush, Posey and Laid Back Creme Blushes were applied with a round movement on apples of cheeks for a healthy, beautiful, young flush.
Eyes — M∙A∙C Kohl Eye Pencil in Fascinating was applied to the water line and rim of the lower lash line to open up the eyes. M∙A∙C Pro Eye Pencil in Light Green was then applied to upper lash line and rubbed out all over lid for a sheer look. Plush Lash Mascara in Brown was coated on the base of the lashes.
Lips — Clear Lipglass was lightly applied for a see-through, conditioned lip.

BABY PHAT
Face — M∙A∙C Studio Stick Foundation was brushed on skin for coverage and dusted with Mineralized Skin Finish Natural for a sheer complexion. M∙A∙C Pro Blush in Rhubarb was applied softly to apples of cheeks and layered with Sheertone Shimmer in Sunbasque to highlight.
Eyes — A blend of M∙A∙C Crème de Violet and Sushi Flower Eye Shadows were applied to lid and layered with Light Flush Blush and Skin Finish in Warmed all over eye. Kitschmas Pigment was dusted onto the center of lid and Kitschmas Pigment and Copper Pigment was added directly under brow line as highlighter. M∙A∙C Smolder Eye Liner was delicately applied to lower lash line and followed with layers of Fiber Rich mascara.
Lips — M∙A∙C lipsticks in Pink Nouveau and Up the Amp were applied with a lip brush. Clear Lipglass was layered on top for a plastic, shiny, glamorous lip.

MALANDRINO
Face — M∙A∙C Studio Moisture Fix was applied, followed by Face and Body Foundation for a simple, sheer look. Loose Blot Powder was dusted over t-zone. Cheek bones were blotted with Sheertone Shimmer in Springsheen and highlighted with M∙A∙C Shadow in All That Glitters.
Eyes — M∙A∙C Eye Shadows in Digit and Shale were blended and applied on lid to create crease. Print Eye Shadow was added around edge of eye. Fascinating Eye Pencil was applied to top and bottom lash lines to brighten the eyes.
Lips — For a sheer-stained look, M∙A∙C lipstick in So Chaud was applied with lip brush.

 

RUFFIAN
Face — Face and Body Foundation was applied in a patting motion with # 190 brush all over face to give skin a natural finish. Cheeks were colored with Sheertone Blush in Pink Swoon.
Eyes — M∙A∙C Gloss Texture was applied to lids. Eye lashes were curled and coated heavily with Plush Lash Mascara in Black.
Lips — M∙A∙C Lipsticks in Pink Nouveau and Snob were applied with lip brush to give lip a perfect shape and pink tint.

ROSA CHA
Face — Skin was prepped with Face and Body Foundation, followed by Blot Loose Powder dusted onto the T-zone. M∙A∙C Gloss Texture and Pearl Creme Color Base were blended and applied to the cheek bones as a highlighter.
Eyes — To create an open and wet eye, a mixture of M∙A∙C Gloss Texture and Pearl Creme Color Base was pressed onto the eye and faded into the crease.
Lips — M∙A∙C Full Fuchsia and Impassioned Lipsticks were applied to lips for an intense, strawberry stain.

RODARTE
Face — Skin was evened out with Moisture Cover Concealer to give an appearance of clean, natural looking sin.
Eyes — M∙A∙C PRO Paintstick in Pure White was swept over lids as a base then followed with a blend of M∙A∙C PRO Chroma Cake in Clear Sky Blue and Electric Eel Eye Shadows just on the center of the lid. Blacktrack Fluidline was applied with small eyeliner brush following the natural curve of the crease and underneath the lower lashes. Black Fluidline was then applied to the top lashline and drawn up for a winged-effect. The top lashes were then coated with Pro Lash Mascara.
Lips — M∙A∙C Lipstick in Hug Me and Creme Color Base in Pale Pink were applied to the lips with a lip brush.

PORTS 1961
Face — For a healthy, hydrated, fresh face, Studio Moisture Fix was applied to the entire face, followed by Face and Body Foundation, which was lightly applied where needed. The face blotted with Loose Blot powder around the nose, above the brow and upper lip. Cheeks were colored “tidy on the apple” with Dusty Coral Matte Pigment.
Eyes — M∙A∙C Paint Stick in Pure White was applied to the lids as a base and Gesso Eye Shadow was brushed close to the lash line in a tight, thin line. Lashes were made top heavy by applying Plush Lash Mascara in Black- two coats on top and one coat on bottom.
Lips — M∙A∙C Matte lipstick in Feel So Fine was blended with Face and Body Foundation and applied to lip to neutralize the color. Loose Blot Powder was blotted on top to produce a clay-textured effect.

PREEN
Face — Mineralize Satinfinish Foundation was matched perfectly to skin tone, applied to center of face and brushed outward. Mineralized Skinfinish Powder was lightly dusted over face to set foundation and M∙A∙C Creme Blush in Pleasureful was applied to temples and cheeks.
Eyes — M∙A∙C Paint in Bare Canvas was applied to the lids as a base and Antiqued Gold Creme Color Base was applied to center of lid to accent eye. M∙A∙C Paint Pot in Architecture was applied to the crease to contour the eye. Brows were pronounced with M∙A∙C Brow Pencil in Fling and Plush Lash Mascara was heavily applied on top lashes and applied sparingly to the bottom lashes.
Lips — A neutral lip was created by applying Half ‘n Half Lipstick.

CHAIKEN
Face — M∙A∙C Face and Body Foundation was applied with a #187 Duo Fibre brush to give the skin an airbrushed look. Invisible powder was dusted over forehead and nose to minimize shine from the lights on the runway. Cheeks were colored with Sheertone Shimmer Blush in Sunbasque and swept onto temples towards the end of the brow.
Eyes — M∙A∙C Eye shadows in Bronze and Naked Lunch were applied all over the lid, as well as underneath the lash line. To deepen the look, Cork Eye Shadow was applied with a M∙A∙C #224 Tapered Blending Brush on the lid. Plush Lash Mascara was used to create full and fluffy lashes.
Lips — M∙A∙C Spice Lip Pencil and Subcultured Lip Pencil were mixed to line lip and layered with Lipglass in Revealing for a sheer lip.

BADGLEY MISCHKA
Face — M∙A∙C Face and Body Foundation was applied to skin for a clean, velvety finish. Sheertone Blush in Pinch Me was applied to apples of the cheeks and for a sun-kissed sheen, Sheertone Shimmer Blush in Sunbasque was applied to the outer perimeter of face.
Eyes — To create a soft eye, All That Glitters Eye Shadow from the M∙A∙C FAFI Collection was applied all over the eye. M∙A∙C Kohl Eye Pencil in Fascinating was applied close to the lash line and smudged upward.
Lips — M∙A∙C Creme Color Bases in Pink Shock, Full Fuchsia and Flaming Fuchsia were combined to create a bright neon, punch colored lip.

J. MENDEL (photo below)
Face — M∙A∙C Face and Body Foundation was evenly applied all over face and set with Loose Blot Powder for matte and concealed skin. Cheeks were contoured with Bronzing Powder in Bronze.
Eyes — A mixture of M∙A∙C Fluidlines in Rich Ground and Brassy were applied all over the lid, followed by Constructivist Paint Pot in the crease. Eyes were lined with Technakohl Eye Liner in Border for a feline, elongated, smoky look and lashes were coated with Zoom Lash mascara.
Lips — For a sheer lip, concealer and M∙A∙C Half ‘n Half lipstick was applied.

MISS SIXTY
Face — Since the eyes were the focus, a fresh looking, matte face was key; Face and Body Foundation was applied to skin and Invisible Powder was then dusted over the face to set the foundation.
Eyes — The focus was the eyes; non-retro, black and elongated. Eyes were lined in M∙A∙C Kohl Eye Pencil in Smolder. M∙A∙C Paint Pot in Black Ground was then set on the lids and then layered with M∙A∙C Eye Shadow in Carbon was added on top for impact. M∙A∙C Zoom Lash mascara was applied to top and bottom lashes to finish off the eye.
Lips — To tone down the lips, M∙A∙C Pro Lip Erase was applied. M∙A∙C Gloss was then added on top for a bit of shine.

BILL BLASS
Face — For a luminous and velvety glow, the face was prepped with Mineralized Foundation. M∙A∙C Loose Powder was dusted over foundation to minimize shine. Mineralized Skinfinish Natural was then added lightly to the bridge of the nose to highlight. To emphasize the glow, M∙A∙C Sheertone Blush in Springsheen was applied to the apples adding a soft pink, subtle gold highlight.
Eyes — First, M∙A∙C Paint in Bamboon was applied as a base. M∙A∙C Eye Shadow in Gleam was patted on the inner corner of the eye and M∙A∙C Eye shadow in Pink Venus was applied to outer corner of eye for a soft, iridescent sheen. Kohl Pencil in Teddy was worked into the lash line and #35 and #33 M∙A∙C Eyelashes were applied. To finish off the look and to create a perfect, feathery effect, M∙A∙C Plush Lash mascara was swept onto the top and bottom lashes.
Lips — Lips were lined in Spice, and then a dense application of Hug Me Lipstick created the gorgeous, natural pout moisture-rich lip.

CARLOS MIELE
Face — M∙A∙C Studio Moisture Fix Lotion was applied all over face, followed by Mineralize Foundation and Touch Stick concealer. M∙A∙C Creme Color Base in Fawntastic was mixed with M∙A∙C Gloss Texture and applied to cheeks to complete the lightweight satin finish on the skin.
Eyes — For the lids, M∙A∙C Creme Color Base in Fawntastic was mixed with M∙A∙C Gloss Texture. M∙A∙C Plush Lash Mascara in Black was swept onto the lashes to finish the look.
Lips — For a matte, stained lip, M∙A∙C Morange Lipstick was mixed with M∙A∙C lipglass in Revealing and sheered-out with fingers.

YIGAL AZROUEL
Face — M∙A∙C Face and Body Foundation was matched skin tone and applied lightly for a super sheer look. To create a soft flush, Uncommon Blush Creme was then blended with fingers over cheeks.
Eyes — Eyes were contoured with a sweep of M∙A∙C Eye Shadow in Bronze all over lid. M∙A∙C Flashtronic Pigment in Gold Mode was layered over the shadow to give the eyes a hint of sparkle. M∙A∙C Eye Pencil in Pale Yellow was then lined in the inner rim of lower lashes. To finish the look, M∙A∙C Zoom Black Mascara was applied on the upper lashes.
Lips — Applied with a brush and then blotted with a tissue, M∙A∙C Plum Perfect Lip Conditioner gave lips a hint of tint.