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Guerlain Cruel Gardenia Meteorites

Guerlain Cruel Gardenia Meteorites
Guerlain Cruel Gardenia Meteorites

Guerlain Spring 2012: Cruel Gardenia Meteorites

Debuting in January, Guerlain Cruel Gardenia Meteorites ($67.00 for 0.31 oz.) is a limited edition highlighter than can be used to highlight specific areas or as an all-over glow. It delivers a light pink with neutral-warm undertones with a shimmer-sheen. It reminded me of a lighter, pinker version of MAC Crystal Pink. Chanel Beiges Ombres Tissees is lighter, more beige/white. MAC Light Sunshine is more similar in color but is a bit lighter and has more of a sheen than shimmer.

It looked rather frosty when I swatched it on my arm, but it worked well when I applied it with a brush on my cheek bones to test out the wear. There’s no emphasis of pores, and there’s enough glow and sheen to perk up the face without looking like a disco ball. This is more shimmery than other pressed meteorites in my experience but not by much. I was really happy with the wear, which is really what I liked most about the product, which was ten hours undisturbed. No breaking up, migration, or looking like it was worse for the wear .It didn’t have the typical Guerlain violet scent; there’s a lingering scent, but it’s very, very subtle–I practically had my nose buried in the gardenia! When I finally caught the scent, it smelled a little soapy. It’s supposed to be Cruel Gardenia, though.

The powder is finely milled but dense and firm, which is why it doesn’t turn frosty on the face–the brush picks up the right amount of product. Sometimes a product can be too soft, like when you put your brush to the powder, it loosens a ton of product (more than you need), which can be wasteful. Nevertheless, it’s more of a sheen and shimmer than Parure de Nuit from fall.

BritishBeautyBlogger has an excellent write-up about how/why products can be similar (and looking at these two particular products). Industry insiders know that products are often planned at least one to two years in advance; often, the conceptual phase is 18-24 months out, while prototype production can begin a year or further out from launch–products have to move through various stages like creation, testing, reformulation, production, etc. Color agencies like Pantone often determine the trends we’ll see in upcoming months, so some similarities are entirely coincidental or par for the course.

Design similarity aside, though, the two don’t really compare in the way that matters–color. Cruel Gardenia is distinctly pink, and it will do more to flatter cooler complexions (but it is equally flattering on warmer complexions, because it’s a neutral pink), compared to the more bronzy Rose Rendezvous by Laura Mercier. I wanted to review Laura Mercier’s, but unfortunately, by the time I received my order from Nordstrom (boo, ground shipping!) and tested it (seriously, I photographed and started testing immediately after it arrived), it was sold out.

Guerlain Illuminating Iridescent Powder Cruel Gardenia
9.5
Product
9.5
Pigmentation
9.5
Texture
10
Longevity
4.5
Application
96%
Total

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Guerlain Rose Innocent Rouge G Lipstick

Guerlain Rose Innocent Rouge G Lipstick
Guerlain Rose Innocent Rouge G Lipstick

Guerlain Spring 2012: Rose Innocent Rouge G Lipstick

Debuting in January, Guerlain Rose Innocent Rouge G Lipstick ($48.00 for 0.12 oz.) is pale pink with subtle yellow undertones. This shade is limited edition from Guerlain’s spring collection, and it is one of four Rouge Gs–I’ll have reviews on the other three as soon as I can buy them. It’s almost a neutral pink, but the color itself is very light–it’s just a pink-tinted version of my natural lip color. Very my-lips-but-better kind of shade, so it may be rather superfluous on someone with more pigmented lips or else serve as a way to lighten them a shade or two. OCC Femme is an opaque version of this shade. MAC Dress It Up is a cooler-toned pink. MAC Royal Azalea is similar in lightness but is a touch cooler toned. MAC Behave Yourself is a bit darker and bluer.

This is the kind of shade that someone will love and wear everyday or one where someone just doesn’t see the point. The color coverage is semi-opaque (you can just barley see my lip freckle), but there’s a general translucency throughout the product that lets my natural lip color peek through. Rose Innocent feels more like a Rouge G Brilliant than your typical Rouge G, because it has more slip and natural glossiness, but it’s not quite as glossy (and definitely not as sheer) as a Brilliant. The color doesn’t apply as evenly, and I expect it’s due to the slip in the texture. It only wore for three hours on me, which is decent for this type of light color, though I tend to get better wear out of the Rouge G formula than that. It is very hydrating and comfortable to wear, though.

Guerlain Rouge G de Guerlain Lip Color Rose Innocent
9
Product
8.5
Pigmentation
9
Texture
7.5
Longevity
4
Application
84%
Total

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Giorgio Armani #604 Plum Gloss d’Armani

Giorgio Armani #604 Plum Gloss d'Armani
Giorgio Armani #604 Plum Gloss d’Armani

Giorgio Armani #604 Plum Gloss d’Armani

Giorgio Armani #604 Plum Gloss d’Armani ($28.00 for 0.22 fl. oz.) is described as “bold amethyst.” It’s a sheer grape purple, and when applied to lips, it looks like a cool-toned plum-purple. It reminded me of Illamasqua Fierce when it swatched, but they’re nothing alike on the lips. I couldn’t think of any other potential gloss dupes.

It doesn’t look nearly as purple applied as it does swatched, because the natural pinkness of my lips (which are already rather corpse-like to begin with) peeks through and makes this shade more wearable than it appears. It looks super, super dark in the tube, but don’t let it fool you–it’s a sheer gloss. Giorgio Armani described it as “vivid yet so translucent on application that it matches any skin tone,” and it’s true; there’s definite color, plenty of pop and oomph, but there’s a translucency there that makes the gloss look a bit different from person to person, depending on their natural lip color. I’m torn; I kind of dig the way the color looks on lips from afar, but my lips almost look diseased up close, because it does not apply evenly and the color has a tendency to settle into lip lines.

Though you’ll see disappointing marks for longevity, it’s only because the brand claims eight hours of wear (without fading!), and I’ve never managed to hit that marker; I get to around six with darker shades, five or so with lighter shades. Don’t get me wrong–it’s excellent wear for lipgloss (because this is really lipgloss, it’s not a liquid lipstick), but it does fall short of their claim. The texture feels like a gel, and while it feels non-sticky initially, I find it gets tackier as you wear it.

Giorgio Armani Gloss d’Armani #604
#604
#604
8.5
Product
8.5
Pigmentation
8
Texture
7
Longevity
4
Application
80%
Total

Urban Decay Naked 1 vs. Naked 2 Palette Dupes & Comparison Swatches


Urban Decay Naked 1 vs. Naked 2 Palette Dupes & Comparison Swatches

  • Foxy doesn’t have any comparable shades in Naked 1.
  • Half Baked is a repeat from Naked 1, so yes, there is a dupe–in fact, it’s 100% the same!
  • Booty Call is a peachier version of Virgin (Naked 1), but they’re really, really close. It’s just slightly warmer.
  • Chopper is more orange than Sidecar (Naked 1); I wouldn’t say they’re dupes, but they’re not totally different.
  • Tease doesn’t have any dupes, because it’s matte, so it doesn’t really appear the same as contenders like Sin and Toasted (both from Naked 1).
  • Snakebite is not as golden as Smog (Naked 1), but it’s nowhere near as dark as Darkhorse (Naked 1); however, if you mix both Smog and Darkhorse together, you get something rather similar.
  • Suspect is just a little more beige compared to Sidecar (Naked 1).
  • Pistol doesn’t have any comparable shades in Naked 1.
  • Verve doesn’t have any comparable shades in Naked 1.
  • YDK looks pretty similar to both Sidecar and Toasted (both from Naked 1), and Sidecar is closer.
  • Busted is very, very similar to Hustle (Naked 1); at best, it might be a little less red-toned. It’s not like Darkhorse (Naked 1), though.
  • Blackout doesn’t have any comparable shades in Naked 1.

See comparison swatches!

Urban Decay Naked 2 Palette Swatches, Photos, Reviews

Urban Decay Naked 2 Palette
Urban Decay Naked 2 Palette

Urban Decay Naked 2 Palette Swatches, Photos, Reviews

Urban Decay Naked 2 Palette ($50.00 for 0.71 oz.) contains twelve eyeshadows: Blackout (blackest black with matte finish), Booty Call Shimmery cork), Busted (deep brown with shimmery finish), Chopper (copper shimmer with silver micro glitter), Foxy (cream bisque with matte finish), Half Baked (golden bronze with shimmery finish), Pistol (light greyish brown with shimmery finish), Snake Bite (dark bronze shimmer with metallic base), Suspect (pale golden beige with shimmery finish), Tease (creamy pale brown with matte finish), Verve (oyster with shimmery finish), YDK (cool bronze shimmer with metallic base), and Lip Junkie Naked (sheer shimmery pinky neutral) and Good Karma Shadow/Crease Brush. The brush is good; it’s like Urban Decay’s full-sized brushes–same size, feel, density, and softness.

  • Foxy is a pale yellowed beige with a matte finish. It’s on the sheer side and a bit powdery. On my forearm (around NC20), it’s almost invisible. It could work for highlighting the brow on light to medium complexions. It’s similar to Bare Escentuals Daydream, Wet ‘n’ Wild Comfort Zone, and MAC Brule.
  • Half Baked is a coppery brown with a golden shimmer-sheen. It’s very frosty but has good color payoff and a smooth texture. It’s part of the permanent range and is also in the Naked 1 palette. This shade is similar to a whole slew of others: theBalm Manic Maribel, Bare Escentuals Louder, MAC Amber Lights, theBalm Meep Meep, and Inglot #405 (and there are probably more).
  • Booty Call is a peach-tinted white-beige with a frosted finish. It’s new for this palette. It’s just a little peach compared to Urban Decay Virgin. It’s also similar to shades like MAC Vanilla, MAC Baby It’s Cold, Urban Decay Skimp, Inglot #353, and MAC Brule.
  • Chopper is a medium orange-red toned rown with coppery flecks of shimmer. This shade is permanent. It has good color payoff, but the sparkle is prone to fall out. It’s similar to shades like Wet ‘n’ Wild Dancing in the Clouds, Dolce & Gabbana Cocoa, and Make Up For Ever #12 (sheered out). Sidecar from Naked 1 is browner, not as orange.
  • Tease is dirty mauve-brown with a matte finish. It’s an interesting shade, but the color payoff is mediocre and texture is very dry and stiff. You really have to jab at it with the bristles of your brush to loosen enough product in order to apply it. It’s similar to MAC Quarry, which is truer-to-pan color than Tease, actually, plus it has more pigmentation. It doesn’t compare favorably to either Sin or Toasted (the two closest shades from Naked 1), partially because the difference in payoff and finish is too dramatic.
  • Snakebite is dark bronze with a dirty golden shimmer-sheen. It has a really lovely dense, buttery texture with excellent color payoff. It is deeper than MAC Tempting but warmer than Inglot #409. It looks similar to Smog, which is warmer, but not so much Darkhorse, which is more of a blackened brown; however, mix the two together, and you pretty much get Snakebite–both Smog and Darkhorse are in Naked 1 (and even right next to each other!).
  • Suspect is a soft champagne-bronze with a frosted, metallic sheen. It has good color payoff but felt a touch powdery. theBalm Schitzo is more golden and smoother. Sidecar (from Naked 1) is just pinker.
  • Pistol is a dirty gray-brown with a frosted finish. I’m hesitant to call it a taupe, because it has a lot of brown in it. The payoff is good, and the texture is soft and smooth. It’s similar to theBalm selfish and NARS Bali (but matte). It doesn’t compare to any shades from Naked 1.
  • Verve is a pale beige-gray with a pink tinge. This was in the Rollergirl palette. It doesn’t have a dupe or similar shade in the Naked 1 palette. NARS Grand Palais is several shades darker, while Wet ‘n’ Wild Comfort Zone is more golden and gray (less pink). Urban Decay Ruthless is more beige.
  • YDK is a warm, coppery red-toned medium brown with a frosted finish. The color payoff is good with a smooth texture. Inglot #421 is deeper and more intense. Urban Decay Shag has more copper. Urban Decay Wreckage is a little less warm. MAC Buckwheat is a bit darker. It is very similar to Sidecar and just a little less warm compared to Toasted from Naked 1.
  • Busted is a burgundy-tinted, deep brown with warm, golden undertones. It has a soft, frosted finish. The color payoff was good and the texture smooth, though a little less dense than other shades. It’s almost the same as Hustle from Naked 1. MAC Midnight Flurry is a bit more burgundy. theBalm Mahna Mahna is more intense, more red-toned. Wet ‘n’ Wild Comfort Zone is darker, as is MAC Smut.
  • Blackout is a really intense, deep dark black with a matte finish. It has really great payoff and goes on very black. It doesn’t have a comparable shade in Naked 1. Make Up For Ever #4 and Sugarpill Bulletproof are also very deep dark blacks with matte finishes.
  • Naked is a sheer neutral pink with white micro-shimmer. The gloss is non-sticky and mint-scented.

Naked 2 is a phenomenal value ($204 worth of eyeshadow, $24 worth of brush, $6 worth of lipgloss–$234 total), just like Naked 1, but I don’t think you need both. There are too many similar shades to merit both (seriously, why even include Half Baked again?). Like the original palette, this is a warm-toned neutral outlay of shades. I’m really not sure why they went with warmer shades (over neutral or cool) when Naked 1 encompassed mostly warm-toned shades already. I know that several readers with cooler complexions felt like Naked 1 wasn’t as flattering on them.

It’s packaged in a metal tin that closes shut really well, but it is a bit heavier than Naked 1; it’s the same size in terms of length and width. I’ve traveled with the Naked 1 palette many, many times, and I haven’t had any issues with it opening, ripping, looking worn, etc. I expect that the packaging of Naked 2 will appeal to others, though, as it feels more secure and hefty. If you’re less inclined to have a dual-ended brush, an Urban Decay 24/7 Liner will fit in the slot as well.

The color payoff of Tease is really disappointing; it’s dry, stiff, and applies unevenly. It takes a lot of packing and blending to make it work, which is a real shame given that mattes in Urban Decay palettes can be hard to come by! Foxy is also on the sheerer side but not terribly so, but it has some powderiness to it. Chopper has that micro-glitter texture Urban Decay loves but is prone to fall out.

Half-Baked is a repeat, Bootycall is just warmer than Virgin, Snakebite is similar to Smog (and exactly the same as Darkhorse + Smog together), Suspect is just a touch less warm than Sidecar, YDK is quite close to both Sidecar and Toasted, and Busted is almost the same as Hustle. The shades that didn’t have comparable shades already in Naked 1 were Foxy, Chopper, Tease, Pistol, Verve, and Blackout; that’s five of twelve.

I don’t know how this really measures up to Urban Decay’s “12 Taupe + Greige Neutrals” remark on the product page, because I don’t really see those shades well represented in this palette. The quality, overall, is good; I don’t think it’s as good across the board as the first palette, but for $50 and twelve full-sized eyeshadows, it’s certainly worth taking a look at. I just don’t think it lives up to the hype here, and again, if you have Naked 1, Naked 2 isn’t much of a leap.

I will have comparison swatches in a separate post.

Urban Decay Eyeshadow Palette Naked 2
Naked 2
Naked 2
9
Product
9
Pigmentation
9
Texture
10
Longevity
4
Application
91%
Total
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