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Shiseido Fuchsia RS 320 Perfect Rouge Lipstick

Shiseido Fuchsia RS 320 Perfect Rouge Lipstick
Shiseido Fuchsia RS 320 Perfect Rouge Lipstick

Shiseido Fuchsia RS 320 Perfect Rouge Lipstick

Shiseido Fuchsia RS 320 Perfect Rouge Lipstick ($25.00 for 0.14 oz.) is a magenta fuchsia with a creamy finish and a natural sheen. The way this shade differs from your more typical fuchsia is that there’s magenta mixed in, so it has more blue in it, enough that it starts looking a little purple-like. It’s still more pink than it is purple, which is kind of how I think of magenta! MAC Zen Rose is a bit darker and pinker. MAC Candy Yum Yum is pinker and more vibrant. MAC Pink Pigeon is pinker and a little more vibrant. MAC Love Forever is a touch lighter. NYX Pink Lyric is pinker. NARS Schiap is more fuchsia, less magenta. MAC Petals & Peacocks is a touch lighter. MAC Gladiola is also a bit lighter.

I don’t hear a lot of love for Shiseido’s Perfect Rouge formula, but it’s always a joy to wear one. It’s unscented, and there is no discernible taste. The formula keeps lips feeling soft and moisturized while you wear it, and the hydration extends for a few more hours after most of it has worn away. When I tested this particular shade for wear, it was there for the long haul–six and a half hours. The consistency is soft, creamy, and glides on easily and evenly while delivering opaque color coverage in nearly one stroke. It has some slip, but it doesn’t feel heavy, so it doesn’t bunch up on itself or slide around. As a nice bonus, it’s one of the larger-sized lipsticks on the market (most are 0.10 oz. or 0.12 oz., with the occasional formula at 0.14 oz.).

Shiseido Fuchsia RS 320 Perfect Rouge Lipstick

A+
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

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Cult Nails Seduction Nail Lacquer

Cult Nails Seduction Nail Lacquer
Cult Nails Seduction Nail Lacquer

Cult Nails Seduction Nail Lacquer

Cult Nails Seduction Nail Lacquer ($10.00 for 0.50 fl. oz.) is described as a “sheer purple/red jelly top coat polish loaded with red and blue multichromatic flakes.” The base color is a red-violet jelly that’s semi-opaque after two coats. If you did three, you should still have some translucency, which is expected given the shade’s description. It has that squishy, plush look of a jelly finish, so I like it a lot with just two coats. The flakes deposit evenly across the nail for the most part, and they apply smoothly; there are no rough edges or finishes here. I applied two coats of it alone, and then I applied two coats of it over black. The flakes shift from coppery-orange to pink-red to red to violet purple. Over black, the flakes take on a deeper, more intense appearance–more red and purple than gold, pink-red, and violet.

I couldn’t think of any dupes for the base color–none of the purples that came close in hue had the jelly finish. Deborah Lippmann is nothing like this–it’s a deep, dark indigo with less shift in the flakes. Zoya Chloe has the orange/red flakes but lacks the purple ones.  If you have a wider stash of holographic top coats, you may find you have something that you could layer to yield similar results (I just couldn’t find anything from what I remember and have tried!).

If you’ve been thinking on this shade, you won’t want to let yourself think too long, because it’s limited edition–and for a reason–Maria said that the ingredients used to create it are no longer available as a U.S.-made commodity, so once it’s gone, it’s gone. I remember Maria wanted to bring back Clairvoyant, but she wasn’t able to, due to unavailability of ingredients.

The formula was a pleasure to work with; it had that thicker consistency expected of a jelly texture, but it’s not the kind of thick that it’s goopy or anything like that.  I’d almost rather describe it as plush.  It applied easily and evenly across the nail without pooling, bubbling, or streaking.  Cult Nails’ formula wears exceptionally well with very minor tip wear after a week of wear and never any chipping–and I’ve tested six shades from their range (across different finishes). Since this just arrived and I wanted to make sure I reviewed before it was sold out (which I wasn’t able to do when Clairvoyant came around–a shade I did test for wear), I did not specifically test the wear on this shade.

Cult Nails Seduction Nail Lacquer

A+
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

Guerlain Rose Ensoleille Rouge G Lipstick

Guerlain Rose Ensoleille Rouge G Lipstick
Guerlain Rose Ensoleille Rouge G Lipstick

Guerlain Rose Ensoleille Rouge G Lipstick

Guerlain Rose Ensoleille Rouge G Lipstick ($48.00 for 0.12 oz.) is a soft tangerine orange with hints of pink around the edges. It is a really frustrating color to describe, because there’s a translucency to the color that makes this look just a little different depending on your natural lip color, no matter whether you have very pigmented lips or not. It ended up translating to this warm pink-coral once applied. Bobbi Brown Nude Rose reminded me of this in color, but it’s a bit darker and opaque. MAC Flamingo is lighter, less pink. Chanel Flirt is very similar. MAC Blossom Culture is pinker.

I’ve mentioned this before when reviewing another shade from the spring collection, but the formula of this Rouge G doesn’t feel like the typical Rouge G. It feels more like a cross between the Rouge G and Rouge G de Brilliant formulas. It’s too glossy, too translucent to be a genuine Rouge G, which has a creamier, more opaque formula. Rouge G de Brilliant is all about a really high shine finish combined with a pretty little translucent color and a fair amount of shimmer. Rose Ensoleille is more pigmented than the Brilliants, but it’s not nearly as pigmented as the regular Rouge Gs. This has a fair amount of slip to it, and the finish is much glossier. It seems to wear away faster, too, because Rouge Gs are more long-wearing (four to six hours, sometimes longer, if it’s a deeper hue), but Rose Ensoleille only lasted for three and a half hours during a wear test.

Guerlain Rouge G de Guerlain Lip Color Rose Ensoleille
9
Product
8
Pigmentation
10
Texture
7
Longevity
4
Application
84%
Total

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NARS Spring Break Larger Than Life Lipgloss

NARS Spring Break Larger Than Life Lipgloss
NARS Spring Break Larger Than Life Lipgloss

NARS Spring Break Larger Than Life Lipgloss

NARS Spring Break Larger Than Life Lipgloss ($26.00 for 0.19 fl. oz.) is described as a “pale golden beige sheen.” This shade is exclusive to Sephora. It’s a pale, light beige with peach-gold micro-shimmer. MAC C-Thru is very similar, perhaps a smidgen darker. MAC Scottish Lilt is warmer. MAC Jest for Fun is more peach-pink. MAC On the Scene is warmer, no shimmer. MAC Fashion Whim is just slightly warmer. Urban Decay Max is darker, peachier.

I actually really like the way this looks on the lips; for such a pale, light color, it applies fairly evenly and doesn’t settle too noticeably into lips (at least not from a normal viewing distance). The soft peach-gold shimmer gives it necessary warmth and dimension. The color coverage is not quite opaque but close.  When I tested this shade for wear, it did surprisingly well for such a pale shade–a solid five hours.  It was also hydrating enough that my lips didn’t feel any worse for the wear while I wore it.

Larger Than Life Lipglosses have a gel-like texture, which slides across lips well and enables mostly even application.  Though it doesn’t feel sticky when you first apply it, it does get noticeably tacky after a half hour and gets tackier while it wears.  It never approaches super sticky territory, but it’s definitely not non-sticky. The only downside to this product is the really, really tiny brush-type applicator.  It could be about double the size and still be several sizes smaller than the average lipgloss applicator while retaining the ability to apply precisely.

NARS Larger Than Life Lip Gloss Spring Break

Illamasqua Nomad Nail Varnish

Illamasqua Nomad Nail Varnish
Illamasqua Nomad Nail Varnish

Illamasqua Nomad Nail Varnish

Illamasqua Nomad Nail Varnish ($14.00 for 0.50 fl. oz.) is described as a “bright jade” with a glossy finish. It’s a vibrant aqua-green with just a little too much green and aqua in it to be a true mint green. It’s like the lightest, brightest jade. China Glaze Re-Fresh Mint is much, much lighter. MAC Peppermint Patti is the closest shade I could think of, though it’s not as bright. Essie Turquoise & Caicos is bluer.

Illamasqua makes one of my favorite polish formulas, not just because the formula itself is excellent with impeccable wear (it’s one of the longest-wearing formulas on me–I’ve literally wore a color for 10-14 days with minor tip wear), but they often set and create trends and do so at a much more palatable price point than some higher-end brands like MAC, NARS, Dior, Chanel, and so forth.  Nomad is no exception.  I wore this shade for seven days with barely any tip wear and no chipping.

Nomad turns opaque in two coats, and the formula is a dream to work with–not too thick or too thin.  It flowed fluidly across the nail and yielded even color, though it did take a little longer to dry than the average polish.  The finish is slightly glossy, but I’d still recommend using a shiny top coat for a truly glossy finish.

Illamasqua Nail Varnish Nomad
Nomad
Nomad
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

Tom Ford Cobalt Rush Eye Color Quad

Tom Ford Cobalt Rush Eye Color Quad
Tom Ford Cobalt Rush Eye Color Quad

Tom Ford Cobalt Rush Eye Color Quad ($75.00 for 0.35 oz.) is a cool-toned, blue-themed palette. Tom Ford released eight different quad variations, and within the range, there are four finishes. There is sheer sparkle, satin, shimmer, and matte. He describes the formula as having “incredible shade fidelity” and “outstanding adhesion.”

Tom Ford has done many things right, and if you go through past reviews, it’s obvious that I’m a fan of the brand. I don’t like the eyeshadow quads. I’ve only tried two, and this is the better one of the two, but it’s just so-so. It leaves me feeling lukewarm. In an ideal world, you’d get what you paid for, but this is an industry where price rarely correlates to quality–there’s just the hope that, if you’re going to shell out $75 for an eyeshadow palette, that you’re going to get really, really good results. Right? There are so many winning eyeshadow formulas for under $25.

Cobalt Rush contains four hues, and this palette seems to have both satin and shimmer finishes, but it does not contain any sheer sparkle or matte finishes. I wish the shades would be labeled with the finish, but they’re not, so I’m merely guessing. The first shade is a pale, icy white with a shimmery finish. It appears to have fall out without a base, but it still has some minor fall out with a primer after several hours. It’s similar to MAC Pearl is similar in both color and texture, while Buxom Sheepdog is similar in color but not in texture. MAC Forgery is not quite as icy.

The next shade is a darkened purple with blue undertones and a shimmery sheen. It has just so-so pigmentation–you can see it looks a little dry and faded. MAC Starless Night is much more intense, but it has a similar vibe. MAC Indigo Noir is matte and much, much deeper. Estee Lauder Untamed Violet is less silvered, more purple.

The third shade in the quad is a medium-dark blue with a satiny sheen. It had good pigmentation and applied smoothly, but the color itself is likely one of the most common shades of blue on the market. MAC Love Cycle is a richer, more intense blue. Bare Escentuals Climax is just slightly purpler but barely. Guerlain Les Ombres de Nuit is a bit darker. Le Metier de Beaute Lapis is brighter. Wet ‘n’ Wild Earth Looks Small From Down Here is slightly purple-tinted. MAC Deep Truth is slightly bluer. Inglot #428 is brighter. Make Up For Ever #81 is a touch darker.

The final shade is a blackened blue-teal with hints of green and blue shimmer in a satiny finish. It has good color payoff, but it’s a bit dry. Make Up For Ever #60 is deeper, more intense, and has no shimmer. MAC Prussian is bluer. MAC Blue Spruce is grayer. Guerlain Les Aquas is very similar but slightly less blue, but Guerlain Les Gris has a shade that’s just a little bluer.

Color payoff is just average to good–the only shade I would expect to have sheerness is the “sheer sparkle” finish, which there are none of here, so these four shades have no excuse but to have “incredible shade fidelity,” which I can only imagine is marketing-speak for color trueness or true-to-pan color. These do not adhere to the lid well without a base, and even with a base, some of them are more prone to fading than others. When applied without a primer, I see a paltry four hours of wear before there’s noticeable fading, and after six hours, there’s minor creasing. Without a primer, I don’t see creasing, but there is noticeable fading after six hours.

The white and purple shades were the least pigmented, while the blue was the most, followed by the blackened blue/teal.  I was surprised that the textures didn’t feel as buttery, creamy, or as finely-milled as some other luxury brands’ eyeshadows are (like Le Metier de Beaute).  It’s soft, and it applies fairly smooth, but it has a drier consistency that seems to make it less blendable than I’d like.   I’ve sat on this review for awhile, because I keep alternating between testing this quad and another one, having been unimpressed by both, while I kept reading rave reviews. I can’t say I’ve had the same experience no matter what technique, base, or combination of shades I used–so maybe I’m just the odd one out.  In fact, had this been the only Tom Ford product I had ever tried, I think I’d be put-off enough to stay away.  I tried and tried, but I couldn’t find any enthusiasm for this. It’s not terrible quality, but it’s not excellent quality (more like average), and it has to be at this price tag for me to be excited about it, let alone impressed. There’s just no excuse not to.

I suppose the highlight of the palette is that it comes with 0.35 oz. of product, which is 0.0875 oz. per shade, compared to the average brand at 0.05 oz.  But realistically, you’ll have to weigh whether investment or per-use cost is more important to you.  The idea that “you’ll never run out” is great in theory, but how close do you even get on 0.05 oz. of product?  If you do finish products, sure, but if you have a larger stash, it may be a less compelling argument.  It’s always good to see more rather less, though!

It’s packaged in the shimmery bronzed plastic compact that the rest of the line is in. The palette itself is actually very lightweight, which is great for traveling, but those looking for the heft of a luxury compact will find it missing here. It has a full-sized mirror underneath the lid and comes with two dual-ended brushes (that are about as useless as they often are; just slightly softer and the sponge stays in place better).

Tom Ford Cobalt Rush Eye Color Quad

C
8
Product
8
Pigmentation
8
Texture
6.5
Longevity
3.5
Application
76%
Total

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