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Giorgio Armani #111 Rouge d’Armani Lipstick

Giorgio Armani #111 Rouge d'Armani Lipstick
Giorgio Armani #111 Rouge d’Armani Lipstick

A New Nude for Fall

Giorgio Armani #111 Rouge d’Armani Lipstick ($30.00 for 0.14 oz.) is a subtly warmed over light-medium beige with a soft frosted sheen. MAC Japanese Maple is a bit darker, less frosted. MAC Naturally Eccentric is a smidgen lighter. MAC Pretty Please is pinker. MAC Marquise d’ is marginally lighter but very close. Guerlain Gabrielle is a bit pinker but similar.

It seemed sheer when I swatched it, but on the lips, it’s mostly opaque–you can’t really make out my lip freckle at all! While Giorgio Armani says these are supposed to last up to eight hours, with this particular shade, I was able to make it to six with a fair amount of color still on (no need for a touch-up yet). I can see up to eight hours of wear with some of their other shades, but this lighter shade didn’t make it that far–still, longer than average wear as compared to most lipsticks. The formula is hydrating, feels comfortable on, and wears away evenly. It has a thin, creamy consistency that feels lightweight on and applies evenly and easily.

One feature I like about Giorgio Armani’s packaging is that it clicks close with a magnetic closure, which means you won’t have to fret that the cap will pop off in your bag. The lipstick is also scent- and taste-free.

Giorgio Armani Rouge d’Armani Lipstick #111
#111
#111
10
Product
10
Pigmentation
10
Texture
8
Longevity
5
Application
96%
Total

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Chanel Allegorie Glossimer Lipgloss

Chanel Allegorie Glossimer Lipgloss
Chanel Allegorie Glossimer Lipgloss

Chanel Allegorie Glossimer Lipgloss ($29.50 for 0.19 fl. oz.) is described as a “sheer shimmering pink.” It’s new and limited edition from Chanel’s holiday collection, which will debut this October. It’s a pale, light-medium pink with subtle yellow undertones and a dusting of warm white shimmer. If you have more pigmented lips, this will lighten it, as there is some color in it, it’s just a light one at that–you can see how it softens and covers up my lip freckle somewhat. Because it’s pale and sheer, it’s more dupeable than not. Here are a few I came up with: NARS International Velvet is less warm-toned, Chanel Caprice is more opaque, MAC Fresh Air is pinker, and Bobbi Brown Pastel has pink shimmer.

What makes Glossimers popular are their non-sticky, thin consistency combined with high gloss finish and sparkling shimmer. They also tend to wear a little longer than the average gloss.  Allegorie wore for four hours, which is about average across all gloss, though a little better than average for such a sheer color.    The shimmer isn’t too dense, so it doesn’t look frosted or metallic on, but it does catch the light nicely and have a very Glossimer-like feel and look. I liked that it while it was sheer, it wasn’t completely colorless.   It was comfortable on, both hydrating and non-sticky.  It could have applied just slightly more evenly.

Chanel Levres Scintillantes Glossimer Allegorie
Allegorie
Allegorie
9.5
Product
10
Pigmentation
10
Texture
8.5
Longevity
4.5
Application
94%
Total

Chanel Apparence Illusion d’Ombre Eyeshadow

Chanel Apparence Illusion d'Ombre Eyeshadow
Chanel Apparence Illusion d’Ombre Eyeshadow

Chanel Apparence Illusion d’Ombre Eyeshadow ($36.00 for 0.14 oz.) is a new and limited edition “gold bronze” releasing just in time for the holidays. It’s a shimmering, pale bronze with a subtle golden warmth. The finish is strongly metallic with a fair bit of sparkle. Bobbi Brown Bronze is similar, slightly darker, and has chunky sparkle. Urban Decay Maui Wowie is a smidgen darker and has glitter. Giorgio Armani #18 is yellower.

Illusion d’Ombre is a long-wearing eyeshadow with a gel texture and can be worn as an eyeshadow or as an eyeliner.  It feels spongy; you can see in my pot that it’s pulled away from the sides, but a simple push of the product with a spatula spread it back into place.  Upon touch, it hadn’t dried out or anything, either (in case you were curious!).  When applied, it has a slight translucent quality to the overall color, which actually makes it look nice as a wash, but it’s not fully opaque.  It also appears lighter on than it does in the pot, which is a result of the high sheen finish.

When I took it for a test-drive, it lasted for a full eight hours without creasing or fading, and perhaps, more importantly, I didn’t experience any fall out. There’s a sparkle to it that’s not obvious but noticeable, on top of the metallic finish. I think so long as you weren’t looking for fully opaque color, you’ll like this. I can see a lot of Chanel fans more than happy with this shade release.

Chanel Illusion d’Ombre Long Wear Luminous Eyeshadow Apparence
Apparence
Apparence
9.5
Product
9
Pigmentation
10
Texture
10
Longevity
4.5
Application
96%
Total

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Guerlain Perles du Dragon Meteorites

Guerlain Perles du Dragon Meteorites
Guerlain Perles du Dragon Meteorites

You Have to Try It to Appreciate It!

Guerlain Perles du Dragon Meteorites ($58.00 for 1.05 oz.) is a “harmony of six shades of pearls in an intense, iridescent monochrome palette.” It is supposed to “cloak the face in incredible radiance” with “pale pink and beige [to] even out the complexion” and “white and gold [to] illuminate” as well as “plum and rosewood [to] brighten.”

When applied or swatched, it’s an iridescent pale shimmer-sheen. It’s very subtle and true-to-form as far as Meteorites go. Meteorites are best described as an illuminating powder, which isn’t as shimmery as your typical highlighter, or as a finishing powder. The effect of the pearls is your-face-but-better; it’s something that’s hard to detect visually, but it’s that something extra that instantly brightens, softens, and adds a soft glow to the face. It’s the difference between a smile and a smile that reaches your eyes.

It’s when I wear one of Guerlain’s Meteorite products (pearls or pressed) that I most often see comments about my skin looking better, nicer, or that I look like I have a “glow.” I dusted it lightly on cheekbones, the bridge of my nose, and above my cupid’s bow in the photos below. I could still detect the slight glowy sheen after eight hours. Because the effect is subtle, it can be worn as a finishing powder and dusted all-over the face rather than to add a subtle highlight to certain areas of the face.  I wore again all-over and felt it added an extra hour or so of wear to my foundation.

The one thing about Meteorites is that as lovely as they look in the metal tin, they tend to look very similar on.  It’s also not necessary to own every. single. one. that comes out from a practical standpoint. There are many who collect them as much for the product inside as for the distinct packaging.

This is one of the harder products to review, because it’s hard to capture exactly what it does that makes it such a worthwhile product.  It’s pricey, but you’ll get a ton of product for your investment–a whopping 1.05 oz.–and one tin will last you quite sometime, even with regular usage.   It is violet-scented, and it’s not a subtle fragrance, but it is the same one common to Guerlain’s powder products.

Guerlain Meteorites Illuminating Sparkle Powder Perles du Dragon
9.5
Product
10
Pigmentation
10
Texture
9.5
Longevity
5
Application
98%
Total

OCC Overlook Loose Colour Concentrate

OCC Overlook Loose Colour Concentrate
OCC Overlook Loose Colour Concentrate

Don’t Overlook This Plum

OCC Overlook Loose Colour Concentrate ($12.50 for 2.5g) is described as a “deep plum shimmer.” It’s a red-toned medium-dark plum with a soft, frosted finish. When applied dry, it has a more subdued finish–less of a sheen–than it does when used damp, where the frosted sheen comes forth. Urban Decay Last Call is redder, less purple. Guerlain Boulevard du Montparnasse is darker, more purple, less of a sheen. Le Metier de Beaute Fig is darker, more burgundy. MAC Plum Dressing is a smidgen darker and less frosted. NARS Caravaggio is lighter, more purple.

It has a soft, silky-smooth texture with a finely-milled powder consistency.  It’s opaque whether it’s used dry or wet, though there is a notable difference in the finish depending on the application method.  Because it’s so finely-milled, it applies evenly and melts against the skin like butter.  I tried it on the eye without a primer, and I didn’t have any creasing or fading even after a full eight hours of wear.

Obsessive Compulsive Cosmetics Loose Colour Concentrate Overlook
Overlook
Overlook
10
Product
10
Pigmentation
10
Texture
10
Longevity
4.5
Application
99%
Total

Guerlain Turandot Eyeshadow Palette

Guerlain Turandot Eyeshadow Palette
Guerlain Turandot Eyeshadow Palette

It Is… Love!

For the holidays, Guerlain Turandot Eyeshadow Palette ($59.00 for 0.25 oz.) features four eyeshadows–two matte and two iridescent shades. It should start popping up retailers and counters in October.

The first shade is a light-medium golden orange–more like an orange-toned gold than your expected yellowy gold. It has a soft, frosted finish with a silky-smooth, finely-milled consistency that applies beautifully on the skin. The pigmentation was true-to-pan, and it didn’t require any layering or packaging to achieve opaque color. Milani Gold Dust is a smidgen darker and has a more metallic finish. Clarins Enchanted Summer is darker, less orange. Giorgio Armani #1 is similar, slightly less orange. MAC Goldmine is much yellower.

Next, there is a rusted, reddish-brown with a satiny finish. It had good pigmentation, and it was very soft to the touch and easy to blend on the eye. NARS Self Portrait 3 is lighter. MAC Magnetic Attraction is similar but has more gold shimmer. MAC In the Sun is redder. NARS California is richer, more orange. MAC Mythical is lighter. Guerlain Les Fauves has a shade that’s a bit darker, browner.

Below, there is a darker, muted reddish-plum with a hint of brown. The finish has a slight sheen to it, but it is mostly matte. The color payoff was good, and the texture was soft, blendable, and easy to apply. MAC In the Sun is shimmery. Le Metier de Beaute Bordeaux reminded me–just barely–of this shade, but it is much darker, more burgundy. theBalm Racy Kacy is more orange/brown.

The last shade in the palette is a gray-tinged medium-dark brown with subtle warm undertones and a frosted sheen. It had a soft, buttery texture that made opaque color a breeze to achieve. Dior Fairy Golds has a very similar shade in it. Urban Decay Barlust is darker. MAC Havana is warmer. MAC Chestnut is warmer.

Turandot is a warm-toned palette that combines surprisingly well; I thought the shades might not offer enough contrast, but they can and do.  The two middle shades are similar but have different undertones, so they’re noticeably different when placed near each other.  I would not say that any of these shades are particularly unique, so the color combination could be replicated with products you may already own.  It’s, of course, nice to have them all in a single palette.  I don’t think I would have thought to put these particular shades together.  It does seem a little autumnal in color, even if it is for the holidays.

The quality is good across the board, with the two more matte shades having just slightly less color payoff compared to the shimmery shades.  They held up well on the eye, all four shades lasting for ten hours without any fading or creasing, both over a primer and without one. It’s one of my personal favorite palettes that have come out in the past year!

Guerlain Turandot Eyeshadow Palette

A
9.5
Product
9.5
Pigmentation
10
Texture
10
Longevity
5
Application
98%
Total

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