NARS Debbie Harry Eye & Cheek Palette
Another Disappointment from the NARS & Andy Warhol Collection
NARS Debbie Harry Eye & Cheek Palette ($65.00 for 0.42 oz.) consists of one blush, one highlighter, and four eyeshadows, tucked into a matte black palette with a full-size mirror on the interior. Each shade sits in its own pan and well.
Shimmering Pink Champagne is a soft, rosy plum with silver sparkle. The sparkle is very, very loose and doesn’t bind at all to the underlying color, so it either doesn’t translate to the cheek or disappears throughout the day. It had a very dry, stiff texture, though the color payoff was so-so. It wore for seven hours when I tested it. NARS Oasis is a bit more muted, less pink. theBalm Cabana Boy has a soft sheen. MAC Plum Foolery is less pink, more frosted.
Brilliant Cream is a shimmery, pale beige. It had good color payoff, and it wasn’t dry–a little powdery–but not dry, at least. It was also blendable on, and it lasted for six and a half hours. NARS Albatross has a golden sheen. theBalm Promiscuous Pearl is more beige. MAC Snowglobe is similar.
Twinkling Purple is an eggplant purple with a matte finish. It was dry, powdery, and had dismal color payoff. Tarte Napa Grapes is more intense. Guerlain Boulevard du Montparnasse has a satiny sheen. BareMinerals Nightcap is very similar (more pigmented). MAC Fig. 1 is purpler (also more pigmented).
Sparkling Turquoise is an aqua-green with a satiny sheen. It had so-so color payoff, but this one was such a pain in the behind to use. It was very soft, powdery, and prone to pulling a disappearing act if you made any attempt to blend it. Sugarpill Mochi is very similar in color.
White Shimmer is a shimmery white with silver sparkle (that doesn’t bind with the base color, so it gets lost). There are so many shimmery white eyeshadows on the market, so there is no shortage of dupes. MAC She’s Got Class, Cinderella Ball Gown, MAC How to Marry, and MAC Crystal Avalanche are all very similar–just to name a few.
Starry Black is a matte black (with silver sparkle, but it never shows up and doesn’t even make it onto the swatch!). This shade had the best payoff of the four eyeshadows! It was stiff and a bit dry, but it wasn’t powdery. Like the white eyeshadow, matte black eyeshadows are numerous (it’s a classic, basic shade, and everyone should have at least one!). When you put out core/basic shades, you have to do them well, because there are too many options available to settle for less.
Technically, all four eyeshadows had silver sparkles in them, but they come loose as soon as the brush hits the pan–they just flake away or get caught in the bristles of your brush. It was a disappointing palette and not worth the $65 I spent on it. I had hoped that this palette would be better than the other Warhol palettes, because each product was in a separate well, but it was not meant to be. It’s hard for me to comprehend how the textures and payoff throughout the collection were so far off the norm for NARS.
Dry and powdery is one of the more frustrating textures to work, because you don’t even get the blendability and payoff that really soft eyeshadows (which can be powdery) have to their advantage. The highlighter was the best product in the palette, but there was a general theme: poor color payoff, dry/stiff/powdery textures, and fading throughout the day. Despite layering the eyeshadows over NARS’ own eyeshadow primer, these were looking very faded after eight hours (and without a primer, they had disappeared after six and a half).
P.S. — There is no step-by-step for this palette, because I tested and took photos prior to starting those!