Giorgio Armani #604 Plum Gloss d’Armani ($28.00 for 0.22 fl. oz.) is described as “bold amethyst.” It’s a sheer grape purple, and when applied to lips, it looks like a cool-toned plum-purple. It reminded me of Illamasqua Fierce when it swatched, but they’re nothing alike on the lips. I couldn’t think of any other potential gloss dupes.
Urban Decay Naked 2 Palette ($50.00 for 0.71 oz.) contains twelve eyeshadows: Blackout (blackest black with matte finish), Booty Call Shimmery cork), Busted (deep brown with shimmery finish), Chopper (copper shimmer with silver micro glitter), Foxy (cream bisque with matte finish), Half Baked (golden bronze with shimmery finish), Pistol (light greyish brown with shimmery finish), Snake Bite (dark bronze shimmer with metallic base), Suspect (pale golden beige with shimmery finish), Tease (creamy pale brown with matte finish), Verve (oyster with shimmery finish), YDK (cool bronze shimmer with metallic base), and Lip Junkie Naked (sheer shimmery pinky neutral) and Good Karma Shadow/Crease Brush. The brush is good; it’s like Urban Decay’s full-sized brushes–same size, feel, density, and softness.
Glitter Gal Light as a Feather Nail Lacquer ($14.00 for 0.30 fl. oz.) is a pale, cloudy gray with linear holographic shimmer. The shimmer looks mostly like white micro-shimmer more often than not, but you can definitely catch the holographic flash. If you’re unfamiliar with holographic polishes, the shimmer gives it a rainbow effect–you’ll see red, orange, gold, green, and blue/blue-violet. It’s not just one or two colors, it’s a slew of them. Nubar Earthen is the closest dupe I had to the base color, but it’s a much more of putty gray, less blue-based, and of course, it is not holographic.
Giorgio Armani #19 Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is exactly as it sounds–it’s #17 and #18 mixed together. Even in the pot, you can see the pale yellowy gold with the grayish silver intertwined. Together, they create a metallic pewter that reads more silver than it does gold. When applied dry, it’s almost opaque, and when it’s applied damp, it’s more opaque with a more obvious metallic sheen. I thought it was just the tiniest bit sheer, but when I applied it to my lid (no base), it was opaque in one go. This was the best of the three new and limited edition shades released for the holidays. I couldn’t think of a dupe for it; it’s in the same color family as Urban Decay Maui Wowie and Wet ‘n’ Wild Dancing in the Clouds but is much, much lighter. MAC Dalliance is more golden.