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Too Faced Spun Sugar Glamour to Go Palette

Too Faced Spun Sugar Glamour to Go Palette
Too Faced Spun Sugar Glamour to Go Palette

Spin, Spin Sugar

Too Faced Spun Sugar Glamour to Go Palette ($22.00 for 0.418 oz.) contains eight eyeshadows (0.03 oz. each), one highlighter (.076 oz.), one bronzer (0.076 oz.), and one lipgloss (0.026 oz.). It’s a holiday palette designed to include a range of “holiday metallics.”

#1 is a shimmering champagne gold with a bright, metallic finish. It has a similar effect to a glittery shade without the mess. The color payoff was good, and it applied smoothly. Tarte Sunshine State is yellower. MAC Retrospeck is warmer, yellower. Chanel Apparence is also warmer, darker. bareMinerals Chart Topper is darker.

#2 is a softened orange with gold shimmer. It had good pigmentation and applied smoothly. bareMinerals Golden Iris is darker. Tarte Golden Gate Bridge is a touch darker. Tarte Canary Diamond is browner. Guerlain Turandot is slightly more orange. Milani Gold Dust is very similar.

#3 is a sparkling pink-tinted white. It had so-so color payoff, but I didn’t have any fall out problems with it. MAC She’s Got Class is less pink-tinged but similar in finish. Tarte Iceland Air is similar in color but less sparkly. MAC Crystal Avalanche is similar, less metallic. Tom Ford Cobalt Rush is a bit darker.

#4 is a gray-ish mauve with a bright, metallic sheen. It had decent pigmentation and applied smoothly. Tarte Next Level Lilac is more matte, so it is also darker in appearance. MAC Cloudy Afternoon is darker. Urban Decay Bust is several shades darker.

#5 is a shimmering, pale yellow. It had good color payoff and went on smoothly without being powdery. shu uemura Smoky Velvet is more sparkling, a little darker. Buxom Poodle is more metallic and in a cream form. Bobbi Brown Gold is very similar.

#6 is a medium-dark chocolate brown with subtle warm undertones and a bronze shimmer. It had great pigmentation and felt smooth and soft to the touch.Wet ‘n’ Wild Sparkle ‘Til Morning is a touch darker, less shimmery. MAC Carbonized has less shimmer, slightly darker. NARS Galapagos is a bit less bronze.

#7 is a light-medium gray with a silver sheen. It had so-so color payoff, and it was a touch dry to work with. Giorgio Armani #12 is darker, but it is similar when sheered out.

#8 is a soft black with fine silver shimmer. The pigmentation was weak in this shade, and it looked dry, slightly chalky, when applied. shu uemura Smoky Velvet is darker. Bobbi Brown Onyx is similar. MAC Black Tied is also similar.

The Highlighter is a white gold with a shimmer-sheen finish. Tarte Angelic is a smidgen yellower but not by much. Illamasqua Aurora is a touch lighter and in a cream form. NARS Albatross has a similar sheen, but it has a whiter base.

The Lipgloss included in the palette is pretty much clear and there’s almost no visible shimmer when applied. It made me do a double-take, because at least in the pan, you could see shimmer. Being next to two face powders is unfortunate, as it’s easy to kick up excess powder with larger blush/bronzer brushes (with eyeshadow brushes, it’s just as possible, but I think you have more control). So, you can use any clear gloss as a substitute, really!

The Bronzer is a medium-dark tan with strong orange-brown undertones and a sprinkling of gold sparkle. The texture was a little powdery but dry–I had a tough time getting this shade to deposit color, let alone blending it out. Tarte Park Ave. Princess is similar but has more golden shimmer/sheen. Urban Decay Toasted is similar but has no shimmer/sparkle.

OVERALL, this palette is best purchased if you like the eyeshadows.  The lipgloss and bronzer are disappointing, while the highlighter is better it was a touch dry in texture.  Too Faced’s Candlelight on its own is much better.  The eyeshadows are fairly pigmented, though the last two shades were on the weaker side, and the really sparkly white was a little sheer, too.  None were flops, though, and the other five shades were rather nice to work with.  If you cut the palette in half, you’ll see two very distinct quads of colors–one set is warm, the other is cooler-toned.  It’s like, not love.

When I tested out the eyeshadows, they lasted eight hours with very minor fading when used without a primer; with a primer, they lasted a full eight hours.  I didn’t have any fall out, despite using the sparkly shades, which was a pleasant surprise.  The highlighter wore for seven hours, while the bronzer was faded after six hours.  The price point is nice, though, because it’s not to pricey and makes for an easy gift to give without breaking the bank, but it still feels like a nice gift to give (more to it than just a lipstick!).  I just wish the whole palette performed better.

Too Faced Spun Sugar Glamour to Go Palette

B
8
Product
8.5
Pigmentation
9
Texture
8
Longevity
4
Application
83%
Total

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China Glaze Escaping Reality Nail Lacquer

China Glaze Escaping Reality Nail Lacquer
China Glaze Escaping Reality Nail Lacquer

Not So Keen on Winter? Escape Reality with Neon Pink

China Glaze Escaping Reality Nail Lacquer ($7.00 MSRP for 0.50 fl. oz.) is described as a “neon raspberry pink.” It’s a vibrant medium-dark pink with a cream finish. There is definitely a neon element to the color, as it is very bright, and it has the signature quick dry down of neons and the semi-matte finish. China Glaze Love’s a Beach is very similar in color, but it has shimmer in it. NARS Anardana is darker, redder. MAC Girl About Town is a darker pink. Zoya Lolly is more matte and not quite as neon.

It’s fully opaque after two coats, and the formula was easy to work with.  It wasn’t too thick or too thin (consistent with China Glaze’s formula overall), provided even coverage, and flowed well across the nail without streaking or bubbling once on.  I typically get a week of wear with China Glaze’s formula with no chipping, just minor tip wear.

China Glaze Nail Lacquer Escaping Reality
9.5
Product
10
Pigmentation
9.5
Texture
9
Longevity
5
Application
96%
Total

Too Faced Marshmallow Bunny La Creme Lipstick

Too Faced Marshmallow Bunny La Creme Lipstick
Too Faced Marshmallow Bunny La Creme Lipstick

A Pale, Warm Pink Not to Be Missed

Too Faced Marshmallow Bunny La Creme Lipstick ($21.00 for 0.11 oz.) is described as a “marshmallow pink.” It’s a soft, light-medium pink with subtle yellow undertones. A lot of lighter pinks like this one tend to have cool undertones, so it’s nice to see one with some warmth. MAC Vivid Imagination is darker by several shades. MAC Angel is less warm–almost gray-ish in comparison. Cle de Peau #106 is a smidgen lighter.

Too Faced’s La Creme formula is supposed to be rich in color, creamy, and hydrating.  It definitely nails the creamy part; it is so slick and wet, that it almost feels like a lipstick-balm hybrid.  Despite the slick texture, it wears rather well for this type of texture:  three and a half hours.  It is nicely hydrating both during and post-wear, too.  The one downside is it has a thicker feel on the lips, so it can easily bunch up or show lines if you press your lips together.  Bunny was opaque on lips with a soft frosted sheen.

Too Faced Marshmallow Bunny La Creme Lipstick

A-
9.5
Product
9.5
Pigmentation
10
Texture
8
Longevity
4.5
Application
92%
Total

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shu uemura Smoky Velvet Eye & Cheek Palette

shu uemura Smoky Velvet Eye & Cheek Palette
shu uemura Smoky Velvet Eye & Cheek Palette

Karl for Shu – The Smoky Velvet Palette

shu uemura Smoky Velvet Eye & Cheek Palette ($65.00 for 0.245 oz.) consists of two silky smooth eyeshadows, three pressed eyeshadows, and one glow-on blush.

1 is described as a “glitter black” and comes in the “silky smooth eyeshadow formula.” It’s a soft black with very small silver glitter particles. It had a creamy but a very thin consistency–it was soft and just barely creamy, enough that it felt more like a really thin, cream eyeshadow than a powder one. It had good color payoff despite the thin consistency. MAC Tall, Dark, & Handsome is a bit softer, less glittery. Buxom Black Lab is similar but has multi-colored sparkle.

2 is described as a “deep khaki” and comes in the “silky smooth eyeshadow formula.” It’s an olive green with a soft, olive shimmer. This shade was creamier than #1, but it had a similar lightweight and thin feel. L’Oreal Golden Emerald is darker, greener. Lancome Designer is darker. MAC Sumptuous Olive is warmer, browner.

3 is described as an “elegant light silver” and is part of the “pressed eyeshadow formula.” It’s a sparkling silver-tinged white with a glittery, sparkly content that gives it a very sheer appearance. Cinderella Midnight Hour is less metallic. MAC She’s Got Class is similar both in color and texture. MAC Forgery is also quite similar.

4 is described as an “mint green” and is part of the “pressed eyeshadow formula.” It’s a pale green with soft yellow undertones and a smattering of gold micro-shimmer. It had good color payoff and a soft, finely-milled texture. Cinderella Cinderelly is darker. Too Faced Fantasy Island is yellower. bareMinerals Wicked is also yellower. Tarina Tarantino Wonderful is very similar.

5 is described as an “glitter beige” and is part of the “pressed eyeshadow formula.” It’s a pale, yellow gold with a metallic sheen. The color payoff was so-so. Buxom Poodle is less yellow. Giorgio Armani #18 is similar, less metallic. Bobbi Brown Gold is yellower. MAC Treasure Hunt is similar but has more of a sheen.

6 is described as an “dusty rose” and is part of the “glow-on blush formula.” It’s a brightened, dark pink with gold shimmer. It packs plenty of pigment, so it can be used on all skin tones. The texture is incredibly finely-milled, so it is extremely blendable on the skin, so even pale complexions will be able to adjust the intensity to their liking. MAC Supernova is a bit redder. Tom Ford Wicked is pinker, more blue-based. Worth noting is it’s a pain to apply as a blush, since the pan is the size of an eyeshadow.

The palette is remarkable for its texture; the two cream eyeshadows had a beautiful, velvety-creamy consistency that felt like butter and silk came together, while the blush was finely-milled and easy to blend, despite its rich color.  The really sparkly white eyeshadow, though, while soft, did not apply as smoothly. I found it was best applied as a layering shade over another eyeshadow.  I experienced some fall out when applied alone, and significantly less (but still a little) fall out when patted over one of the cream eyeshadows. Shu can do incredible glitter eyeshadows sometimes, but the white in this palette wasn’t quite it. The gold shade was way, way less sparkly (and better bound together), so I didn’t have problems with that shade.  The cream eyeshadows wore well for six hours, but after eight full hours, they was some faint creasing.  The blush lasted eight hours without fading.

shu uemura Smoky Velvet Eye & Cheek Palette

B-
8.5
Product
8.5
Pigmentation
9
Texture
7
Longevity
4
Application
82%
Total

Ozotic #904 Nail Lacquer

Burberry Pink Apricot Lip Velvet
Ozotic #904 Nail Lacquer

Sugar That Goes to Your Tips and Not Your Hips

Ozotic #904 Nail Lacquer (AU $12.00 for 0.50 fl. oz.) looks like lemon drops in the bottle, but the way it looks applied really just depends on what you apply it over. On its own, it’s a light-medium, yellow. When I layered it over a purple, you could see the sparkle shift from golden yellow to green. I haven’t reviewed a lot of duochrome/tri-chrome kind of polishes, so I couldn’t think of a dupe. The duochrome is a lot like China Glaze Rare & Radiant, Color Club Editorial, and Chanel Peridot–with a stronger start on the golden end of the spectrum. None of those are dupes, since those are full-color polishes and not shimmer/micro-glitter.

I applied this shade with two coats on its own, and then one coat layered over L’Oreal The Mystic’s Future, which is a fuchsia, eggplant-purple. It’s semi-opaque after two coats, but it didn’t apply evenly. The polish had a rather thick, almost gel-like consistency, which made getting thin, even coats more difficult to do. It’s possible, but there was a little learning curve with this shade! This shade is designed to be used as a layering shade. I tested this polish (worn alone, not layered) for wear, and it lasted a full seven days without chipping on me; there was just minor (but no more than average) tip wear.  The texture is somewhere between micro-glitter and glitter but very flat.

Ozotic #904 Nail Lacquer

B
9
Product
9
Pigmentation
7.5
Texture
9
Longevity
4
Application
86%
Total

Burberry Pink Amber (306) Lip Velvet

Burberry Pink Apricot Lip Velvet
Burberry Pink Amber (306) Lip Velvet

Burberry Pink Amber (306) Lip Velvet ($30.00 for 0.12 oz.) is a medium-dark, pink-coral with brightness that’s vibrant without being neon or too intimidating. It has warm undertones, but it doesn’t turn orange. Chanel Enjouee is pinker. Guerlain Gracy is brighter, pinker. Guerlain Chamade is a smidgen pinker, and it has a glossier finish (it looks a bit different on). Guerlain Bal de Mai has gold shimmer. Chanel Flamboyante is redder. Burberry Blush is more muted, less vibrant, and pinker.

The new Lip Velvet formula is touted as long-wearing, having a velvet-matte finish, comfortable to wear, and providing hydration while worn.  It’s one of the most comfortable matte formulas I’ve come across.  Pink Amber wore for six and a half hours, and it was comfortable the entire time and never left my lips feeling dry.  There’s a perfect amount of glide in the consistency; it has a good base that it glides on lips and deposits an even amount of color without pulling or tugging.  It doesn’t feel thick or heavy on, so it doesn’t move around easily, but it doesn’t feel like it’s clinging on, either.  It has a sweet, fruity scent but no taste.

Burberry Lip Velvet Pink Amber (306)
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

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