Milani Primary Runway Eyes Palette ($8.99 for 0.32 oz.) contains six shades arranged as thin strips inside a clear, plastic compact. It comes with a dual-ended sponge-tipped applicator (not particularly useful). The product can be used dry for a sheerer, shimmery color, or it can be used damp for greater intensity.
Essie Navigate Her Nail Lacquer ($8.00 for 0.50 fl. oz.) is described as a “new growth green.” It’s a soft pastel green with subtle warm yellow undertones. The closest dupe I could think of was Zoya Tracie, which has subtle metallic shimmer running through it. It’s also a little yellower. Barielle Myrza’s Meadow is also a bit similar, though a touch lighter, and it has multi-colored flecks of sparkle. I love the yellow component to this, because it keeps it from being a cool, minty green that screams winter to me; the warmth gives it the freshness of springtime to me.
OCC Chlorophyll Lip Tar ($14.00 for 0.33 fl. oz.) is described as a “full-on teal.” It’s a green-based teal. Not unsurprising, but I don’t have a ready dupe suggestion for you. Illamasqua Apocalips is much, much bluer. Chlorophyll has a strong green pull. It also has a lightly glossy finish, and while it’s plenty pigmented, the liquid-like texture does cause it to settle into lip lines. The glossiness will fade after a half hour or so, and you can blend out the color a bit more, because it gets drier, so it won’t pull into the lip lines as much. It can take a little practice to get the hang of Lip Tars, but their major selling point–to me–is their longevity, because the wear can be anywhere from six to ten hours, depending on the shade and how much it stains.
Tom Ford Platinum Cream Color ($40.00 for 0.21 oz.) is a medium-dark brown with subtle, warm red undertones. There is an ever-so-slight hint of gray that makes it almost taupe when it’s not sheered out, but it kept looking brown, brown, brown on me. I thought my eyes were playing tricks on me, because it’s called Platinum and the online “swatch” shows it as more of a pewter-like hue. Even in the pot, it looks more taupe-brown. But here’s the thing: it does seem to go on less brown on the lids–it does look a little closer to platinum, but it is one finicky shade to photograph. So to that end, all of the possible dupes are browner. It appears that the silver sheen comes out when there’s a lot of light; as I sat in my office with just a floor lamp on, it looked decidedly brown-taupe. This is the sign of a complex shade, I suppose.