Wednesday, March 31st, 2010

Toki Doki for Sephora

tokidoki for Sephora: Adios Star Cromatico Eyeshadow

tokidoki Adios Star Cromatico Eyeshadow ($15.00 for 0.07 oz.) is a matte black base with silver glitter strewn through it. It looked pretty in the pan, but unfortunately looks rather chalky when swatched, and it took some effort to get a decent level of pigmentation. Being a black eyeshadow, though, you could easily use this in the crease and not notice any chalkiness–but you might think of it as more of a dark gray-black than pure black.

This is the only tokidoki eyeshadow I have tried, so please don’t take this review of this single shade as representative of the whole line! I’m definitely going to check it out in person or grab another one or two shades online to see if this is just a poor man within an otherwise good range. Hopefully, Temptalia readers have also given these a try, so they can speak up on some other shade’s behalf! :)  I know the lovely Muse reviewed Carnivora, Diamante, and SavanaSavana looks way better in terms of pigmentation.

The packaging is very tokidoki inspired–if you dig it, you dig it; if it’s not your thing, that’s okay, too. I’d say that I’m neutral on the whole thing myself, but I think it’s done well. It’s not luxe, ultra high-end packaging, but it doesn’t feel like something you’d find in the dollar bin either. I like that each of the eyeshadows has a different colored lid–it’s just a nice touch. The price is also just right at $15, because these are actually cheaper than MAC eyeshadows by the ounce–MAC eyeshadows are $14.50 each, but you only get 0.05 oz. while the tokidoki eyeshadows are $15 each, but you get 0.07 oz.

So right now, though I’m disappointed in this shade, I am going to keep an eye out for more shades at my local Sephora and see how those hold up for me. I definitely want to check out Bastardino, Bruttino, Ciao Caio, Killer Candy, Savana, Skeletrina, and Soya. Shocker, I’m sure, that those are all some of the brighter shades available.

Shades: Adios Star (glitter black), Bastardino (dark green glitter), Bruttino (blue pearl), Bulletto (brown pearl), Carnivora (beige pearl), Choco (brown pearl), Ciao Ciao (pink pearl), Diamante (glitter pink), Donutella (nude multi-glitter), Killer Candy (purple pearl), Nancy Rocks (lavender pearl), Romeo (plum pearl), Samba (gray pearl), Savana (gold glitter), Skeletrina (indigo pearl), Soya (green pearl).

Have you tried these? Which shades?

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 20/30
  • Value: 9/10
  • Ease of Use: 4/5
  • Packaging: 5/5

Recommendation: I would skip this particular shade of the Cromatico Eyeshadow line-up — I haven’t tried any of the others, so I can’t speak for those! Funny enough, the cute and just-right packaging and price save this product from a non-passing grade!

AvailabilitySephora

See more photos & swatches! Continue reading →

Wednesday, March 31st, 2010

MAC Water-Based Mixing Medium

Mixing Medium — Don’t Use Pigments Without It!

MAC Water-Based Mixing Medium ($18.00 for 50ml) is an absolute must-have if you work with MAC Pigments or Glitters. It actually took me many years before I purchased the real deal Mixing Medium–previously, I had always done the DIY version. (For reference, the DIY version is one part glycerin and three parts water, mix, and enjoy!) To be honest, I think either version works just as well, but I know the official Mixing Medium is designed to have a much longer shelf life than the DIY version (since it lacks any preservatives).

This Mixing Medium is water-based, and as such, the texture feels just like water. I like that, because it doesn’t feel thick, goopy, or sticky. The way I use my Mixing Medium is primarily with pigments and occasionally with glitters. I usually put one drop (it dispenses by droplets) on a flat brush like the 239 or 249, pick up some pigment, and then apply on the lid (or wherever). Together, it creates an excellent eyeshadow base, but it also intensifies pigments and keeps them together–there’s no fallout here! Though I haven’t used it for such things, you can also use this with other MAC liquid or powder products. I will also say that one bottle will last me a lifetime (though I will obviously replace it before then!).

There is also an alcohol-based Mixing Medium (used from the neck down), an eyeliner Mixing Medium (comes in a tube), lash Mixing Medium (allows you to create customized shades of Pro Long Lash Mascara), and gel-based Mixing Medium (not to be used around the eye area).

It is a PRO product, which means it was originally designed to be used by makeup artists and not necessarily consumers, but everyone is able to purchase PRO products, regardless of your resume. If you live near a PRO store locally, you just have to show up and shop like you would any other MAC location. If you don’t, I know in the U.S., you can place a phone order with any PRO store and they’ll ship you your items for a flat rate of $7 (this is usually how I get any PRO products). Since shipping is a flat rate, I usually make up a good list of PRO-only items I want so I can make it worth it, too :)

By the by… some PRO stores will have collections in a week early, and so if SF, LA, or SCP PRO have it out, sometimes I place a phone order and that’s how I’ll get the products a couple of days earlier than the national launch date. Secrets from a MAC addict… LOL!

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 30/30
  • Value: 9/10
  • Ease of Use: 4/5
  • Packaging: 5/5

Recommendation: If you’ve ever had trouble with your pigments or loose color eyeshadows, you may want to check out MAC’s Mixing Medium to keep your loose color on your lid better!

Availability: MAC PRO

Tuesday, March 30th, 2010

Guerlain Beige Tint Meteorites

Guerlain Beige Tint Meteorites ($56.00 for 1.2 oz.) is one of three new shades released with Guerlain Meteorite Perles Collection, due out in May.  The two other shades that will be available are Rose Tint and Gold Tint.  The new Meteorites are designed to enhance/correct certain issues with skin.

From the press release, “[A] rosy complexion tends to show redness, while a beige complexion turns grey with the onset of fatigue and a golden complexion becomes yellow and dull. As the uncontested expert in color and powder, Guerlain has created three different Météorites Perles color harmonies to address the ways that different skin tones reflect color and light, in line with the principles of the color wheel and interaction of secondary colors.

Which one is for you?

  • Harmony 01 / Teint Rose (Rose Tint) corrects by using mauve to reflect light and brightening the complexion along with green to reduce redness; pink to give skin a more even look; and white for illumination, gold for “radiance.”  I think this is suitable for those with cooler undertones, rosacea, or uneven or reddened skin.
  • Harmony 02 / Teint Beige (Beige Tint) corrects with mauve and pink to keep skin from looking dull; beige and apricot beige to add warmth; and white and white gold to reflect light.  I think this is suitable for most skin tones, though warmer skin tones may find this more beneficial than those with particularly cool undertones; also good for those with more neutral or beige undertones.
  • Harmony 03 / Teint Dore (Gold Tint) corrects with mauve and blue to eliminate yellowness amongst a golden tone; beige and chocolate beige enhance golden tones; and white gold reflects light while pearly apricot brightens.  I think this is suitable for those with yellow, golden, or olive undertones to bring out the natural warmth in the complexion.

Keep in mind that Meteorites are not an opaque powder in the least bit!  Just like traditional Meteorites, the ones from Meteorites Perles have the same feel and texture.  I’ve only tried Beige Tint in person thus far, which is a good thing, considering it’s the one that matches me best.  I think I could also work with the Gold Tint as well, but it may be more of a definite highlighter than all over powder.  We shall have to wait and see on that aspect!

Beige Tint contains several different colored spheres ranging from champagne-peach, peach-apricot, shimmering white, pinky-apricot, darkened apricot, and lilac.   On skin, it has a champagne-lilac illuminating base with sparkles of gold and champagne.  It’s a soft, fine-milled shimmer/illuminating powder that looks subtle against skin, even when used all-over.  If you do choose to use it as an all-over face powder, using a fluffier or stippling brush ensures you don’t overdo it.  Otherwise, it can be used as a light highlighter wherever you want to reflect light (usually cheekbones, Cupid’s bow, etc.).

The Meteorites Perles Meteorites are packaged in a “metal” container.  I think it’s more of a harder, metal-like plastic than pure metal (it just doesn’t have the weight of metal), but it’s certainly an upgrade from some of the cardboard-esque packaging they’ve used in the past.  Though I don’t mind myself, since it’s still pretty, more eco-friendly than plastic, and I don’t carry my makeup around very often, except when I travel (then I bring the whole bathroom… and the bathroom sink!).  It’s sleek, classy, and elegant–I love it.

The very idea of running out of one of the Meteorites is not something I can fathom, because it takes so little to get what you want out of it as a highlighter/illuminator.  I think one will last you quite awhile (aka years), but it does carry a steeper price tag than other high-end highlighters–though in line with Guerlain’s pricing point overall.

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 28/30
  • Value: 8/10
  • Ease of Use: 4/5
  • Packaging: 5/5

Recommendation:  I think this is suitable for most skin tones, though warmer skin tones may find this more beneficial than those with particularly cool undertones; also good for those with more neutral or beige undertones.  For those with cooler or pinker undertones, consider Rose Tint; and for those with more golden and yellow undertones, consider Gold Tint.

Availability:  May 2010

See more photos & swatches! Continue reading →

Tuesday, March 30th, 2010

MAC Art Supplies Collection
Lipstain Markers: A Classic, Full of Flare, Modern Mocha, Point of View,
Purposefully Red, Runway Ripened, Stylesetter, Sunset, Tomorrow’s Coral

MAC Art Supplies Collection: Pro Longwear Lipstain Markers Review, Photos, Swatches

There are nine new and limited edition shades of Pro Longwear Lipstain Marker ($16.00) in MAC’s Art Supplies Collection. I really, really wanted to love these–I have been wanting a good lip stain forever–a superb formula in various shades, not just one great shade (e.g. Benetint). I was most excited for the Lipstain Markers when I first read about Art Supplies, but they just didn’t work well for me.

Update @ 4/1: Reviews, photos, & swatches for ALL shades now available.  Enjoy!

Pro Longwear Lipstain Marker ($16.00)

  • Full of Flare is a brightened coral with a tinge of orange-red in it.  Probably one of the loveliest shades of the five I’ve tried so far!
  • Runway Ripened is a raspberry-ish red, but it’s still fairly red.  It gives good coverage and applies evenly.
  • Modern Mocha is slightly reddened coffee brown.  It’s not the most flattering color on my skin tone, but I could see some deeper skin tones using it for a natural lip tint.
  • Point of View is a darker and redder version of Modern Mocha.  It’s a rasberry-ish brown.
  • Purposefully Red is a vibrant cherry red.  I think this and Full of Flare are the best bang-for-your-buck colors of the nine.  If you love red but hate reapplying, bleeding, etc., Purposefully Red might be worth trying.
  • Sunset is a darkened, slightly reddish, coral.  This would look nice on both cool tones and deeper skin tones, because it’s not an overtly warm coral, which isn’t always easy to find.
  • Tomorrow’s Coral is a rich red with only a smidgen of coral in it. It’s definitely redder than I anticipated–I don’t think I’d have even picked up on any coral tones to it if it wasn’t for the name!
  • Stylesetter is a brightened pink with blue undertones. Reminded me a bit of Impassioned, perhaps, but more blue-based.
  • A Classic is a muted red–significantly lighter/less bold in comparison to Tomorrow’s Coral.

The good: The color applies quite evenly from the marker tip. I didn’t experience problems getting the color to apply evenly onto my lips. The stain will also last for hours if you don’t eat or drink (sounds like lipstick/gloss, eh?) and doesn’t come off on skin (or someone else’s lips…). You can layer a lip balm on top to keep it from looking so dry without disturbing the color itself as well. I also didn’t find that the lip stain would bleed on my lips, which is always a good thing!

You can wear the lip stain as a way to add more color or deepen color of your lipglosses and lipsticks.  They seem to work and look best when layered underneath something, rather than worn alone, which is kind of how I like to wear my lip stains–just a shift in natural lip color that looks exactly natural, no heavy gloss, no sheen, no shimmer, no weight.  To use it as a layering product, it acts a lot like a lip pencil or lip liner.

The bad: If you have dry, cracked, peeling, or otherwise imperfect lips, these are going to be a pain in the behind to use. I don’t consider myself to have any lip issues, and I even made sure to exfoliate promptly before applying these, but they are brutal on my lips. They’re incredibly unforgiving and will accentuate any dryness on your lips. If you wear a lip stain, make sure to exfoliate lips and moisturize well beforehand so that lips are hydrated before applying the stain on top. You may want to layer clear lip balm or a gloss on top to keep lips from drying out during the day as well.

Like other stains, the color will also have a tendency to deposit more in lip lines, but the effect of this isn’t noticeable until after two or three hours of wear when the stain starts to fade a bit. I’m not sure if perhaps my lips are more sensitive than others, but I found the marker tip to be more abrasive than I’d expect in a lip product. It really does feel like a regular marker on the lips–it’s not like sandpaper, but it’s not like a sponge-tip lipgloss wand either. It made my lips tingle and feel a bit irritated for about twenty minutes after application.

I also found that these stains wore off significantly when drinking or eating. I actually brushed my teeth wearing one of these, and it was almost completely gone. It’s surprisingly easy to remove, but that’s not exactly why you’d opt for a stain, is it? I did several wear tests since receiving these on Friday morning, and I did wear tests with two of the three shades I currently have. I wore Tomorrow’s Coral while sleeping (approximately eight hours total), which allowed me to wear it without eating/drinking. I didn’t wake up with perfectly stained lips, but there was still a good amount of color left–too bad my lips looked like raisins left out in the sun to further dry out! I also wore Stylesetter for another eight-hour test, but during the day, to see how it would survive eating/drinking–it didn’t. I’d say about 80% of it disappeared by the time I had finished lunch.

They smell like vanilla, but they have kind of an odd taste. It’s not gross or chemical-y, but there’s something about it that’s a little unpleasant (but not wholly so). The packaging is cute and sleek, but they look 95% like CoverGirl’s Outlast Lipstains, which I thought was interesting.

My picks: None at this time. Based on lack of long-wearing power, I don’t think any of these shades are must-haves. I’ll be buying the other six shades to photograph and swatch so you can see what they look like when it launches in-store, so perhaps one of those shades will wow me enough to recommend it!

See photos & swatches! Continue reading →

Tuesday, March 30th, 2010

MAC Art Supplies Collection
Pearlglide Eyeliners: Black Line, Undercurrent, Industrial,
Petrol Blue, Almost Noir, Designer Purple

MAC Art Supplies Collection: Pearlglide Intense Eye Liners Review, Photos, Swatches

MAC Art Supplies Collection launches in-stores on April 1st (late April for international locations) and online March 30th. The collection includes eight new and limited edition shades of Greasepaint Sticks ($17.50), six new and limited edition shades of Pearlglide Intense Eye Liners ($14.50), and nine new and limited edition shades of Pro Longwear Lipstain Marker ($16.00).

Pearlglide Eye Liner ($14.50)

  • Almost Noir is a darkened burgundy purple with a slight red tone to it and gold and burgundy sparkle.
  • Designer Purple is a bright pop of violet with deeper violet and iridescent purple shimmer.  Very pretty–most vibrant of the six!
  • Petrol Blue is a brightened navy blue with blue and light blue sparkle.  I would say it is similar to Fly-by-Blu (but I don’t own it to do a swatch comparison, sorry!), perhaps a little brighter.
  • Black Line is a dark black base with a mix of gold and green-gold shimmer. It’s almost like Old Gold Pigment and a black eyeliner had a baby. I’m ALL over this one!
  • Undercurrent is a bluish-teal base with teal shimmer and sheen. So pretty and lovely… but I’m a sucker for teal, so really, are you surprised? ‘Cause I’m not!
  • Industrial is a high-shimmered silvered blue. It’s almost like a sky blue but with flecks of silver lining (I couldn’t resist) throughout.

The good: Smooth, soft eyeliner with rich, intense shades that glide on easily and don’t smudge or budge. They’re similar in smoothness/softness as Urban Decay 24/7 Eye Liners, Milani Liquif’Eye Liners, and L’Oreal HIP Chrome Eyeliners.

The bad: They’re limited edition and made of awesome, so it kind of sucks, but I’ve also never run out of an eyeliner, so I’m not (personally, at least) concerned about running out of these either. I have no other complaints about Pearlglide Eyeliners. Oh, wait — the line could use more shades? Sure, that’s “bad.” MAC continuously puts out Pearlglide liners and even new shades periodically, so they should just make these permanent already! (Much like Feline Kohl Power might as well be permanent… so much for my five backups!)

My picks: All? Black Line is the most unique of the three I’ve tried so far!

See photos & swatches! Continue reading →

Tuesday, March 30th, 2010

MAC Art Supplies Collection: Greasepaint Sticks
Greasepaint Sticks: Zinc Zone, Uniformly Blue, Slick Black, Greengrease,
Dirty, Charred Mauve, Brown Now, Below Ground

MAC Art Supplies Collection: Greasepaint Sticks Review, Photos, Swatches

MAC Art Supplies Collection launches in-stores on April 1st (late April for international locations) and online March 30th. The collection includes eight new and limited edition shades of Greasepaint Sticks ($17.50), six new and limited edition shades of Pearlglide Intense Eye Liners ($14.50), and nine new and limited edition shades of Pro Longwear Lipstain Marker ($16.00).

Today, I’m going to review the new Greasepaint Sticks and (in a separate post) three of the six Pearlglide Intense Eye Liners. I’m going to mull over the Lipstain Markers until tomorrow, but I’ll give you my review of the three (of nine) shades I tried so far–so stay tuned! :)

Greasepaint Sticks ($17.50)

  • Below Ground is a soft bronzed chocolate brown with lighter bronze flecks. It reminded me of a lighter, less frosty version of Bronze eyeshadow.  I liked this one a lot, because I felt like it was light enough to be used in lighter looks as well as darker looks.
  • Brown, Now is a burgundy-brown. I don’t know why it’s called Brown, Now, to be honest, because it’s pretty burgundy to me.
  • Charred Mauve is a cool-toned blue-based purple with soft blue-violet flecks/sheen. It is similar to V, but it’s not the same–it’s a darker, grayer version–but the two are close enough that you don’t need both.
  • Dirty is a taupe brown with multi-colored shimmer. Kind of cool how it has all different colors of shimmer in it.
  • Greengrease is a forest green over a blackened base. It has flecks of gold, blue, and green shimmer. I found this one to be the least pigmented of the eight, though you can layer to get a more opaque look.
  • Slick Black is a matte, all-black shade. It’s rich and dark. It’s not like the original Greasepaint Stick from Style Black, because the original Greasepaint Stick is a black base with flecks of blue and violet shimmer. It reminded me a lot of Blacktrack fluidline, though.
  • Uniformly Blue is a medium-dark navy blue over a blackened blue-gray base with flecks of blue shimmer/sheen. Compared to B, it is a darker version; Uniformly Blue has a blackened base that the blue shade sits over. It’s close enough, though, that unless you’re a huge fan of Greasepaint Sticks, you only need one of the two.
  • Zinc Zone is a gunmetal silver over a lightly blackened base with silver and black shimmer/sheen. This is a fun shade, and I think it would make a nice base for a very dramatic, near-black smoky eye.

The good: I loved the variety of the shades offered in the collection. There are eight to choose from, so you aren’t stuck with just one or two like in the past. On me, I find they wear quite well–no real budging, smudging, or transferring throughout the day. They’re very smooth, soft, and easy to apply without tugging on the eyelid too much.

They’ve also improved the scent/smell of the Greasepaint Sticks this time–which is huge. My previous Greasepaint Sticks have a funky scent that’s unpleasant, but I didn’t notice any scent on these (whereas the scent on the original shades is still overwhelming!). These might have the faintest scent if you’re particularly gifted in the smelling department, but I didn’t detect anything with my sniffer.

The bad: Even though a nice dark base can be useful, I don’t necessarily need eight different variations on the theme. I’ve always found that most darker bases eat color rather than enhance it, so you’re always left with some sort of darkened smoky eye. Personally, I find that they’re a bit too thick to use as eyeliner without having to do some clean-up after application with a cotton swab.

My picks: Below Ground, Brown Now, Greengrease, Zinc Zone

Skip if you have…: Charred Mauve if you have V, Uniformly Blue if you have B, Slick Black if you have Blacktrack (Fluidline)

How to Use Greasepaint Sticks

  • As an all-over eyeshadow base — think of them as darker versions of shadesticks
  • As a smudged out eyeliner — make sure to sharpen them (sharpener is found on the opposite end) so you don’t get too thick of a line
  • As a defined crease — draw it into the crease and then smudge with a brush and/or eyeshadow

See more photos & swatches! Continue reading →