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Revlon Pink Pop, Snow Pink, Sugar Violet Super Lustrous Lipglosses

Revlon Pink Pop Super Lustrous Lipgloss
Revlon Pink Pop Super Lustrous Lipgloss

Revlon Pink Pop Super Lustrous Lipgloss ($7.99 for 0.13 fl. oz.) is a pop of blue-based, medium-dark pink with a creamy, glossy finish. It had semi-opaque color, which did apply in a way that looked somewhat splotchy but not as bad as some of the other shades in the range. It wore for two and a half hours. Revlon Fuchsia Finery is slightly darker. RevlonBerry Allure is darker. Chanel Insolence is lighter. Burberry Hibiscus is darker. See comparison swatches.

Snow Pink Super Lustrous Lipgloss ($7.99 for 0.13 fl. oz.) is a warm-toned, light beige with champagne gold shimmer. On lips, it doesn’t add much color, but it does add a noticeable amount of shimmer and shine. It lasted for two hours. Chanel French Toffee is similar, less sparkly. Dior No Angel is similar. UIrban Decay Midnight Cowboy is also similar. MAC Almond Blossom is not as warm-toned. MAC Boundless Beige is creamier. MAC Bare Necessity is similar. See comparison swatches.

Sugar Violet Super Lustrous Lipgloss ($7.99 for 0.13 fl. oz.) is a fuchsia-lilac with iridescent shimmer. It had semi-sheer color payoff, which gave a hint of shimmer, glossiness, and tinted lips to a deeper pink. This shade wore well for two hours. It is similar to Pink Pop, but it does have shimmer. Revlon Fuchsia Finery is pinker. Revlon Berry Allure doesn’t have shimmer. MAC Dress Kimono is similar. Burberry Hibiscus is similar. Bobbi Brown Electric Violet is cooler-toned. See comparison swatches.

For a comparison of the new formula to the prior one, please see this post. The feel and consistency of the formula is pleasant and comfortable, but several shades tend to give a splotchy, uneven look to lips. The other issue is that because of how thin they are, they don’t last long. I normally get three to four hours of wear out of gloss, but these are lucky to last two hours. They definitely need frequent application to maintain the shine and color, which makes it all the more disappointing that the amount is only 0.13 fl. oz. in the container (the original formula had 0.20 fl. oz., which is more in line with average gloss size).  These had a thin, lightweight feel and were hydrating when worn.  I noticed a very slight tackiness that developed after two hours of wear, but it’s not truly tacky.

Revlon Super Lustrous Lipgloss (2013) Pink Pop
Pink Pop
Pink Pop
8
Product
8.5
Pigmentation
9
Texture
6.5
Longevity
4
Application
80%
Total
Revlon Super Lustrous Lipgloss (2013) Snow Pink
Snow Pink
Snow Pink
8
Product
9
Pigmentation
9
Texture
6
Longevity
4.5
Application
81%
Total
Revlon Super Lustrous Lipgloss (2013) Sugar Violet
Sugar Violet
Sugar Violet
9
Product
10
Pigmentation
9
Texture
6
Longevity
4.5
Application
86%
Total

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NARS Brow Perfectors

NARS Caucase Brow Perfector
NARS Caucase Brow Perfector

NARS Brow Perfector ($22.00 for 0.007 oz.) will be available in four shades that range from blonde to black (but no redhead). The formula is described as “velvety” with a “natural matte finish” and “natural ingredients [that] ensure brows are nourished, soft, and smooth.” That last bit, I couldn’t attest to and don’t actually know what they’re referring to as far as particulars. There’s a lot of focus on the precision tip of the pencil that is oval-shaped.

  • Caucase is described as “brown.” It’s a light-medium, neutral brown with a matte finish.
  • Kalamata is described as “light brown.” It’s a light-medium, slightly warm-toned brown with a matte finish. I could barely tell the difference between this and Caucase, both in the pencil as well as swatched. I triple-checked the names to make sure they were, in fact, two different shades!
  • Salzbourg is described as “blonde.” It’s a pale, peachy beige-brown with a matte finish.
  • Suriname is described as “black.” It’s a blackened brown with subtle, cool undertones and a mostly matte finish.

I used a mix of Caucase and Suriname to fill in the right (your right!) brow, as the first was a bit too light, and the second was too dark. The consistency all four shades was very stiff, slightly waxy, but they’re skip-happy and are best applied with little dashes of product rather than trying to fill in any fluid manner. You’re just not going to get good color payoff in a single stroke, and to get any color at all, you need firm pressure. I normally use powder to fill in my brows, which I find easier, more precise, and infinitely more blendable. These pencils stick where you place them, and they don’t blend together too well. On the upside, the product lasted well for nine hours. The oval shape didn’t seem to give me added precision, but it didn’t seem to complicate matters–if you have finer or thinner brows, it may be an issue, though.

MAC Harmony Blush

MAC Harmony Blush
MAC Harmony Blush

MAC Harmony Blush ($21.00 for 0.21 oz.) is described as a “muted rose-beige brown [with a Matte finish].” It’s a muted, medium-dark brown with a matte finish. It is slightly warm-toned, but it isn’t orange. NARS Madly is slightly darker and more shimmery. MAC Coppertone is warmer, brighter, more orange. Burberry Earthly is browner, less warm-toned. See comparison swatches.

Harmony has long been used by MAC fans as blush, bronzer, and contour, so it can be a very multi-tasking product in your stash, depending on your skin tone and preferences.  I remember this was my go-to for contouring when I was in college, and I only put it down when MAC came out with Sculpt, which is grayer and more neutral.  It nice, buildable color payoff that went on true-to-pan but could be applied lightly for a softer application.  The texture was smooth, finely-milled, and blendable on the skin.  Harmony wore well for almost eight hours and then started to fade.

MAC Powder Blush Harmony
Harmony
Harmony
9
Product
10
Pigmentation
9
Texture
8.5
Longevity
5
Application
92%
Total

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Revlon Emerald/Empire PhotoReady Kajal

Revlon Emerald/Empire PhotoReady Kajal
Revlon Emerald PhotoReady Kajal

Revlon Emerald/Empire PhotoReady Kajal ($8.99 for 0.08 oz.) is a dual-ended eyeliner with a bolder, deeper shade on one end for lining and defining, and then a brightening shade on the opposite end. Revlon says both shades can be applied to the water line as well as the lower lash line and should last all-day long and have a creamy formula. I found both ends to be creamy, nicely pigmented (Empire was fully opaque, while Emerald was mostly opaque), and they glided across the lash line easily without tugging, dragging, or skipping.

I wore both on the lower lash line as well as water line, and both applied with opaque color on the water line well.  The bad news is that I had terrible wear with both shades, but it was most distressing to see Empire dragged out about half an inch past my lash line like I had gone swimming for the past hour and a half, maybe with a few crying fits afterward!  I even had bits of the eyeliner on my actual lid–that’s transfer from the lower lash line onto the lid!  I didn’t see as much bleeding with Empire, but because it blended it out to my skin tone, it was hard to tell; but it had clearly faded/migrated.  NARS’ Kaliste actually looks a lot like Emerald (no, it had the exact same wear, so you can see what I mean!), and I had the same experience with that eyeliner formula as well–and it felt like a dream to apply but was a nightmare to wear.

All of this happened within an hour of wearing them.  I looked at my notes, and I thought, “Well, let’s just test it one more time,” and in fact, I tested both shades twice more today, and I had the same bleeding, smudged wear after an hour or less of wear.  It’s really a shame, because the creaminess, coupled with the rich color payoff, made this an eyeliner I wanted to rave about.

Emerald is a blue-tinted teal with a mostly matte finish–there is a smidgen of micro-shimmer, but it doesn’t appear visible applied (looks matte). MAC Blue Noon is greener. Estee Lauder Dramatic Teal is bluer. See comparison swatches. You can also see additional blue-based teal eyeliner swatches.

Empire is a lightened, warm-toned, light beige with a matte finish. Sephora Blonde Ambition is more shimmery, while NARS Rue Bonaparte is more neutral. See comparison swatches. It would also be comparable to MAC NC15/NW20.

Revlon PhotoReady Kajal Intense Eye Liner + Brightener Emerald/Empire
5
Product
9.5
Pigmentation
9.5
Texture
1.5
Longevity
4.5
Application
67%
Total
See All Glossovers

Also In This Review

D-

Emerald

Permanent
Read Review
C-

Empire

Permanent
Read Review

Hourglass Radiant Light Ambient Lighting Powder

Hourglass Radiant Light Ambient Lighting Powder
Hourglass Radiant Light Ambient Lighting Powder

Hourglass Radiant Light Ambient Lighting Powder ($45.00 for 0.35 oz.) is described as a “golden beige powder.” It’s a subdued, light-medium peach-orange with golden shimmer. Because of the type of product it is, it sheers out considerably to mostly translucent powder that adds warmth and radiance. NARS Miss Liberty has a similar coloring but has larger shimmer/sparkle. Chanel Lucky Stripes is more pigmented and works as a bronzer/highlighter. See comparison swatches.

The texture is very soft and finely-milled; feels like silk and blends out smoothly, but it is a very soft powder so there is some excess powder that gets dislodged while brushing against the surface. Hourglass’ Ambient Lighting Powders are supposed to mimic different types of light, generally giving skin a softer, smoother look with subtle glow Radiant Light is supposed to “[enhance] the overall complexion with believable, subtle warmth.”  That’s exactly what it does:  it gives skin a gentle warmth while having a soft-focus effect that makes skin appear smoother than it actually is.  Because this is a powder, for my normal-to-dry skin, it also sets my foundation and prolongs the wear of my foundation by an hour (like a setting powder), even though it’s not claimed to do so. I suspect on very fair skin that this may be like a soft bronzer.

Hourglass Ambient Lighting Powder Radiant Light
Radiant Light
Radiant Light
10
Product
10
Pigmentation
9.5
Texture
10
Longevity
5
Application
99%
Total

Chanel Melba (75) Rouge Coco Shine

Chanel Melba (75) Rouge Coco Shine
Chanel Melba (75) Rouge Coco Shine

Chanel Melba (75) Rouge Coco Shine ($34.00 for 0.10 oz.) is a light peach with warm undertones and a glossy shine. It is somewhat like Chanel Gourmandise, which came out alongside this shade, so I don’t think you need both. MAC Luxe Natural is more beige. MAC Woo Me is more opaque. Bobbi Brown Uber Beige is more opaque. See comparison swatches.

As one might expect, given the sheer, shiny color of the Rouge Coco Shine range, Melba had semi-sheer color payoff. On my lips, it lightened and brightened my natural lip color and evened out the color as well as concealed my lip freckle slightly. It has a lightweight, balm-like consistency that’s creamy, slick, and easy to apply. The lipstick glides on without tugging or pulling at the lip, and it is lightly hydrating while worn. The high shine finish lasts about an hour and a half, then it starts to dull, and all of it seems imperceptible after two hours of wear. It has a light floral fragrance.

Chanel Rouge Coco Shine Hydrating Sheer Lipshine Melba (75)
Melba (75)
Melba (75)
8.5
Product
10
Pigmentation
10
Texture
6.5
Longevity
5
Application
89%
Total

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