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Maybelline Barely Branded Color Tattoo Metal Eyeshadow

Maybelline Barely Branded Color Tattoo Metal Eyeshadow
Maybelline Barely Branded Color Tattoo Metal Eyeshadow

More than Cream: Maybelline Goes Metallic with Barely Branded

Maybelline Barely Branded Color Tattoo Metal Eyeshadow ($6.99 for 0.14 oz.) is a warm, creamy beige with a frosted, metallic finish. MAC Dazzlelight is whiter, less yellow/warm. MAC Brule reminded me of it, just matte and powder. Tarina Tarantino Fantastical was the closest in color–fairly close–but is a powder product. I think MAC Bare Study is whiter, less warm-toned.

I see this shade being very versatile and easily becoming a go-to eyeshadow base for a good portion of people. The shimmer when it sheers out is nice, and what I liked more about it was that it sheered out evenly so it could be easily used as a wash of color for when you’re pressed for time. The best news of all, of course, is that it did in fact wear for a full twelve hours without creasing or fading when I tested it.  It had a nice creamy consistency that made for quick and easy application, and it built up color well–I’d say use less for sheer color, because it is was nicely pigmented. I was able to get opaque color in one layer using a flat, firm brush (like MAC’s 249).  I picked it up at my local Walgreens, but it IS available online NOW! (YAY!) at ULTA. ULTA also has a deal for $10 off any $60 purchase with code 89776.

Maybelline Barely Branded Color Tattoo Metal Eyeshadow

A+
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

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Urban Decay Naked Flushed Palette

Urban Decay Naked Flushed Palette
Urban Decay Naked Flushed Palette

More Naked with Flushed

Urban Decay Naked Flushed Palette ($30.00 for 0.49 oz.) includes a bronzer (described as a sheer medium bronze satin), highlighter (described as a soft pink champagne shimmer), and blush (described as a dusty rose satin with a hint of shimmer).

Bronzer is a medium-tan with orange-brown undertones and has a barely-there sheen. It does have sheer color, as described. The texture is firm but not powdery or really dry, just firm; the texture does not feel like Urban Decay’s eyeshadows, which are buttery and dense, softer, too. MAC Cajun is darker and more shimmery. MAC Nude on Board is browner, less orange. Urban Decay Gilded is browner and frosted. It applied the best out of the three shades, and because of the strong warm, orange undertones, will complement warmer complexions more. On my skin tone, it was a soft, warmed-over shade that actually worked well but I don’t see it showing up on medium-dark to dark complexions or working with cooler skin tones.

Highlighter is a champagne beige with a frosted, metallic finish. The payoff is seemingly sheer, but it really frosts the skin when applied. A little goes a very, very long way! Even lightly used, it yields a frosted, metallic finish on the skin that, unfortunately, emphasizes pores quite readily. I did a heavier application on the left, then a lighter application on the right (over the blush and bronzer, respectively). Bobbi Brown 24 Karat is more golden. bareMinerals The Love Affair has a golden sheen. MAC Superb is similar when applied, though darker/more pigmented. MAC Redhead is a touch pinker. Bobbi Brown Rose Gold is similar.

Blush is a medium-dark rosy pink with a hint of coral warmth that is mostly matte in finish. Though there are some bits of shimmer, it really looks matte both swatched and applied to the cheeks. It had so-so color payoff but the texture was on the drier side. It didn’t blend as easily as a great blush does. Guerlain Pink Punk is a bit pinker. MAC Supercontinental is lighter. MAC Fleet Fast is similar–a bit darker. Laura Mercier Canyon Sunset is darker.

The shades can be used individually or blended together as desired.  I was expecting a denser, more buttery texture–more like their eyeshadows–than the firm, drier texture that was here.  The highlighter was more like their eyeshadows, though still less buttery.  The good news is that none of the shades were powdery.  When I wore these yesterday, the bronzer wore the best with seven and a half hours of wear, while the highlighter was a bit patchy after six hours.  The blush lasted for seven hours but was noticeably faded after eight hours.

I know that Urban Decay stated in the press release that this is designed to work with all skin tones (and straight from the press release: “as our staffers can attest”), I’m not sure it will.  The bronzer, by being so sheer and not very buildable, may not show up on some complexions at all.  The blush may accentuate redness in cheeks, and because it’s not as blendable, it can look ruddy and uneven (rosy-hued blushes can be hard to perfect).  The highlighter is over-the-top even in light applications, so I don’t expect it to appeal to as many.  It’s just going to emphasize pores and any imperfections on the skin.

Urban Decay Naked Flushed Palette

C+
7
Product
9
Pigmentation
8
Texture
7.5
Longevity
4
Application
79%
Total

Urban Decay Ammo Eyeshadow Palette (2013 Edition)

Urban Decay Ammo Eyeshadow Palette (2013 Edition)
Urban Decay Ammo Eyeshadow Palette (2013 Edition)

Everything Old is New Again

Urban Decay Ammo Eyeshadow Palette (2013 Edition) ($34.00 for 10 x 0.03 oz.) includes ten of Urban Decay’s bestselling eyeshadows, which are: Smog (deep coppery bronze shimmer), Mildew (mossy green shimmer with gold shift), Oil Slick (black matte with silver micro-glitter), Last Call (metallic plum shimmer), Chopper (copper shimmer with silver micro-glitter), Maui Wowie (metallic golden beige shimmer with silver glitter), Shattered (turquoise shimmer with a gold shift), Polyester Bride (white snow shimmer with silver micro-glitter), Grifter (sheer lavender shimmer with silver micro-glitter), and Sin (champagne shimmer).

Smog is a warm, medium-dark bronze with orange undertones and a frosted finish. It had excellent color payoff and a soft, smooth texture. bareMinerals Ritzy is slightly darker. MAC Mulch is redder. MAC Bronze is more metallic.

Mildew is a mossy green with an olive undertone and subtle forest green shimmer over a frost finish. It seemed a little less pigmented here than I remember the full-size pot, but when I applied it to the lid, I didn’t notice any pigmentation level differences. L’Oreal Golden Emerald is darker, greener, less yellow-toned. Tarina Tarantino Dandy Lion is yellower. theBalm Makeout Mary is very similar. shu uemura Smoky Velvet #2 is a cream version but similar in color.

Oil Slick is a dark black with a teal micro-shimmer–it looks mostly gray-black on the lid and blended out; the shimmer so fine and sparse that it isn’t visible. The color payoff was good, though, and the texture was soft though a little drier than the other shades. bareMinerals Penthouse is a touch darker and more matte. Buxom Black Lab is similar in color but a cream product. MAC Cinderfella has more shimmer. Bobbi Brown Lava is more matte and has larger sparkle.

Last Call is a pinky-plum with red undertones and a frosted, metallic finish. It had great pigmentation and applied smoothly. Chanel Harmonie du Soir #3 is more muted, less pink. L’Oreal Glistening Garnet is lighter, redder, less plum. MAC Stylishly Merry is much pinker.

Chopper is an orange-copper with a frosted, metallic finish. It is supposed to have micro-glitter, which is visible in the pan, but when I swatched it, all of the glitter was swept away. The color payoff of the underlying shade was full and opaque, and it had a smooth texture. bareMinerals Louder is a touch browner. Wet ‘n’ Wild Sparkle ‘Til Morning #6 is a bit more orange, less metallic. Urban Decay Penny Lane is a touch more orange.

Maui Wowie is a pale, not-quite-dirty gold with dark gold micro-glitter and a frosted finish. It had excellent pigmentation, and it was soft and smooth to the touch, but like Chopper, the majority of the micro-glitter disappears. bareMinerals First Class is darker, browner. Chanel Apparence is a cream product, and it is darker. bareMinerals Chart Topper is more muted.

Shattered is a bluish-teal with a green-teal sheen. It has a frosted, somewhat metallic finish. The payoff felt a little weaker here than I remember it being in the past. L’Oreal Endless Sea is similar. Guerlain Les Aquas #2 is lighter.

Polyester Bride is a brightened, creamy white with a frosted, metallic finish and silver micro-glitter. Again, the micro-glitter disappears as you smooth out the color. This shade was less pigmented than the others. bareMinerals Silhouette is very similar, slightly less metallic. Cinderella Midnight Hour is very close in color. Cinderella Ball Gown is also similar.

Grifter is a pink lavender with a frosted, metallic finish and silver micro-glitter. The micro-glitter tends to move around and disappear as you blend out the color. The pigmentation was decent, though Urban Decay did describe it as “sheer,” so it was as expected. Guerlain Attrape-Coeur #4 is less metallic. NARS Marie-Galante #1 is more iridescent.

Sin is a warmed-up champagne beige with a high-shine, metallic finish. It had great pigmentation, and it applied very smoothly and evenly. This color is the closest to a highlight shade in the palette, but it is very, very metallic/frosted on the brow bone. bareMinerals Libation is warmer. Giorgio Armani #8 is pinker. Inglot #397 is comparable.

If you have the original Ammo palette, you’ll have the exact same shades; this palette has a new design and includes all of the same shades but in Urban Decay’s revamped eyeshadow formula. Also, all ten shades are part of the permanent range, so they can be purchased individually if desired. You are almost never better off purchasing singles, because the palette is less than the cost of two individual shades. Chances are low that you’ll actually finish an entire pot of eyeshadow, though the individual eyeshadows are 0.05 oz. and each shade within the palette is 0.03 oz.

If you don’t want to deal with glitter and its fall out, you may want to skip this palette, as five of the ten shades have Urban Decay’s signature micro-glitter. What I will say in regards to the fall out is that 90% of it occurs while you apply it, so after you’ve finished the look, you can remove it and while you will see some stray glitter particles throughout the day (I found some on my nose, below it, and elsewhere on my under eye/upper cheek area), it’s not much.

Now, the reason there actually isn’t much fall out during wear is simple: hardly any gets transferred to the lid! Ahh, the secret! The reality is that if you like the idea of glittery bits on the lid, you’re just not going to get the effect–they end up looking like the base color sans the glitter applied. The sparkle just doesn’t bind with the eyeshadow, so it sits on top and easily gets brushed elsewhere.  If you want the glitter, your best bet is to use a firm, flat brush and pat it over a sticky base.

Overall, the pigmentation of the shades was good to great, with only Polyester Bride coming in a bit short (Grifter isn’t opaque, but it is supposed to be sheer).  The textures are soft, buttery, and dense, with Oil Slick being a bit drier but seemingly softer/denser than previous iterations of it.  When I wore these shades for eight hours, I had a few sparkles of fall out, but I didn’t have any problems with fading or creasing.

Urban Decay Ammo Eyeshadow Palette (2013 Edition)

B+
9
Product
9
Pigmentation
9
Texture
8
Longevity
4
Application
87%
Total

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Dior Espiegle (687) Dior Addict Lipstick

Dior Espiegle (687) Dior Addict Lipstick
Dior Espiegle (687) Dior Addict Lipstick

A Sheer Dance of Fuchsia Shimmer

Dior Espiegle (687) Dior Addict Lipstick ($31.00 for 0.12 oz.) is described as a “punch of pink.” It looks like a fuchsia pink in the tube, but it’s much tamer swatched and applied. It’s a lightly cool-toned, medium pink with iridescent shimmer. On my lips, it brightened and added some cool-toned pink coloring. Guerlain Rose Ensoleille looks similar on but is a bit warmer overall. Guerlain Rose Piquant is cooler-toned. The shimmer was reminiscent of Revlon cupcake, which is more lilac and pigmented.

This shade wore away in a mere two hours, which is quick for a lip product–a lot of this range lasts three hours, which is decent for something as balm-like in texture as this is.  The texture is slick, lightweight, and very comfortable on the lips.  It also applies evenly and slides on without tugging or dragging.  It is somewhat hydrating but not enough where I’d describe the formula as a moisturizing one.  The color is sheer, which is on par with the range and expected results (supposed to have a “veil” of color), so don’t let the color in the tube intimidate (or mislead) you!

Dior Addict Lip Color Espiegle
Espiegle

MAC Veluxe Brow Liners

MAC Strawberry Blonde Veluxe Brow Liner
MAC Strawberry Blonde Veluxe Brow Liner

MAC Stylish Brow: Veluxe Brow Liner

MAC Veluxe Brow Liner ($19.50 for 0.042 oz.) is a new and permanent range of brow pencils that can be used to fill, define, and shape the brow. It comes in five shades: Strawberry Blonde (soft muted beige-taupe), Redhead (soft brown), Brunette (muted mid-tone gray), Deep Brunette (muted blackish-brown), and Deep Dark Brunette (dark dirty chocolate).

  • Strawberry Blonde is a light-medium brown with a gray-ish cast.
  • Redhead is a light-medium brown with subtle warm undertones.
  • Brunette is a medium brown with a subtle gray tinge.
  • Deep Brunette is a medium-dark brown with subtle, warm undertones.
  • Deep Dark Brunette is a dark brown with subtle warm, undertones. It is only marginally darker than Deep Brunette and has less red undertones.

MAC described the pencil as a “rich powdery formula.”  It is kind of odd to think of an eyeliner as powdery, but there is a little powderiness to the pencil here.  That powderiness works well with the brow pencil, because it lends it a softer finish and feel, so it looks more natural and is more readily blended along the brow so it doesn’t create harsh lines.

After using the Brow Gelcreme, the Veluxe Brow Liner was less interesting.  It’s not too soft or hard; firm enough to give a full, opaque line of color, but not so firm that it drags or pulls.  Unlike a lot of pencil eyeliners, there is no dry-down–it’s like a pressed powder eyeshadow in pencil form.  When I wore Deep Dark Brunette, I felt it was a smidgen on the light side for my natural brow color (dark brown, slightly black)–I typically use Espresso or Brun eyeshadows to fill my brows in–and it was faded in places (about 80% remained) after eight hours.  Unlike the Brow Gelcremes, this range has more shades, though I think it is lacking a really dark shade and not enough ashy colors.

The five new pencils are permanent, per a Live Chat I did with MAC yesterday (and the website corroborates, as they aren’t listed as limited edition), so you can feel free to fall in love and make it a new staple in your routine.

MAC Veluxe Brow Liners

A-
9
Product
10
Pigmentation
9.5
Texture
7.5
Longevity
5
Application
91%
Total

MAC Fluidline Brow Gelcremes

MAC Dirty Blonde Fluidline Brow Gelcreme
MAC Dirty Blonde Fluidline Brow Gelcreme

MAC Stylish Brow: Fluidline Brow Gelcreme

MAC Fluidline Brow Gelcreme ($15.00 for 0.10 fl. oz.) is a new, limited edition brow gel that’s supposed to be long-wearing, waterproof, and sets quickly. It comes in three shades: Dirty Blonde (soft taupe brown), Redhead (muted golden brown), and Deep Dark Brunette (rich brunette).

  • Dirty Blonde is an ochre-toned brown with a gray cast; it’s a bit yellow-brown to be a true taupe, but there’s a definite grayness to it that give sit a taupe-like coloring.
  • Redhead is a warm, yellowed, medium tan-brown.
  • Deep Dark Brunette is a dark brown with subtle, warm red undertones.

Ooh–I really like these.  They have the same consistency and feel of MAC’s Fluidlines, which is a fantastic formula.  It’s creamy, pigmented, smooth, and it sets efficiently–not so quick that you have no time to fix mistakes, blend, or the like, but not so long that it has time to move around.  I used Deep Dark Brunette to fill in my brow using the 208 (which is the brush promoted with this launch), and it was lovely.  The creamy consistency allowed for a really crisp line and edge along the upper and lower edges of the brow.  The color wasn’t too harsh against my skin tone and with my brow color, so on dark brown (with a bit of black) brows, it’s an appropriate color.

All three shades had incredible pigmentation; the color payoff in a single pass was opaque and didn’t skip or drag.  When I tested the shade closest to my brow color, it lasted all day long.  I had no problem getting a full eight hours of wear, and even after twelve hours, 90% of it remained.  Mere water did not smudge or cause it to run, either, so it holds up to the waterproof claim as well.  I will be curious to see how suitable Dirty Blonde and Redhead are for those with lighter brows.  I wish this formula was permanent, and I could see a few more shades being added to round it out more.

MAC Fluidline Brow Gelcremes

A+
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

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