Tuesday, June 28th, 2011


MAC Newly Minted Eyeshadow

MAC Eyeshadow Swatches – Teals & Blues

Here are several swatches of MAC eyeshadows from the green family (mostly permanent shades) that are now part of The Swatch Gallery.

Newly Minted is a green-based teal with a matte finish. It had a Matte2 finish, but it was discontinued. Make Up For Ever #93 comes the closest–it’s a little brighter but has better color payoff.
Shimmermoss is a blue-teal with a silvery sheen. It has a veluxe pearl finish. Milani Teal the Truth is similar in color but a touch darker, while
Aquadisiac is a green-tinged aqua blue with a soft sheen. It has a lustre finish. Make Up For Ever #168 is the only dupe I could think of, but it’s much darker and not so much an aqua.
Aqua is a soft aqua blue with a matte finish. It’s a little powdery and can look chalky on some complexions. Milani Caribbean Sea is similar in color, though a little darker and shimmery. Inglot #345 has a similar lightness but leans greener.
Plumage is a blackened blue with just a hint of green. It has a matte finish. Inglot #340 is not quite as dark, but it is very similar in color and more pigmented.
Prussian is a dark navy blue with a Matte2 finish. It has been discontinued. Make Up For Ever #60 is the closest shade I could think of, but it is much darker and not quite as blue.
Deep Truth is a dark blue with a frost finish. This is a shade with a fair amount of dupes/cousins. Just to name a few: Make Up For Ever #308, Milani Blue My Mind, and Inglot #428.
Freshwater is a bright, medium blue with a veluxe pearl finish. Inglot #426 is similar, a little darker. Make Up For Ever #167 is also similar but a bit darker.
Blue Calm is a brightened, medium blue with a veluxe pearl finish. It is a PRO shade. It’s just a smidgen lighter than Freshwater (and thus is a smidgen lighter than the comparables listed for Freshwater).
Electric Eel is a bright but darkened cyan blue with a satin finish. Inglot #371 is very similar. Urban Decay Electric is slightly less blue. Make Up For Ever #72 is darker.
Sky Blue is a pale, pastel blue with a white sheen. It has a frost finish and was a PRO shade but is no longer available. Make Up For Ever #150 is very similar. Cle de Peau #112 is also similar but a little lighter.
Winkle is a cornflower blue, almost periwinkle, with a satin finish. It is similar to Inglot #369.
Moon’s Reflection is a purple-tinged blue with a silvery-white sheen. It has a veluxe pearl finish. The closest color I could think of was Inglot #429, which leans more on the purple side and has a brighter white sheen.
Atlantic Blue is a deep, intense cobalt blue with a hint of indigo. It has a matte finish and is a PRO shade. Make Up For Ever #159 is similar but has less violet in it, while Inglot #388 is a little darker and has less blue.

MAC’s matte eyeshadows have a drier texture, and they often perform better in actual application than merely swatched on the arm.  Shades like Aqua, Plumage, and Prussian don’t always swatch perfectly but Plumage and Prussian work better when applied.  Aqua is a finicky shade that sometimes works but not consistently, and the product itself seems to be inconsistent–some pans are better than others.

Atlantic Blue is one of the best matte shades by MAC, because it’s so intense.  Shades like Deep Truth, Freshwater, and Electric Eel are classic blues–all three lovely in color payoff and texture.  Electric Eel has all the hallmarks of a matte but it has a satin finish, so it’s easier to work with.  Sky Blue can be tricky to work with, similar to Aqua’s issues.

It’s a shame that a shade like Newly Minted gets discontinued, though, because it’s not a shade you see often.  (Or, for the older MAC fans, Melody!)

The Glossover

coming-soon

MAC Eyeshadow Swatches - Teals & Blues

B+

MAC does some really great blues, like Freshwater, Blue Calm, Deep Truth, and Electric Eel. Veluxe pearls are some of their smoothest and most pigmented shades, while mattes can be harder to work with.

Product

8.5/10

Pigmentation

9/10

Texture

8.5/10

Longevity

10/10

Application

4/5

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Tuesday, June 28th, 2011


CoverGirl Captivate Lip Perfection Lipcolor

CoverGirl Lip Perfection: Captivate, Fervor, Enchant, Smoky, Enamor

Let’s take a look at five more shades of Lip Perfection, and these five finish up the range of brown-based lip colors within the CoverGirl Lip Perfection Lipcolor ($6.99 for 0.12 oz.) formula.  Like the first six I reviewed, this set of five yield opaque color coverage with very little product (think one swipe!) and have a slight shine regardless of whether it’s a straight cream or laced with a little micro-shimmer.  As I said in my original review, the only ding on these is that they’re not as moisturizing as they claim to be.

  • Captivate is an opaque, lightened, brick red with a creamy finish with a subtle shimmer and shine. It’s a little lighter than Bobbi Brown Raisin. It seems a bit redder than Chanel Imperial.
  • Fervor is an opaque, plummy red with a creamy finish and shine. It’s only a smidgen darker than Cle de Peau #117. It’s pinker than Chanel Ballet Russe. It’s also similar to MAC Sappho.
  • Enchant is an opaque, dark chocolate brown kissed by red with a glossy shine and creamy finish. It’s not quite as dark as NYX Very Berry but similar. It is also similar to NYX Decadent Lipstick, which is a little lighter. It’s more opaque and a touch lighter than MAC Underworld.
  • Smoky is an opaque, rich bronze shimmered brown with a metallic sheen. I couldn’t think of anything similar to this that I’ve reviewed.
  • Enamor is an opaque reddened brown with a creamy finish and shine. It has a creamier finish but is close to the color of Illamasqua Growl and Bobbi Brown Blackberry. MAC Dark Side is redder and brighter, but it is fairly close to MAC Dark Deed.

For a full review of the formula, please read my original review! :)

The Glossover

coming-soon

CoverGirl Captivate Lip Perfection Lipcolor Swatches, Photos, Reviews (Part 2)

A
I think the color range is excellent, and there are some really stunning shades that I think people would love. These are a more moisturizing lipstick, but they don't replace lip balm for me, so the rating reflects a slight miss on that particular claim.

Product

8.5/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

4.5/5

Results
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Tuesday, June 28th, 2011

Chanel Prelude Eyeshadow Quad
Chanel Prelude Eyeshadow Quad

Chanel Fall 2011: Prelude Eyeshadow Quad

Chanel Prelude Eyeshadow Quad ($57.00 for 0.24 oz.) contains four cool-toned shades for fall. According to Chanel’s fall press release, this is new and being added to the permanent range.  This is a lovely mix of colors that complement each other and will work together in numerous variations for soft, neutral looks to heavier, smokier looks.  The finishes are all slightly pearled or shimmery but not too shimmered or frosted.

The eyeshadows are soft and silky smooth; very finely milled without being powdery or chalky.  They apply beautifully and sit well against the skin, because they nearly melt once applied and blend with great ease.  There were no issues with texture or pigmentation in any of these four shades.  Soft where they should be soft, intense where they should be intense.

The upper left shade is a purple-tinged taupe brown with multi-colored micro-shimmer, and it has a shimmery finish. It reminded me of a shimmery version of Burberry Taupe, as well as a less metallic MAC Hint of Sapphire. Inglot’s #434 is much more intense, with a blacker base, and reads more purple. Giorgio Armani’s #1 Eyes to Kill is much more intense, but it has a similar multi-colored shimmer.

On the upper right, there is a warm, metallic-finished ivory gold. It’s subtler and less yellow compared to theBalm’s Devilish Danielle, while MAC Short Shorts is more similar, but it leans a little yellower (same with MAC Manila Paper.

The shade on the bottom left is a soft beige-taupe with a pearled sheen. I couldn’t think of any close shades to this, other than Estee Lauder Tempting Mocha, which appears a bit darker.

Our final shade is a blackened-brown purple with a satin sheen. It’s very intense and bold; it could work well as an eyeliner, too. theBalm’s Feisty Felicia was the closest shade I could find, and it has a very shimmered finish in comparison.

It is reminiscent of a few past Chanel quads, actually. It’s not quite Beiges de Chanel, though I heard a few wonder if it was. The only shade that is similar is the blackened purple. It’s a bit like Stupendous, but the purple-ish shade is much lighter and browner, but the beige-taupe shades are similar.

The Glossover

palette

Prelude

A+
This is one of Chanel's best quads, and it is so perfect for fall. It's soft and smoky, but it is more a mix of taupe, plum, and ivory than grays and blacks. Though it leans cool and will be ideal for cooler skin tones, I think it will be nice on warmer skin tones.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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Monday, June 27th, 2011


MAC Femme Noir Eyeshadow

MAC Eyeshadow Swatches – Greens

Here are several swatches of MAC eyeshadows from the green family (mostly permanent shades) that are now part of The Swatch Gallery.

Femme Noir is a smoky, dark green with subtle yellow undertones. It has a veluxe finish, and it has been discontinued. It’s actually rather close to MAC Diana Undercover, which was from Wonder Woman.
Flourishing is a khaki green with a matte finish. It has a Matte2 finish, and it has been discontinued.
Greensmoke is a muted, smoky green with a golden sheen. It has a lustre finish, but it’s honestly one of the better lustres I’ve come across–it doesn’t have the sheer, uneven payoff of most lustres nor the issues with fall out.
Sumptuous Olive is an olive green with brown undertones and a golden sheen. It has a veluxe pearl finish. Inglot #433 was the closest dupe I could find, but it’s less green.
Humid is a medium-dark forest green with a subtle golden sheen. It has a frost finish. Inglot #418 pulls deeper and darker–less yellow-based.
Velvet Moss is a mossy green with a near matte finish. It has a veluxe finish. It has been discontinued.
Wondergrass is a bright pop of grass green with a yellow undertone. It was limited edition, and it has a frost finish. Make Up FOr Ever #91 is similar in color but lacks shimmer/sheen.
Swimming is a medium grass green with gold shimmer and subtle gold sheen. It has a lustre finish.
Lucky Green is a bright, darkened chartreuse green with a golden sheen. It has a veluxe pearl finish. It is one of my all-time favorite greens! Make Up For Ever #304 is similar, not quite as deep.
Bitter is a yellowed chartreuse with a velvet finish. This is one of those shades that has never worked well for me. It’s always sheer and difficult to pack on. Inglot #343 is a better version–more pigmented.
Juxt is a spring green with a soft, golden shimmer-sheen. It has a satin finish.
Bottle Green is a dark, blue-based green with a matte finish. It is a PRO shade. It never swatches well, but it applies so smoothly and has excellent color payoff when used on the lid. Le Metier de Beaute Jade is most similar, but it has shimmer.

MAC has certainly done a slew of greens, yeah?  It’s been a long time since I’ve rearranged my eyeshadow palettes, as evidenced by how many discontinued shades I have in my so-called permanent palettes!  It’s a shame, too, because for shades like Flourishing and Velvet Moss, which were beautiful, there are no real comparable shades within MAC’s permanent range.

MAC’s matte eyeshadows have a drier texture, and they often perform better in actual application than merely swatched on the arm.  For instance, Bottle Green looks patchy when swatched, but it’s a shade I reach for regularly because of how smooth and buttery it looks on the lid.  Lucky Green has such a smooth, buttery texture with excellent color payoff, and it is easily one of MAC’s best eyeshadows in terms of quality.

The Glossover

coming-soon

MAC Eyeshadow Swatches - Greens

B+

Most of these shades have good color pay off, and the textures are easy to work with on the eyes. A couple shades were harder to work with (as noted in the post), but overall, these are nice.

Product

8.5/10

Pigmentation

8.5/10

Texture

8.5/10

Longevity

10/10

Application

4/5

Results
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Monday, June 27th, 2011


Chanel Glossimers in Pampille, Braise

Chanel Fall 2011: Glossimers

Chanel Glossimers ($28.50 for 0.19 oz.) include two new shades for fall (although, the website also lists Giggle, it’s not on Chanel’s official fall release). Pampille is a sheer pink, while Braise is a reddish brown.

  • Pampille is more like a sheer beige-peach with champagne shimmer. I didn’t see a lot of pink in the swatch. On lips, it’s mostly colorless and adds a glossy shine with shimmer.
  • Braise is a semi-sheer plummy-red with red, copper, and gold shimmer. The color applied evenly and gave lips a fuller look.

Chanel Glossimers are non-sticky glosses that tend to be sheer in color (with some shades being semi-sheer to semi-opaque, but the majority are on the sheer side). The way Glossimers reflect light tends to be one of their major draws, and it’s not always something that can be captured in a photograph. I’ve told this story before, but I didn’t understand the hype until I saw the way the gloss looked when the sunlight hit it–it was divine. Despite their non-tacky feel, they wear three to four hours, which is a surprising wear time for a non-sticky gloss. They’re comfortable to wear, and they fade evenly without leaving behind gritty glitter or shimmer.

Pampille is very much like any number of sheer lipglosses. There really is no defining characteristic to it that makes it stand out amongst numerous sheer glosses. Braise has more of a berry color and has shimmer, but it is similar to MAC Looks Like Sin. It’s also a more refined version of MAC Decorative.

The Glossover

product

Chanel Pampille & Braise Glossimers Reviews, Photos, Swatches

B+
Pampille is easily skipped if you have a lot of ultra sheer glosses in your stash, while Braise offers a lovely pinky-plum lip that will complement over vampy lipsticks for fall as well as work on its own.

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

8/10

Application

4/5

Results
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Monday, June 27th, 2011


Chanel Etole Rouge Coco Lipstick

Chanel Fall 2011: Etole Rouge Coco Lipstick

Chanel Etole Rouge Coco Lipstick ($32.00 for 0.12 oz.) is a medium-dark berry red with a hint of plum. When worn, it is dark without being overwhelmingly so; it’s a softened dark, if that makes any sense! There is a hint of shine, and the lip color really seems to melt into the natural lip and ends up looking rather natural. It’s a very fitting shade for fall, and I think it is incredibly easy to wear, particularly for thsoe who tend to stay away from darker lip colors. This is dark without being dominating.

Rouge Cocos are described as hydrating, though I find them only somewhat moisturizing overall. Etole has less frost and shimmer, and it wears better for it–it’s more moisturizing and applies evenly to lips without catching on any imperfections as a drier frost might. I was able to get about four hours of good wear with this particular shade. The color of this shade is nearly opaque (just a hint of my lip freckle peeks through). I do see it pulling red on those with more naturally red lips.

I thought it was most similar to Cle de Peau #117 Extra Silky Lipstick, which is perhaps a touch pinker, less berry. Dior Raspberry Serum is a bit redder and darker. MAC Capricious is similar but less opaque and on the pinker side.

The Glossover

P
product

Etole

A
As one of the first products I tested from Chanel's fall collection, it raised the bar! The color is perfect for fall, with its soft vampy feel, but still very wearable.

Product

9/10

Pigmentation

10/10

Texture

10/10

Longevity

9/10

Application

4.5/5

Results
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