Friday, June 17th, 2011


Inglot #366 Eyeshadow

Inglot Matte Eyeshadows in #366, 361, 352, 368, 330 (Oranges)

Inglot’s Matte Eyeshadows ($4.50 to $7.00 each for 0.09 oz.) have several orange-based shades–unfortunately, I am missing two of them.  Of the two missing, they seem like darker oranges.

  • 366 is a medium-dark red with orange undertones and a matte finish.  It seems most comparable to Make Up For Ever’s #99 but slightly more orange-based.
  • 361 is a coral-orange with a matte finish.  It’s lighter and less pink-based compared to MAC’s Free to Be.
  • 352 is a pale white tinged with coral and a matte finish.
  • 368 is a soft orange with a matte finish.
  • 330 is a lightened peach with a matte finish.

These are really soft mattes; they have a really buttery feel to them, where you can feel the powder loosening as you swatch.  They aren’t particularly powdery, though they’ll kick up a little dust if you are heavy handed with your brush.  A little product goes a long way, so there’s no reason to jab at the eyeshadow with a brush (something you might have done with past matte eyeshadows).  The softness and give allow these to apply smoothly and evenly; there is no patchiness or drag with these.

The only downside to these is if you really pack on the color, you might find that it fades (ever-so-marginally) after eight hours; it’s a very minimal drawback, resulting in 0.5 point reduction in longevity.

The Glossover

product

Inglot Matte Eyeshadows in #366, 361, 352, 368, 330 (Oranges)

A
If you love your mattes, I think you'll like Inglot's take on them. If you've been hesitant to try mattes, these are incredibly easy to work with.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

9.5/10

Application

4.5/5

Results
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Thursday, June 16th, 2011


Inglot Matte Eyeshadow Palette #1

Inglot Matte Eyeshadows in #382, 362, 319, 359, 356 (Reds & Pinks)

Inglot’s Matte Eyeshadows ($4.50 to $7.00 each for 0.09 oz.) are what they’re most well-known for, given the buzz I’ve seen in the past.  I’m missing a few that I expect will be in this range (specifically, one pink and two oranges), so I left blank spots for them that way I do not have to rearrange everything when I eventually buy them.

  • 382 is a medium-dark blue-based red with a matte finish.  This shade seems comparable to Make Up For Ever #158 (slightly brighter) and #99 (bluer undertones).
  • 362 is a bright, just-darker-than bubblegum pink with a matte finish.
  • 319 is a pale cotton candy pink with blue undertones and a matte finish.
  • 359 is a muted rosy beige with a matte finish.
  • 356 is a lightened rose-tinted beige with a matte finish.

These are really soft mattes; they have a really buttery feel to them, where you can feel the powder loosening as you swatch.  They aren’t particularly powdery, though they’ll kick up a little dust if you are heavy handed with your brush.  A little product goes a long way, so there’s no reason to jab at the eyeshadow with a brush (something you might have done with past matte eyeshadows).  The softness and give allow these to apply smoothly and evenly; there is no patchiness or drag with these.

The only downside to these is if you really pack on the color, you might find that it fades (ever-so-marginally) after eight hours; it’s a very minimal drawback, resulting in 0.5 point reduction in longevity.  Overall, these five shades had excellent color payoff and lovely textures.  Even the lightest, #356, applied smoothly and never looked chalky.

The Glossover

product

Inglot Matte Eyeshadows in #382, 362, 319, 359, 356 (Reds & Pinks)

A
If you love your mattes, I think you'll like Inglot's take on them. If you've been hesitant to try mattes, these are incredibly easy to work with.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

9.5/10

Application

4.5/5

Results
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Thursday, June 16th, 2011


MAC Beauty Marked Eyeshadow

MAC Eyeshadow Swatches – Reds, Pinks, Oranges

These are swatches only! :)  I am in the process of re-swatching a ton of products, because the Swatch Gallery is designed so you can compare individual products, so all of the swatches have to be done in a way that each swatch can be photographed and shown individually.  I’m going through various brands, so there is some variety as I journey through it all, but here are fourteen MAC eyeshadow swatches, along with my descriptions of the shades and any notes on performance if it was below average.  Unless noted otherwise, shades are part of the permanent range.

Beauty Marked is a blackened burgundy with multicolored shimmer. It has a velvet finish. It’s also a real pain in the behind to use, because it tends to apply unevenly. A lot of the sparkle doesn’t translate as well on the lid as it does in a swatch.
Cranberry is a berried red with a frost finish.
Post Haste is a pinked red with a Matte2 finish. It has been discontinued. It is slightly darker and redder than Passionate.
Passionate is a raspberry pink with a matte finish.
Sushi Flower is a medium-dark pink with a satin finish. It’s hard to build-up color and applies rather sheer.
Swish is a lilac shimmered pink with a frost finish.
Da Bling is a medium pink with subtle yellow undertones. It has a veluxe pearl finish.
Rose is a mauve-tinged pink with a slightly frosted finish. I have no idea what the official finish is, as it is now discontinued and was only a PRO shade before then (there is nothing on the label of mine that indicates the finish). My guess is frost.
Pen ‘n’ Pink is a pale, pastel pink with a Matte2 finish. It has been discontinued.
Coppering is a rich copper with a veluxe pearl finish.  It is one of MAC’s best-textured eyeshadows.
Red Brick is a dirty orange with a matte finish. It’s darker than Orange.
Expensive Pink is a dirty rose with peach and gold. It has a veluxe finish. It’s one of MAC”s more complex shades.
Free to Be is a coral-pink with a matte finish.
Orange is a medium-dark orange with a matte finish. It is part of the PRO line.

Overall, a few of these are excellent eyeshadows (like Cranberry, Coppering, and Expensive Pink), while some are total duds (Beauty Marked, Sushi Flower). Several of these have matte finishes, and my experience with MAC’s matte formula is they tend to perform infinitely better on the lid than when swatched. They are a drier matte, and they’re not a buttery or powdery formula, so you don’t end up with any fall out or fading, but they can be finicky.

The Glossover

coming-soon

MAC Eyeshadow Swatches - Reds, Pinks, Oranges

B

The best shades in this bunch are Coppering, Cranberry, and Expensive Pink, but mattes like Orange work so well on the lid that it's worth a look at, too. I would skip Beauty Marked and Sushi Flower.

Product

8/10

Pigmentation

8/10

Texture

8.5/10

Longevity

10/10

Application

4/5

Results
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Wednesday, June 15th, 2011


Chanel Liberte Rouge Coco Shine

Chanel Rouge Coco Shine in Liberte

Chanel Liberte (44) Rouge Coco Shine ($32.00 for 0.10 oz.) looks like it’ll be a brighter coral-red from the tube, but when swatched and applied, it’s a much softer color with only a hint of coral.  It’s a very played down mix of peach and pink.  It gives semi-opaque color coverage, but it seemed a little patchy compared to some of the other Rouge Coco Shines I’ve tried.    Rouge Coco Shines are supposed to deliver softer, sheerer color, so I would not expect full color coverage with this formula (consider Rouge Cocos or Rouge Allures for more color payoff).

It’s a sheerer version of MAC Temper Tantra (a touch pinker, too), which means it’s also similar to Korres #25 Liquid Lipstick. It’s slightly less pink compared to Chanel Libertine. MAC See Sheer is a little darker.  You can compare them all side-by-side in our Swatch Gallery.

This shade also wore off in about an hour and a half; I just can’t get it to stay on for long (most lipsticks last an average of four hours on me).  Rouge Coco Shines have many balm-like qualities; they’re glide on easily and feel very emollient, but they’re not as moisturizing as a balm.  These are slightly smaller than Chanel’s other lipsticks (0.10 oz. versions 0.12 oz.), but soft formula of the Rouge Coco Shines makes these easy to over-apply.

The Glossover

P
product

Liberte

B
This shade should work well on both cooler and warmer skin tones, because it's not a strong coral, so it doesn't pull orange but more peach.

Product

8/10

Pigmentation

9/10

Texture

10/10

Longevity

6/10

Application

5/5

Results
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Wednesday, June 15th, 2011


Inglot #434

Inglot Pearl Eyeshadows in Inglot #434, 444, 454, 451, 448, 447, 453 (Grays & Whites)

To wrap up our look at Inglot’s Pearl Eyeshadow ($4.50 to $7.00 each for 0.09 oz.), we have several grays and whites.  I’m not sure if there is a black eyeshadow with a pearl finish, but it could be in pot-form only or else not available online–seems hard to believe there isn’t any, though!   These were all easy to work; soft, smooth and application was seamless.  The color payoff is excellent without being excessive.  Lighter shades like #448 and 447 go on a lot lighter than they look in the pan, though.

  • 434 is a purple-gray with a pearl finish. This shade was surprisingly complex; I think it’s that mix of purple and gray and silver, which still retains depth.
  • 444 is a gray just barely kissed by brown with a pearl finish. It’s not quite taupe, but it’s almost there.
  • 454 is a bright silver with subtle brown in the background. It has a pearl finish.
  • 451 is a dark, blue-based gray with a soft silver shimmer and pearl finish.
  • 448 is a bright silver with a pearl finish that leans more metallic.
  • 447 is a bright white that has a hint of silver with a pearl finish. It seems to have a high level of frost.
  • 453 is a bright white with a pearl finish. It is similar to #447 but is a truer white, while the other seems just slightly silvered in comparison.

The Glossover

product

Inglot Pearl Eyeshadows in Inglot #434, 444, 454, 451, 448, 447, 453 (Grays & Whites)

A
If you're looking to create a traditional smoky eye of grays, Inglot sure has you covered. There is a good mix of light and dark, plus brighter whites for high contrast.

Product

10/10

Pigmentation

9.5/10

Texture

10/10

Longevity

10/10

Application

4.5/5

Results
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Wednesday, June 15th, 2011


Inglot #405

Inglot Pearl Eyeshadows in Inglot #405, 404, 419, 433 (Earth Tones)

Inglot’s Pearl Eyeshadow ($4.50 to $7.00 each for 0.09 oz.) were seemingly easy to organize by color, but after swatching, there were a few odd ones out that didn’t quite seem to go with traditional browns or greens.  Consequently, I give you earth tones.  I will finish up this palette with grays and whites in the next Inglot post! :)

I’ve come to really appreciate consistency over the years, both in a brand’s overall quality as well as what to expect from a particular product/formula.  I’m nearly finished swatching over forty shades of Inglot’s pearl eyeshadows, and there aren’t any true duds.  There are a couple that aren’t true-to-pan in color, but the quality is quite consistent within the range.  It just means that no matter what color you might buy, you can expect really soft, smooth textures with excellent color payoff–and these four shades are no exception.

  • 405 is a medium copper brown with a pearl finish, though it is slightly metallic in sheen. This seems like it would be comparable to MAC Amber Lights (perhaps not as red-based).
  • 404 is a dirtied gold with a pearl finish. It’s gold but not a true gold; there is some brown in there.  It seems comparable to MAC’s Goldmine (possibly a little darker).
  • 419 is a muted olive green with an antique gold sheen and pearl finish.
  • 433 is a lightened olive green with a stronger gold pull and pearl finish.

The Glossover

product

Inglot Pearl Eyeshadows in Inglot #405, 404, 419, 433 (Earth Tones)

A+
These are great shimmery earth tones that would work well with lighter beiges and champagnes. Both of the greener shades should work well across skin tones.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

4.5/5

Results
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