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Dior Chimere (821) & Meteore (661) Diorshow Fusion Mono Eyeshadows

Dior Chimere (821) Diorshow Fusion Mono Eyeshadow
Dior Chimere (821) Diorshow Fusion Mono Eyeshadow

Dior Chimere (821) Diorshow Fusion Mono Eyeshadow ($30.00 for 0.22 oz.) is a dirty peach with pink and gold shimmer and a frosted, slightly metallic finish. It had mostly opaque color in one layer, but two layers made it fully opaque. It could also be sheered out for a wash of shimmer. Too Faced Ringleader is lighter, warmer. Aveda Bare Bellis is more matte. theBalm Stubborn is less metallic. theBalm Third Eye Blinded is less pink. Maybelline Inked in Pink is pinker, lighter. MAC Jete is similar. Giorgio Armani #7 is slightly pinker. See comparison swatches.

Meteore (661) Diorshow Fusion Mono Eyeshadow ($30.00 for 0.22 oz.) is a warm, shimmering copper with a sparkling, metallic finish. It is opaque when applied in a single layer, but the consistency is lightly creamy and blendable, so a sheerer wash of color can be achieved if desired. LORAC Garnet is less shimmery. Guerlain Cuivre Ora is slightly more orange. NARS Isolde #2 is browner. MAC Faux Gold has a redder tone. MAC Antiqued has a redder tone and is darker. See comparison swatches.

The consistency of both shades was in line with other shades I’ve reviewed (see my original review). It had a spongy texture that was between gel and mousse, which applied and felt like a cream on the lid but set and wore like a powder eyeshadow. Both shades wore without fading or creasing for twelve hours, without a primer, but there was some fall out that was only slightly noticeable after nine hours of wear but somewhat noticeable after twelve hours of wear. With a primer, the fall out is lessened. The shimmer in this formula is very, very fine, so the fall out is less noticeable than it would be with a larger particle size (like glitter).

Dior Diorshow Fusion Mono Eyeshadow Chimere (821)
Dior Diorshow Fusion Mono Eyeshadow Meteore (661)

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Chanel Rendez-vous (87) & Secret (85) Rouge Coco Shines

Chanel Rendez-vous (87) Rouge Coco Shine
Chanel Rendez-vous (87) Rouge Coco Shine

Chanel Rendez-vous (87) Rouge Coco Shine ($34.00 for 0.10 oz.) is described as an “intense blue-pink.” It’s a medium, subtle blue-based pink with a luminous sheen. This shade is part of the Colour range, so it is designed to be more pigmented–and it is at nearly opaque coverage–than the original range of Rouge Coco Shines. It wears for four hours, which average, and is lightly hydrating. Urban Decay Fiend is warmer. MAC Please Me is lighter. Chanel Belgravia is darker, cooler-toned. Le Metier de Beaute Fuji is cooler-toned. See comparison swatches.

Chanel Secret (85) Rouge Coco Shine ($34.00 for 0.10 oz.) is described as a “soft shimmering pink.” It’s a warm, peachy beige with a shiny finish. This is part of the sheer range, and as a result, it has semi-sheer color coverage. It doesn’t really alter my natural lip color, but you can see how it does even out my lip color–especially at making my lip freckle look quite faded. Secret lasted two hours on me, and when I wore it a few times back-to-back, it was lightly hydrating. Chanel Melba is lighter. Chanel Gourmandise is similar. See comparison swatches.

Chanel Rouge Coco Shine Hydrating Sheer Lipshine Rendez-vous (87)
9
Product
10
Pigmentation
10
Texture
8.5
Longevity
5
Application
94%
Total
Chanel Rouge Coco Shine Hydrating Sheer Lipshine Secret (85)
Secret (85)
Secret (85)
9
Product
10
Pigmentation
10
Texture
6
Longevity
5
Application
89%
Total

Bobbi Brown Pink Coral (31) Blush

Bobbi Brown Pink Coral Blush
Bobbi Brown Pink Coral Blush

Bobbi Brown Pink Coral Blush ($26.00 for 0.13 oz.) is described as a “bright nectar.” It’s a pink-coral with a matte finish and warm undertones. NARS Soulshine #1 is pinker. Edward Bess Secret Affair is warmer. Tom Ford Flush is brighter, more orange. NARS Deep Throat is more shimmery. MAC Supercontinental is lighter, more orange. Chanel Fleur de Lotus is warmer, more shimmery. See comparison swatches.

Not to be confused with Pink Coral from the Shimmer Blush range (which is numbered 8, and this is 31, for total clarity) that has been out for sometime, this is new for fall. The new shade for fall is also limited edition, and it’s very un-fall like (relative to what we typically see), which is always nice. The texture is soft, finely-milled, and slightly powdery. Though powdery, it does blend out easily and applies evenly; it also doesn’t look powdery on the skin (which is most important). It had fairly good color payoff, but the powderiness made it readily sheer out on drier skin. Pink Coral wore well for seven and a half hours, but it was noticeably faded around the edges after eight hours of wear.

Bobbi Brown Blush Pink Coral
Pink Coral

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Marc Jacobs Beauty The Mod (112) Style Eye-Con No. 3 Palette

Marc Jacobs Beauty The Mod (112) Style Eye-Con No. 3 Palette
Marc Jacobs Beauty The Mod (112) Style Eye-Con No. 3 Palette

Marc Jacobs Beauty The Mod (112) Style Eye-Con No. 3 Palette ($42.00 for 0.14 oz.) is a trio of eyeshadows with a smoky, monochromatic vibe. The formula in these is supposed to “allow true, instant color payoff and long-lasting, plush performance.” The three eyeshadows vary in size, with the lightest being the largest and the darkest being the smallest. The white eyeshadow is the best performer, as it is pigmented and had a good texture, while the other two were less impressive and required some extra work/patience to get to work just right. I think the palette is a rather basic set of shades, so it’s a real shame this didn’t knock it out of the park–because a good smoky eye palette is always a nice color combination for a permanent range.

The Mod #1 is described as an “eggshell white.” It’s a neutral-toned white with a satin finish; it’s not a stark, bright white, but it’s not so warm that it looks more ivory than white. It had really nice color payoff, though the texture was just slightly powdery (but it was easy to blend). MAC This or That #1 is warmer. theBalm Metal-ica is more shimmery. Urban Decay Venus is more ivory-colored. Giorgio Armani Open is similar. See comparison swatches.

The Mod #2 is described as a “black with iridescent shimmer.” It’s a medium-dark matte black with silver and teal iridescent shimmer. The color payoff was good, but the texture was slightly dry and stiffer to work with than many of the other Marc Jacobs’ eyeshadows I’ve played with, so it does take extra work to blend it out on the lid. theBalm Guilty Gwen is more frosted. NARS Night Breed is more matte. Lancome The New Black is similar. Illamasqua Zeitgeist is also similar. Chanel Mirifique is more sparkly, cream. Sugarpill Stella is very similar. See comparison swatches.

The Mod #3 is described as a “light grayish taupe.” It’s a pale, cool-toned gray with hints of purple and a satiny sheen. It had decent color payoff, but this shade was somewhat powdery and slightly dry, so it was difficult to achieve opaque, lasting color. This one was prone to fading after six hours of wear. NARS Namibia is matte. Disney What’s It is lighter. MAC Silver Gull is sparkly. Giorgio Armani Moonlight White #2 is similar. See comparison swatches.

Marc Jacobs Beauty Style Eye-Con No. 3 The Mod (112)
8.5
Product
9
Pigmentation
8.5
Texture
8
Longevity
4.5
Application
86%
Total
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Also In This Review

Laura Mercier Merlot Creme Smooth Lip Color

Laura Mercier Merlot Creme Smooth Lip Color
Laura Mercier Merlot Creme Smooth Lip Color

Laura Mercier Merlot Creme Smooth Lip Color ($26.00 for 0.14 oz.) is described as a “deep burgundy.” It’s a deep, dark reddish wine with a little plum and burgundy. It has a creamy, luminous finish. Guerlain Madame Batifole is brighter, redder. MAC Heaux is matte, brighter. NARS Afghan Red is less red. MAC What Joy is darker. Guerlain Flirt is pinker. Giorgio Armani #408 is warmer. Chanel L’Impatiente is darker, less red. See comparison swatches.

This vampy shade is featured in the fall collection, though it is permanent. The formula is supposed to deliver “rich color with a semi-lustrous finish that lasts six to eight hours.” It is also supposed to hydrate lips and not feather or settle into lip lines while worn. Merlot was mostly opaque on lips, but there was a very slight translucency that kept it from being fully opaque–but it also gave it a lighter look. The consistency is creamy, emollient, and easy to apply without tugging onto the lips. I didn’t notice the color settling into lip lines, and I did not experience feathering when I wore it (but I don’t usually have issues with feathering). The color lasted well for six hours, and then it started to fade but there was a slight stain that lingered. The formula was moderately hydrating, and it was comfortable to wear.

Laura Mercier Crème Smooth Lip Color Merlot
Merlot

Marc Jacobs Genius Gel Super-Charged Foundation & Remedy Concealer Pen

Marc Jacobs Genius Gel Super-Charged Foundation
Marc Jacobs Genius Gel Super-Charged Foundation

Marc Jacobs Genius Gel Super-Charged Foundation ($48.00 for 1.0 fl. oz.) is supposed to be a gel-based formula that is “anti-aging, long-wearing” and “awakens your skin to its ideal radiance and clarity.” The coverage is supposed to be buildable from natural to full coverage, and it is supposed to have “supreme hydration.”

I tried Ivory Medium (14), which is most certainly not my shade (it appears to be the second lightest shade in the spectrum). I’ve included a photo below, but it’s a very sheer application so that most my natural skin tone can come through more and ended up having to apply loose powder (in a shade just darker than my natural skin tone) to make it presentable. Ivory Medium has a soft yellow undertone and a natural satin finish. It’s a little lighter than my forearm, which is light-medium. The very first thing you absolutely need to know is that this foundation is heavily fragranced–one of the most perfumed formulas I have tried. I don’t even remember Chanel being this scented. It smelled like stale flowers to me, but I’m not keen on floral scents (there just seemed to be something off about the scent, though), and I loathed wearing this foundation for every second because of the lingering, all-day scent.

From afar, the foundation looks fine, photographs nicely without any flashback. It has a lightly thickened liquid consistency that spreads evenly across the skin and has a wet, cool feel. It’s completely unforgiving to dry patches, though, and I thought maybe it would be more forgiving after a few hours (because this is touted as hydrating), but it just got worse. I have normal-to-dry skin, but this accentuated any dryness to the point where anyone talking to me would notice the foundation clinging to each piece of imperfect skin. Part of this seemed to be ensuring not to apply more than a light layer of product, and the best way to apply this was with a sponge (like a Beautyblender) over a brush, as most brushes seemed to give it a rather streaky finish. I was able to build to about medium coverage, but it starts to look thick and slightly caked on the skin.

It wears eight hours well, and then it starts looking faded/patchy in places (beyond just the drier areas) after ten hours of wear, so the wear-time was good. I wouldn’t say much longer than average, and I live in a dry climate (California), so I can’t say I’ve tested this under extreme conditions.

Marc Jacobs Bright Idea Remedy Concealer Pen ($39.00 for 0.08 oz.) is described as “an all-in-one eraser, brightener, and corrector.” It’s available in nine shades, and the one I tried was Bright Idea, which is a universal shade. It’s a pale pink with warm, pink undertones. It worked well to camouflage dark under eye circles and smudges (I’m wearing it on my left eye, which is on your right). The consistency is thin, not as thin as water but still quite liquid. It offers light-medium to medium coverage, and it takes a few minutes to really set in place. I would recommend applying, and then checking as you continue to do your makeup or get ready to blend the product again, because it will settle into creases as it sets. Once I’ve let it set and blended away any initial creasing, it doesn’t settle into my fine lines for the rest of the seven hours it wears well. After seven hours, the darkness seems to come back slowly but surely over the next few hours. It comes in a click-type pen, and the applicator is made out of palladium, so it is cool to the touch.

Marc Jacobs Beauty   Remedy Concealer Pen
8.5
Product
8.5
Pigmentation
8.5
Texture
7.5
Longevity
4
Application
82%
Total
Marc Jacobs Beauty   Genius Gel Super-Charged Foundation
6
Product
7
Pigmentation
7.5
Texture
8.5
Longevity
3.5
Application
72%
Total

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